Bonhams Auction-Prints and Multiples 2021

Prints & Multiples
New Bond Street, London I 16 December 2021

Prints & Multiples
New Bond Street, London | Thursday 16 December 2021 at 2pm
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International Prints &
Multiples Department
London, New Bond Street
Lucia Tro Santafe

Head of Department
Laetitia Guillotin
Head of Sale
Suzanne Irvine
Specialist
Jessie Bromovsky
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London, Knightsbridge New York L. A. & San Francisco
Carolin von Massenbach

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Deborah Ripley
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New York
Morisa Rosenberg
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Los angeles
1
ALBRECHT DÜRER (1471-1528)
The Virgin and Child with a Monkey
(Bartsch 42; Meder, Hollstein 30; Schoch Mende Scherbaum 20)
Engraving, circa 1498, on laid paper, watermark Tower, a Meder
L impression, with narrow margins, trimmed on or just inside the
platemark at upper right and lower left corners, with a few small
repaired tears, time staining and foxing, generally in good condition
Plate 187 x 123mm. (7 3/8 x 4 5/8in.);

Sheet 189 x 125 (7 1/2 x 4 7/8in.)
£1,800 - 2,200
€2,100 - 2,600
US$2,400 - 3,000
Provenance
Christie’s, Prints, London, 30 November 1999, lot 55.
Acquired from the above sale by the current owner.
THE LITTLE MASTERS: A COLLECTION (PAGES 8 - 13)

The Little Masters is an epithet used to describe a select group of Georg Pencz worked in Durer’s workshop in Nuremberg and
German artists, including Hans Sebald Beham, Heinrich Aldegrever was also a devotee of mythological images, with some subjects
and Georg Pencz, who produced engravings in the first half of the influenced by his travels in Italy, for example Virgil suspended in a
16th century. So-called because of their small scale and fine detail, basket and Virginia killed by her father (lot 12).
they encompass a variety of subjects, such as religion, mythology
and decorative designs and often had erotic overtones. Their Jacob Binck and Master I.B., an anonymous artist identified only by
diminutive size necessitated great skill and ingenuity with regard to his initials were minor artists within the Little Masters group but are
composition and choice of subject, resulting in some wonderfully included for their small characterful subjects, including engravings
expressive and engaging images. from The Seven Planets (lot 11).
The majority of the works offered here are by Hans Sebald Beham, The intimate scale and appealing subject matter of these works meant
born in 1500 in Nuremberg, home to Albrecht Durer, whose that the Little Masters were popular with contemporary audiences
engravings provided much inspiration. Beham was a prolific who would have collected these to put into albums. As Durer was
printmaker and specialised in small intricate engravings which he a major influence on these artists, so their designs also provided
printed and published himself. He produced a variety of subjects inspiration for later engravers and artists working in other media such
including classical scenes, such as The Labours of Hercules (lot 5) as goldsmiths, tapestry weavers, wood and metal engravers.
and mythological representations as seen in Pacienta (lot 3) and
Death and three nude Women (lot 2), but is probably best known for
his lively images of peasant life, as seen in Peasant’s Feast (lot 8).
Heinrich Aldegrever was a painter, printmaker and goldsmith in

Soest, Westphalia who favoured ornamental and mythological
subjects, including The Labours of Hercules and Ornamental panel
with alphabet (lot 9).
For details of the charges payable in addition to the final Hammer Price of each Lot
8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
2
HANS SEBALD BEHAM (1500-1550)
Death and three nude Women
(Bartsch 6,7,149,151; Hollstein 7,8,150,152)
Engraving, circa 1540, on laid paper, a very good impression, trimmed
to the platemark; together with The Lady and Death, 1541, Adam
and Eve with a skeleton, 1543, The Expulsion of Adam and Eve,
1543, on laid paper, later impressions, with small margins or trimmed
to the borderline, generally in good condition
Plate 77 x 54mm. (3 1/8 x 2 1/4in.)(and smaller) (4)
£1,000 - 1,500
€1,200 - 1,800
US$1,300 - 2,000
Provenance
Herman Marx, London, d.1948 (Lugt 2816a) (B.7)
2 (actual size) (2 of 4 illustrated)
3
A Collection of nine engravings
(Bartsch 4,11,12,19,79,138,207,208,214;
Hollstein 3,12,13,21,83,141,210,211,216)
Including Pacientia, 1540, with a skilfully repaired tear lower right,
Lucretia Standing, circa 1541, Judith seated in an arch, 1547,
Virgin and child with a parrot, 1549, Judith walking to the left with
her servant, circa 1531, Woman with two children in a bathhouse,
circa 1540, Three women bathing, 1548, Buffoon and two bathing
women, 1541, Eve standing, 1523, on laid paper, good to fair
impressions, some later impressions, with small margins or trimmed to
the platemark, generally in good condition
£1,500 - 2,000
€1,800 - 2,400
US$2,000 - 2,700
Provenance
Herman Marx, Surrey, d.1948 (Lugt 2816a) (B.12,79)
WB.Dukes, London, d.1942 (Lugt 2757a) (B.12,19)
G.A.Cardew, London, 1865-1941 (Lugt 1134) (B.79)
Earl of Aylesford, London, 1786-1859 (Lugt 58) (B.79)
3 (3 of 9 illustrated)
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. PRINTS & MULTIPLES | 9
4
A Collection of twelve engravings
(Bartsch 228-231,235,236,242,255-259;
Hollstein 232-235,240,241,251,266-270)
Including Genius with Alphabet, 1542, The Little
Buffoon, 1542, Ornament with two Genii riding
Chimerical Beasts, 1544, Ornament with a
Palmette, circa 1544, Double Goblet and two
Genii, 1531, Coat of Arms with a Lion, 1544,
Coat of Arms with a cock, 1543, Coat of Arms
with an eagle, 1543, Ornament with a mask
held by two Genii, 1544, Ornament with a mask,
1543, Female Genius holding a coat of Arms,
1535, Male Genius holding a Coat of Arms,
1535, on laid paper, good to fair impressions, some
later impressions, trimmed to or on the platemark,
generally in good condition
Sheet 94 x 53mm. (3 3/4 x 2 1/8in.)(and smaller) (12)
£1,200 - 1,800
€1,400 - 2,100
US$1,600 - 2,400
Provenance
Christian David Ginsburg, London, 1831-1914
(Lugt 1145) (B.228)
Bernard Keller, Schaffhouse, 1789-1870 (Lugt 384)
(B.229)
WB.Dukes, London, d.1942 (Lugt 2757a)
(B.229,230,255,256,257)
5
The Labours of Hercules (Bartsch 97,98,100,102-106;
Hollstein 99,100,102,104-108)
Seven engravings from the series of twelve,
1542-48, on laid paper, good impressions, one
later impression, one with small margins, otherwise
trimmed to the borderline, in good condition
£1,000 - 1,500
€1,200 - 1,800
US$1,300 - 2,000
Provenance
5 (1 of 7 illustrated) G.A.Cardew, London, 1865-1941 (Lugt 1134)
6
Melencolia (Bartsch 121,141,144,145; Hollstein 123,144,145,146)
Engraving, 1539, on laid paper, a good impression, trimmed to the
borderline, the lower left and right corners made-up with pen and ink
additions; together with Misfortune, 1541, The Impossible, 1549,
good to fair impressions, Grammatica, a later impression, on laid
paper, generally in good condition
£800 - 1,200
€950 - 1,400
US$1,100 - 1,600
Provenance
G.A.Cardew, London, 1865-1941 (Lugt 1134) (B.144,145)
7
A Collection of thirteen engravings
(Bartsch 8,41,57,63,65,129,135,136,137,188,196,197,200;
Hollstein 9,11,59,67,69,96,131,137,139,189,199,200,203)
Including St Luke, 1541, Three Soldiers and a dog, Guard near
the Powder Casks, circa 1531-50, It is cold weather, 1542, The
Standard Bearer, 1526, three plates from Cognition and the Seven
Virtues, 1539, Charity, St Jerome with an angel, 1521, Saints
Simon and Jude, 1520, St Sebald, 1521, Moses and Aaron,
1526, on laid paper, good to later impressions, most trimmed to the
platemark, various conditions
Sheet 120 x 100mm. (4 3/4 x 4in.)(and smaller) (13)
£800 - 1,200
€950 - 1,400
US$1,100 - 1,600
Provenance
WB.Dukes, London, d.1942 (Lugt 2757a) (B.41)
Herman Marx, Surrey, d.1948 (Lugt 2816a) (B.41)
8
The Peasants’ Feast, or The Twelve Months
(Bartsch 67,82,154,157,158,162,165;
Hollstein 46,176,177,180,181,185,188)
Four engravings from the series, January and February, July and
August, September and October, Peasants fighting, 1546; together
with The Justice of Trajan, 1537, Peasants’ Brawl, Alexander the
Great and Bucephalus, on laid paper, good to fair impressions, latter
two are late impressions, trimmed to or on the platemark, generally in
good condition
£800 - 1,200
€950 - 1,400
US$1,100 - 1,600
Provenance
G.A.Cardew, London, 1865-1941 (Lugt 1134) (B.162)
9
HEINRICH ALDEGREVER (1502-1555)
A Collection of sixty-seven engravings
(Bartsch, Hollstein 57-60,71,83-95,206,231)
Three portfolios containing engravings of various mythological, religious
and ornamental subjects, including the complete set of thirteen
Labours of Hercules, 1550, Hannibal fighting Scipio, 1538, Two
Genii with the Roman Alphabet, Three Genii with a bear, 1529,
The Four Evangelists, 1539, on laid paper, good to very good
impressions and several later impressions, mostly trimmed to the
platemark or with thread margins, mounted on card, within the cloth
and leather-bound portfolios, various conditions
Each portfolio 450 x 300mm. (17 3/4 x 11 7/8in.) (3 portfolios)
£1,200 - 1,800
€1,400 - 2,100
US$1,600 - 2,400
Provenance
Comte Vladimir Daun, Vienna, 1812-1896 (Lugt 2715) (B.14)
G.A.Cardew, London, 1865-1941 (Lugt 1134) (B.16,143,231)
Herman Marx, Surrey, d.1948 (Lugt 2816a) (B.16,143,231)
Karl Scheffler, Vienna, 1838-1911 (Lugt 1644) (B.17)
Kupferstichkabinett, Dresden, 19th Century (Lugt 1618) (B.65)
Kupferstichkabinett der Staatlichen Museen, Berlin
(Lugt 1606; L.2398) (B.101)
KFF.von Nagler, Berlin, 1770-1846 (Lugt 2529) (B.101)
9 (4 illustrated)
10
HEINRICH ALDEGREVER (1502-1555)
A Collection of twenty-two engravings
(Bartsch, New Hollstein 11,28,29,58,62,64,197)
Religious and ornamental designs, including The Judgement
of Solomon, 1555, David tearing his clothes in grief, 1540,
Sophonisba, 1553, Sextus Tarquinius and Lucretia, 1553, St
Mark, 1539, Adam with a Lion, 1530, Children dancing under a
canopy, circa 1532, Double scroll leaf ornament with a putto,
1549, predominantly on laid paper, good to fair impressions, several later
impressions, most trimmed to or on the platemark, various conditions
Plate 122 x 80mm. (4 7/8 x 31/8in.)(and smaller) (22)
£800 - 1,200
€950 - 1,400
US$1,100 - 1,600
Provenance
G.A.Cardew, London, 1865-1941 (Lugt 1134) (H.48,62,205)
WB.Dukes, London, d.1942 (Lugt 2757a) (H.58,64)
10 (2 of 22 illustrated) Herman Marx, Surrey, d.1948 (Lugt 2816a) (H.58,62)
Rijksprentenkabinet, Rijksmuseum, Amsterdam (Lugt 240) (H.64)
11
MASTER IB (ACTIVE 1523-1530)
A Collection of eleven engravings
(Bartsch 8,11,14,16,23,25,32,36,39,50)
Religious, mythological and ornamental designs, including three from
The Seven Planets: Saturn, Mercury, Sol, 1528, Charity, from Seven
Christian Virtues, 1525, Dagger sheath with warrior, 1528, Bagpipe
player, Marcus Curtius, 1529; together with two engravings by Jacob
Binck: Ornamental panel with a soldier, Virgin with a sceptre after
Durer, circa 1520-60, and two by Allaert Claesz: St Mary Magdalene
holding a chalice, The Assumption of the Magdalene, circa 1520-
26, on laid paper, good to later impressions, trimmed to the image or
with thread margins, generally in good condition
£800 - 1,200
€950 - 1,400
US$1,100 - 1,600
Provenance
Sotheby’s London, 26 August 1949 (B.8,11,14,16)
Sotheby’s London, 15 May 1948 (B.50, Claesz Assumption)
Rev’d J.Burleigh James, Shropshire, mid-19th Century (Lugt 1425)
(B.11,16,32)
G.A.Cardew, London, 1865-1941 (Lugt 1134)
WB.Dukes, London, d.1942 (Lugt 2757a) (B.25,50,Claesz Assumption)
Herman Marx, Surrey, d.1948 (Lugt 2816a) (B.50,Claesz Assumption)
12
GEORG PENCZ (1500-1550)
A Collection of twenty-eight engravings
(Bartsch 37,70,72,73,79,81,84,87,88,97,99,101-4,110,116; Hollstein
49,82,88,109,111-115,120,122,123,125,131,133,136,137)
Religious and mythological subjects, including two from the Story of
Virgil: Virgil suspended in a basket and The Courtesan punished,
1541, Aristotle and Phyllis, 1545, Parable of the Sower, 1534,
Virginia killed by her father, 1546, three from Fables: Tamiris with
the head of Cyrus, Paris and Oenone, Procris and Cephalus,
1539, six from Stories of Roman History, 1546, including Porsenna
hears of Cloelia’s escape, and Death of Lucretia, two from The
Liberal Arts: Grammatica and Astrologia circa 1541, five from
the series The Vices, circa 1541, on laid paper, good to very good
impressions, some later impressions, mostly trimmed to the platemark
or with thread margins, in various conditions
Plate 120 x 78mm. (4 3/4 x 3in.)(and smaller) (28)
£800 - 1,200
€950 - 1,400
US$1,100 - 1,600
Provenance
Sotheby’s London 8 June 1949 (B.7,75,76,99,101,102,103,14,15,16,
17,18,19,70)
Sotheby’s London 2 December 1948 (B.37,81,80,84,87,88)
Sotheby’s London 25 May 1948 (B.73,93)
William Bell Scott, London, 1811-1890 (Lugt 2607) (B.37,84)
G.A.Cardew, London, 1865-1941 (Lugt 1134) (B.73,104,116)
D.U. - German Collection, 19th Century (Lugt 796) (B.81)
Herman Marx, Surrey, d.1948 (Lugt 2816a) (B.73,104,116) 12 (2 of 28 illustrated)
13
REMBRANDT HARMENSZ VAN RIJN
(1606-1669)
Joseph telling his Dreams
(Bartsch 27; New Hollstein 167)
Etching, 1638, on laid paper, a good impression
of New Hollstein’s third state (of six), with small
margins, generally in good condition, framed
Plate 110 x 83mm. (4 3/8 x 3 1/4in.);

Sheet 118 x 89mm. (5 x 3 1/2in.)
£3,000 - 5,000
€3,600 - 5,900
US$4,000 - 6,700
13 (actual size of the plate)
14
(1606-1669)
Chris at Emmaus: The Smaller Plate
Etching and drypoint, 1634, on laid paper, a good
impression of New Hollstein’s only state, with narrow
to thread margins, with a repaired tear at the upper
right edge, a central horizontal crease and a skilfully
repaired tear at the lower right image, other surface
defects
Plate 102 x 73mm. (4 1/8 x 2 7/8in.);

Sheet 107 x 75mm. (4 1/4 x 2 7/8in.)
£2,500 - 3,500
€3,000 - 4,200
US$3,400 - 4,700
14 (actual size of the plate)
15
(1606-1669)
Self-Portrait Etching at a Window
Etching and drypoint, 1648, on laid paper, New
Hollstein’s sixth state (of nine), with narrow margins,
a small paper loss at the upper left corner; together
with Faust in his study (B.270; NH.270), etching,
drypoint and engraving, circa 1652, on wove paper,
a later impression of New Hollstein’s sixth state
(of seven), trimmed to the plate, generally in
good condition
Plate 160 x 130mm. (6 1/4 x 5 1/8in.) (2)

Sheet 167 x 134mm. (6 5/8 x 5 1/4in.)
£3,000 - 5,000
€3,600 - 5,900
US$4,000 - 6,700
16
(1606-1669)
Cornelis Claesz Anslo, Preacher
Etching with drypoint, 1641, on Japan laid paper,
a good impression of New Hollstein’s fourth state
(of five), trimmed inside the platemark, laid down
onto a support sheet, with pale scattered foxmarks
Sheet 182 x 156mm. (7 1/4 x 6 1/8in.)
£2,500 - 3,500
€3,000 - 4,200
US$3,400 - 4,700
Provenance
Peter Birmann & Söhne, Switzerland, 1758-1844
(Lugt 414c)
16
17
(1606-1669)
The Star of the Kings: A Night Piece
Etching with touches of drypoint, circa 1652, on laid paper, New
Hollstein’s third state (of four), with narrow margins; together with The
Tribute Money (B.68; NH.138), etching with touches of drypoint, circa
1634, on wove paper, New Hollstein’s final fourth state, with thread
margins; and The Agony in the Garden (B.75; NH.269), etching
and drypoint, 1657, on wove paper, New Hollstein’s third, final state,
trimmed to the platemark, generally in good condition
Plate 94 x 143mm. (3 5/8 x 5 5/8in.) (3)
£3,000 - 5,000
€3,600 - 5,900
US$4,000 - 6,700
18
(1606-1669)
The Raising of Lazarus: The Larger Plate
Etching and engraving, circa 1632, on wove paper, a good impression
of New Hollstein’s eighth state (of nine), with margins, pale foxmarks in
the margins, otherwise generally in good condition
Plate 366 x 258mm. (14 3/8 x 10 1/8in.);

Sheet 391 x 270mm. (15 3/8 x 10 5/8in.)
£1,500 - 2,500
€1,800 - 3,000
US$2,000 - 3,400
18
19
GIOVANNI BATTISTA PIRANESI (1720-1778) compositions and mastery of several techniques, including etching,
Prisoners on a projecting platform, from Carceri d’Invenzione engraving, sulphur tint, open bite and burnishing.
(Robison 36; Focillon 33; Hind 10)
Etching with engraving and open-bite or sulphur tinting, circa 1749, Prisoners on a Projecting Platform is an impression from the First
on laid paper, with watermark Fleur-de-lys in a single circle (Robison Edition. These prints tend to have a more sketchy quality than the
5), a fine, early impression of Robison’s first state (of six), from the First later editions, conveying a sense of freedom and lightness of touch
Edition, probably first or second issue, before the ink dabbing under in their execution and offering the viewer an insight into the artist’s
the platform usually found on the third issue, printed with detail and working process. Careful inking and wiping of the plate emphasizes
selectively wiped plate tone, particularly in the shadowed areas of the fine detail which can be seen in this impression. Later states were
the figures and under the platform, with the central vertical fold, wide reworked, including the addition of ink dabbing beneath the platform,
margins, generally in very good condition, framed which the artist added with his fingers. This technique may have
been used to disguise the slight foul biting that appears there and to
Plate 410 x 543mm. (16 1/8 x 21 3/8); increase the contrast, but it could also have the effect of obscuring
Sheet 513 x 705mm. (20 1/8 x 27 3/4in.) some lines and giving an uneven appearance to the light and shade.
No such obscurity veils the finely etched details here.
£8,000 - 12,000
€9,500 - 14,000 This plate stands apart as it is the only one in the series which
US$11,000 - 16,000 contains a substantial group of figures; prisoners who are bound and
contorted, referencing the suffering that you might expect to see in
these dungeons and sparking the viewer’s imagination. The image is
The Carceri d’Invenzione was first produced in 1749 as a series of 14 composed to lead your eye to this group, framed with monumental
etchings. The series is unusual within Piranesi’s oeuvre in that these stone arches and seen from a low viewpoint, devices which are
etchings of dark, mysterious interiors are not representations of actual employed in all the plates in the series.
places, unlike his scenes of Vedute di Roma, and he never explained
their origin, nor their meaning. As with his Roman views, they show Piranesi’s experimental approach to this series, producing the First
his fascination with architecture and his background in engineering Edition of finely etched plates, then subsequently reworking the images
and stage design, with dramatic use of space and chiaroscuro. It is in various stages, allowed him to develop his technique and reveal
probable that at this stage in his career he wished to diverge from his virtuosity. This fine example of an early First Edition etching allows
his usual compositions and take the opportunity to experiment, in us a glimpse into Piranesi’s working methods, his understanding of
order to demonstrate his skill and innovation to prospective new architecture, his imagination, his draughtsmanship and ultimately his
clients. He certainly achieved this in the Carceri series with imaginative pride in his craft.
20 *
HENRI DE TOULOUSE-LAUTREC (1864-1901)
La Valse des Lapins
(Delteil 143; Adhémar 160; Wittrock 138)
Lithograph, 1895, on Japan paper, signed in pencil,
further inscribed with the publisher’s name ‘A.
Bosc’ in pencil, with the artist’s red monogram,
an unrecorded proof aside from the editions of
1895 and 1901 (Wittrock only cites two known
proofs on Japan), with margins, with the central
fold (as issued), with pale mount and time staining,
otherwise in overall good condition
Image 315 x 235 mm. (12 3/8 x 9 1/4in.);

Sheet 448 x 308mm. (17 5/8 x 12 1/8in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
20
21 AR
WILLIAM GREENGRASS (1896-1970)
Abbotsbury
Linocut printed in colours, 1934, on oriental laid
paper, signed, titled, dated and numbered 1/50
in pencil, pale mount staining, generally in good
condition, framed
Block 240 x 250mm. (9 1/2 x 9 7/8in.);

