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  • Manso e Suave

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    Ricardo Prado
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    The document contains musical notation for a choral piece titled "Manso e Suave" featuring soprano, alto, tenor and bass parts. The notation includes staffs with notes, rests and dynamics for each vocal part. The piece is divided into 13 sections with changing harmonies and melodies across the vocal parts.

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    The document contains musical notation for a choral piece titled "Manso e Suave" featuring soprano, alto, tenor and bass parts. The notation includes staffs with notes, rests and dynamics for each vocal part. The piece is divided into 13 sections with changing harmonies and melodies across the vocal parts.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    12 views1 page

    Manso e Suave

    Uploaded by

    Ricardo Prado
    The document contains musical notation for a choral piece titled "Manso e Suave" featuring soprano, alto, tenor and bass parts. The notation includes staffs with notes, rests and dynamics for each vocal part. The piece is divided into 13 sections with changing harmonies and melodies across the vocal parts.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
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    Manso e Suave

        = 33
              
    Soprano                     

                                       
        
                                           
    Alto

    Tenor 
                
               
    Bass
          

    7  
    S.                            
       
      
    A.                 
              
                            
              

          
    T.

                      
    B.
           

    13       
    S.                      
     
      
    A.         
                   
                          
    T.    

                          
    B.
           

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