Professional Documents
Culture Documents
Stella K - LITURGY BY IDEAL ACTORS IN THE IDEALIZED SPAGE: GENRE PLAY IN SONGS OF SABBATH SACRIFICE
Stella K - LITURGY BY IDEAL ACTORS IN THE IDEALIZED SPAGE: GENRE PLAY IN SONGS OF SABBATH SACRIFICE
INTRODUCTION
J F , N
1
.
, .
T J ,
J J .T
J .T
G T , .T
S , Songs. T
.E .T Songs
Songs .U
, , , ,
.T S H .
1
J F , Genre L :R , 201 , 1 0.
2
D E ,
Songs Songs J .
J H. N
2
H M .
O , .H ,
, ,
.L ,
Songs , Songs
.H , , ,
.A ,
.I ,
M ,
R C H .
W Songs ,
.T ,
2
J H. N , P P Q :S S S S
S The Significance of Sinai: Traditions about Sinai and Divine Revelation in Judaism and Christianity
.G J. B ,H N L T. S L : B , 200 , 2 .
3
W S J
.H ,S S M ,
S H ,
.T I III. S I III
, .T
,E , M .S L H. S , M
Q :T QS S O S , Mystics, Philosophers, and Politicians: Essays in Jewish
Intellectual History in Honor of Alexander Altmann . J. R D. S D , NC: D
U P ,1 .J M , Z K L Q , RevQ 1 1990 , 2.
3
, C
Songs. T
I ,
.T C
Songs. I
.A
.T , , ,
, .T ,I Songs
I ,I S ,
Songs. I .
R ,I Songs
J F .A ,I S
, ,
S S
4
.I ,
.O M , Q .T
M .O
Songs. T , למשׂכיל,
, . P 2:1, 2:1,
T , משׂכיל, ,D ,K ,
A , למשׂכיל P .O , למשׂכיל
Q 00 0 11Q1 , D S
S .I , I , S ,
.I , למשׂכיל
, I ,
, I , S . 1Q2
.H , Songs Q
, S , למשׂכיל,
5
.E , , C למשׂכיל Songs
. A , יחד, C
. T , ,
, יחד .W
, Songs ,
T Songs .C N II,
I III, Songs
.6 R B II
.H C. R. A. M
J , M J II . B
. J D
M
4
S .S H W. M R ,
I C T Q C : S S S T
C , Qumran Studies: New Approaches, New Questions G R , M .: E , 200 , 29
B A. S H W. M R , M S T S S
S , Qumran Studies: New Approaches, New Questions G R , M .: E , 200 , 6 .
R S. B , A A , Heavenly Realms and Earthly Realities in Late Antique
Religions .R S. B A Y R N Y :C U P , 200 , 19
.11. R S. S , T I Q R J , DSD 2001 : 1 1.
6
C N , The Self as Symbolic Space: Constructing Identity and Community at Qumran L :
B , 200 , 1 1 .
C
7
R. A. M J , T T W , Paradise Now: Essays on Early Jewish and
Christian Mysticism .A D. D C A :S B L , 2006 , 162 6 .
8
B , A , 200. R B A , S H S S
S , T D S S B P J E C :P
I C S.A 2001 . F. J D L :B , 200 , 226 2 .
6
II II Songs.9 P A D D
: ,
, .
M ,N III, ,
maskil
11
. I , II
I G .T
.T
III, .I , II,
G .T
.T
.A , Songs , 1 ,6 ,
91 .
Genre Analysis
9
J D , Liturgical Works G R ,M .: E , 2000 , .
10
P A , The Mystical Texts LSTS 61 L :T TC , 2006 , 0. D D , T
A I E Q , Messiah and Christos: Studies in the Jewish Origins of
Christianity Presented to David Flusser on the Occaision of his Seventy-Fifth Birthday . I. G , S.
S , G. S T :M S , 1992 , 1.
11
N , P P , 9.
7
I ,F ,
12
, . A
1
, . I ,
.T
.F
.T ,
, .
T C
T , ,
1
. I I ,
G ,
I II, III .
B ,
,
P B H
, H
.1 Q 00 1 : , , 10, 19
T G
H .T
G , G .
12
F , Genre, 1, 9 .
1
F , Genre, .
1
F , Genre, .