Sheet 268 x 297mm. (10 1/2 x 11 3/4in.)
£2,500 - 3,500
€3,000 - 4,200
US$3,400 - 4,700
21
22
DORRIT BLACK (1891-1951)
Backs of Homes, Veere (Coppel DB.9)
Linocut printed in black, red, yellow, blue, circa
1929, on cream oriental laid paper, initialled in pencil
lower right image and numbered 6/50 in pencil in
the left margin, annotated by Claude Flight Backs
of Houses, Veere, Dorrit Black, £2.2.0 in black ink
in the left margin, some minor surface defects,
otherwise in good condition, framed
Block 232 x 310mm. (9 1/8 x 12 1/4in.);

Sheet 237 x 306mm. (9 3/8 x 12in.)
£3,000 - 5,000
€3,600 - 5,900
US$4,000 - 6,700
Claude Flight wrote to Dorrit Black on 11 June 1930

to acknowledge receipt of impressions 1/50 to 9/50
from the artist: “Backs of Houses Veere” is simply
delightful in every way. I love it. It is the best example
I have seen yet of how to do a lino-cut.
22
Linocuts of the Machine Age by Stephen Coppel,
Scolar Press, 1995, p.154
23
DORRIT BLACK (1891-1951)
Corner of the Garden (Coppel DB.32)
Linocut printed in yellow ochre, vermilion, viridian,
cobalt blue, grey, circa 1936, on buff oriental laid
tissue, signed and numbered 2/50 in pencil in the
lower left margin, a rare impression (Coppel records
only three unsigned proofs and that the edition is
unknown), with margins, a paper split to the centre
left image and the upper right sheet corner with a
paper loss, generally in good condition, framed
Block 257 x 307mm. (10 1/8 x 12in.);

Sheet 285 x 353mm. (11 1/4 x 13 7/8in.)
£3,000 - 5,000
€3,600 - 5,900
US$4,000 - 6,700
23
24 AR
PABLO PICASSO (1881-1973)
David et Bethsabée (d’après Lucas Cranach) (Bloch 439; Mourlot 109)
Lithograph, 1947, on wove paper, first state (of ten), signed and
numbered 43/50 in pencil, printed by Mourlot, published by Galerie
Louise Leiris, Paris, the full sheet, with a deckle edge above
and below, with pale time staining, generally in very good
condition, framed
Sheet 650 x 495mm. (25 9/16 x 19 1/2in.)
£7,000 - 10,000
€8,300 - 12,000
US$9,400 - 13,000
25 * AR
L’Aubade, avec Femme Accoudée (Baer 1233)
Linocut printed in brown and beige, 1959, on Arches wove paper, the
first state (of three), Baer records only seven to eight impression of
this state, with the ‘Imprimerie Arnéra Archives/Non Signé’ ink stamp
verso, the full sheet, with pale time staining, otherwise in very good
condition
Plate 535 x 645mm. (21 x 25 1/4 in.);

Sheet 621 x 750mm. (24 1/2 x 29 3/4in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
26 AR
Citando al Toro con el Rejon, from La Tauromaquia
(Bloch 975; Baer 995; Cramer Books 100)
Sugar-lift aquatint, 1957, on japon nacré paper, signed in red pencil
and numbered 5/12 in pencil, published by Editorial Gustavo Gili, S.A.,
Barcelona, the full sheet with deckle edges at all four sides, with pale
mount staining, otherwise in good condition, framed
Image 195 x 290mm. (7 5/8 x 11 3/8in.);

Sheet 350 x 510mm. (13 3/4 x 20in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
27 AR
Femme au bord de la mer
(Bloch 67; Baer 237; Mourlot XVII)
Lithograph, 1924, on tinted Van Gelder wove paper,
signed and numbered 33/50 in pencil, published
by Galerie Simon, Paris, the full sheet, with deckle
edges at all four sides, with light-staining and some
scattered foxing, generally in good condition, framed
Image 200 x 308mm. (8 1/16 x 12 1/16in.);

Sheet 282 x 382mm. (11 1/8 x 14 3/4in.)
£3,000 - 5,000
€3,600 - 5,900
US$4,000 - 6,700
27
28 • AR
L’Atelier de Cannes, frontispiece for Ces peintres
nos amis, Vol. II (Mourlot 279; Bloch 794)
Lithograph in colours, 1957, on wove paper, from
the unsigned edition of 250, with text by Gilberte
Duclaud, printed by Mourlot, Paris, published by
Galerie 65 Cannes, 1960, the full sheet, bound
(as issued), minor time staining, otherwise in good
condition
Folio 445 x 330mm. (17 1/2 x 13in.)
£2,000 - 3,000
€2,400 - 3,600
US$2,700 - 4,000
The work was first produced in 1956 as a

frontispiece for the book Dans l’atelier de Picasso,
Picasso later embellished the print with additional
colours, for the cover of Ces peintres nos amis,
Volume II.
28
Marc Chagall is recognised as one of the leading Tériade believed Chagall would be perfect at capturing a
lithographers of the 20th century. The following collection tale of love over adversity and he was not wrong. After a trip
highlights the artist’s fascination with printmaking in Paris abroad and inspired by the light and landscape of the Greek
from the 1950s to the 1980s and his close collaboration with islands he visited, Chagall returned to Paris with a series of
master printmaker Charles Sorlier and the Mourlot Studios. preparatory studies to produce the portfolio with Sorlier. It
has since come to be regarded as one of the most important
It was a fascination that mainly came about later in and beautifully illustrated books of the last century – and a
Chagall’s career when he had reached the grand aged of highlight of Chagall’s storied career.
63. After returning to France in 1947, having escaped Nazi-
occupied France for the United States six years earlier, he As Chagall and Sorlier’s relationship strengthened, Sorlier
took up printmaking with the aid of both Atelier Mourlot would evaluate the quality of the lithographs and numbering
director, Fernand Mourlot, and expert printmaker, Charles of the proofs, destroying any excess, after which Chagall
Sorlier. Sorlier would become Chagall’s most important would hand sign them. Devoted to the process and insistent
creative collaborator, assisting him in the Mourlot atelier. upon rigorous standards, Chagall would work and rework
Together they would come to create an exceptional body the plates and colours until he was completely happy,
of lithographic work, illustrating Chagall’s most recognised standing with Sorlier at every step of the process. Sorlier
and favourite subjects from matrimony, birds, animals and once wrote ‘the great integrity he invests in his work…
flowers to biblical scenes and the circus. requires that the plate bear my name each time he has
not directly participated in the transcription to stone’. For
Within this important private collection, assembled over two this reason, most of the afterworks are signed by Marc
decades from Northern Germany, is offered a selection of Chagall and in the stone by Charles Sorlier. These so-
prints from Chagall’s first major colour portfolio, Daphnis called afterworks are currently some of the most valuable
et Chloé (Lot 33-42). The 42 lithographs that make up the and sought after works of Chagall’s entire artistic oeuvre
vibrant book are based on the Greek poet Longus’ retelling (Lot 53-54). Such collaborations exemplify the close and
of Daphnis and Chloé love story. Commissioned by one harmonious bond between the artist and the master printer.
of the most important art publishers of the 20th Century,
PROPERTY FROM A PRIVATE COLLECTION,
NORTHERN GERMANY
29 * AR
MARC CHAGALL (1887-1985)
Femme-Oiseau (Mourlot 49)
Lithograph in colours, 1950, on wove paper, signed
in pencil, a proof aside from the edition of 50 before
text, with wider margins, with light-and backboard
staining, the green slightly attenuated, generally in
good condition
Image 420 x 555mm. (16 1/2 x 21 7/8in.);

Sheet 544 x 670mm. (21 3/8 x 26 3/8in.)
£2,500 - 3,500
€3,000 - 4,200
US$3,400 - 4,700
29
30 * AR
Bonjour sur Paris (Mourlot 71)
Lithograph in colours, 1952, on Arches wove paper,
by Fernand Mourlot, Paris, 1955, the full sheet with
deckle edges on all sides, the colours strong and
vibrant, in very good condition
Image 410 x 525mm. (16 1/8 x 20 3/4in.);

Sheet 501 x 660mm. (19 3/4 x 26in.)
£7,000 - 10,000
€8,300 - 12,000
US$9,400 - 13,000
30
31 * AR
Nature morte au Bouquet (Mourlot 299)
by Maeght Editeur, Paris, the full sheet with deckle
edge at right and below, with light-staining but
colours still strong, in good condition
Image 650 x 502mm. (25 5/8 X 19 3/4in.);

Sheet 740 x 577mm. (29 1/8 X 22 3/4in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
31
32 * AR
Songe d’un Amoureux (Mourlot 301)
the second (final) state, signed and numbered 63/75
in pencil, published by Maeght, Paris, the full sheet
with a deckle edge at right, with pale light-staining,
the red and pink colours slightly attenuated,
otherwise in good condition
Image 505 x 650mm. (19 3/4 x 25 1/2in.);

Sheet 767 x 582mm. (30 1/4 x 22 7/8in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
32
33 * AR
Printemps au Pré, from Daphnis et Chloé (Mourlot 314; Cramer Books 46)
Lithograph in colours, 1961, on Arches wove paper, signed and
numbered 12/60 in pencil, printed by Mourlot, published by Tériade,
Paris, the full sheet with a deckle edge at right and below, with minor
light-staining, the colours still strong and vibrant, in good condition
Image 420 x 640mm. (16 1/2 by 25 1/4in.);

Sheet 538 x 756mm. (21 1/4 x 29 3/4in.)
£20,000 - 30,000
€24,000 - 36,000
US$27,000 - 40,000
34 * AR
Daphnis et Chloé au Bord de la Fontaine, from Daphnis et Chloé
(Mourlot 313; Cramer books 46)
Paris, the full sheet with a deckle edge below, with pale mount
staining, the colours strong and fresh, in good condition
Image 425 x 322mm. (16 3/4 x 12 5/8in.);

Sheet 542 x 377mm. (21 1/4 x 14 7/8in.)
£10,000 - 15,000
€12,000 - 18,000
US$13,000 - 20,000
35 * AR
Le Baiser de Chloé, from Daphnis et Chloé
Paris, the full sheet with deckle edge below, the colours strong, in very
good condition
Image 423 x 320mm. (16 5/8 x 12 5/8in.);

Sheet 537 x 375mm. (21 1/4 x 14 3/4in.)
£8,000 - 12,000
€9,500 - 14,000
US$11,000 - 16,000
36 * AR
La Leçon de Philétas, from Daphnis et Chloé
Paris, the full sheet with a deckle edge below, with pale light-staining,
Image 425 x 325mm. (16 3/4 x 12 7/8in.);

Sheet 539 x 380mm. (21 1/4 x 150in.)
£10,000 - 15,000
€12,000 - 18,000
US$13,000 - 20,000
37 * AR
Enlèvement de Chloé, from Daphnis et Chloé
Paris, the full sheet with a deckle edge at right and below, the colours
strong and vibrant, some staining at the extreme sheet edges,
generally in good condition
Image 421 x 640mm. (16 1/2 by 25 1/4in.);

Sheet 537 x 757mm. (21 1/4 x 29 3/4in.)
£20,000 - 30,000
€24,000 - 36,000
US$27,000 - 40,000
38 * AR
Le Repas chez Dryas, from Daphnis et Chloé
Paris, the full sheet with deckle edges at right and below, the colours
strong and vibrant, in good condition
Image 424 x 639mm. (16 3/4 x 12 3/4in.);

Sheet 537 x 757mm. (21 1/8 x 29 3/4in.)
£15,000 - 20,000
€18,000 - 24,000
US$20,000 - 27,000
39 * AR
La Chasse aux Oiseaux, from Daphnis et Chloé
Paris, the full sheet with deckle edges on three sides, in good
condition
Image 420 x 640mm. (16 3/4 x 25 1/4in.);

Sheet 535 x 762mm. (21 x 30in.)
£18,000 - 22,000
€21,000 - 26,000
US$24,000 - 30,000
40 * AR
Les Fleurs Saccagées, from Daphnis et Chloé
Paris, the full sheet with a deckle edge below, the colours strong and
vibrant, in very good condition
Image 427 x 326mm. (16 3/4 x 12 3/4in.);

Sheet 540 x 378mm. (21 1/4 x 14 7/8in.)
£12,000 - 18,000
€14,000 - 21,000
US$16,000 - 24,000
41 * AR
MARC CHAGALL (1887-1985) Now that Matisse is dead, Chagall is the
Mégaclès reconnait sa Fille pendant le Festin, from Daphnis et Chloé
(Mourlot 347; Cramer books 46) only painter who really understands what
Lithograph printed in colours, 1961, on Arches wove paper, signed
in pencil, a proof aside from the edition of 60, printed by Mourlot,
colour is…There is never been anybody
published by Tériade, Paris, the full sheet with deckle edges at right since Renoir who has the feeling for light
and below, the colours strong and vibrant, in very good condition
that Chagall has.
Image 421 x 641mm. (16 1/2 x 25 1/4in.);
- Pablo Picasso
Sheet 538 x 755mm. (21 1/4 x 29 3/4in.)
£15,000 - 20,000
€18,000 - 24,000
US$20,000 - 27,000
42 * AR
Hyménée, from Daphnis et Chloé (Mourlot 349; Cramer books 46)
Paris, the full sheet with deckle edges at right and below, the colours
strong, in good condition
Image 420 x 640mm. (16 1/2 x 25 1/4in.);

Sheet 535 x 757mm. (21 1/8 x 29 3/4in.)
£10,000 - 15,000
€12,000 - 18,000
US$13,000 - 20,000
43 * AR
Le Bouquet Rouge (Mourlot 580)
numbered 31/50 in pencil (there were also 25 artist’s proofs), the full
sheet with a deckle edge at right, with light-staining, the green/blue
and brown colours slightly attenuated, generally in good condition
Image 560 x 380mm. (22 x 15in.);

Sheet 756 x 530mm. (29 x 21in.)
£6,000 - 8,000
€7,100 - 9,500
US$8,100 - 11,000
43
44 * AR
Intimité (Mourlot 571)
numbered 18/50 in pencil (there were also 25 artist’s proofs), the
full sheet with deckle edge at right and below, with light-staining,
Image 600 x 390mm. (23 1/2 x 15 3/4in.);

Sheet 755 x 542mm. (29 3/4 x 21 3/8in.)
£6,000 - 8,000
€7,100 - 9,500
US$8,100 - 11,000
44
45 * AR
Fleurs devant la Fenêtre (Mourlot 478)
signed and numbered 32/50 in pencil, the full sheet,
with deckle edges at right and below, with the palest
light-staining, otherwise in good condition
Image 450 x 420mm. (17 3/4 x 16 1/2in.);

Sheet 665 x 532mm. (26 1/4 x 21in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
45
46 * AR
Vocation (Mourlot 601)
Lithograph in colours, 1969, on japon nacré paper,
signed and numbered 2/35 in pencil, the full sheet
with deckle edges at right and below, with the palest
light-staining, the colours strong and vibrant, in very
good condition
Image 280 x 235mm. (11 x 9 1/4in.);

Sheet 469 x 355mm. (18 1/2 x 14in.)
£2,000 - 3,000
€2,400 - 3,600
US$2,700 - 4,000
46
47 * AR
La Sainte Famille (Mourlot 622)
numbered 7/50 in pencil, the full sheet with deckle edge at right, with
pale mount staining, the colours strong, in good condition
Image 653 x 500mm. (25 3/4 x 19 3/4in.);

Sheet 751 x 590mm. (29 1/2 x 23 1/4in.)
£12,000 - 18,000
€14,000 - 21,000
US$16,000 - 24,000
48 * AR
Le Paradis bleu (Mourlot 612)
signed and numbered 34/50 in pencil, possibly the
full sheet, with deckle edges below and right, very
pale light-staining, otherwise in good condition
Image 760 x 560mm. (29 7/8 x 22in.);

Sheet 906 x 665mm. (35 3/4 x 26 1/4in.)
£6,000 - 8,000
€7,100 - 9,500
US$8,100 - 11,000
48
49 * AR
La Lecture (Mourlot 688)
signed and numbered 11/50 in pencil, published by
Maeght, Éditeur, the full sheet with a deckle edge at
right and below, pale time staining, the red slightly
attenuated, otherwise in good condition
Image 500x 400mm. (19 5/8 x 15 3/4in.);

Sheet 668 x 502mm. (26 1/4 x 19 3/4in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
49
50 * AR
La Flute enchantée III (Mourlot 667)
Lithograph in colours, 1972, on wove paper, signed
and inscribed Epreuve d’artiste in pencil, an artist’s
proof aside from the edition of 50, the full sheet, with
pale light-staining but the colours strong, otherwise
in good condition
Image 420 x 325mm. (16 1/2 x 12 3/4in.);

Sheet 589 x 442mm. (23 1/4 x 17 3/8in.)
£6,000 - 8,000
€7,100 - 9,500
US$8,100 - 11,000
50
51 * AR
Tendresse (Mourlot 1020)
signed and numbered 15/50 in pencil, the full sheet
with deckle edge below, in very good condition
Image 460 x 330mm. (18 1/8 x 13in.);

Sheet 654 x 477mm. (25 3/4 x 18 3/4in.)
£7,000 - 10,000
€8,300 - 12,000
US$9,400 - 13,000
51
52 * AR
Le Chevalet fleuri (Mourlot 1039)
stamp signed and numbered 22/50 in pencil, with
the artist’s studio blindstamp, the full sheet with
deckle edge below, the colours strong and vibrant,
in very good condition
Image 325 x 250mm. (12 3/4 x 9 7/8in.);

Sheet 550 x 430mm. (21 5/8 x 16 7/8in.)
£2,500 - 3,500
€3,000 - 4,200
US$3,400 - 4,700
52
53 * AR
AFTER MARC CHAGALL (1887-1985) BY
CHARLES SORLIER
Les Glaïeuls (Sorlier 24)
signed in blue ink and numbered 113/250 in pencil,
the full sheet with deckle edges at right and below,
with pale time and light-staining, otherwise in good
condition
Image 330 x 250mm. (13 x 9 7/8in.);

Sheet 423 x 309mm. (17 x 12 1/8in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
53
54 * AR
AFTER MARC CHAGALL (1887-1985) BY CHARLES SORLIER
Soleil Couchant, from Nice et la Côte d’Azu (Sorlier 26)
numbered 82/150 in pencil, printed by Mourlot, Paris, with margins,
a deckle edge at right, with mount and light-staining, the colours
attenuated, otherwise in good overall condition
Image 595 x 455mm. (23 3/8 x 17 7/8in.);

Sheet 695 x 522mm. (27 3/8 x 20 1/2in.)
£8,000 - 12,000
€9,500 - 14,000
US$11,000 - 16,000
VARIOUS PROPERTIES
55 AR My father, who lived in Barcelona, was a wildlife

painter. He painted birds, especially doves. In old
Colombe brillante (Ramié 218)
stamped and marked Madoura Plein Feu/Edition Picasso/d’Après age, as his eyesight deteriorated, he entrusted
Picasso (underneath) his brush to me, and asked me to paint the doves’
white earthenware glazed ceramic plate with coloured engobe, partially feet, because he was finding this detailed work
engraved
difficult. Once he was satisfied that I was going
Conceived in 1953 and executed in an edition of 400
a good job, he laid aside his brush for good, and I
Diameter 390mm. (15 3/8in.) succeeded him in our family of artists.
£7,000 - 10,000 How joyful he would have been if he were still

€8,300 - 12,000 alive to know that my two humble little doves had
US$9,400 - 13,000
flown around the whole world.
– Pablo Picasso
56 AR
Visage de Femme (Ramié 220)
stamped and marked Edition Picasso/Madoura Plein
Feu/Edition Picasso Madoura (underneath)
white earthenware glazed dish painted in colours,
knife engraved
390 x 322mm. (15 3/8 x 12 11/16in.)
£15,000 - 20,000
€18,000 - 24,000
US$20,000 - 27,000
56
57 AR
Visage de femme (Ramié 286)
Stamped, marked and numbered Madoura Plein
Feu/Edition Picasso/ I 120 /Edition Picasso/
158/500 /Madoura (underneath)
white earthenware ceramic plate with white glaze
and black engobe, partially engraved
388 x 320mm. (15 1/4 x 12 5/8in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
57
58 * AR
Chouette (Ramié 603)
stamped, marked and numbered Edition Picasso/
Madoura Plein Feu/Edition Picasso/ 214/250’
(underneath)
white earthenware ceramic vase with coloured
engobe and glaze, partially engraved
Conceived in 1969 and executed in a numbered
edition of 250
Height 285mm. (11 1/4in.)
£6,000 - 8,000
€7,100 - 9,500
US$8,100 - 11,000
58
59 * AR
Visage no. 130 (Ramié 479)
marked and numbered No 130/Edition Picasso/
311/500 / Madoura (underneath)
white earthenware ceramic plate with coloured
engobe and glaze
Conceived in 1963 and executed in a numbered
edition of 500.
Diameter 250mm. (9 7/8in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
59
60 * AR
Hibou noir perché (Ramié 398)
stamped, marked and numbered Edition Picasso/
Madoura Plein Feu/Edition Picasso / 6/100
(underneath)
terracotta plate, with black engobe, partially
engraved
Conceived on 7 May 1957 and executed in an
edition of 100
Diameter 429mm. (16 7/8in.)
£7,000 - 10,000
€8,300 - 12,000
US$9,400 - 13,000
60
61 AR
Corrida sur fond noir (Ramié 198)
stamped Madoura Plein Feu/Edition Picasso
(underneath)
white earthenware ceramic plate, partially engraved,
with coloured engobe and glaze
Conceived on 25 September 1953 and executed in
an edition of 500
315 x 390mm. (12 3/8 x 14 7/8in.)
£5,000 - 7,000
€5,900 - 8,300
US$6,700 - 9,400
61
62 AR
AFTER FERNAND LÉGER (1881-1955)
Visage à une main fond ocre (cf. Saphire 111)
Painted and glazed ceramic relief, circa 1950, titled
and numbered 124/250 with the ‘Musée National
F. LEGER_BIOT’ stamp verso, France, in very good
condition
445 x 307mm. (17 1/2 x 12 1/8in.)
£8,000 - 12,000
€9,500 - 14,000
US$11,000 - 16,000
63 AR
AFTER FERNAND LÉGER (1881-1955)
Les Acrobates sur fond orange
Painted and glazed ceramic relief, circa 1950, titled
and numbered 24/250, with the ‘Musée National F.
LEGER_BIOT’ stamp verso, France, in very good
condition
500 x 460mm. (19 5/8 x 18in.)

