Professional Documents
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Fine Arts Appreciation
Fine Arts Appreciation
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The benefit of imagery in ancient Greece was that it was used as an imitation. The Greeks
also viewed it as communication in that it causes emotions in the person looking at the image.
Art in ancient Greece was explained as mimesis which would today be translated as imitation of
reality. An artist with amazing painting skills was greatly regarded and would at times be envied
by other painters (Pamela 3). One famous Greek myth is that of Zeuxis and Parhassios who both
fought for the title of being referred to as the best and most skilled painter. At one time Zeuxis
made a painting of birds trying to peck at grapes inside a bowl, the image was so realistic to the
Zeuxis's time to now see Parhassio's painting came and he asked that the curtain that had
covered Parhassio's painting be removed for him to see it (Pamela 3). However, the curtain was
Parhassios’s painting and Zeuxis fell for the trick. Parhassios announced that he was the winner
saying that Zeuxis tricked birds using his painting but he tricked a human who could think which
is not as easy.
Different cultures throughout the globe believed imagery to be a tool that could heal.
People who lived in Greece and Egypt in the old days, not forgetting Hippocrates and Aristotle,
believed that you could get symptoms of a disease just from viewing its image (Franklin 4). They
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also had faith that images could send spirits into a person's brain and cause bodily arousal. Those
In ancient Rome, to recall the speech they were to present before the senate the senators
would use imagery. Their lawyers would recall their crucial points to use in defending their
clients through mnemonics (Franklin 4). In Australia, the Aborigines memorized maps of their
Ancient traditional shamans utilized mental imagery for healing purposes through
imagination, only those with expertise performed it as it was viewed as a very sensitive and
crucial process (Franklin 4). Modern arts are also inspired by imagery which is borrowed from
cultic religious practices and imitation of dances whereby those who performed at first mimicked
gods at last taking clowns, storytellers, and jokers’ roles. The imagery was also used to showcase
information.
A Non-Religious Icon
Guernica Picasso. Pablo Picasso, an artist from Spain made an oil painting in the year
References
Franklin, Eric N. Dance imagery for technique and performance. Human Kinetics, 2013.
https://content.ctcd.edu/courses/huma1315oer/m21/ebook/huma1315_ebook_ia.pdf