1
T N .F G M E J. C. T ., The Dead
Sea Scrolls Study Edition .2 L N Y :B , 199 , 06 09.
8
T .T
, .D
I III. T I , III
.H :
, .D
R C .I ,
I R C .
, .,
16
. Q 00 1 :9, 1 , 1 A
.T
.T
1
, . Q 0 2 :10 12 T ,
T , Songs.
T ,
II. F
H A
A W
.L G
1
Q 00 2:6
16
T N . F. G. M E. J. C. T , Study Edition, 0 09.
17
T N .M E. J. C. T , Study Edition, 2 .
18
T N .M E. J. C. T , Study Edition, 10 11.
9
.T .
T , . T
19
, .
F , G . I
.T G
20
. Q 0 2 :12 T ,
, .
C
A , ,
21
C I , . 1QS 9:
T , Songs
F O
T ,F ,
, ,
A ,
19
T N . F. G. M E. J. C. T , Study Edition, 09.
20
I N . F. G. M E. J. C. T , Study Edition, .
21
F. G. M E. J. C. T , Study Edition, 90 91.
10
,
22
, , T
, S .D
, . F I .S S
S G
.T .
A , Songs , , .
N , S , ,
.T , .S
.T
, .E II,
T G ,
, .
T .F , I ,
, .A , , ,
, .T
, , .O II
.T G .I
S II,
22
F , Genre, 1.
11
T .H
G , ,
.I ,
.T I III. H
.A B ,
2
Songs . E ,
II, .T
.T ,
I I III
S T .A R J. B ,
, S ,
S T .B , A
, .I ,
2
P ,H R . A B ,
23
B A , S H , 222.
2
R J. B , Developments in Genre between Post-Exilic Penitential Prayers and the Psalms of
Communal Lament A :S B L , 200 , .
12
.2
T T H H , ,
, N .26 B
H , T R
.T
.O ,
.W
H , H
.I Songs,
, , .
M , I III
.2
C I ,
2
B , Post-Exilic Penitential Prayers and the Psalms of Communal Lament, 1 .
26
N H ,
, ,
.E T H , 1QH . 10 1 , , L
.T H
.I H
, .N , Songs, 2 6.
27
T , ,
.H ,S I .
T I : , ,
, , .
S III I ,
.C ,
I III .
13
, ,
.T , ,
.2 A ,
I ,
.T .
.T
F , ,
.S I
, .
P G
.
A K
.
P K
.
A G
.
P , H
K
28
A
Q .J J
Q .J : I P ,
Q
.T Q
T
S J J , S A Q
S , The Oxford Handbook of the Dead Sea Scrolls .J J. C T H. L O :
O U P , 2010 , 20 .
14
.
A G
.29
T ,
, G . 0T
, , . 1I S I,
, .
T .T
I III .T
.T
.I ,
.S
, .
29
T M 1 :1 9 Q 0 1 :1 Q 0 1. T J R. D
.J R. D , Liturgical Works G R , M .: E , 2000 , 11 1 . T
I III, R B A ,
.B A , S H , 222.
30
H G , Introduction to Psalms: The Genres of the Religious Lyric of Israel
J B .J D. N M ,G :M U P , 199 , 10 12.
31
P 1 6 . NRSV, P 1 6:1
O LORD, ,
.
O G ,
.
O L ,
15
S II, Songs,
I III. T I
III. S II H .F ,
.S ,
, kî. I , kî,
, , ,
2
. T , II
.R
.S
.E R , M S ,
T 1 .L 2 1
, . kevod kol .L ,
.T
2
G , Psalms, 22 1. I
33
E D. R , Innovation in Hebrew Poetry: Parallelism and the Poems of Sirach A :S
B L , 200 , 110 .
F G M E J. C. T , Study Edition, 1 .
16
R S
T .T
C , ,
T Songs
:I ,
, ,
, .M ,
, :O ,
, , , ,
.T
.F : , , : 2
, :1 , , , , , ,
, , 2 , , , , : 1
, : , : 96 , , , , 11 ,
F , Genre, 2.
17
., ., ., מלך .I
, , , , ,
.T
.I
.I , , ,
.T : , , , , ,
, , , , , . I ,
.P W :
F , , , , ,
:W ,
, , ,
6
.