62
£8,000 - 12,000
€9,500 - 14,000
US$11,000 - 16,000
Fernand Léger was a painter, printmaker and

sculptor, who developed a strong visual language
of shape and colour to interpret his view of modern
life and is perhaps best known for his distinctive
brightly coloured subjects outlined in black. He
liked to experiment with other media including book
illustrations, stained glass and ceramics.
In 1949 he began working in collaboration with
the ceramicist Roland Brice at Biot, near Antibes.
Léger conceived the designs and Brice produced
the moulds which were then shaped and coloured
by Léger. The designs were partially inspired by
motifs already used in his paintings and prints, with
two favourite subjects being the circus and head of
a woman. These two ceramic reliefs show his use
of vibrant colours to contrast with the white glazed
ceramic of the figures and black lines to emphasize
the three dimensionality of the work.
Shortly after Léger’s death in 1955, his wife Nadia
built the Musée national Fernand Léger in Biot,
which now houses the French national collection of
his work, including several ceramic pieces.
63
64 * AR
JOAN MIRÓ (1893-1983)
Nebula (Mourlot 255)
Lithograph in colours, 1958, on Arches wove
paper, signed and inscribed ‘H.C’ in pencil, an hors
commerce aside from the edition of 100, published
by Maeght Editeur, Paris, the full sheet with deckle
edges on three sides, mount and light-staining, with
backboard staining, other surface defects, framed
Sheet 498 x 654mm. (19 5/8 x 25 3/4in.)
£1,500 - 2,500
€1,800 - 3,000
US$2,000 - 3,400
Provenance:
With the blindstamp of Galleria Libreria Prandi,
Reggio Emilia.
64
65 * AR
JOAN MIRÓ (1893-1983)
Joan Miró Lithographs II: One plate (Mourlot 1045;
Cramer 198)
signed and numbered LXV/LXXX in pencil, published
by Maeght, Paris, the full sheet, with minor light-
staining, otherwise in good condition, framed
Sheet 450 x 616mm. (24 1/4 x 17/1/2 in.)
£2,500 - 3,500
€3,000 - 4,200
US$3,400 - 4,700
65
66
67
66 * AR 67 * AR
YVES TANGUY (1900-1955) JEAN (HANS) ARP (1886-1966)
Le Grand Passage (Wittrock 19B-C) I, Rue Gabrielle
The complete book comprising two etchings in colours, 1954, on The set of twelve etchings, 1958, on Rives wove paper, signed in
Creve-Coeur du Marais paper, with text by Jean Laude, each etching pencil on the justification, copy 31 from the edition of 60 on this paper
signed in pencil and numbered 22/40, further numbered XII on the (the total edition was 75 plus 15 hors commerce copies in Roman
justification, from the edition of thirty copies numbered in Roman numerals), published by Editions XX Siècle, Paris, the full sheets, loose
numerals (the total book edition was 41), printed by Atelier 17, (as issued), in very good condition, with the original presentation folio
published by Les Presses Littéraires de France, Paris, the full sheets, case
contained in the original collaged paper wrappers and blue paper-
covered boards, in good overall condition Overall 300 x 325mm. (11 3/4 x 12 3/4in.)
Overall 280 x 220mm. (11 x 8 3/4in.)

£1,000 - 1,500
€1,200 - 1,800
£2,500 - 3,500 US$1,300 - 2,000
€3,000 - 4,200
US$3,400 - 4,700
68 * AR
JEAN DUBUFFET (1901-1985) AND ASGER
JORN (1914-1972)
Musique phénoménale
The set of four vinyl discs with lithographic covers,
1961, with Introductory text by Asger Jorn, each
disc numbered 1/50, published by Galleria del
Cavallino, Venise, contained in the original beige
canvas-covered folder case with the artist’s and
date printed on the front, in good overall condition
68
Overall 295 x 285mm. (12 x 11 1/2in.)
£1,200 - 1,800
€1,400 - 2,100
US$1,600 - 2,400
69 *
ALEXANDER CALDER (1898-1976)
Four Onions
Lithograph in colours, 1965, on Rives wove paper,
signed and numbered 78/90 in pencil, the full sheet,
with a short tear at the upper sheet edge; together
with Composition, lithograph in colours, 1975,
on Rives wove paper, signed and numbered 7/90
in pencil, the full sheet, some creasing mainly to
the sheet edges, otherwise both in overall good
condition (2)
Sheet 538 x 755mm. (21 1/8 x 29 3/4 in.);

Sheet 540 x 750mm. (21 1/4 x 29 1/2in.)
£2,000 - 3,000
€2,400 - 3,600
US$2,700 - 4,000
69
70 • AR ▲
LUCIO FONTANA (1899-1968)
Concetto Spaziale (Rigo-Ruhé M-3)
Artist’s book with gold paper leporello, punched with
holes, 1966, with title and justification page, signed
in ball-point pen on the justification, an unnumbered
copy aside from the numbered edition of 200,
published by Edizioni del Cavallino, Venice, printed
by Sergio Tosi, Milan, bound in yellow vinyl covered
boards with the artist’s and publisher’s names
printed in pink at front, with a brown card sleeve (as
issued), with later added black borders to the upper
and lower edges, generally in good condition
Overall 150 x 100mm. (5 7/8 x 4in.)
£3,000 - 5,000
€3,600 - 5,900
US$4,000 - 6,700
70 We are grateful to the Fondazione Lucio Fontana for

verbally confirming the authenticity of this work.
71 * AR
LUCIO FONTANA (1899-1968)
Concetto spaziale (Rigo-Ruhé S-20)
Screenprint in yellow, 1968, on rhodoïd with
punctured holes, scratch-signed and numbered
54/100, with the accompanying text by Guido
Giuffre, published by Il Torcoliere, with their
blindstamp, printed by Sergio Tosi, Milan, the full
sheet, in very good condition, loose as issued in the
original presentation folder
Sheet 598 x 449mm. (23 1/2 x 17 5/8in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
71
72 * AR
EDUARDO CHILLIDA (1924-2002)
Ikur (Koelen 68015)
Woodcut, 1968, on Auvergne wove paper, signed
and numbered 40/50 in pencil, published by Maeght
Éditeur, Paris, the full sheet, with very pale time
staining, scattered foxing, otherwise in generally
good condition
Sheet 657 x 510mm. (25 7/8 x 20 1/8in.)
£2,000 - 3,000
€2,400 - 3,600
US$2,700 - 4,000
72
73 * AR
MICHELANGELO PISTOLETTO (BORN 1933)
Il Cappio
Screenprint in colours, 1973, on reflective silver foil,
signed in black ink and numbered 127/130 in blue
ink, published by Kestner-Gesellschaft, Hanover, the
full sheet, with scattered small creases, in overall
good condition, framed
Sheet 825 x 593mm. (32 1/2 x 23 3/8in.)
£1,800 - 2,500
€2,100 - 3,000
US$2,400 - 3,400
73
74
75
74 * AR 75 * AR
DAVID HOCKNEY (BORN 1937) DAVID HOCKNEY (BORN 1937)
Mirror, Mirror on the Wall (M.C.A. Tokyo 10) Gretchen and the Snurl (M.C.A. Tokyo 9)
Etching and aquatint in red and black, 1961, on wove paper, Five etchings with aquatint, 1961, printed on one sheet of Crisbrook
signed and dated ‘David Hockney ‘61’ in pencil, from the edition handmade paper, signed, dated, titled and numbered 25/50 in pencil,
of approximately fifty impressions, printed by Ron Fuller and Peter published by Editions Alecto, with their blindstamp, with margins, the
Mathews at the Royal College of Art, London, with wide margins, very sheet trimmed by 4cm at left and right, laid down onto board, with
pale mount and light-staining, other minor surface defects, the image pale time and mount staining, in generally good condition, framed
in good condition, framed
Overall image 118 x 532mm. (4 5/8 x 21in.);
Plate 400 x 500mm. (16 x 19 5/8in.); Sheet 285 x 706mm. (11 1/4 x 27 3/4in.)
Sheet 551 x 703mm. (21 3/4 x 27 5/8in.)
£2,500 - 3,500
£7,000 - 10,000 €3,000 - 4,200
€8,300 - 12,000 US$3,400 - 4,700
US$9,400 - 13,000
Provenance
Gifted by the artist to Harry Slater.
Thence by descent to the present owner.
76 AR
DAVID HOCKNEY (BORN 1937) There are only three other known examples of this rare, early etching
Self-Portrait (not in M.C.A. Tokyo) dating from 1962. One proof is currently located in the collection of
Etching and aquatint, 1962, on wove paper, an unrecorded proof the artist, and of the other two that have come up for sale, a second
aside from the only three known impressions, with margins, the sheet is now owned by the Tate Gallery, London. The artist made the work
irregularly trimmed circa 5cm along upper and lower sheet edges, in his final year at the Royal College of Art in London. Entitled Self
otherwise in overall good condition Portrait, the etching humorously dances around themes of erotic
desire, the ‘real self’ vs. ‘the ideal self’ and Hockney’s interest at this
Plate 480 x 262mm. (18 7/8 x 10 1/4in.) time in his own sexuality.
Sheet 501 x 343mm. (19 3/4 x 13 1/2in.)
A muscular male nude, that bears little resemblance to Hockney,
dominates the image while a much smaller, much less-muscular figure
£7,000 - 10,000
wearing glasses is superimposed over the top. This imagery of the
€8,300 - 12,000
ideal self, exemplified in the muscular nude and the floating classical
US$9,400 - 13,000
torso, juxtaposes the skinny figure and the awkward spectacled self-
portrait that closely resembles the artist himself. The self-deprecating
Two are in the collection of the artist and the Tate Gallery, London depictions, the representations of male sexuality, both classical and
modern, and the amusing phallic references (a mounting knife held by
a delicate, gloved hand), were all central themes to Hockney’s work in
the 60s.
77 * AR
DAVID HOCKNEY (BORN 1937)
An Erotic Etching (Scottish Arts Council 172)
Etching, 1975, on wove paper, signed and
numbered 100/100 in pencil, printed by Michael
Rand, published by Secker and Warburg, London,
the full sheet, in very good condition, framed
Plate 150 x 112mm. (5 7/8 x 4 3/8);

Sheet 210 x 150mm. (8 1/4 x 5 7/8in.)
£3,000 - 5,000
€3,600 - 5,900
US$4,000 - 6,700
77
78 * AR
He Enquired after the Quality from Illustrations for
Fourteen Poems from C.P. Cavafy (M.C.A. Tokyo 49)
Etching with aquatint, 1966, on wove paper, signed,
dated and numbered XI/XXV in pencil, published
by Editions Alecto, London, the full sheet, with
very pale time-staining at extreme sheet edges,
otherwise in very good condition, framed
Plate 345 x 223mm. (13 1/2 x 8 3/4in.);

Sheet 635 x 505mm. (25 x 19 3/4in.)
£3,000 - 5,000
€3,600 - 5,900
US$4,000 - 6,700
78
79 * AR
Pretty Tulips (Scottish Arts Council 115)
Lithograph in colours, 1969, on wove paper, signed, dated, titled and
numbered 199/200 in pencil, published by Petersburg Press, London,
the full sheet, pale staining at the extreme sheet edges, some minor
surface defects, otherwise in good condition, framed
Sheet 725 x 508mm. (28 1/2 x 20in.)
£12,000 - 18,000
€14,000 - 21,000
US$16,000 - 24,000
80 * AR
Mo Asleep (M.C.A. Tokyo 116)
Etching and aquatint, 1971, on J. Green wove
paper, signed, dated and numbered 47/75 in pencil
(there were also 16 artist’s proofs), published by
Petersburg Press, London, the full sheet, in very
good condition, framed
Plate 680 x 535mm. (26 3/4 x 21 1/8in.);

Sheet 892 x 705mm. (35 1/8 x 27 3/4in.)
£2,000 - 3,000
€2,400 - 3,600
US$2,700 - 4,000
80
81 * AR
Mo with Five Leaves (M.C.A. Tokyo 117)
Etching, 1971, on J. Green wove paper, signed,
dated and inscribed ‘AP’ in pencil, one of 16 artist’s
proofs aside from the edition of 75, printed by Print
Shop, Amsterdam, published by Petersburg Press
Ltd., London, the full sheet, in good condition,
framed
Plate 680 x 540mm. (26 7/8 x 21 1/4in.);

Sheet 895 x 702mm. (35 1/4 x 27 5/8in.)
£2,000 - 3,000
€2,400 - 3,600
US$2,700 - 4,000
81
82 AR
Sun, from Weather Series (M.C.A. Tokyo 127; Gemini 438)
Lithograph and screenprint in colours, 1973, on Arjomari paper,
signed, dated and numbered 23/98 in red crayon (there were also
26 artist’s proofs), published by Gemini G.E.L., Los Angeles, with
their blindstamps and inkstamp on the reverse, the full sheet, in good
condition, framed
Image 743 x 641mm. (29 1/4 x 25 1/4in.);

Sheet 935 x 771mm. (36 3/4 x 30 3/8in.)
£15,000 - 20,000
€18,000 - 24,000
US$20,000 - 27,000
83 * AR
The Restaurateur (M.C.A. Tokyo 120)
Etching and aquatint, 1972, on Crisbrook handmade paper, signed,
dated, titled ‘Peter at Odins’ and numbered 18/80 in pencil, printed by
the Print Shop, Amsterdam, published by Petersburg Press, London,
1974, the full sheet, in very good condition, framed
Plate and sheet 420 x 340mm. (16 1/2 x 13 3/8in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
83
PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION
84 AR
Celia Elegant (M.C.A. Tokyo 224)
Lithograph, 1979, on Toyoshi 80 paper, signed, dated and numbered
3/100 in green pencil (there were also 25 artist’s proofs), published
by Gemini G.E.L., Los Angeles, with their blindstamp, the full sheet,
with a deckle edge at right and below, a few small handling creases,
otherwise in good condition, framed
Sheet 1024 x 736mm. (40 3/8 x 29in.)
£5,000 - 7,000
€5,900 - 8,300
US$6,700 - 9,400
Provenance
Gemini G.E.L., Los Angeles.
Acquired directly from the above by the current owner.
84
VARIOUS PROPERTIES
85 AR
Pool Made with Paper and Blue Ink for Book (M.C.A. Tokyo 234)
Lithograph in colours, 1980, on Arches wove paper, signed, dated and
numbered 111/1000 in pencil, published by Tyler Graphics Ltd., Mount
Kisco, New York, with their blindstamp, the full sheet, in very good
condition, framed; together with the accompanying book Paper Pools,
signed in red ink and stamp-numbered 111 on the justification, within
the original card slipcase
Sheet 265 x 228mm. (10 1/2 x 9in.)
£18,000 - 25,000
€21,000 - 30,000
US$24,000 - 34,000
86 AR
Vertical Dogs (M.C.A. Tokyo 345)
Etching with aquatint printed in colours, 1995, on Arches wove paper,
signed, dated and numbered 44/80 in pencil, printed by Maurice
Payne, Los Angeles, published by Lococo Mulder Inc. and the artist,
the full sheet, with pale time staining, otherwise in good condition,
framed
Plate 387 x 465mm. (15 1/8 x 18 1/4in.);

Sheet 570 x 634mm. (22 3/8 x 24 7/8in.)
£6,000 - 8,000
€7,100 - 9,500
US$8,100 - 11,000
87 AR
BARBARA HEPWORTH (1903-1975) The Aegean Suite is one of only two major sets of lithographs
The Aegean Suite completed by Barbara Hepworth during her lifetime. Although her
The complete set of nine lithographs printed in colours, 1971, on wove graphic output was limited, she enjoyed printmaking as the intricacy
paper, each signed and numbered 30/60 in pencil, printed by Curwen of its layering process would allow her to develop ideas on space,
Studio, with their blindstamp, published by Marlborough Fine Art, abstraction, form and texture that she would later translate into her
London, the full sheets, with pale time and light-staining, the colours sculpture.
slightly attenuated but still good, in overall good condition, framed
The title and geometric forms choreographed across all nine works
Sheets 810 x 585mm. (31 7/8 x 23in.) (9) of the present set also convey the artist’s fascination with the sites of
antique Greece, while the abstracted suns and moons are reminiscent
of her interest in the celestial; a theme she keenly explored in her
£8,000 - 12,000
graphic oeuvre.
€9,500 - 14,000
US$11,000 - 16,000
This complete set with all nine works presented in their original frames
was purchased from Christie’s Contemporary Art exhibition in June
Provenance 1976 and are offered alongside the Christie's original Certificates of
Christie’s Contemporary Art, London, June 1976. Authenticity, a brochure printed in colours about the prints, a typed
Acquired directly from the above, thence by descent to the present letter by David Case introducing the June 1976 collection and the
owner. exhibition pricelists.
88
88 * AR
FRANCIS BACON (1909-1992)
L’Orestie d’Eschyle (Sabatier 16)
Three lithographs in colours, 1981, on one sheet of Arches wove
paper, signed and numbered 54/150 in pencil, published by the
Éditions de la Différence, with the printer’s ‘Arts Litho’ blindstamp,
Paris, the full sheet, with pale time staining, otherwise in good
condition
Image 399 x 948mm. (15 5/8 x 37 3/8 in.);

Sheet 537 x 1030mm. (28 1/8 x 40 1/2in.)
£8,000 - 12,000
€9,500 - 14,000
US$11,000 - 16,000
89 * AR
FRANCIS BACON (1909-1992)
Central plate from Deuxième version du Triptyque 1944 (Sabatier 24)
numbered 52/60 in pencil, published by Michel Archimbaud for the
Librarie Séguier for IRCAM Centre Pompidou, Paris, the full sheet, in
good condition
Image 623 x 462mm. (24 1/2 x 18 1/4in.);

Sheet 753 x 559mm. (29 5/8 x 22in.)
£5,000 - 7,000
€5,900 - 8,300
US$6,700 - 9,400
89
90 AR
LUCIAN FREUD (1922-2011)
Bella (Hartley 30)
Etching, 1987, on BFK Rives paper, signed and numbered ‘AP XII/
XV’ in pencil, an artist’s proof aside from the edition of 50, printed by
Studio Prints, co-published by James Kirkman and Anthony d’Offay,
London, the full sheet, in very good condition, framed
Plate 423 x 348mm. (16 5/8 by 13 3/4in.); Sheet 695 x 569mm.

