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    The Second Waltz

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    JAhiezer
    This document appears to be musical notation for Dimitri Shostakovich's Waltz No. 2 for violin and piano. It contains standard musical notation symbols across multiple pages, including time signatures, notes, rests, and dynamic markings. The piece is written for violin with piano accompaniment.

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    © All Rights Reserved
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    The Second Waltz

    Uploaded by

    JAhiezer
    4 views2 pages
    This document appears to be musical notation for Dimitri Shostakovich's Waltz No. 2 for violin and piano. It contains standard musical notation symbols across multiple pages, including time signatures, notes, rests, and dynamic markings. The piece is written for violin with piano accompaniment.

    Original Description:

    Copyright

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    This document appears to be musical notation for Dimitri Shostakovich's Waltz No. 2 for violin and piano. It contains standard musical notation symbols across multiple pages, including time signatures, notes, rests, and dynamic markings. The piece is written for violin with piano accompaniment.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    4 views2 pages

    The Second Waltz

    Uploaded by

    JAhiezer
    This document appears to be musical notation for Dimitri Shostakovich's Waltz No. 2 for violin and piano. It contains standard musical notation symbols across multiple pages, including time signatures, notes, rests, and dynamic markings. The piece is written for violin with piano accompaniment.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    The second Waltz

    Violin
    Transcrip Ahiezer de la Cruz Dimitri Shostakóvich

              
     = 162
               

     
                    
    11

       
     
                       
       
    22

     
          

                         
    31

              
               
     
    38


       
                   
    47

       
        
                   
        
    58



      
               

      
                  
    67

     

                            
        
    74


          
                
        
    84
                       
    2

      
    95

                        
           
    105


               
                     
    115

      
            
       
         

                   
             

    124

                

     
             
              
             
        
    130

            
               

         
    
    136

     

             
            
    145

      

             
               
    156

     

                                   
    167

     
     
                    
          
    174

     

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