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    Pegue A Tua Parte Irmão - Flauta

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    Guilherme Henrique Santos Oliveira
    This document contains musical notation for a flute piece. The document is divided into 15 sections marked by numbers. Each section contains musical notes represented by symbols. The notes are arranged on a musical staff with a time signature to indicate the rhythm and tempo of the piece. Repeats and transitions such as "To Coda" are indicated.

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    Pegue A Tua Parte Irmão - Flauta

    Uploaded by

    Guilherme Henrique Santos Oliveira
    16 views1 page
    This document contains musical notation for a flute piece. The document is divided into 15 sections marked by numbers. Each section contains musical notes represented by symbols. The notes are arranged on a musical staff with a time signature to indicate the rhythm and tempo of the piece. Repeats and transitions such as "To Coda" are indicated.

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    Original Title

    Pegue a Tua Parte Irmão - Flauta

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    This document contains musical notation for a flute piece. The document is divided into 15 sections marked by numbers. Each section contains musical notes represented by symbols. The notes are arranged on a musical staff with a time signature to indicate the rhythm and tempo of the piece. Repeats and transitions such as "To Coda" are indicated.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    Download as pdf or txt
    16 views1 page

    Pegue A Tua Parte Irmão - Flauta

    Uploaded by

    Guilherme Henrique Santos Oliveira
    This document contains musical notation for a flute piece. The document is divided into 15 sections marked by numbers. Each section contains musical notes represented by symbols. The notes are arranged on a musical staff with a time signature to indicate the rhythm and tempo of the piece. Repeats and transitions such as "To Coda" are indicated.

    Copyright:

    © All Rights Reserved
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    of 1

    1

    Pegue a tua parte Irmão


    ICM-PES

    1
    4                  
    2 3 4  5     
             
    Flauta
    4 
         
                                

    6

      7

        
    8 9

     

     10

             


      
     
           
                               
      
    11


    12
           13
     14

         
     15

    
         


         


     

     
    16

          


    17

      
     

    
    18


    19

       

     
      
     20

    
         
                                        
    21

                           
    22 23 24 To Coda
     
    25

    
        

     
     

             
     

                    

    1. 

    26 - 28
       3 29
            
    30 31 32

    
           
    33      7 34 - 40


     

    41


         42 2. 43

                 
        
           
       Coda
    7 7 
     
     
     
      
      
        
    D.S. al Coda

    44 - 50 51 - 57


    58 59
      
    60

    
         
          
       
     



                             

         
      
     
      
      
     
       
      

      

         

          
    61 62 63 64 65


    
      
       
     
       
    66

     
     67



       

     

    68 69 70

            
            
                               
    71
                                    



     

     



     



     72 73 74 75

     
    
        


     
       
    2


    76 - 77


     
     

     

     


     
     
     78 79 80 81

     
     
           
        

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