(27 3/8 by 22 3/8in.)
£12,000 - 18,000
€14,000 - 21,000
US$16,000 - 24,000
Provenance
Marlborough Graphics Ltd, London (with their label).
Acquired directly from the above by the present owner.
91 AR
Lawrence Gowing (Second Version) (Hartley 9)
Etching, 1982, on wove paper, signed with initials
and numbered ‘A/P II/III’ in pencil, an artist’s proof
aside from the edition of 10, printed by Palm Street
Studios, London, with their blindstamp, the full
sheet, in very good condition, framed
Plate 176 x 150mm. (6 7/8 x 5 13/16in.);

Sheet 332 x 280mm. (13 1/8 x 10 7/8in.)
£4,000 - 6,000
€4,800 - 7,100
US$5,400 - 8,100
91
92 AR
Thistle (Hartley 23)
Etching, 1985, on wove paper, signed with initials
and numbered 19/30 in pencil (there were also
10 artist’s proofs), published by James Kirkman,
London and Brooke Alexander, New York, the full
sheet, with very pale mount staining, otherwise the
printed area in very good condition, framed
Plate 172 x 135mm. (6 3/4 x 5 1/4in.);

Sheet 310 x 247mm. (12 1/4 x 9 3/4in.)
£8,000 - 12,000
€9,500 - 14,000
US$11,000 - 16,000
92
93 AR
LUCIAN FREUD (1922-2011) Exhibited
Man Resting (Hartley 34) Lucian Freud Etchings 1946-2004, Scottish Gallery of Modern Art,
Etching printed with tone, 1988, on Somerset Satin wove paper, Edinburgh (with their label); Abbot Hall Art Gallery, Kendal; Fitzwilliam
initialled and numbered 21/30 in pencil, the second state (of two), Museum, Cambridge; Birmingham Museums and Art Gallery;
printed by Marc Balakjian at Studio Prints, published by James Marlborough Graphics, London, 2004–05.
Kirkman, London and Brook Alexander, New York, the full sheet, in Lucian Freud, Museo Correr, Venice, 2005 (with their label).
overall very good condition, framed Lucian Freud: Etchings, Northcote House Gallery, University of Exeter,
2007.
Plate 369 x 410mm. (14 1/2 x 16 1/8in.);
Sheet 470 x 502mm. (18 1/2 x 19 3/4in.) The sitter in this work is Angus Cook, a filmmaker who sat for Freud
regularly between 1985 and 1990. Angus was one of the few men that
posed completely naked for Freud, and in fact one of the first ones to
£18,000 - 25,000
have done so. Freud made seven etchings of Angus, including the one
€21,000 - 30,000
presented here.
US$24,000 - 34,000
This work closely relates to another two etchings made the year
Provenance before in 1987, Naked Man on a Bed (state I), and Naked Man on a
Sotheby’s, Old Master, Modern and Contemporary Prints, London, Bed (state II), albeit in the present version the focus is on the sleeper’s
Tuesday 2 July 2002, lot 198. head, emphasizing the infantile effects of sleep on a grown-up man’s
Acquired from the above sale by the present owner. facial features, and wonderfully conveying Freud’s liking for ‘people to
look as natural and as physically at ease as animals’ (Lucian Freud,
quoted in Feaver, Lucian Freud, 2002, pp.41-42).
This is the first time an impression of this etching has come to the
market since 2013.
PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION
94
TOM WESSELMANN (1931-2004)
Monica Nude with Lichtenstein
Screenprint in colours, 2002, on Museum board, signed and
numbered 9/60 in pencil (there were also eight artist’s proofs and six
printer’s proofs), published by Cooper Square Prints, Inc., New York,
Image 622 x 1067mm. (24 1/2 x 42in.);

Sheet 914 x 1254mm. (36 x 49 3/8in.)
£7,000 - 10,000
€8,300 - 12,000
US$9,400 - 13,000
VARIOUS PROPERTIES
95
ROY LICHTENSTEIN (1923-1997) Provenance
Bicentennial Print, from America: The Third Century portfolio Sotheby’s London, Old Master, Modern and Contemporary Prints,
(Corlett 136) 1 April 2008, lot 450.
Lithograph and screenprint in colours, 1975, on wove paper, signed, Acquired from the above by the present owner.
dated and numbered 137/200 in pencil (there were also 25 artist’s
proofs), printed by Styria Studio, with their blindstamp, published by This is from a portfolio of 13 works by various artists which was sold
APC Editions, New York, very pale mount staining, the yellow slightly in aid of several charitable organizations chosen by the artists. This
attenuated, generally in good condition included Change Inc., which was founded by Robert Rauschenberg
to support struggling artists and was one of Lichtenstein’s chosen
Sheet 762 x 567mm. (30 x 22 3/8in.) charities.
£7,000 - 10,000
€8,300 - 12,000
US$9,400 - 13,000
96
KEITH HARING (1958-1990)
Lucky Strike (Littmann p.79)
Screenprint in colours, 1987, on heavy wove paper, signed and
numbered 32/50 in pencil, published by B.A.T. Suisse SA, Geneva, the
full sheet, in very good condition, framed
Sheet 295 x 210mm. (11 1/2 x 8 1/4in.)
£8,000 - 12,000
€9,500 - 14,000
US$11,000 - 16,000
97 * TP
ROBERT RAUSCHENBERG (1925-2008)
Sling-Shots Lit #6, from Sling-Shots Lit Series (Gemini G.E.L. 1175)
Lithograph and screenprint in colours on mylar sheets and sailcloth,
set into a wooden lightbox with fluorescent light and moveable window
shades, 1985, incised with signature, title, date and numbered 25/25
on a metal plaque affixed to the left side, published by Gemini G.E.L.,
Los Angeles, in good overall conditon
Overall 2146 x 1426 x 314mm. (84 1/2 x 56 1/4 x 12 1/2in.)
£15,000 - 20,000
€18,000 - 24,000
US$20,000 - 27,000
98 *
HELEN FRANKENTHALER (1928-2011)
Green Likes Mauve, from Four Pochoirs
(Harrison 30)
Pochoir printed in colours, 1970, on Arches Imperial
Rough paper, signed, dated and numbered 10/50
in pencil (there were also 7 artist’s proofs), published
by Abrams Original Editions, New York, with their
inkstamp verso, the full sheet, in good condition
Sheet 560 x 775mm. (22 x 30 1/2in.)
£2,000 - 3,000
€2,400 - 3,600
US$2,700 - 4,000
98
99 *
RICHARD DIEBENKORN (1922-1993)
Halo
Aquatint and drypoint, 1978, on Rives wove paper,
initialled, dated and numbered 29/35 in pencil,
published by Crown Point Press, San Francisco,
with their blindstamp, the full sheet, in very good
condition
Sheet 898 x 660mm. (35 1/4 x 26in.)
£2,500 - 3,500
€3,000 - 4,200
US$3,400 - 4,700
99
100 *
RICHARD DIEBENKORN (1922-1993)
Blue with Red
Woodcut in colours, 1987, on Echizen Kozo Mashi paper, initialled
in pencil, dated, and numbered 54/200 (there were also 20 artist’s
proofs), published by Crown Point Press, San Francisco, with their
blindstamp, the full sheet, in good condition, framed
Sheet 949 x 652mm. (37 3/8 x 25 5/8in.)
£15,000 - 20,000
€18,000 - 24,000
US$20,000 - 27,000
101 *
ELLSWORTH KELLY (1923-2015)
Green (Vert) from Suite of Twenty-Seven Color
Lithographs (Axsom 7)
Lithograph in colours, 1964-65, on Rives BFK
wove paper, signed and numbered ‘H.C VII/IX’,
an hors-commerce proof aside from the edition
of 75, published by Maeght Editeur, Paris, the full
sheet, with very pale time staining, in generally good
condition, the colours fresh and bright
Sheet 895 x 601mm. (35 1/4 x 23 5/8in.)
£3,000 - 5,000
€3,600 - 5,900
US$4,000 - 6,700
101
102 *
ELLSWORTH KELLY (1923-2015)
Red Curve, from Third Curve Series (Axsom 279;
Gemini G.E.L. 1806)
Lithograph in colours, 1999, on Rives BFK wove
paper, signed and annotated ‘PP II’ in pencil,
a printer’s proof aside from the edition of 50,
published by Gemini G.E.L., Los Angeles, with their
blindstamp, the full sheet, in very good condition
Sheet 762 x 581mm. (30 x 22 7/8in.)
£5,000 - 7,000
€5,900 - 8,300
US$6,700 - 9,400
102
103 *
ROBERT MOTHERWELL (1915-1991)
Mexican Night II (Belknap 318; Engberg & Banach 348)
Etching and aquatint in colours, 1984, on Whatman paper, signed and
annotated ‘AP IV/X’ in pencil, an artist’s proof aside from the edition
of 70, printed by Catherine Mousley, published by Tyler Graphics Ltd.,
Mount Kisco, New York, with their blindstamp, the full sheet, in overall
very good condition
Sheet 635 x 609mm. (25 x 24in.)
£10,000 - 15,000
€12,000 - 18,000
US$13,000 - 20,000
104 * AR
SEAN SCULLY (BORN 1946)
Landline Grey
Aquatint in colours, 2014, on wove paper, signed,
titled and numbered 1/30 in pencil, printed by
Burnet Editions, New York, with their blindstamp,
Sheet 560 x 430mm. (22 x 16 7/8in.)
£2,000 - 3,000
€2,400 - 3,600
US$2,700 - 4,000
104
105 * AR
SEAN SCULLY (BORN 1946)
Landline Red
Aquatint in colours, 2015, on wove paper, signed,
dated, titled and numbered 1/30 in pencil, printed
by Burnet Editions, New York, with their blindstamp,
Sheet 432 x 560mm. (17 x 22 1/8in.)
£2,000 - 3,000
€2,400 - 3,600
US$2,700 - 4,000
105
106
YAYOI KUSAMA (BORN 1929) I would confront the spirit of the
Pumpkin 2000 (Red) (Kusama 299)
Screenprint in red and black, 2000, on wove paper, signed, titled, pumpkin, forgetting everything else and
dated and numbered 61/100 in pencil, printed by K2 Screen,
published by Serpentine Gallery, London, the full sheet, in very good
concentrating my mind entirely on the
condition, framed form before me…I spent as much as a
Image 300 x 350mm. (11 3/4 x 13 3/4in.); month facing a single pumpkin.
Sheet 480 x 640mm. (18 3/4 x 25 1/4in.) - Yayoi Kusama
£15,000 - 20,000
€18,000 - 24,000
US$20,000 - 27,000
107
YAYOI KUSAMA (BORN 1929)
Pumpkin 2000 (Green) (Kusama 300)
Screenprint in colours, 2000, on wove paper, signed, titled, dated
and numbered 36/100 in pencil, printed by K2 Screen, published by
Serpentine Gallery, London, the full sheet, in very good condition,
framed
Image 300 x 350mm. (11 3/4 x 13 3/4in.);

Sheet 480 x 640mm. (18 3/4 x 25 1/4in.)
£15,000 - 20,000
€18,000 - 24,000
US$20,000 - 27,000
108
YAYOI KUSAMA (BORN 1929)
Pumpkin 2000 (Yellow) (Kusama 298)
Screenprint in colours, 2000, on wove paper,
signed, dated and numbered 148/200 in pencil
(there were also 10 artist’s proofs), published by the
Serpentine Gallery, London, with margins, the sheet
edges trimmed circa 6cm. on each side at left and
right, otherwise in good condition
Image 300 x 350mm. (11 3/4 x 13 3/4in.);

Sheet 480 x 520mm. (18 7/8 x 25 1/4in.)
£8,000 - 12,000
€9,500 - 14,000
US$11,000 - 16,000
Provenance:
Serpentine Gallery, London.
Acquired directly from the above by the current
owner in 2000.
109 * AR
GRAYSON PERRY (BORN 1960)
Reclining Artist (small)
Etching in colours, 2017, on wove paper, signed in
pencil recto, and numbered 30/58 verso, published
by Paragon Press, London, the full sheet, in very
good condition
108
Sheet 705 × 1025mm. (27 3/4 × 40 3/5in.)
£6,000 - 8,000
€7,100 - 9,500
US$8,100 - 11,000
109
110 AR
DAMIEN HIRST (BORN 1965)
Godless
C-print mounted on aluminium (as issued), 2011,
signed, titled and numbered 14/25 in black felt-tip
pen verso, further signed and dedicated recto,
published by Other Criteria, London (with their label),
in the original frame chosen by the artist, the full
sheet, in very good original condition, framed
Overall 1600 x 1220mm. (62 7/8 x 48in.)
£7,000 - 10,000
€8,300 - 12,000
US$9,400 - 13,000
Provenance
Gifted by the artist to the current owner.
110
111 AR
DAMIEN HIRST (BORN 1965)
For the Love of God, Enlightenment
Screenprint in colours with diamond dust, 2014, on
heavy wove paper, signed in black felt-tip pen recto
and numbered 23/250 in pencil verso, published by
Other Criteria, London, the full sheet, in very good
condition, framed
Sheet 1000 x 749mm. (39 1/2 x 29 1/2in.)
£7,000 - 10,000
€8,300 - 12,000
US$9,400 - 13,000
Provenance
Gifted by the artist to the current owner.
111
112 AR
BANKSY (BORN 1974)
Grin Reaper
Screenprint in colours, 2005, on wove paper, signed, dated, numbered
223/300 in pencil, published by Pictures on Walls, London, the full
Sheet 700 x 435mm. (27 1/2 x 17 1/8in.)
£50,000 - 70,000
€59,000 - 83,000
US$67,000 - 94,000
This work is accompanied by a certificate of authenticity issued by

Pest Control Office. It is currently awaiting a new version which will be
issued in due course.
113 AR
BANKSY (BORN 1974)
Trolleys
Screenprint in colours, 2007, on wove paper, signed and numbered
350/750 in pencil, published by Pictures on Walls, London, with their
blindstamp, the full sheet, in good condition
Sheet 566 x 762mm. (22 1/4 x 29 7/8in.)
£30,000 - 50,000
€36,000 - 59,000
US$40,000 - 67,000

114 AR
BANKSY (BORN 1974)
Very Little Helps
Screenprint in colours, 2008, on wove paper, signed in blue crayon,
numbered 196/299 in pencil, published by Pictures on Walls, London,
Sheet 506 x 374mm. (19 7/8 x 14 3/4in.)
£40,000 - 60,000
€48,000 - 71,000
US$54,000 - 81,000

115 AR
BANKSY (BORN 1974)
Choose your Weapon (Bright Pink)
Screenprint in colours, 2010, on wove paper, signed and numbered
11/25 in pink crayon, published by Pictures on Walls, London, the full
Sheet 700 x 700mm. (27 1/2 x 27 1/5in.)
£100,000 - 150,000
€120,000 - 180,000
US$130,000 - 200,000

Index
A K
Aldegrever, Heinrich 9, 10 Kelly, Ellsworth 101, 102
Arp, Jean (Hans) 67 Kusama, Yayoi 106, 107, 108
B L
Bacon, Francis 88, 89 Léger, After Fernand 62, 63
Banksy 112, 113, 114, 115 Lichtenstein, Roy 95
Beham, Hans Sebald 2, 3, 4, 5, 6, 7, 8
Black, Dorrit 22, 23 M
Master IB 11
C Miró, Joan 64, 65
Calder, Alexander 69 Motherwell, Robert 103
Chagall, Marc 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40,
41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52 P
Chagall, After Marc, by Charles Sorlier 53, 54 Pencz, Georg 12
Chillida, Eduardo 72 Perry, Grayson 109
Picasso, Pablo 25, 26, 27, 28, 55, 56, 57, 58, 59, 60, 61
Piranesi, Giovanni Battista 19
D Pistoletto, Michelangelo 73
Diebenkorn, Richard 99, 100
Dubuffet, Jean and Asger Jorn 68
R
Dürer, Albrecht 1
Rauschenberg, Robert 97
F
S
Fontana, Lucio 70, 71
Scully, Sean 104, 105
Frankenthaler, Helen 98
Freud, Lucian 90, 91, 92, 93
T
Tanguy, Yves 66
G
Toulouse-Lautrec, Henri de 20
Greengrass, William 21
W
H
Wesselmann, Tom 94
Haring, Keith 96
Harmensz van Rijn, Rembrandt 13, 14, 15, 16, 17, 18
Hepworth, Barabara 87
Hirst, Damien 110, 111
Hockney, David 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86
Prints & Multiples
Download Bonhams app
Knightsbridge, London | 9 December 2021 for iOS & Android
ENQUIRIES DAVID SPILLER

Carolin von Massenbach (BRITISH, 1942-2018)
+44 (0)20 7393 3941 With Love (Mickey)
printskb@bonhams.com Screenprint in colours, 2016,
bonhams.com/prints signed, titled and numbered 54/95
£3,000 - 5,000 *
* For details of the charges payable in addition to the final hammer price, please visit bonhams.com/buyersguide
British. Cool.
Download Bonhams app
New Bond Street, London | 3 March 2022 for iOS & Android
ENQUIRIES GRAYSON PERRY (BRITISH, BORN 1960)