O ,
.T
S , .T
.A I III
.C , ,
.T
I III. T T
P36
W , T L T :F P , Reflections upon Genre: Encounters between
Literature, Knowledge, and Emerging Communicative Conventions .J E ,C D. M O
T T : N , 201 , 20 0 .
18
I W , , , .
R . T
.N , S ,
.F , , B
. S ,
S ,
.O ,
L , ,
9
, . I
.T ,
.T
S .B
, Songs .
M , .
T Songs T E 2 0, S T
0
1C 2 29, T E 1, 10, 0 , D .
37
W , F P , 206 20 .
38
C B , Ritual Theory Ritual Practice O :O U P , 1992 .
39
W , F P , 212.
40
J R. D , T M T ,S E , S S
S , DSD 9 2002 : 1 19.
19
T Songs .N S
Songs, T T S Shirot
:I ,
Z T ,E ,
1
, E , M . L ,
, .F , , רקירע, , G 1,
E 1 10, S , .A
, דביר, , S 1K :6
2C : S .N M
S ,
. 2T , S T
M.S ,S , E ,
I , I III ,
. T ,
.L , ,
41
N , P P , 29 2.
2
N M , T S S S B P L :A
R , HTR 10 :1 2011 : .
. I ,
.R , I E
S ,
.T ,
.T
.T S
G F
N L S , S ,
. N
S
6
. S S
, S
.A ,
S , I
,
,
.A
. S
.A ,
S .H
.S S , A T , Literary Theory: An Anthology .
J R M R M :B P , 199 , 19.
45
N ,S , 9. S , M , 1 19.
46
N , Songs, 19.
21
S . J. M S
J T , Q
.B N B S
S . I S
H , S .I
C S
.A A ,
.I ,
.B
9
. I
, , .T
Songs I
, M W . A W ,
, ,
N S .S
S : ,
,
. S N ,
P P , 1.
9
B , Ritual, 1 6.
22
0
, , .
T .
I Q ,
.I ,
. 1T Songs
, .T
.T , I III,
.I ,
S . 2T , Songs
S ,
50
M W , The Methodology of the Social Science .E S H F N Y :
T F P , 19 9 , 90.
1
I .A B ,
, , . R
.S B , Ritual, 20 .
52
N .H ,
, G , .S , J
,
S , ,
, ,
.S N , P P , 1.
23
CONCLUSION
W S S S ,
.T
.A ,
H .B
, C , J ,
Songs, .T
S .R ,
.T S ,
, .T
T S ,
S T .
BIBLIOGRAPHY
. S H S S S . P 220
The Dead Sea Scrolls as Background to Postbiblical Judaism and Early
Christianity: Papers from an International Conference at St. Andrews in 2001.
E F. J D .L : B , 200 .
D ,J R. Liturgical Works. G R ,M .: E , 2000.
. T M T ,S E , S S
S . Dead Sea Discoveries 9 2002 : 1 19
D ,D . T A I E Q . P 1 1
Messiah and Christos: Studies in the Jewish Origins of Christianity Presented to
David Flusser on the Occaision of his Seventy-Fifth Birthday. E I.
G , S. S , G. S .T :M S , 1992.
F G M E J. C. T . The Dead Sea Scrolls Study Edition.
L N Y :B , 199 199 .
F ,J . Genre. L :R , 201 .
G ,H . Introduction to Psalms: The Genres of the Religious Lyric of Israel.
J B .T J D. N .M ,G :
M U P , 199
J ,J . S A Q S . P The Oxford
Handbook of the Dead Sea Scrolls. E J J. C T H. L .
O :O U P , 2010.
M ,J . Z K L Q . Revue de Qumran 1 1990 :
6.
M ,I R . D . P 2 29 Encyclopedia of Contemporary
Literary Theory: Approaches, Scholars, Terms. T :U T
P , 199 .
M ,N . T S S S B P L :A
R . Harvard Theological Review 10 :1 2011 : .
M J ,C R. A. T T W . P 1 Paradise Now: Essays
on Early Jewish and Christian Mysticism. E A D. D C .A :
S B L , 2006.
N ,J H. P P Q :S S S
S S . P 29 2 The Significance of Sinai: Traditions about
Sinai and Divine Revelation in Judaism and Christianity .G J. B ,
H N L T. S L : B , 200 .
N ,C A. The Self as Symbolic Space: Constructing Identity and Community at
Qumran. L : B , 200 .