Republic of the Philippines

Department of Education
Region IX, Zamboanga Peninsula
DIVISION OF ZAMBOANGA DEL SUR
Mahayag North District

TECHNOLOGY AND LIVELIHOOD EDDUCATION 8

4th Quarter Examination

Directions: Blacken the letter of the correct answer in the answer sheet.
1. In a situation where you are creating an animated promotional video for a children's toy, which of the following factors
would be most valuable to the customer?
A. Engaging and entertaining storyline. C. Fast-paced action sequences and special effects.
B. High-quality voice acting and sound effects. D. Highly detailed character designs and backgrounds.
2. You are creating an animated video for a customer. What is the most important factor to consider when identifying what is
of value to the customer?
A. Animation style C. Length of the video
B. Budget constraints D. Storyline and message
3. You specialize in character animation. Which customer would most likely benefit from your expertise?
A. A real estate company wanting virtual property tours.
B. An advertising agency in need of animated commercials.
C. An educational institution requiring animated training modules.
D. An event management company needing animated event invitations.
4. Your animation studio specializes in creating 3D animated films. How can you make your films unique and competitive in
the market?
A. Focusing on simple and minimalist animation styles.
B. Utilizing cutting-edge technology for realistic visual effects.
C. Collaborating with popular musicians for the film's soundtrack.
D. Targeting niche audiences with obscure storytelling techniques.
5. Your animation studio is developing a mobile game with animated characters. How can you make your game unique and
competitive?
A. Focusing solely on high-end graphics and visual effects.
B. Including excessive in-app purchases and microtransactions.
C. Offering frequent character crossovers from other popular games.
D. Providing innovative game play mechanics and unique challenges.
6. How can you apply creativity and innovative techniques to make the character marketable?
A. Utilizing extensive dialogues to engage the audience.
B. Incorporating complex character backstories for depth.
C. Replicating popular character designs from other TV shows.
D. Designing a character with a unique and memorable visual appearance.
7. Your animation studio is developing a mobile game with unique gameplay mechanics. How can you apply creativity and
innovative techniques to make the game marketable?
A. Relying on outdated and conventional gameplay styles.
B. Introducing innovative and engaging gameplay features.
C. Exclusively targeting a niche audience with complex challenges.
D. Replicating popular game mechanics from other successful titles.