+44 (0) 20 7393 3949 Vote Labour
britishcool@bonhams.com glazed earthenware
bonhams.com/modernbritish 39cm (15 3/8in) long
Prices shown include buyer’s premium. Details can be found at bonhams.com
£15,000 - 25,000 *
* For details of the charges payable in addition to the final hammer price, please visit bonhams.com/buyersguide
NOTICE TO BIDDERS
This notice is addressed by Bonhams to any person who may be Prices below and above the Estimates, so Estimates should not be solving any disputes which may arise in relation to bids made at the
interested in a Lot, and to all persons participating in the auction relied on as an indication of the actual selling price or value of a Lot. Sale. At some Sales, for example, jewellery Sales, we may use screens
process including auction attendees, Bidders and potential Bidders Estimates are in the currency of the Sale. on which images of the Lots will be projected. This service is provided
(including any eventual Buyer of the Lot). For ease of reference we refer Condition Reports to assist viewing at the Sale. The image on the screen should be
to such persons as “Bidders” or “you”. Our List of Definitions and In respect of most Lots, you may ask Bonhams for a Condition Report treated as an indication only of the current Lot. It should be noted that
Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 on the Lot’s general physical condition. If you do so, this will be all bids tendered will relate to the actual Lot number announced by
at the back of the Catalogue. Where words and phrases are used in provided by Bonhams on behalf of the Seller free of charge. As this is the Auctioneer. We do not accept any responsibility for any errors
this notice which are in the List of Definitions, they are printed in italics. offered additionally and without charge, Bonhams is not entering into a which may occur in the use of the screen.
IMPORTANT: Additional information applicable to the Sale may be set contract with you in respect of the Condition Report and accordingly 5. BIDDING
out in the Catalogue for the Sale, in an insert in the Catalogue and/or in does not assume responsibility to you in respect of it. The Condition You must complete and deliver to us one of our Bidding Forms, either
a notice displayed at the Sale venue and you should read them as well. Report represents Bonhams’ reasonable opinion as to the Lot’s general our Bidder Registration Form, Absentee Bidding Form or Telephone
Announcements affecting the Sale may also be given out orally before condition in the terms stated in the particular report, and Bonhams Bidding Form in order to bid at our Sales.
and during the Sale without prior written notice. You should be alert to does not represent or guarantee that a Condition Report includes all If you are a new client at Bonhams or have not recently updated your
the possibility of changes and ask in advance of bidding if there have aspects of the internal or external condition of the Lot. Neither does the registration details with us, you must pre-register to bid at least two
been any. Seller owe or agree to owe you as a Bidder or Buyer any obligation or working days before the Sale at which you wish to bid. You will be
1. OUR ROLE duty in respect of this free report about a Lot, which is available for your required to provide government-issued proof of identity and residence,
In its role as Auctioneer of Lots, Bonhams acts solely for and in the own inspection or for inspection by an expert instructed by you. and if you are a company, your certificate of incorporation or equivalent
interests of the Seller. Bonhams’ job is to sell the Lot at the highest The Seller’s responsibility to you documentation with your name and registered address, government
price obtainable at the Sale to a Bidder. Bonhams does not act for The Seller does not make or agree to make any representation of fact issued proof of your current address, documentary proof of your
Buyers or Bidders in this role and does not give advice to Buyers or or contractual promise, Guarantee or warranty and undertakes no beneficial owners and directors, and proof of authority to transact.
Bidders. When it or its staff make statements about a Lot or, if obligation or duty, whether in contract or in tort (other than to the We may also request a financial reference and /or deposit from you
Bonhams provides a Condition Report on a Lot it is doing that on eventual Buyer as set out above), in respect of the accuracy or before allowing you to bid.
behalf of the Seller of the Lot. Bidders and Buyers who are themselves completeness of any statement or representation made by him or on We reserve the rights at our discretion to request further information in
not expert in the Lots are strongly advised to seek and obtain his behalf, which is in any way descriptive of any Lot or as to the order to complete our client identification and to decline to register any
independent advice on the Lots and their value before bidding for anticipated or likely selling price of any Lot. Other than as set out person as a Bidder, and to decline to accept their bids if they have
them. The Seller has authorised Bonhams to sell the Lot as its agent on above, no statement or representation in any way descriptive of a Lot been so registered. We also reserve the rights to postpone completion
its behalf and, save where we expressly make it clear to the contrary, or any Estimate is incorporated into any Contract for Sale between a of the Sale of any Lot at our discretion while we complete our
Bonhams acts only as agent for the Seller. Any statement or Seller and a Buyer. registration and identification enquiries, and to cancel the Sale of any
representation we make in respect of a Lot is made on the Seller’s Bonhams’ responsibility to you Lot if you are in breach of your warranties as Buyer, or if we consider
behalf and, unless Bonhams sells a Lot as principal, not on our behalf You have the opportunity of examining the Lot if you want to and the that such Sale would be unlawful or otherwise cause liabilities for the
and any Contract for Sale is between the Buyer and the Seller and not Contract for Sale for a Lot is with the Seller and not with Bonhams; Seller or Bonhams or be detrimental to Bonhams’ reputation.
with us. If Bonhams sells a Lot as principal this will either be stated in Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot Bidding in person
the Catalogue or an announcement to that effect will be made by the as principal). So long as you have pre-registered to bid or have updated your
Auctioneer, or it will be stated in a notice at the Sale or an insert in the Bonhams undertakes no obligation to you to examine, investigate or existing registration recently, you should come to our Bidder registration
Catalogue. carry out any tests, either in sufficient depth or at all, on each Lot to desk at the Sale venue and fill out a Registration and Bidding Form on
Bonhams does not owe or undertake or agree to any duty or establish the accuracy or otherwise of any Descriptions or opinions (or, if possible, before) the day of the Sale. The bidding number system
responsibility to you in contract or tort (whether direct, collateral, given by Bonhams, or by any person on Bonhams’ behalf, whether in is sometimes referred to as “paddle bidding”. You will be issued with a
express, implied or otherwise). If you successfully bid for a Lot and buy the Catalogue or elsewhere. large card (a “paddle”) with a printed number on it. This will be
it, at that stage Bonhams does enter into an agreement with you as the You should not suppose that such examinations, investigations or tests attributed to you for the purposes of the Sale. Should you be a
Buyer. The terms of that contract are set out in our Buyer’s Agreement, have occurred. successful Bidder you will need to ensure that your number can be
which you will find at Appendix 2 at the back of the Catalogue, and this Bonhams does not make or agree to make any representation of fact, clearly seen by the Auctioneer and that it is your number which is
will govern Bonhams’ relationship with the Buyer. and undertakes no obligation or duty (whether in contract or tort) in identified as the Buyer’s. You should not let anyone else use your
2. LOTS respect of the accuracy or completeness of any statement or paddle as all Lots will be invoiced to the name and address given on
Subject to the Contractual Description printed in bold letters in the representation made by Bonhams or on Bonhams’ behalf which is in your Bidder Registration Form. Once an invoice is issued it will not be
Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are any way descriptive of any Lot or as to the anticipated or likely selling changed. If there is any doubt as to the Hammer Price of, or whether
sold to the Buyer on an “as is” basis, with all faults and imperfections. price of any Lot. No statement or representation by Bonhams or on its you are the successful Bidder of, a particular Lot, you must draw this to
Illustrations and photographs contained in the Catalogue (other than behalf in any way descriptive of any Lot or any Estimate is incorporated the attention of the Auctioneer before the next Lot is offered for Sale. At
photographs forming part of the Contractual Description) or elsewhere into our Buyer’s Agreement. the end of the Sale, or when you have finished bidding please return
of any Lots are for identification purposes only. A photograph or Alterations your paddle to the Bidder registration desk.
illustration may not reflect an accurate reproduction of the colour(s) or Descriptions and Estimates may be amended at Bonhams’ discretion Bidding by telephone
true condition of the Lot. Lots are available for inspection prior to the from time to time by notice given orally or in If you wish to bid at the Sale by telephone, and have pre-registered to
Sale and it is for you to satisfy yourself as to each and every aspect of writing before or during a Sale. bid or have updated your existing registration details recently, please
a Lot, including its authorship, attribution, condition, provenance, THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM complete a Registration and Bidding Form, which is available from our
history, background, authenticity, style, period, age, suitability, quality, YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY offices or in the Catalogue. Please then return it to the office
roadworthiness (if relevant), origin, value and estimated selling price ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR responsible for the Sale at least 24 hours in advance of the Sale. It is
(including the Hammer Price). It is your responsibility to examine any BEHALF BEFORE THE SALE. your responsibility to check with our Bids Office that your bid has been
Lot in which you are interested. It should be remembered that the 4. CONDUCT OF THE SALE received. Telephone calls will be recorded. The telephone bidding
actual condition of a Lot may not be as good as that indicated by its Our Sales are public auctions which persons may attend and you facility is a discretionary service offered at no additional charge and
outward appearance. In particular, parts may have been replaced or should take the opportunity to do so. We reserve the right at our sole may not be available in relation to all Lots. We will not be responsible
renewed and Lots may not be authentic or of satisfactory quality; the discretion to refuse admission to our premises or to any Sale and to for bidding on your behalf if you are unavailable at the time of the Sale
inside of a Lot may not be visible and may not be original or may be remove any person from our premises and Sales, without stating a or if the telephone connection is interrupted during bidding. Please
damaged, as for example where it is covered by upholstery or material. reason. We have complete discretion as to whether the Sale proceeds, contact us for further details.
Given the age of many Lots they may have been damaged and/or whether any Lot is included in the Sale, the manner in which the Sale is Bidding by post or fax
repaired and you should not assume that a Lot is in good condition. conducted and we may offer Lots for Sale in any order we choose Absentee Bidding Forms can be found in the back of this Catalogue
Electronic or mechanical items or parts are sold for their artistic, historic notwithstanding the numbers given to Lots in the Catalogue. You and should be completed and sent to the office responsible for the
or cultural interest and may not operate or may not comply with current should therefore check the date and starting time of the Sale, whether Sale, once you have pre-registered to bid or have updated your
statutory requirements. You should not assume that electrical items there have been any withdrawals or late entries. Remember that existing registration details recently. It is in your interests to return your
designed to operate on mains electricity will be suitable for connection withdrawals and late entries may affect the time at which a Lot you are form as soon as possible, as if two or more Bidders submit identical
to the mains electricity supply and you should obtain a report from a interested is put up for Sale. We have complete discretion in which to bids for a Lot, the first bid received takes preference. In any event, all
qualified electrician on their status before doing so. Such items which refuse any bid, to nominate any bidding increment we consider bids should be received at least 24 hours before the start of the Sale.
are unsuitable for connection are sold as items of interest for display appropriate, to divide any Lot, to combine two or more Lots, to Please check your Absentee Bidding Form carefully before returning it
purposes only. If you yourself do not have expertise regarding a Lot, withdraw any Lot from a Sale and, before the Sale has been closed, to to us, fully completed and signed by you. It is your responsibility to
you should consult someone who does to advise you. We can assist in put up any Lot for auction again. Auction speeds can exceed 100 Lots check with our Bids Office that your bid has been received. This
arranging facilities for you to carry out or have carried out more detailed to the hour and bidding increments are generally about 10%; however, additional service is complimentary and is confidential. Such bids are
inspections and tests. Please ask our staff for details. these do vary from Sale to Sale and from Auctioneer to Auctioneer. made at your own risk and we cannot accept liability for our failure to
Any person who damages a Lot will be held liable for the Please check with the department organising the Sale for advice on receive and/or place any such bids. All bids made on your behalf will be
loss caused. this. Where a Reserve has been applied to a Lot, the Auctioneer may, made at the lowest level possible subject to Reserves and other bids
3. DESCRIPTIONS OF LOTS AND ESTIMATES in his absolute discretion, place bids (up to an amount not equalling or made for the Lot. Where appropriate your bids will be rounded down to
Contractual Description of a Lot exceeding such Reserve) on behalf of the Seller. We are not the nearest amount consistent with the Auctioneer’s bidding
The Catalogue contains an Entry about each Lot. Each Lot is sold by responsible to you in respect of the presence or absence of any increments. New Bidders must also provide proof of identity and
its respective Seller to the Buyer of the Lot as corresponding only with Reserve in respect of any Lot. If there is a Reserve it will be no higher address when submitting bids. Failure to do this will result in your bid
that part of the Entry which is printed in bold letters and (except for the than the lower figure for any Estimate in the Catalogue, assuming that not being placed.
colour, which may be inaccurately reproduced) with any photograph of the currency of the Reserve has not fluctuated adversely against the Bidding via the internet
the Lot in the Catalogue. The remainder of the Entry, which is not currency of the Estimate. The Buyer will be the Bidder who makes the Please visit our Website at http://www.bonhams.com for
printed in bold letters, represents Bonhams’ opinion (given on behalf of highest bid acceptable to the Auctioneer for any Lot (subject to any details of how to bid via the internet.
the Seller) about the Lot only and is not part of the Contractual applicable Reserve) to whom the Lot is knocked down by the Bonhams will not be liable for service delays, interruptions or other
Description in accordance with which the Lot is sold by the Seller. Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the failures to make a bid caused by losses of internet connection, fault or
Estimates highest acceptable bid will be settled by the Auctioneer in his absolute failure with the website or bidding process, or malfunction of any
In most cases, an Estimate is printed beside the Entry. Estimates are discretion. All bids tendered will relate to the actual Lot number software or system, computer or mobile device.
only an expression of Bonhams’ opinion made on behalf of the Seller of announced by the Auctioneer. An electronic currency converter may be Bidding through an agent
the range where Bonhams thinks the Hammer Price for the Lot is likely used at the Sale. This equipment is provided as a general guide as to Bids will be treated as placed exclusively by and on behalf of the
to fall; it is not an Estimate of value. It does not take into account any the equivalent amount in certain currencies of a given bid. We do not person named on the Bidding Form unless otherwise agreed by us in
VAT or Buyer’s Premium payable or any other fees payable by the accept any responsibility for any errors which may occur in the use of writing in advance of the Sale. If you wish to bid on behalf of another
Buyer, which are detailed in paragraph 7 of the Notice to Bidders, the currency converter. We may use video cameras to record the Sale person (your principal) you must complete the pre-registration
below. Prices depend upon bidding and lots can sell for Hammer and may record telephone calls for reasons of security and to assist in requirements set out above both on your own behalf and with full
NTB/MAIN/V1/9.2021
details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we
the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities
You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’
concerning your principal and their source of funds, and the in force on the date of the Sale. reputation.
warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE
contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full
Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special
Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased
as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our
fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to
to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor
*
Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue.
bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING
pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping
completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact
before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099
the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate enquiries@albanshipping.co.uk
at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS
and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import
identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant
invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts
agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its
the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing
contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www.
Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/
Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20
Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country
Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements
Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or
required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission
6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot.
BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if
On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations.
the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS
terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to
Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the UK. These
Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at:
contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our https://www.gov.uk/guidance/apply-for-cites-permits-and-certificates-
This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: to-trade-endangered-species#how-to-apply or may be requested from:
Appendix 2 at the back of the Catalogue. Please read the terms of the Enquiries: wildlife.licensing@apha.gov.uk
Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc Applications: CITESapplication@apha.gov.uk
Catalogue in case you are the successful Bidder including the Address: PO Box 4RY Address: UK CITES Management Authority
warranties as to your status and source of funds. We may change the 250 Regent Street Centre for International Trade
terms of either or both of these agreements in advance of their being London W1A 4RY Horizon House, Deanery Road, Bristol BS1 5AH
entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited The refusal of any CITES licence or permit and any delay in obtaining
placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009 such licences or permits shall not give rise to the rescission or
and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27 cancellation of any Sale, nor allow any delay in making full payment
responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009 for the Lot.
Buyer’s Agreement for this Sale. 14. THE SELLERS AND/OR BONHAMS’ LIABILITY
7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the Other than any liability of the Seller to the Buyer of a Lot under the
THE BUYER deduction of any bank fees and/or conversion of the currency of Contract for Sale, neither we nor the Seller are liable (whether in
Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount negligence or otherwise) for any error or misdescription or omission
payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice. in any Description of a Lot or any Estimate in respect of it, whether
Agreement and at rates set out below, calculated by reference to the contained in the Catalogue or otherwise, whether given orally or in
Hammer Price and payable in addition to it. Payment may also be made by one of the following methods: writing and whether given before or during the Sale. Neither we nor the
Seller will be liable for any loss of Business, profits, revenue or income,
For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or or for loss of reputation, or for disruption to Business or wasted time on
Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect the part of management or staff, or for indirect losses or consequential
your purchases and should be made payable to Bonhams 1793 damages of any kind, irrespective in any case of the nature, volume or
27.5% of the Hammer Price on the first £10,000; plus Limited. source of the loss or damage alleged to be suffered, and irrespective
25% of the Hammer Price from £10,001 and up to £450,000; plus of whether the said loss or damage is caused by or claimed in respect
20% of the Hammer Price from £450,001 and up to £4,500,000; plus Cash: you may pay for Lots purchased by you at this Sale of any negligence, other tort, breach of contract (if any) or statutory
14.5% of the Hammer Price above £4,500,000 with notes or coins in the currency in which the Sale is conducted duty, restitutionary claim or otherwise. In any circumstances where
(but not any other currency) provided that the total amount payable we and/or the Seller are liable in relation to any Lot or any Description
Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not or Estimate made of any Lot, or the conduct of any Sale in relation
as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is to any Lot, whether in damages, for an indemnity or contribution,
catalogue. conducted, at the time when payment is made. If the amount payable or for a restitutionary remedy or otherwise, our and/or the Seller’s
by you for Lots exceeds that sum, the balance must be paid otherwise liability (combined, if both we and the Seller are liable) will be limited
The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our to payment of a sum which will not exceed by way of maximum the
are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account. amount of the Purchase Price of the Lot irrespective in any case of
the nature, volume or source of any loss or damage alleged to be
VAT may also be payable on the Hammer Price of the Lot, where Debit cards issued in the name of the Buyer (including China Union suffered or sum claimed as due, and irrespective of whether the liability
indicated by a symbol beside the Lot number. See paragraph 8 below Pay (CUP) cards and debit cards issued by Visa and MasterCard arises from any negligence, other tort, breach of contract (if any) or
for details. only). There is no limit on payment value if payment is made in person statutory duty or otherwise. Nothing set out above will be construed
using Chip & Pin verification. as excluding or restricting (whether directly or indirectly) our liability or
On certain Lots, which will be marked “AR” in the Catalogue and excluding or restricting any person’s rights or remedies in respect of (i)
which are sold for a Hammer Price of €1,000 or greater (converted into Payment by telephone may also be accepted up to £5,000, subject to fraud, or (ii) death or personal injury caused by our negligence (or by
the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available the negligence of any person under our control or for whom we are
rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that legally responsible), or (iii) acts or omissions for which we are liable
be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means. under the Occupiers Liability Act 1957, or (iv) any other liability to the
payment of royalties under the Artists Resale Right Regulations 2006. extent the same may not be excluded or restricted as a matter of law
The Additional Premium will be a percentage of the amount of the Credit cards issued in the name of the Buyer (including China Union or (v) our undertakings under paragraphs 9 (in relation to specialist
Hammer Price calculated in accordance with the table below, and shall Pay (CUP) cards and credit cards issued by Visa and MasterCard Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same
not exceed €12,500 (converted into the currency of the Sale using only). There is a £5,000 limit on payment value if payment is made in applies in respect of the Seller, as if references to us in this paragraph
the European Central Bank Reference rate prevailing on the date of person using Chip & Pin verification. were substituted with references to the Seller.
the Sale). 15. BOOKS
It may be advisable to notify your debit or credit card provider of your As stated above, all Lots are sold on an “as is” basis, subject to all
Hammer Price Percentage amount intended purchase in advance to reduce delays caused by us having to faults, imperfections and errors of Description save as set out below.
From €0 to €50,000 4% seek authority when you come to pay. However, you will be entitled to reject a Book in the circumstances set
From €50,000.01 to €200,000 3% out in paragraph 11 of the Buyers Agreement. Please note that Lots
From €200,000.01 to €350,000 1% Note: only one debit or credit card may be used for payment of an comprising printed Books, unframed maps and bound manuscripts are
From €350,000.01 to €500,000 0.5% account balance. If you have any questions with regards to card not liable to VAT on the Buyer’s Premium.
Exceeding €500,000 0.25% payments, please contact our Customer Services Department. 16. CLOCKS AND WATCHES
We reserve the rights to investigate and identify the source of any funds All Lots are sold “as is”, and the absence of any reference to the
received by us, to postpone completion of the sale of any Lot at our condition of a clock or watch does not imply that the Lot is in good
discretion while we complete our investigations, and to cancel the
NTB/MAIN/V1/9.2021
condition and without defects, repairs or restorations. Most clocks to retain their appearance. Bidders should be aware that Estimates Please see the Contract for Sale printed in this Catalogue. Because
and watches have been repaired in the course of their normal lifetime assume that gemstones may have been subjected to such treatments. of the difficulty in determining whether an item of glass has been
and may now incorporate parts not original to them. Furthermore, A number of laboratories issue certificates that give more detailed repolished, in our Catalogues reference is only made to visible chips
Bonhams makes no representation or warranty that any clock or watch Descriptions of gemstones. However there may not be consensus and cracks. No mention is made of repolishing, severe or otherwise.
is in working order. As clocks and watches often contain fine and between different laboratories on the degrees, or types of treatment for 23. VEHICLES
complex mechanisms, Bidders should be aware that a general service, any particular gemstone. In the event that Bonhams has been given or The Veteran Car Club of Great Britain
change of battery or further repair work, for which the Buyer is solely has obtained certificates for any Lot in the Sale these certificates will be Dating Plates and Certificates
responsible, may be necessary. disclosed in the Catalogue. Although, as a matter of policy, Bonhams When mention is made of a Veteran Car Club Dating Plate or Dating
17. FIREARMS – PROOF, CONDITION AND CERTIFICATION endeavours to provide certificates from recognised laboratories for Certificate in this Catalogue, it should be borne in mind that the Veteran
Proof of Firearms certain gemstones, it is not feasible to obtain certificates for each Lot. Car Club of Great Britain using the services of Veteran Car Company
The term “proof exemption” indicates that a firearm has been examined In the event that no certificate is published in the Catalogue, Bidders Ltd, does from time to time, review cars already dated and, in some
at a Proof House, but not proved, as either (a) it was deemed of should assume that the gemstones may have been treated. Neither instances, where fresh evidence becomes available, the review can result
interest and not intended for use, or (b) ammunition was not available. Bonhams nor the Seller accepts any liability for contradictions or in an alteration of date. Whilst the Club and Veteran Car Company Ltd
In either case, the firearm must be regarded as unsafe to fire unless differing certificates obtained by Buyers on any Lots subsequent to make every effort to ensure accuracy, the date shown on the Dating
subsequently proved. Firearms proved for Black Powder should not be the Sale. Plate or Dating Certificate cannot be guaranteed as correct and intending
used with smokeless ammunition. Estimated Weights purchasers should make their own enquiries as to the date of the car.
The term “Certificate of Unprovability” indicates that a firearm has been If a stone(s) weight appears within the body of the Description in capital 24. WINE
examined at a Proof House and is deemed both unsuitable for proof letters, the stone(s) has been unmounted and weighed by Bonhams. Lots which are lying under Bond and those liable to VAT may not be
and use. Reproof is required before any such firearm is to be used. If the weight of the stone(s) is stated to be approximate and does not available for immediate collection.
Guns Sold as Parts appear in capital letters, the stone(s) has been assessed by us within Examining the wines
Barrels of guns sold as parts will only be made available for sleeving its/their settings, and the stated weight is a statement of our opinion It is occasionally possible to provide a pre-Sale tasting for larger
and measurements once rendered unserviceable according to the Gun only. This information is given as a guide and Bidders should satisfy parcels (as defined below). This is generally limited to more recent and
Barrel Proof Act of 1968 to 1978 and the Rules of Proof. themselves with regard to this information as to its accuracy. everyday drinking wines. Please contact the department for details.
Condition of Firearms Signatures It is not our policy to inspect every unopened case. In the case of wines
Comment in this Catalogue is restricted, in general, to exceptional 1. A diamond brooch, by Kutchinsky older than 20 years the boxes will usually have been opened and levels
condition and to those defects that might affect the immediate safety of When the maker’s name appears in the title, in Bonhams’ opinion the and appearance noted in the Catalogue where necessary. You should
a firearm in normal use. An intending Bidder unable to make technical piece is by that maker. make proper allowance for variations in ullage levels and conditions of
examinations and assessments is recommended to seek advice from a 2. A diamond brooch, signed Kutchinsky corks, capsules and labels.
gunmaker or from a modern firearms specialist. All prospective Bidders Has a signature that, in Bonhams’ opinion, is authentic but may contain Corks and Ullages
are advised to consult the ˚ of bore and wall-thickness measurements gemstones that are not original, or the piece may have been altered. Ullage refers to the space between the base of the cork and the wine.
posted in the saleroom and available from the department. Bidders 3. A diamond brooch, mounted by Kutchinsky Ullage levels for Bordeaux shaped bottles are only normally noted
should note that guns are stripped only where there is a strong Has been created by the jeweller, in Bonhams’ opinion, but using when below the neck and for Burgundy, Alsace, German and Cognac
indication of a mechanical malfunction. Stripping is not, otherwise, stones or designs supplied by the client. shaped bottles when greater than 4 centimetres (cm). Acceptable
undertaken. Guns intended for use should be stripped and cleaned 20. PHOTOGRAPHS ullage levels increase with age; generally acceptable levels are as
beforehand. Hammer guns should have their rebound mechanisms Explanation of Catalogue Terms follows:
checked before use. The safety mechanisms of all guns must be tested • “Bill Brandt”: in our opinion a work by the artist. Under 15 years old – into neck or less than 4cm
before use. All measurements are approximate. • “Attributed to Bill Brandt”: in our opinion probably a work by the 15 to 30 years old – top shoulder (ts) or up to 5cm
Original Gun Specifications Derived from Gunmakers artist, but less certainty to authorship is expressed than in the Over 30 years old – high shoulder (hs) or up to 6cm
The Sporting Gun Department endeavours to confirm a gun’s original preceding category. It should be noted that ullages may change between publication
specification and date of manufacture with makers who hold their • “Signed and/or titled and/or dated and/or inscribed”: in our opinion of the Catalogue and the Sale and that corks may fail as a result of
original records. the signature and/or title and/or date and/or inscription are in the transporting the wine. We will only accept responsibility for Descriptions
Licensing Requirements artist’s hand. of condition at the time of publication of the Catalogue and cannot
Firearms Act 1968 as amended • “Signed and/or titled and/or dated and/or inscribed in another accept responsibility for any loss resulting from failure of corks either
Bonhams is constantly reviewing its procedures and would remind hand”: in our opinion the signature and/or title and/or date and/or before or after this point.
you that, in the case of firearms or shotguns subject to certification, inscription have been added by Options to buy parcels
to conform with current legislation, Bonhams is required to see, as another hand. A parcel is a number of Lots of identical size of the same wine, bottle
appropriate, your original registered firearms dealer’s certificate / shot • The date given is that of the image (negative). Where no further size and Description. The Buyer of any of these Lots has the option
gun certificate / firearm certificate / museum firearms licence / Section date is given, this indicates that the photographic print is vintage to accept some or all of the remaining Lots in the parcel at the same
5 authority or import licence (or details of any exemption from which (the term “vintage” may also be included in the Lot Description). A price, although such options will be at the Auctioneer’s sole discretion.
you may benefit, for instance Crown servant status) for the firearm(s) vintage photograph is one which was made within approximately Absentee Bidders are, therefore, advised to bid on the first Lot in a
you have purchased prior to taking full payment of the amount 5-10 years of the negative. Where a second, later date appears, parcel.
shown on your invoice. Should you not already be in possession of this refers to the date of printing. Where the exact printing date is Wines in Bond
such an authority or exemption, you are required to initially pay a not known, but understood to be later, “printed later” will appear in Wines lying in Bond are marked Δ. All Lots sold under Bond, and
deposit of 95% of the total invoice with the balance of 5% payable on the Lot Description. which the Buyer wishes to remain under Bond, will be invoiced without
presentation of your valid certificate or licence showing your authority • Unless otherwise specified, dimensions given are those of the piece VAT or Duty on the Hammer Price. If the Buyer wishes to take the Lot
to hold the firearm(s) concerned. of paper on which the image is printed, including any margins. as Duty paid, UK Excise Duty and VAT will be added to the Hammer
Please be advised that if a successful Bidder is then unable to produce Some photographs may appear in the Catalogue without margins Price on the invoice.
the correct paperwork, the Lot(s) will be reoffered by Bonhams in the illustrated. Buyers must notify Bonhams at the time of the sale whether they wish
next appropriate Sale, on standard terms for Sellers, and you will be • All photographs are sold unframed unless stated in the Lot to take their wines under Bond or Duty paid. If a Lot is taken under
responsible for any loss incurred by Bonhams on the original Sale to Description. Bond, the Buyer will be responsible for all VAT, Duty, clearance and
you. 21. PICTURES other charges that may be payable thereon.
In the case of RFD certificates and Section 5 authorities, we wish Explanation of Catalogue Terms Buyers outside the UK must be aware that any forwarding agent
to keep an up-to-date copy on file. Please supply us with a Fax or The following terms used in the Catalogue have the following meanings appointed to export their purchases must have a movement certificate
photocopy. It would be helpful if you could send us an updated copy but are subject to the general provisions relating to Descriptions for Lots to be released under Bond.
whenever your certificate or authority is renewed or changed. contained in the Contract for Sale: Bottling Details and Case Terms
Lots marked ‘S1´ and bearing red labels are Section 1 firearms and • “Jacopo Bassano”: in our opinion a work by the artist. When the The following terms used in the Catalogue have the following
require a valid British Firearms certificate, RFD Licence or import artist’s forename(s) is not known, a series of asterisks, followed by meanings:
licence. the surname of the artist, whether preceded by an initial or not, CB – Château bottled
Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and indicates that in our opinion the work is by the artist named; DB – Domaine bottled
require a valid British Shotgun certificate, RFD licence or import licence. • “Attributed to Jacopo Bassano”: in our opinion probably a work by EstB – Estate bottled
Lots marked ‘S5´ and bearing specially marked red labels are Section the artist but less certainty as to authorship is expressed than in the BB – Bordeaux bottled
5 prohibited firearms and require a valid Section 5 Authority or import preceding category; BE – Belgian bottled
licence. • “Studio/Workshop of Jacopo Bassano”: in our opinion a work by FB – French bottled
Lots marked with a ‘S58´ and bearing yellow labels are for obsolete an unknown hand in a studio of the artist which may or may not GB – German bottled
calibres and no licence is required unless ammunition is held. have been executed under the artist’s direction; OB – Oporto bottled
Unmarked Lots require no licence. • “Circle of Jacopo Bassano”: in our opinion a work by a hand closely UK – United Kingdom bottled
Please do not hesitate to contact the Modern Sporting Gun associated with a named artist but not necessarily his pupil; owc – original wooden case
Department should you have any queries. • “Follower of Jacopo Bassano”: in our opinion a work by a painter iwc – individual wooden case
Taxidermy and Related Items working in the artist’s style, contemporary or nearly contemporary, oc – original carton
On behalf of the Seller of these articles, Bonhams undertakes to but not necessarily his pupil; SYMBOLS
comply fully with Cites and DEFRA regulations. Buyers are advised • “Manner of Jacopo Bassano”: in our opinion a work in the style of THE FOLLOWING SYMBOLS ARE USED TO DENOTE
to inform themselves of all such regulations and should expect the the artist and of a later date;
Y Subject to CITES regulations when exporting these items outside
exportation of items to take some time to arrange. • “After Jacopo Bassano”: in our opinion, a copy of a known work of
the EU, see clause 13.
18. FURNITURE the artist;
TP Objects displayed with a TP will be located at the Cadogan
Upholstered Furniture • “Signed and/or dated and/or inscribed”: in our opinion the signature
Tate warehouse and will only be available for collection from this
Whilst we take every care in cataloguing furniture which has been and/or date and/or inscription are from the hand of the artist;
location.
upholstered we offer no Guarantee as to the originality • “Bears a signature and/or date and/or inscription”: in our opinion
W Objects displayed with a w will be located in the Bonhams
of the wood covered by fabric or upholstery. the signature and/or date and/or inscription have been added by
Warehouse and will only be available for collection from this
19. JEWELLERY another hand.
location.
Gemstones 22. PORCELAIN AND GLASS
Δ Wines lying in Bond.
Historically many gemstones have been subjected to a variety of Damage and Restoration
AR An Additional Premium will be payable to us by the Buyer to
treatments to enhance their appearance. Sapphires and rubies are For your guidance, in our Catalogues we attempt to detail, as far
as practicable, all significant defects, cracks and restoration. Such cover our Expenses relating to payment of royalties under the
routinely heat treated to improve their colour and clarity, similarly
practicable Descriptions of damage cannot be definitive, and in Artists Resale Right Regulations 2006. See clause 7 for details.
emeralds are frequently treated with oils or resin for the same purpose.
providing Condition Reports, we cannot Guarantee that there are no ○ The Seller has been guaranteed a minimum price for the Lot,
Other treatments such as staining, irradiation or coating may have
other defects present which have not been mentioned. Bidders should either by Bonhams or a third party. This may take the form of an
been used on other gemstones. These treatments may be permanent,
satisfy themselves by inspection, as to the condition of each Lot. irrevocable bid by a third party, who may make a financial gain on
whilst others may need special care or re-treatment over the years
NTB/MAIN/V1/9.2021
a successful Sale or a financial loss if unsuccessful. or Bonhams and whether made prior to or during the Sale, is not 8.1.2 to resell the Lot by auction, private treaty or any other means on
▲ Bonhams owns the Lot either wholly or partially or may otherwise part of the Contractual Description upon which the Lot is sold. giving seven days’ written notice to you of the intention to resell;
have an economic interest. 3.2 Except as provided in paragraph 2.1.5, the Seller does 8.1.3 to retain possession of the Lot;
Ф This lot contains or is made of ivory. The United States not make or give and does not agree to make or give any 8.1.4 to remove and store the Lot at your expense;
Government has banned the import of ivory into contractual promise, undertaking, obligation, guarantee, 8.1.5 to take legal proceedings against you for any sum due under the
the USA. warranty, or representation of fact, or undertake any duty of Contract for Sale and/or damages for breach of contract;
•, †, *, G, Ω, a see clause 8, VAT, for details. care, in relation to any Description of the Lot or any Estimate 8.1.6 to be paid interest on any monies due (after as well as before
DATA PROTECTION – USE OF YOUR INFORMATION in relation to it, nor of the accuracy or completeness of any judgement or order) at the annual rate of 5% per annum above
Where we obtain any personal information about you, we shall only Description or Estimate which may have been Bonhams. No the base rate of National Westminster Bank Plc from time to
use it in accordance with the terms of our Privacy Policy (subject to such Description or Estimate is incorporated into this Contract time to be calculated on a daily basis from the date upon which
any additional specific consent(s) you may have given at the time for Sale. such monies become payable until the date of actual payment;
your information was disclosed). A copy of our Privacy Policy can be 4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY 8.1.7 to repossess the Lot (or any part thereof) which has not become
found on our Website www.bonhams.com or requested by post from 4.1 The Seller does not make and does not agree to make any your property, and for this purpose (unless the Buyer buys the
Customer Services Department, 101 New Bond Street, London, W1S contractual promise, undertaking, obligation, guarantee, Lot as a Consumer from the Seller selling in the course of a
1SR or by email from info@bonhams.com warranty, or representation of fact in relation to the satisfactory Business) you hereby grant an irrevocable licence to the Seller
quality of the Lot or its fitness for any purpose. by himself and to his servants or agents to enter upon all or
APPENDIX 1 4.2 The Seller will not be liable for any breach of any undertaking, any of your premises (with or without vehicles) during normal
whether implied by the Sale of Goods Act 1979 or otherwise, Business hours to take possession of the Lot or part thereof;
BUYERS SALE CONTRACT WITH SELLER as to the satisfactory quality of the Lot or its fitness for any 8.1.8 to retain possession of any other property sold to you by the
purpose. Seller at the Sale or any other auction or by private treaty until
IMPORTANT: These terms may be changed in advance of the 5 RISK, PROPERTY AND TITLE all sums due under the Contract for Sale shall have been paid in
Sale of the Lot to you, by the setting out of different terms 5.1 Risk in the Lot passes to you after 7 days from the day upon full in cleared funds;
in the Catalogue for the Sale and/or by placing an insert in which it is knocked down to you on the fall of the Auctioneer’s 8.1.9 to retain possession of, and on three months’ written notice
the Catalogue and/or by notices at the Sale venue and/or on hammer in respect of the Lot, or upon collection of the Lot to sell, Without Reserve, any of your other property in the
Bonhams’ website, and/or by oral announcements before and if earlier. The Seller will not be responsible thereafter for the possession of the Seller and/or of Bonhams (as bailee for the
during the Sale at the Sale venue. You should be alert to this Lot prior to you collecting it from Bonhams or the Storage Seller) for any purpose (including, without limitation, other goods
possibility of changes and ask in advance of bidding if there Contractor, with whom you have separate contract(s) as Buyer. sold to you) and to apply any monies due to you as a result of
have been any. You will indemnify the Seller and keep the Seller fully indemnified such Sale in satisfaction or part satisfaction of any amounts
Under this contract the Seller’s liability in respect of the quality from and against all claims, proceedings, costs, expenses owed to the Seller or to Bonhams; and
of the Lot, it’s fitness for any purpose and its conformity with and losses arising in respect of any injury, loss and damage 8.1.10 so long as such goods remain in the possession of the Seller
any Description is limited. You are strongly advised to examine caused to the Lot beyond 7 days from the day of the fall of the or Bonhams as its bailee, to rescind the contract for the Sale of
the Lot for yourself and/or obtain an independent examination Auctioneer’s hammer until you obtain full title to it. any other goods sold to you by the Seller at the Sale or at any
of it before you buy it. 5.2 Title to the Lot remains in and is retained by the Seller until: (i) the other auction or by private treaty and apply any monies received
1 THE CONTRACT Purchase Price and all other sums payable by you to Bonhams from you in respect of such goods in part or full satisfaction of
1.1 These terms and the relevant terms for Bidders and Buyers in in relation to the Lot have been paid in full to and received in any amounts owed to the Seller or to Bonhams by you.
the Notice to Bidders govern the Contract for Sale of the Lot by cleared funds by Bonhams, and (ii) Bonhams has completed its 8.2 You agree to indemnify the Seller against all legal and other
the Seller to the Buyer. investigations pursuant to clause 3.11 of the Buyer’s Agreement costs of enforcement, all losses and other expenses and costs
1.2 The Definitions and Glossary contained in Appendix 3 in the with Bonhams set out in Appendix 2 in the catalogue. (including any monies payable to Bonhams in order to obtain
Catalogue are incorporated into this Contract for Sale and a 6 PAYMENT the release of the Lot) incurred by the Seller (whether or not
separate copy can also be provided by Bonhams on request. 6.1 Your obligation to pay the Purchase Price arises when the Lot is court proceedings will have been issued) as a result of Bonhams
Where words and phrases are used which are in the List of knocked down to you on the fall of the Auctioneer’s hammer in taking steps under this paragraph 8 on a full indemnity basis
Definitions, they are printed in italics. respect of the Lot. together with interest thereon (after as well as before judgement
1.3 The Seller sells the Lot as the principal to the Contract for Sale, 6.2 Time will be of the essence in relation to payment of the or order) at the rate specified in paragraph 8.1.6 from the date
such contract being made between the Seller and you through Purchase Price and all other sums payable by you to Bonhams. upon which the Seller becomes liable to pay the same until
Bonhams which acts in the sole capacity as the Seller’s agent Unless agreed in writing with you by Bonhams on the Seller’s payment by you.
and not as an additional principal. However, if the Catalogue behalf (in which case you must comply with the terms of that 8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will
states that Bonhams sells the Lot as principal, or such a agreement), all such sums must be paid to Bonhams by you in account to you in respect of any balance remaining from any
statement is made by an announcement by the Auctioneer, the currency in which the Sale was conducted by not later than monies received by him or on his behalf in respect of the Lot,
or by a notice at the Sale, or an insert in the Catalogue, then 4.30pm on the second working day following the Sale and you after the payment of all sums due to the Seller and to Bonhams,
Bonhams is the Seller for the purposes of this agreement. must ensure that the funds are cleared by the seventh working within 28 days of receipt of such monies by him or on his behalf.
1.4 The contract is made on the fall of the Auctioneer’s hammer in day after the Sale. Payment must be made to Bonhams by one 9 THE SELLER’S LIABILITY
respect of the Lot when it is knocked down to you. of the methods stated in the Notice to Bidders unless otherwise 9.1 The Seller will not be liable for any injury, loss or damage caused
2 SELLER’S WARRANTIES AND UNDERTAKINGS agreed with you in writing by Bonhams. If you do not pay in full by the Lot after the fall of the Auctioneer’s hammer in respect of
2.1 The Seller undertakes to you that: any sums due in accordance with this paragraph, the Seller will the Lot.
2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the have the rights set out in paragraph 8 below. 9.2 Subject to paragraph 9.3 below, except for breach of the
Lot by the owner; 7 COLLECTION OF THE LOT express undertaking provided in paragraph 2.1.5, the Seller
2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the 7.1 Unless otherwise agreed in writing with you by Bonhams, will not be liable for any breach of any term that the Lot will
Seller sells the Lot with full title guarantee or, where the Seller the Lot will be released to you or to your order only when: (i) correspond with any Description applied to it by or on behalf of
is an executor, trustee, liquidator, receiver or administrator, with Bonhams has received cleared funds to the amount of the the Seller, whether implied by the Sale of Goods Act 1979 or
whatever right, title or interest he may have in the Lot; full Purchase Price and all other sums owed by you to the otherwise.
2.1.3 except where the Sale is by an executor, trustee, liquidator, Seller and to Bonhams and (ii) Bonhams has completed its 9.3 Unless the Seller sells the Lot in the course of a Business and
receiver or administrator the Seller is both legally entitled to investigations pursuant to clause 3.11 of the Buyer’s Agreement the Buyer buys it as a Consumer,
sell the Lot, and legally capable of conferring on you quiet with Bonhams set out in Appendix 2 in the catalogue. 9.3.1 the Seller will not be liable (whether in negligence, other tort,
