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    El Proceso de Postproducción Basado en Media Files

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    evelynccarrizo
    The document outlines the audio and video file workflow for a film production. Raw audio and video files are recorded on set and offloaded to a data wrangler station for backing up and initial processing. Proxies and editorial versions of the files are generated and sent to editing workstations while master files are archived to LTO tapes for long-term storage. Color correction metadata is also captured and backed up at multiple points in the process.

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    El Proceso de Postproducción Basado en Media Files

    Uploaded by

    evelynccarrizo
    6 views1 page
    The document outlines the audio and video file workflow for a film production. Raw audio and video files are recorded on set and offloaded to a data wrangler station for backing up and initial processing. Proxies and editorial versions of the files are generated and sent to editing workstations while master files are archived to LTO tapes for long-term storage. Color correction metadata is also captured and backed up at multiple points in the process.

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    El proceso de postproducción basado en Media Files

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    The document outlines the audio and video file workflow for a film production. Raw audio and video files are recorded on set and offloaded to a data wrangler station for backing up and initial processing. Proxies and editorial versions of the files are generated and sent to editing workstations while master files are archived to LTO tapes for long-term storage. Color correction metadata is also captured and backed up at multiple points in the process.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    6 views1 page

    El Proceso de Postproducción Basado en Media Files

    Uploaded by

    evelynccarrizo
    The document outlines the audio and video file workflow for a film production. Raw audio and video files are recorded on set and offloaded to a data wrangler station for backing up and initial processing. Proxies and editorial versions of the files are generated and sent to editing workstations while master files are archived to LTO tapes for long-term storage. Color correction metadata is also captured and backed up at multiple points in the process.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    Sound Files

    Off-line Cut and Full Mix, M&E and


    OMF File Audio Stems

    Audio Editing
    RAID 5
    Data Wrangler
    RAW Files
    Digital Memory
    Recording Offloading files with Station RAID 1
    Audio Files
    MD5 checksum
    RAW Metadata with Image with
    ASC CDL values Alpha Channel
    Clean Feed Visual Effects
    LogC live image from REC OUT
    vía 3G SDI
    Proxy with syncronized sound
    and LUT applied for editorial Video Editing Video Editing
    Proxy H264 with syncronized
    OFFLINE Color Grading
    ONLINE
    MIRROR BACKUPS sound and LUT applied for Executive Dailies EDL LUT
    (BackUp 1 and BackUp 2)

    DIT Station
    (Digital Imaging Technician) ASC CDL Values
    vía WiFi or pendrive Server and LTO EDL
    Archive

    BackUp
    On Set Monitoring
    output color corrected live image
    Master File
    vía 3G SDI

    LTO LTFS
    Wireless Devices
    (BackUp 3) Phones, Tablets, Laptops

    On Set Monitoring Report and Labeling BackUp

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