possession of the Lot and that the Sale conforms in every 7.2 The Seller is entitled to withhold possession from you of any breach of contract or statutory duty or in restitution or under the
respect with the terms implied by the Sale of Goods Act 1979, other Lot he has sold to you at the same or at any other Sale Misrepresentation Act 1967, or in any other way) for any lack of
Sections 12(1) and 12(2) (see the Definitions and Glossary); and whether currently in Bonhams’ possession or not, until conformity with, or inaccuracy, error, misdescription or omission
2.1.4 the Seller has complied with all requirements, legal or otherwise, payment in full and in cleared funds of the Purchase Price and in any Description of the Lot or any Entry or Estimate in relation
relating to any export or import of the Lot, and all duties and all other sums due to the Seller and/or Bonhams in respect of to the Lot made by or on behalf of the Seller (whether made in
taxes in respect of the export or import of the Lot have (unless the Lot. writing, including in the Catalogue, or on the Website, or orally,
stated to the contrary in the Catalogue or announced by the 7.3 You should note that Bonhams has reserved the right not to or by conduct or otherwise) and whether made before or after
Auctioneer) been paid and, so far as the Seller is aware, all third release the Lot to you until its investigations under paragraph this agreement or prior to or during the Sale;
parties have complied with such requirements in the past; 3.11 of the Buyers’ Agreement set out in Appendix 2 have been 9.3.2 the Seller will not be liable for any loss of Business, Business
2.1.5 items consigned for sale by the Seller are not connected with or completed to Bonhams’ satisfaction. profits or revenue or income or for loss of reputation or for
derived from any criminal activity, including without limitation tax 7.4 You will collect and remove the Lot at your own expense disruption to Business or wasted time on the part of the Buyer
evasion, money laundering, terrorist financing or breach of any from Bonhams’ custody and/ or control or from the Storage or of the Buyer’s management or staff or, for any indirect losses
applicable international trade sanctions; Contractor’s custody in accordance with Bonhams’ instructions or consequential damages of any kind, irrespective in any case
2.1.6 subject to any alterations expressly identified as such made by or requirements. of the nature, volume or source of the loss or damage alleged to
announcement or notice at the Sale venue or by the Notice to 7.5 You will be wholly responsible for packing, handling and be suffered, and irrespective of whether the said loss or damage
Bidders or by an insert in the Catalogue or on the Bonhams transport of the Lot on collection and for complying with all is caused by or claimed in respect of any negligence, other
website, the Lot corresponds with the Contractual Description import or export regulations in connection with the Lot. tort, breach of contract, statutory duty, restitutionary claim or
of the Lot, being that part of the Entry about the Lot in the 7.6 You will be wholly responsible for any removal, storage or other otherwise;
Catalogue which is in bold letters and (except for colour) with charges or expenses incurred by the Seller if you do not remove 9.3.3 in any circumstances where the Seller is liable to you in respect
any photograph of the Lot in the Catalogue. the Lot in accordance with this paragraph 7 and will indemnify of the Lot, or any act, omission, statement, or representation
3 DESCRIPTIONS OF THE LOT the Seller against all charges, costs, including any legal costs in respect of it, or this agreement or its performance, and
3.1 Paragraph 2.1.5 sets out what is the Contractual Description and fees, expenses and losses suffered by the Seller by reason whether in damages, for an indemnity or contribution or for
of the Lot. In particular, the Lot is not sold as corresponding of your failure to remove the Lot including any charges due a restitutionary remedy or in any way whatsoever, the Seller’s
with any part of the Entry in the Catalogue which is not printed under any Storage Contract. All such sums due to the Seller will liability will be limited to payment of a sum which will not exceed
in bold letters, the remainder of which Entry merely sets out be payable on demand. by way of maximum the amount of the Purchase Price of the
(on the Seller’s behalf) Bonhams’ opinion about the Lot and 8 FAILURE TO PAY FOR THE LOT Lot irrespective in any case of the nature, volume or source
which is not part of the Contractual Description upon which 8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in of any loss or damage alleged to be suffered or sum claimed
the Lot is sold. Any statement or representation other than that accordance with the Contract for Sale, the Seller will be entitled, as due, and irrespective of whether the liability arises from
part of the Entry referred to in paragraph 2.1.5 (together with with the prior written agreement of Bonhams but without further any negligence, other tort, breach of contract, statutory duty,
any express alteration to it as referred to in paragraph 2.1.5), notice to you, to exercise one or more of the following rights bailee’s duty, restitutionary claim or otherwise.
including any Description or Estimate, whether made orally or in (whether through Bonhams or otherwise): 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be
writing, including in the Catalogue or on Bonhams’ Website, or by 8.1.1 to terminate immediately the Contract for Sale of the Lot for construed as excluding or restricting (whether directly or
conduct, or otherwise, and whether by or on behalf of the Seller your breach of contract; indirectly) any person’s liability or excluding or restricting any
NTB/MAIN/V1/9.2021
person’s rights or remedies in respect of (i) fraud, or (ii) death are used in this agreement, they are printed in italics. Reference under investigation for neither have been charged nor convicted
or personal injury caused by the Seller’s negligence (or any is made in this agreement to information printed in the Notice to in connection with any criminal activity.
person under the Seller’s control or for whom the Seller is legally Bidders, printed in the Catalogue for the Sale, and where such 3.10 Where you are acting as agent for another party (“your
responsible), or (iii) acts or omissions for which the Seller is liable information is referred to it is incorporated into this agreement. Principal”), you undertake and warrant that:
under the Occupiers Liability Act 1957, or (iv) any other liability 1.3 Except as specified in paragraph 4 of the Notice to Bidders the 3.10.1 you have conducted suitable customer due diligence into
to the extent the same may not be excluded or restricted as a Contract for Sale of the Lot between you and the Seller is made your Principal under applicable Sanctions and Anti-Money
matter of law. on the fall of the Auctioneer’s hammer in respect of the Lot, Laundering laws and regulations;
10 MISCELLANEOUS when it is knocked down to you. At that moment a separate 3.10.2 your Principal is not a Sanctioned Party and not owned, partially
10.1 You may not assign either the benefit or burden of the Contract contract is also made between you and Bonhams on the terms owned or controlled by a Sanctioned Party, and you have no
for Sale. in this Buyer’s Agreement. reason to suspect that your Principal has been charged or
10.2 The Seller’s failure or delay in enforcing or exercising any power 1.4 We act as agents for the Seller and are not answerable or convicted with, money laundering, terrorism or other crimes;
or right under the Contract for Sale will not operate or be personally responsible to you for any breach of contract or other 3.10.3 funds used for your or your Principal’s purchase are not
deemed to operate as a waiver of his rights under it except to default by the Seller, unless Bonhams sells the Lot as principal. connected with or derived from any criminal activity, including
the extent of any express waiver given to you in writing. Any 1.5 Our personal obligations to you are governed by this agreement without limitation tax evasion, money laundering or terrorist
such waiver will not affect the Seller’s ability subsequently to and we agree, subject to the terms below, to the following financing;
enforce any right arising under the Contract for Sale. obligations: 3.10.4 items purchased by you and your Principal through Bonhams
10.3 If either party to the Contract for Sale is prevented from 1.5.1 we will, until the date and time specified in the Notice to Bidders are not being purchased or to be used in any way connected
performing that party’s respective obligations under the Contract or otherwise notified to you, store the Lot in accordance with with or to facilitate breaches of applicable Tax, Anti-Money
for Sale by circumstances beyond its reasonable control or paragraph 5; Laundering or Anti-Terrorism laws and regulations; and
if performance of its obligations would by reason of such 1.5.2 subject to any power of the Seller or us to refuse to release 3.10.5 that you consent to Bonhams relying upon your customer due
circumstances give rise to a significantly increased financial the Lot to you, we will release the Lot to you in accordance diligence, undertaking to retain records of your due diligence
cost to it, that party will not, for so long as such circumstances with paragraph 4 once you have paid to us, in cleared funds, for at least 5 years and to make such due diligence records
prevail, be required to perform such obligations. This paragraph everything due to us and the Seller and following completion of available for inspection by an independent auditor in the event
does not apply to the obligations imposed on you by paragraph our enquiries pursuant to paragraph 3.11; we request you to do so.
6. 1.5.3 we will provide guarantees in the terms set out in paragraphs 9 3.11 We reserve the rights to make enquiries about any person
10.4 Any notice or other communication to be given under the and 10. transacting with us and to identify the source of any funds
Contract for Sale must be in writing and may be delivered by 1.6 We do not make or give and do not agree to make or give received from you. In the event we have not completed our
hand or sent by first class post or air mail or fax transmission, if to any contractual promise, undertaking, obligation, Guarantee, investigations in respect of anti-terrorism financing, anti-money
the Seller, addressed c/o Bonhams at its address or fax number warranty, representation of fact in relation to any Description laundering or other financial and identity checks concerning
in the Catalogue (marked for the attention of the Company of the Lot or any Estimate in relation to it, nor of the accuracy either you or the Seller, to our satisfaction at our discretion,
Secretary), and if to you to the address or fax number of the or completeness of any Description or Estimate which may we shall be entitled to retain Lots and/or proceeds of Sale,
Buyer given in the Bidding Form (unless notice of any change of have been made by us or on our behalf or by or on behalf postpone or cancel any sale and to take any other actions
address is given in writing). It is the responsibility of the sender of the Seller (whether made orally or in writing, including in required or permitted under applicable law, without liability to
of the notice or communication to ensure that it is received in a the Catalogue or on Bonhams’ Website, or by conduct, or you.
legible form within any applicable time period. otherwise), and whether made before or after this agreement or 4 COLLECTION OF THE LOT
10.5 If any term or any part of any term of the Contract for Sale prior to or during the Sale. No such Description or Estimate is 4.1 Subject to any power of the Seller or us to refuse to release
is held to be unenforceable or invalid, such unenforceability incorporated into this agreement between you and us. Any such the Lot to you, once you have paid to us, in cleared funds,
or invalidity will not affect the enforceability and validity of the Description or Estimate, if made by us or on our behalf, was everything due to the Seller and to us, and once we have
remaining terms or the remainder of the relevant term. (unless Bonhams itself sells the Lot as principal) made as agent completed our investigations under paragraph 3.11, we will
10.6 References in the Contract for Sale to Bonhams will, where on behalf of the Seller. release the Lot to you or as you may direct us in writing. The
appropriate, include reference to Bonhams’ officers, employees 2 PERFORMANCE OF THE CONTRACT FOR SALE Lot will only be released on production of a buyer collection
and agents and to any subsidiary of Bonhams Holdings Limited You undertake to us personally that you will observe and comply document, obtained from our cashier’s office.
and to its officers, employees and agents. with all your obligations and undertakings to the Seller under the 4.2 You must collect and remove the Lot at your own expense by
10.7 The headings used in the Contract for Sale are for convenience Contract for Sale in respect of the Lot. the date and time specified in the Notice to Bidders, or if no
only and will not affect its interpretation. 3 PAYMENT AND BUYER WARRANTIES date is specified, by 4.30pm on the seventh day after the Sale.
10.8 In the Contract for Sale “including” means “including, without 3.1 Unless agreed in writing between you and us or as otherwise 4.3 For the period referred to in paragraph 4.2, the Lot can be
limitation”. set out in the Notice to Bidders, you must pay to us by not later collected from the address referred to in the Notice to Bidders
10.9 References to the singular will include reference to the plural than 4.30pm on the second working day following the Sale: for collection on the days and times specified in the Notice to
(and vice versa) and reference to any one gender will include 3.1.1 the Purchase Price for the Lot; Bidders. Thereafter, the Lot may be removed elsewhere for
reference to the other genders. 3.1.2 a Buyer’s Premium in accordance with the rates set out in the storage and you must enquire from us as to when and where
10.10 Reference to a numbered paragraph is to a paragraph of the Notice to Bidders on each lot, and you can collect it, although this information will usually be set
Contract for Sale. 3.1.3 if the Lot is marked [AR], an Additional Premium which is out in the Notice to Bidders.
10.11 Save as expressly provided in paragraph 10.12 nothing in the calculated and payable in accordance with the Notice to 4.4 If you have not collected the Lot by the date specified in the
Contract for Sale confers (or purports to confer) on any person Bidders together with VAT on that sum if applicable so that all Notice to Bidders, you authorise us, acting in this instance as
who is not a party to the Contract for Sale any benefit conferred sums due to us are cleared funds by the seventh working day your agent and on your behalf, to enter into a contract (the
by, or the right to enforce any term of, the Contract for Sale. after the Sale. “Storage Contract”) with the Storage Contractor for the storage
10.12 Where the Contract for Sale confers an immunity from, and/or 3.2 You must also pay us on demand any Expenses payable of the Lot on the then current standard terms and conditions
an exclusion or restriction of, the responsibility and/or liability pursuant to this agreement. agreed between Bonhams and the Storage Contractor (copies
of the Seller, it will also operate in favour and for the benefit of 3.3 All payments to us must be made in the currency in which the of which are available on request). If the Lot is stored at our
Bonhams, Bonhams’ holding company and the subsidiaries Sale was conducted, using, unless otherwise agreed by us in premises storage fees at our current daily rates (currently a
of such holding company and the successors and assigns of writing, one of the methods of payment set out in the Notice to minimum of £3 plus VAT per Lot per day) will be payable from
Bonhams and of such companies and of any officer, employee Bidders. Our invoices will only be addressed to the registered the expiry of the period referred to in paragraph 4.2. These
and agent of Bonhams and such companies, each of whom Bidder unless the Bidder is acting as an agent for a named storage fees form part of our Expenses.
will be entitled to rely on the relevant immunity and/or exclusion principal and we have approved that arrangement, in which 4.5 Until you have paid the Purchase Price and any Expenses in
and/or restriction within and for the purposes of Contracts case we will address the invoice to the principal. full the Lot will either be held by us as agent on behalf of the
(Rights of Third Parties) Act 1999, which enables the benefit of 3.4 Unless otherwise stated in this agreement all sums payable to Seller or held by the Storage Contractor as agent on behalf of
a contract to be extended to a person who is not a party to the us will be subject to VAT at the appropriate rate and VAT will be the Seller and ourselves on the terms contained in the Storage
contract, and generally at law. payable by you on all such sums. Contract.
11 GOVERNING LAW 3.5 We may deduct and retain for our own benefit from the monies 4.6 You undertake to comply with the terms of any Storage
All transactions to which the Contract for Sale applies and paid by you to us the Buyer’s Premium, the Commission Contract and in particular to pay the charges (and all costs of
all connected matters will be governed by and construed in payable by the Seller in respect of the Lot, any Expenses and moving the Lot into storage) due under any Storage Contract.
accordance with the laws of that part of the United Kingdom VAT and any interest earned and/or incurred until payment to You acknowledge and agree that you will not be able to collect
where the Sale takes place and the Seller and you each submit the Seller. the Lot from the Storage Contractor’s premises until you have
to the exclusive jurisdiction of the courts of that part of the 3.6 Time will be of the essence in relation to any payment payable paid the Purchase Price, any Expenses and all charges due
United Kingdom, save that the Seller may bring proceedings to us. If you do not pay the Purchase Price, or any other sum under the Storage Contract.
against you in any other court of competent jurisdiction to due to us in accordance with this paragraph 3, we will have the 4.7 You will be wholly responsible for packing, handling and
the extent permitted by the laws of the relevant jurisdiction. rights set out in paragraph 7 below. transport of the Lot on collection and for complying with all
Bonhams has a complaints procedure in place. 3.7 Where a number of Lots have been knocked down to you, any import or export regulations in connection with the Lot.
monies we receive from you will be applied firstly pro-rata to pay 4.8 You will be wholly responsible for any removal, storage, or other
APPENDIX 2 the Purchase Price of each Lot and secondly pro-rata to pay all charges for any Lot not removed in accordance with paragraph
amounts due to Bonhams. 4.2, payable at our current rates, and any Expenses we incur
BUYER’S AGREEMENT WITH BONHAMS 3.8 You warrant that neither you nor - if you are a company, (including any charges due under the Storage Contract), all of
IMPORTANT: These terms may be changed in advance of the Sale your directors, officers or your owner or their directors or which must be paid by you on demand and in any event before
of the Lot to you, by the setting out of different terms in the shareholders - are an individual or an entity that is, or is owned any collection of the Lot by you or on your behalf.
Catalogue for the Sale and/or by placing an insert in the or controlled by individuals or entities that are: 5 STORING THE LOT
Catalogue and/or by notices at the Sale venue and/or by oral 3.8.1 the subject of any sanctions administered or enforced by the We agree to store the Lot until the earlier of your removal of the
announcements before and during the Sale at the Sale venue. U.S. Department of the Treasury’s Office of Foreign Assets Lot or until the time and date set out in the Notice to Bidders,
You should be alert to this possibility of changes and ask in Control, the U.S. Departure of State, the United Nations Security on the Sale Information Page or at the back of the catalogue (or
advance of bidding if there have been any. Council, the European Union, Her Majesty’s Treasury, or other if no date is specified, by 4.30pm on the seventh day after the
1 THE CONTRACT relevant sanctions authority (“Sanctions” and a “Sanctioned Sale) and, subject to paragraphs 3, 6 and 10, to be responsible
1.1 These terms govern the contract between Bonhams personally Party”); or as bailee to you for damage to or the loss or destruction of the
and the Buyer, being the person to whom a Lot has been 3.8.2 located, organised or resident in a country or territory that is, Lot (notwithstanding that it is not your property before payment
knocked down by the Auctioneer. or whose government is, the subject of Sanctions, including of the Purchase Price). If you do not collect the Lot before the
1.2 The Definitions and Glossary contained in Appendix 3 to the without limitation, Iran, North Korea, Sudan and Syria. time and date set out in the Notice to Bidders (or if no date
Catalogue for the Sale are incorporated into this agreement and 3.9 You warrant that the funds being used for your purchase have is specified, by 4.30pm on the seventh day after the Sale) we
a separate copy can also be provided by us on request. Where no link with criminal activity including without limitation money may remove the Lot to another location, the details of which
words and phrases which are defined in the List of Definitions laundering, tax evasion or terrorist financing, and that you not will usually be set out in the relevant section of the Catalogue. If
NTB/MAIN/V1/9.2021
you have not paid for the Lot in accordance with paragraph 3, 8.1.1 retain the Lot to investigate any question raised or reasonably where we are liable to you in respect of a Lot, or any act,
and the Lot is moved to any third party’s premises, the Lot will expected by us to be raised in relation to the Lot; and/or omission, statement, representation in respect of it, or this
be held by such third party strictly to Bonhams’ order and we 8.1.2 deliver the Lot to a person other than you; and/or agreement or its performance, and whether in damages, for an
will retain our lien over the Lot until we have been paid in full in 8.1.3 commence interpleader proceedings or seek any other order of indemnity or contribution or for a restitutionary remedy or in any
accordance with paragraph 3. any court, mediator, arbitrator or government body; and/or way whatsoever, our liability will be limited to payment of a sum
6 RESPONSIBILITY FOR THE LOT 8.1.4 require an indemnity and/or security from you in return for which will not exceed by way of maximum the amount of the
6.1 Title (ownership) in the Lot passes to you (i) on payment of pursuing a course of action agreed to by you. Purchase Price of the Lot plus Buyer’s Premium (less any sum
the Purchase Price to us in full in cleared funds and (ii) when 8.2 The discretion referred to in paragraph 8.1: you may be entitled to recover from the Seller) irrespective in
investigations have been completed to our satisfaction under 8.2.1 may be exercised at any time during which we have actual or any case of the nature, volume or source of any loss or damage
paragraph 3.11. constructive possession of the Lot, or at any time after such alleged to be suffered or sum claimed as due, and irrespective
6.2 Please note however, that under the Contract for Sale, the risk in possession, where the cessation of such possession has of whether the liability arises from negligence, other tort, breach
the Lot passes to you after 7 days from the day upon which occurred by reason of any decision, order or ruling of any court, of contract, statutory duty, bailee’s duty, a restitutionary claim
it is knocked down to you or upon collection of the Lot if mediator, arbitrator or government body; and or otherwise.
earlier, and you are advised to obtain insurance in respect of the 8.2.2 will not be exercised unless we believe that there exists a You may wish to protect yourself against loss by obtaining insurance.
Lot as soon as possible after the Sale. serious prospect of a good arguable case in favour of the claim. 10.4 Nothing set out above will be construed as excluding or
7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART 9 FORGERIES restricting (whether directly or indirectly) any person’s liability
PAYMENTS 9.1 We undertake a personal responsibility for any Forgery in or excluding or restricting any person’s rights or remedies in
7.1 If all sums payable to us are not so paid in full at the time they accordance with the terms of this paragraph 9. respect of (i) fraud, or (ii) death or personal injury caused by our
are due and/or the Lot is not removed in accordance with 9.2 Paragraph 9 applies only if: negligence (or any person under our control or for whom we are
this agreement, we will (without further notice to you unless 9.2.1 your name appears as the named person to whom the original legally responsible), or (iii) acts or omissions for which we are
otherwise provided below), be entitled to exercise one or more invoice was made out by us in respect of the Lot and that liable under the Occupiers Liability Act 1957, or (iv) any other
of the following rights (without prejudice to any rights we may invoice has been paid; and liability to the extent the same may not be excluded or restricted
exercise on behalf of the Seller): 9.2.2 you notify us in writing as soon as reasonably practicable after as a matter of law, or (v) under our undertaking in paragraph 9
7.1.1 to terminate this agreement immediately for your breach of you have become aware that the Lot is or may be a Forgery, of these conditions.
contract; and in any event within one year after the Sale, that the Lot is a 11 BOOKS MISSING TEXT OR ILLUSTRATIONS
7.1.2 to retain possession of the Lot; Forgery; and Where the Lot is made up wholly of a Book or Books and
7.1.3 to remove, and/or store the Lot at your expense; 9.2.3 within one month after such notification has been given, you any Book does not contain text or illustrations (in either case
7.1.4 to take legal proceedings against you for payment of any sums return the Lot to us in the same condition as it was at the time referred to as a “non-conforming Lot”), we undertake a personal
payable to us by you (including the Purchase Price) and/or of the Sale, accompanied by written evidence that the Lot is responsibility for such a non-conforming Lot in accordance with
damages for breach of contract; a Forgery and details of the Sale and Lot number sufficient to the terms of this paragraph, if:
7.1.5 to be paid interest on any monies due to us (after as well as identify the Lot. the original invoice was made out by us to you in respect of the
before judgement or order) at the annual rate of 5% per annum 9.3 Paragraph 9 will not apply in respect of a Forgery if: Lot and that invoice has been paid; and
above the base lending rate of National Westminster Bank Plc 9.3.1 the Entry in relation to the Lot contained in the Catalogue you notify us in writing as soon as reasonably practicable after
from time to time to be calculated on a daily basis from the reflected the then accepted general opinion of scholars and you have become aware that the Lot is or may be a non-
date upon which such monies become payable until the date of experts or fairly indicated that there was a conflict of such conforming Lot, and in any event within 20 days after the Sale
actual payment; opinion or reflected the then current opinion of an expert (or such longer period as we may agree in writing) that the Lot is
7.1.6 to repossess the Lot (or any part thereof) which has not become acknowledged to be a leading expert in the relevant field; or a non-conforming Lot; and
your property, and for this purpose (unless you buy the Lot as 9.3.2 it can be established that the Lot is a Forgery only by means of within 20 days of the date of the relevant Sale (or such longer
a Consumer) you hereby grant an irrevocable licence to us, by a process not generally accepted for use until after the date on period as we may agree in writing) you return the Lot to us in the
ourselves, our servants or agents, to enter upon all or any of which the Catalogue was published or by means of a process same condition as it was at the time of the Sale, accompanied by
your premises (with or without vehicles) during normal business which it was unreasonable in all the circumstances for us to written evidence that the Lot is a non-conforming Lot and details
hours to take possession of any Lot or part thereof; have employed. of the Sale and Lot number sufficient to identify the Lot.but not if:
7.1.7 to sell the Lot Without Reserve by auction, private treaty or any 9.4 You authorise us to carry out such processes and tests on the Entry in the Catalogue in respect of the Lot indicates that the
other means on giving you three months’ written notice of our the Lot as we in our absolute discretion consider necessary to rights given by this paragraph do not apply to it; or
intention to do so; satisfy ourselves that the Lot is or is not a Forgery. the Entry in the Catalogue in respect of the Lot reflected the
7.1.8 to retain possession of any of your other property in our 9.5 If we are satisfied that a Lot is a Forgery we will (as principal) then accepted general opinion of scholars and experts or fairly
possession for any purpose (including, without limitation, other purchase the Lot from you and you will transfer the title to the indicated that there was a conflict of such opinion; or
goods sold to you or with us for Sale) until all sums due to us Lot in question to us, with full title guarantee, free from any liens, it can be established that the Lot is a non-conforming Lot only
have been paid in full; charges, encumbrances and adverse claims, in accordance with by means of a process not generally accepted for use until after
7.1.9 to apply any monies received from you for any purpose whether the provisions of Sections 12(1) and 12(2) of the Sale of Goods the date on which the Catalogue was published or by means of
at the time of your default or at any time thereafter in payment Act 1979 and we will pay to you an amount equal to the sum of a process which it was unreasonable in all the circumstances for
or part payment of any sums due to us by you under this the Purchase Price, Buyer’s Premium, VAT and Expenses paid us to have employed; or
agreement; by you in respect of the Lot. the Lot comprises atlases, maps, autographs, manuscripts,
7.1.10 on three months’ written notice to sell, Without Reserve, any of 9.6 The benefit of paragraph 9 is personal to, and incapable of extra illustrated books, music or periodical publications; or
your other property in our possession or under our control for assignment by, you. the Lot was listed in the Catalogue under “collections” or
any purpose (including other goods sold to you or with us for 9.7 If you sell or otherwise dispose of your interest in the Lot, all “collections and various” or the Lot was stated in the Catalogue
Sale) and to apply any monies due to you as a result of such rights and benefits under this paragraph 9 will cease. to comprise or contain a collection, issue or Books which are
Sale in payment or part payment of any amounts owed to us; 9.8 Paragraph 9 does not apply to a Lot made up of or including a undescribed or the missing text or illustrations are referred to
7.1.11 refuse to allow you to register for a future Sale or to reject a bid Chinese painting or Chinese paintings, a motor vehicle or motor or the relevant parts of the Book contain blanks, half titles or
from you at any future Sale or to require you to pay a deposit vehicles, a Stamp or Stamps or a Book or Books. advertisements.
before any bid is accepted by us at any future Sale in which 10 OUR LIABILITY If we are reasonably satisfied that a Lot is a non- conforming
case we will be entitled to apply such deposit in payment or part 10.1 We will not be liable whether in negligence, other tort, breach Lot, we will (as principal) purchase the Lot from you and you
payment, as the case may be, of the Purchase Price of any Lot of contract or statutory duty or in restitution or under the will transfer the title to the Lot in question to us, with full title
of which you are the Buyer. Misrepresentation Act 1967 or in any other way for lack of guarantee, free from any liens, charges, encumbrances and
7.1.12 having made reasonable efforts to inform you, to release your conformity with or any inaccuracy, error, misdescription or adverse claims and we will pay to you an amount equal to the
name and address to the Seller, so they might take appropriate omission in any Description of the Lot or any Entry or Estimate sum of the Purchase Price and Buyer’s Premium paid by you in
steps to recover the amounts due and legal costs associated in respect of it, made by us or on our behalf or by or on respect of the Lot.
with such steps. behalf of the Seller (whether made in writing, including in the The benefit of paragraph 10 is personal to, and incapable of
7.2 You agree to indemnify us against all legal and other costs, all Catalogue, or on the Bonhams’ Website, or orally, or by conduct assignment by, you and if you sell or otherwise dispose of your
losses and all other Expenses (whether or not court proceedings or otherwise) and whether made before or after this agreement interest in the Lot, all rights and benefits under this paragraph
will have been issued) incurred by us as a result of our taking or prior to or during the Sale. will cease.
steps under this paragraph 7 on a full indemnity basis together 10.2 Our duty to you while the Lot is at your risk and/or your property 12 MISCELLANEOUS
with interest thereon (after as well as before judgement or order) and in our custody and/or control is to exercise reasonable care 12.1 You may not assign either the benefit or burden of this agreement.
at the rate specified in paragraph 7.1.5 from the date upon in relation to it, but we will not be responsible for damage to the 12.2 Our failure or delay in enforcing or exercising any power or right
which we become liable to pay the same until payment by you. Lot or to other persons or things caused by: under this agreement will not operate or be deemed to operate
7.3 If you pay us only part of the sums due to us such payment 10.2.1 handling the Lot if it was affected at the time of Sale to you by as a waiver of our rights under it except to the extent of any
shall be applied firstly to the Purchase Price of the Lot (or woodworm and any damage is caused as a result of it being express waiver given to you in writing. Any such waiver will not
where you have purchased more than one Lot pro-rata towards affected by woodworm; or affect our ability subsequently to enforce any right arising under
the Purchase Price of each Lot) and secondly to the Buyer’s 10.2.2 changes in atmospheric pressure; nor will we be liable for: this agreement.
Premium (or where you have purchased more than one Lot 10.2.3 damage to tension stringed musical instruments; or 12.3 If either party to this agreement is prevented from performing
pro-rata to the Buyer’s Premium on each Lot) and thirdly to any 10.2.4 damage to gilded picture frames, plaster picture frames or that party’s respective obligations under this agreement
other sums due to us. picture frame glass; and if the Lot is or becomes dangerous, by circumstances beyond its reasonable control (including
7.4 We will account to you in respect of any balance we hold we may dispose of it without notice to you in advance in any without limitation governmental intervention, industrial action,
remaining from any monies received by us in respect of any manner we think fit and we will be under no liability to you for insurrection, warfare (declared or undeclared), terrorism, power
Sale of the Lot under our rights under this paragraph 7 after the doing so. failure, epidemic or natural disaster) or if performance of its
payment of all sums due to us and/or the Seller within 28 days 10.3.1 We will not be liable to you for any loss of Business, Business obligations would by reason of such circumstances give rise
of receipt by us of all such sums paid to us. profits, revenue or income or for loss of Business reputation to a significantly increased financial cost to it, that party will
8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT or for disruption to Business or wasted time on the part of the not, for so long as such circumstances prevail, be required to
8.1 Whenever it becomes apparent to us that the Lot is the subject Buyer’s management or staff or, if you are buying the Lot in the perform such obligations. This paragraph does not apply to the
of a claim by someone other than you and other than the course of a Business, for any indirect losses or consequential obligations imposed on you by paragraph 3.
Seller (or that such a claim can reasonably be expected to be damages of any kind, irrespective in any case of the nature, 12.4 Any notice or other communication to be given under this
made), we may, at our absolute discretion, deal with the Lot in volume or source of the loss or damage alleged to be suffered, agreement must be in writing and may be delivered by hand
any manner which appears to us to recognise the legitimate and irrespective of whether the said loss or damage is caused or sent by first class post or air mail or fax transmission (if to
interests of ourselves and the other parties involved and lawfully by or claimed in respect of any negligence, other tort, breach Bonhams marked for the attention of the Company Secretary),
to protect our position and our legitimate interests. Without of contract, statutory duty, bailee’s duty, a restitutionary claim to the address or fax number of the relevant party given in the
prejudice to the generality of the discretion and by way of or otherwise. Contract Form (unless notice of any change of address is given
example, we may: 10.3.2 Unless you buy the Lot as a Consumer, in any circumstances in writing). It is the responsibility of the sender of the notice or
NTB/MAIN/V1/9.2021
communication to ensure that it is received in a legible form “Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s “Specialist Examination” a visual examination of a Lot by a specialist
within any applicable time period. Agreement and Definitions and Glossary. on the Lot.
12.5 If any term or any part of any term of this agreement is held to “Consignment Fee” a fee payable to Bonhams by the Seller “Stamp” means a postage Stamp offered for Sale at a Specialist
be unenforceable or invalid, such unenforceability or invalidity calculated at rates set out in the Conditions of Business. Stamp Sale.
will not affect the enforceability and validity of the remaining “Consumer” a natural person who is acting for the relevant purpose “Standard Examination” a visual examination of a Lot by a non-
terms or the remainder of the relevant term. outside his trade, Business or profession. specialist member of Bonhams’ staff.
12.6 References in this agreement to Bonhams will, where “Contract Form” the Contract Form, or vehicle Entry form, as “Storage Contract” means the contract described in paragraph
appropriate, include reference to Bonhams’ officers, employees applicable, signed by or on behalf of the Seller listing the Lots to be 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s
and agents. offered for Sale by Bonhams. Agreement (as appropriate).
12.7 The headings used in this agreement are for convenience only “Contract for Sale” the Sale contract entered into by the Seller with “Storage Contractor” means the company identified as such in the
and will not affect its interpretation. the Buyer (see Appendix 1 in the Catalogue). Catalogue.
12.8 In this agreement “including” means “including, without “Contractual Description” the only Description of the Lot (being “Terrorism” means any act or threatened act of terrorism, whether
limitation”. that part of the Entry about the Lot in the Catalogue which is in bold any person is acting alone or on behalf of or in connection with any
12.9 References to the singular will include reference to the plural letters, any photograph (except for the colour) and the contents of any organisation(s) and/or government(s), committed for political, religious
(and vice versa) and reference to any one gender will include Condition Report) to which the Seller undertakes in the Contract of or ideological or similar purposes including, but not limited to, the
reference to the other genders. Sale the Lot corresponds. intention to influence any government and/or put the public or any
12.10 Reference to a numbered paragraph is to a paragraph of this “Description” any statement or representation in any way descriptive section of the public into fear.
agreement. of the Lot, including any statement or representation relating to its “VAT” value added tax at the prevailing rate at the date of the Sale in
12.11 Save as expressly provided in paragraph 12.12 nothing in this authorship, attribution, condition, provenance, authenticity, style, the United Kingdom.
agreement confers (or purports to confer) on any person who period, age, suitability, quality, origin, value, estimated selling price “Website” Bonhams Website at www.bonhams.com
is not a party to this agreement any benefit conferred by, or the (including the Hammer Price). “Withdrawal Notice” the Seller’s written notice to Bonhams revoking
right to enforce any term of, this agreement. “Entry” a written statement in the Catalogue identifying the Lot and its Bonhams’ instructions to sell a Lot.
12.12 Where this agreement confers an immunity from, and/or an Lot number which may contain a Description and illustration(s) relating “Without Reserve” where there is no minimum price at which a Lot
exclusion or restriction of, the responsibility and/or liability to the Lot. may be sold (whether at auction or by private treaty).
of Bonhams, it will also operate in favour and for the benefit “Estimate” a statement of our opinion of the range within which the GLOSSARY
of Bonhams’ holding company and the subsidiaries of such hammer is likely to fall. The following expressions have specific legal meanings with which you
holding company and the successors and assigns of Bonhams “Expenses” charges and Expenses paid or payable by Bonhams may not be familiar. The following glossary is intended to give you an
and of such companies and of any officer, employee and in respect of the Lot including legal Expenses, banking charges and understanding of those expressions but is not intended to limit their
agent of Bonhams and such companies, each of whom will be Expenses incurred as a result of an electronic transfer of money, legal meanings:
entitled to rely on the relevant immunity and/or exclusion and/ charges and Expenses for loss and damage cover, insurance, “artist’s resale right”: the right of the creator of a work of art to receive
or restriction within and for the purposes of Contracts (Rights of Catalogue and other reproductions and illustrations, any customs a payment on Sales of that work subsequent to the original Sale of
Third Parties) Act 1999, which enables the benefit of a contract duties, advertising, packing or shipping costs, reproductions rights’ that work by the creator of it as set out in the Artists Resale Right
to be extended to a person who is not a party to the contract, fees, taxes, levies, costs of testing, searches or enquiries, preparation Regulations 2006.
and generally at law. of the Lot for Sale, storage charges, removal charges, removal charges “bailee”: a person to whom goods are entrusted.
13 GOVERNING LAW or costs of collection from the Seller as the Seller’s agents or from a “indemnity”: an obligation to put the person who has the benefit
All transactions to which this agreement applies and all defaulting Buyer, plus VAT if applicable. of the indemnity in the same position in which he would have been,
connected matters will be governed by and construed in “Forgery” an imitation intended by the maker or any other person to had the circumstances giving rise to the indemnity not arisen and the
accordance with the laws of that part of the United Kingdom deceive as to authorship, attribution, origin, authenticity, style, date, expression “indemnify” is construed accordingly.
where the Sale takes (or is to take) place and we and you each age, period, provenance, culture, source or composition, which at the “interpleader proceedings”: proceedings in the Courts to determine
submit to the exclusive jurisdiction of the courts of that part date of the Sale had a value materially less than it would have had if the ownership or rights over a Lot.
of the United Kingdom, save that we may bring proceedings Lot had not been such an imitation, and which is not stated to be such “knocked down”: when a Lot is sold to a Bidder, indicated by the fall
against you in any other court of competent jurisdiction to an imitation in any description of the Lot. A Lot will not be a Forgery by of the hammer at the Sale.
the extent permitted by the laws of the relevant jurisdiction. reason of any damage to, and/or restoration and/ or modification work “lien”: a right for the person who has possession of the Lot to retain
Bonhams has a complaints procedure in place. (including repainting or over painting) having been carried out on the possession of it.
DATA PROTECTION – USE OF YOUR INFORMATION Lot, where that damage, “risk”: the possibility that a Lot may be lost, damaged, destroyed,
Where we obtain any personal information about you, we shall only restoration or modification work (as the case may be) does not stolen, or deteriorate in condition or value.
use it in accordance with the terms of our Privacy Policy (subject to substantially affect the identity of the Lot as one conforming to the “title”: the legal and equitable right to the ownership of a Lot.
any additional specific consent(s) you may have given at the time Description of the Lot. “tort”: a legal wrong done to someone to whom the wrong doer has
your information was disclosed). A copy of our Privacy Policy can be “Guarantee” the obligation undertaken personally by Bonhams to the a duty of care.
found on our Website www.bonhams.com or requested by post from Buyer in respect of any Forgery and, in the case of specialist Stamp “warranty”: a legal assurance or promise, upon which the person to
Customer Services Department, 101 New Bond Street, London W1S Sales and/or specialist Book Sales, a Lot made up of a Stamp or whom the warranty was given has the right to rely.
1SR, United Kingdom or by email from info@bonhams.com. Stamps or a Book or Books as set out in the Buyer’s Agreement. SALE OF GOODS ACT 1979
“Hammer Price” the price in the currency in which the Sale is The following is an extract from the Sale of Goods Act 1979:
APPENDIX 3 conducted at which a Lot is knocked down by the Auctioneer. “Section 12 Implied terms about title, etc
“Loss and Damage Warranty” means the warranty described in (1) In a contract of sale, other than one to which subsection (3) below
DEFINITIONS AND GLOSSARY paragraph 8.2 of the Conditions of Business. applies, there is an implied term on the part of the seller that in the
Where these Definitions and Glossary are incorporated, the following “Loss and Damage Warranty Fee” means the fee described in case of a sale he has a right to sell the goods, and in the case of
words and phrases used have (unless the context otherwise requires) paragraph 8.2.3 of the Conditions of Business. an agreement to sell he will have such a right at the time when the
the meanings given to them below. The Glossary is to assist you to “Lot” any item consigned to Bonhams with a view to its Sale at auction property is to pass.
understand words and phrases which have a specific legal meaning or by private treaty (and reference to any Lot will include, unless the (2) In a contract of sale, other than one to which subsection (3) below
with which you may not be familiar. context otherwise requires, reference to individual items comprised in a applies, there is also an implied term that-
LIST OF DEFINITIONS group of two or more items offered for Sale as one Lot). (a) the goods are free, and will remain free until the time
“Account” the bank account of Bonhams into which all sums received “Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in when the property is to pass, from any charge or
in respect of the Purchase Price of any Lot will be paid. consideration of the additional work undertaken by Bonhams in respect encumbrance not disclosed or known to the buyer
“Additional Premium” a premium, calculated in accordance with of the cataloguing of motor vehicles and in respect of the promotion of before the contract is made, and
the Notice to Bidders, to cover Bonhams’ Expenses relating to the Sales of motor vehicles. (b) the buyer will enjoy quiet possession of the goods
payment of royalties under the Artists Resale Right Regulations 2006 “New Bond Street” means Bonhams’ saleroom at 101 New Bond except in so far as it may be disturbed by the owner or
which is payable by the Buyer to Bonhams on any Lot marked [AR] Street, London W1S 1SR. other person entitled to the benefit of any charge or
which sells for a Hammer Price which together with the Buyer’s “Notional Charges” the amount of Commission and VAT which would encumbrance so disclosed or known.
Premium (but excluding any VAT) equals or exceeds 1000 euros have been payable if the Lot had been sold at the Notional Price. (3) This subsection applies to a contract of sale in the case of which
(converted into the currency of the Sale using the European Central “Notional Fee” the sum on which the Consignment Fee payable to there appears from the contract or is to be inferred from its
Bank Reference rate prevailing on the date of the Sale). Bonhams by the Seller is based and which is calculated according to circumstances an intention that the seller should transfer only such
“Auctioneer” the representative of Bonhams conducting the formula set out in the Conditions of Business. title as he or a third person may have.
the Sale. “Notional Price” the latest in time of the average of the high and low
“Bidder” Any person considering, attempting or making a Bid, Estimates given by us to you or stated in the Catalogue or, if no such (4) In a contract to which subsection (3) above applies there is an
including those who have completed a Bidding Form. Estimates have been given or stated, the Reserve applicable to the Lot. implied term that all charges or encumbrances known to the seller
“Bidding Form” our Bidding Registration Form, our Absentee Bidding “Notice to Bidders” the notice printed at the back or front of our and not known to the buyer have been disclosed to the buyer
Form or our Telephone Bidding Form. Catalogues. before the contract is made.
“Bonhams” Bonhams 1793 Limited or its successors or assigns. “Purchase Price” the aggregate of the Hammer Price and VAT on the (5) In a contract to which subsection (3) above applies there is also an
Bonhams is also referred to in the Buyer’s Agreement, the Conditions Hammer Price (where applicable), the Buyer’s Premium and VAT on the implied term that none of the following will disturb the buyer’s quiet
of Business and the Notice to Bidders by the words “we”, “us” and Buyer’s Premium and any Expenses. possession of the goods, namely:
“our”. “Reserve” the minimum price at which a Lot may be sold (whether at (a) the seller;
“Book” a printed Book offered for Sale at a specialist Book Sale. auction or by private treaty). (b) in a case where the parties to the contract intend
“Business” includes any trade, Business and profession. “Sale” the auction Sale at which a Lot is to be offered for Sale by that the seller should transfer only such title as a third
“Buyer” the person to whom a Lot is knocked down by the Bonhams. person may have, that person;
Auctioneer. The Buyer is also referred to in the Contract for Sale and “Sale Proceeds” the net amount due to the Seller from the Sale of a (c) anyone claiming through or under the seller or that third
the Buyer’s Agreement by the words “you” and “your”. Lot, being the Hammer Price less the Commission, any VAT chargeable person otherwise than under a charge or encumbrance
“Buyer’s Agreement” the contract entered into by Bonhams with the thereon, Expenses and any other amount due to us in whatever disclosed or known to the buyer before the contract is
Buyer (see Appendix 2 in the Catalogue). capacity and howsoever arising. made.
“Buyer’s Premium” the sum calculated on the Hammer Price at the “Seller” the person who offers the Lot for Sale named on the Contract (5A) As regards England and Wales and Northern Ireland, the term
rates stated in the Notice to Bidders. Form. Where the person so named identifies on the form another implied by subsection (1) above is a condition and the terms
“Catalogue” the Catalogue relating to the relevant Sale, including any person as acting as his agent, or where the person named on the implied by subsections (2), (4) and (5) above are warranties.”
representation of the Catalogue published on our Website. Contract Form acts as an agent for a principal (whether such agency is
“Commission” the Commission payable by the Seller to Bonhams disclosed to Bonhams or not), “Seller” includes both the agent and the
calculated at the rates stated in the Contract Form. principal who shall be jointly and severally liable as such. The Seller
“Condition Report” a report on the physical condition of a Lot provided is also referred to in the Conditions of Business by the words “you”
to a Bidder or potential Bidder by Bonhams on behalf of the Seller. and “your”.
NTB/MAIN/V1/9.2021
Registration and Bidding Form
(Attendee / Absentee / Online / Telephone Bidding)
Paddle number (for office use only)
Please circle your bidding method above.
This sale will be conducted in accordance with

Bonhams’ Conditions of Sale and bidding and buying Sale title: Prints & Multiples Sale date: 16 December 2021
at the Sale will be regulated by these Conditions. You
should read the Conditions in conjunction with the Sale no. 26784 Sale venue: New Bond Street
Sale Information relating to this Sale which sets out the
charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours
and other terms relating to bidding and buying at the prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue
Sale. You should ask any questions you have about the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will
Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids.
also contain certain undertakings by bidders and buyers
and limit Bonhams’ liability to bidders and buyers. General Bid Increments:
£10 - 200 .....................by 10s £10,000 - 20,000 .........by 1,000s
Data protection – use of your information £200 - 500 ...................by 20 / 50 / 80s £20,000 - 50,000 .........by 2,000 / 5,000 / 8,000s
Where we obtain any personal information about you, we £500 - 1,000 ................by 50s £50,000 - 100,000 .......by 5,000s
shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 .............by 100s £100,000 - 200,000 .....by 10,000s
Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 .............by 200 / 500 / 800s above £200,000 ...........at the auctioneer’s discretion
have given at the time your information was disclosed). A £5,000 - 10,000 ...........by 500s
copy of our Privacy Policy can be found on our website
(www.bonhams.com) or requested by post from Customer The auctioneer has discretion to split any bid at any time.
Services Department, 101 New Bond Street, London W1S
1SR United Kingdom or by e-mail from info@bonhams.com. Customer Number Title
We may disclose your personal information to any member of
our group which means our subsidiaries, our ultimate holding First Name Last Name
company and its subsidiaries (whether registered in the UK or
elsewhere). We will not disclose your data to anyone outside Company name (if applicable)
our group but we may from time to time provide you with
information about goods and services which we feel maybe of Company Registration number (if applicable)
interest to you including those provided by third parties.
If you do not want to receive such information (except for Address
information you specifically requested) please tick this box
Would you like to receive e-mailed information from us? if so City
please tick this box
Post / Zip code County / State
Notice to Bidders.
At least 24 hours before the Sale, clients must provide Telephone (mobile) Country
government or state issued photographic proof of ID and date
of birth e.g. - passport, driving licence - and if not included in Telephone (landline)
ID document, proof of address e.g - utility bill, bank or credit
card statement etc. Corporate clients should also provide a E-mail (in capitals)
copy of their articles of association / company registration Please answer all questions below
documents, and the entities name and registered address,
documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement.
together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act.
company’s behalf. Failure to provide this may result in your
bids not being processed or completed. For higher value lots 2. Are you representing the Bidder? If yes, please complete question 3.
you may also be asked to provide a bank reference.
3. Bidder's name, address and contact details (phone and email):
If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement
I will collect the purchases myself
Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here:
Please arrange shippers to contact me with - -
a quote and I agree that you may pass them
Yes No /
my contact details. Please note that all telephone calls are recorded.
MAX bid in GBP
Telephone or
Absentee (T / A)
Lot no. Brief description (excluding premium
& VAT)
Covering bid
*
FOR WINE SALES ONLY
Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT)
BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH
TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.
Bidder/Agent’s (please delete one) signature: Date:
*NB.Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding.
Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form.
Please email or fax the completed Auction Registration form and requested information to:
Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, bids@bonhams.com
Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19
Bonhams
101 New Bond Street
London, W1S 1SR
+44 (0) 20 7447 7447

bonhams.com
AUCTIONEERS SINCE 1793

Bonhams Auction-Prints and Multiples 2021

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Prints & Multiples

New Bond Street, London I 16 December 2021

BONHAMS ENQUIRIES BIDS Please see back of catalogue

For company account or other

Failure to do this may result in your

For all other enquiries, contact our

+44 (0) 20 7393 3900

London, New Bond Street

Lucia Tro Santafe

London, Knightsbridge New York L. A. & San Francisco

Carolin von Massenbach

Plate 187 x 123mm. (7 3/8 x 4 5/8in.);

THE LITTLE MASTERS: A COLLECTION (PAGES 8 - 13)

Heinrich Aldegrever was a painter, printmaker and goldsmith in

Plate 77 x 54mm. (3 1/8 x 2 1/4in.)(and smaller) (4)

2 (actual size) (2 of 4 illustrated)

Plate 105 x 70mm. (4 1/8 x 2 3/4in.)(and smaller) (9)

Sheet 94 x 53mm. (3 3/4 x 2 1/8in.)(and smaller) (12)

Plate 55 x 80mm. (2 1/8 x 3 1/8in.)(and smaller) (7)

Sheet 79 x 52mm. (3 1/8 x 2 1/8in.)(and smaller) (4)

Sheet 120 x 100mm. (4 3/4 x 4in.)(and smaller) (13)

Sheet 111 x 80mm. (4 3/8 x 3 1/8in.)(and smaller) (7)

Each portfolio 450 x 300mm. (17 3/4 x 11 7/8in.) (3 portfolios)

Plate 122 x 80mm. (4 7/8 x 31/8in.)(and smaller) (22)

Plate 96 x 68mm. (3 3/4 x 2 7/8in.)(and smaller) (11)

Plate 120 x 78mm. (4 3/4 x 3in.)(and smaller) (28)

Plate 110 x 83mm. (4 3/8 x 3 1/4in.);

13 (actual size of the plate)

Plate 102 x 73mm. (4 1/8 x 2 7/8in.);

14 (actual size of the plate)

Plate 160 x 130mm. (6 1/4 x 5 1/8in.) (2)

Sheet 182 x 156mm. (7 1/4 x 6 1/8in.)

Plate 94 x 143mm. (3 5/8 x 5 5/8in.) (3)

Plate 366 x 258mm. (14 3/8 x 10 1/8in.);

Image 315 x 235 mm. (12 3/8 x 9 1/4in.);

Block 240 x 250mm. (9 1/2 x 9 7/8in.);

Block 232 x 310mm. (9 1/8 x 12 1/4in.);

Claude Flight wrote to Dorrit Black on 11 June 1930

Block 257 x 307mm. (10 1/8 x 12in.);

Sheet 650 x 495mm. (25 9/16 x 19 1/2in.)

Plate 535 x 645mm. (21 x 25 1/4 in.);

Image 195 x 290mm. (7 5/8 x 11 3/8in.);

Image 200 x 308mm. (8 1/16 x 12 1/16in.);

Folio 445 x 330mm. (17 1/2 x 13in.)

The work was first produced in 1956 as a

Image 420 x 555mm. (16 1/2 x 21 7/8in.);

Image 410 x 525mm. (16 1/8 x 20 3/4in.);

Image 650 x 502mm. (25 5/8 X 19 3/4in.);

Image 505 x 650mm. (19 3/4 x 25 1/2in.);

Image 420 x 640mm. (16 1/2 by 25 1/4in.);

Image 425 x 322mm. (16 3/4 x 12 5/8in.);

Image 423 x 320mm. (16 5/8 x 12 5/8in.);

Image 425 x 325mm. (16 3/4 x 12 7/8in.);

Image 421 x 640mm. (16 1/2 by 25 1/4in.);

Image 424 x 639mm. (16 3/4 x 12 3/4in.);

Image 420 x 640mm. (16 3/4 x 25 1/4in.);

Image 427 x 326mm. (16 3/4 x 12 3/4in.);