8. What USP can you employ to make your series unique and appealing to viewers?
 A. Featuring popular celebrity voice actors for all characters.
B. Keeping the episode duration shorter than other animated series.
C. Incorporating groundbreaking animation techniques and visual effects.
D. Relying solely on recycled animation sequences to reduce production costs.
9. What USP can you employ to make the advertisement impactful and memorable?
A. Replicating popular advertisements from other toy companies.
B. Focusing on unrelated content to generate intrigue and curiosity.
C. Showcasing the interactive features and functionalities of the toys.
D. Including excessive product descriptions and technical specifications.
10. Which criterion should you consider when selecting a business idea?
A. Identifying market demand and potential profitability.
B. Relying on feedback from friends and family members.
C. Focusing solely on personal interests and creative preferences.
D. Emphasizing the popularity of animation genres in the past decade.
11. You are considering a business idea that involves providing animation services for e-learning platforms. Which criterion
should you consider to assess the potential success of this idea?
A. Identifying the growth potential of the e-learning industry.
B. Relying on anecdotal evidence from a single e-learning platform.
C. Focusing solely on the availability of animation software and tools.
D. Ignoring the market demand for e-learning and focusing on personal interest.
12. You are considering different business ideas for your animation studio. Which criterion should you prioritize when
selecting a viable business idea?
A. Emphasizing the availability of animation software and tools.
B. Identifying a target market with a high demand for animation services.
C. Focusing solely on personal artistic interests and creative preferences.
D. Relying on anecdotal evidence from a single successful animation studio.
13. You have evaluated multiple business ideas for your animation studio, but you are having difficulty choosing one. What
step can help you make a final decision?
A. Randomly selecting an idea without further evaluation.
B. Assuming that all ideas are equally viable and choosing one at random.
C. Relying solely on personal preferences and disregarding market trends.
D. Seeking feedback from industry experts, potential customers, and mentors.
14. After conducting market research, you have identified a potential business idea in animation that aligns with market
demand. What technique can you use to refine and validate the idea?
A. Making assumptions based on personal preferences.
B. Choosing the idea that requires the least initial investment.
C. Conducting surveys or interviews with potential customers.
D. Ignoring market feedback and relying solely on personal intuition.
15. You want to start an animation business, but you're not sure which area to focus on. Which criterion can help you
determine a viable business idea?
A. Emphasizing the availability of animation software and tools.
B. Choosing a business idea solely based on current market trends.
C. Relying on personal interests without considering market demand.
D. Identifying your unique skills and expertise in a specific animation style.
16. Your animation studio has a well-established brand known for high-quality, visually stunning animations. What benefit
does this bring when attracting potential clients?
A. Building trust and credibility with clients.
B. Lowering the cost of production for animations.
C. Focusing solely on personal artistic style and creativity.
D. Relying on competitive pricing as the main selling point.
17. Your animation brand is known for delivering engaging and emotionally resonant stories. What advantage does this
provide when reaching a wider audience?
A. Generating a loyal fan base and increasing audience retention.
B. Incorporating excessive use of visual effects for a futuristic look.
 C. Replicating popular storylines from other successful animations.
D. Offering a wider range of animation styles to cater to all preferences.
18. You are discussing well-known animation brands in the Philippines with a group of animation enthusiasts, and one
brand is recognized for its innovative storytelling techniques and emphasis on local culture. Which brand is most likely to be
recognized for these qualities?
A. Global Animation Studios C. Cultural Animation Solutions
B. Local Animation Legends D. International Animation Productions
19. Your animation brand aims to target a specific niche audience interested in educational animations for children. Which
criterion is important for developing a brand that appeals to this audience?
A. Creating engaging and age-appropriate content for children.
B. Replicating popular animation styles from other successful brands.
C. Relying on adult-oriented content to appeal to a wider range of viewers.
D. Ignoring the target audience's preferences and solely focusing on personal interests.
20. You are developing a brand for your animation software that focuses on user-friendly features and a sleek interface.
Which criterion is important for generating a clear and appealing product brand?
A. Emphasizing the software's ease of use and intuitive design.
B. Relying on generic design templates to reduce development time.
C. Ignoring user feedback and solely relying on personal preferences.
D. Replicating features from other successful animation software brands.
21. You are working as an assistant animator, and your supervisor has assigned you the task of preparing the requirements
for in-between drawings for a complex animation sequence. What would be your first step in this process?
A. Seek feedback from your colleagues without referring to any reference materials.
B. Ignore the keyframes and create your own interpretation of the animation sequence.
C. Start drawing the in-between frames right away based on your understanding of the sequence.
D. Consult the keyframes provided by the lead animator and analyze the movement and poses of the characters.
22. You are working as an assistant animator, and you've been tasked with pegging and unpegging multiple animation
layers in a complex scene. What would be the appropriate procedure to follow?
A. Peg and unpeg the layers randomly, without any specific order.
B. Begin by unpegging all the layers and then peg them back in any order you prefer.
C. Start by pegging the foreground layers first, followed by the midground and background layers.
D. Consult the scene layout and peg the layers based on their hierarchical order, from the background to the
foreground.
23. You are working as an assistant animator, and you have been given a complex scene to work on. How should you
approach pegging and unpegging in this situation?
A. Peg and unpeg the layers randomly, without following any specific procedure.
B. Unpeg all the layers first, then peg them back in any order that seems appropriate.
C. Begin by pegging the foreground layers first, followed by the midground and background layers.
D. Consult the scene layout and peg the layers based on their hierarchical order, from the background to the
foreground.
24. As an animator, you have been assigned to produce in-between drawings for a character animation sequence. Which of
the following actions demonstrates applying design standards effectively?
A. Ignoring the established color palette and using random colors for the character.
B. Experimenting with completely different character designs for the in-between drawings.
C. Creating in-between drawings with inconsistent proportions and body shapes for the character.
D. Utilizing the established character model and maintaining consistent proportions and features.
25. As an animator, you are assigned to work on a specific animation sequence. When comparing clean-up drawings and
in-between drawings, which of the following statements accurately describes their similarities and differences?
A. Clean-up drawings and in-between drawings are the same and can be used interchangeably in the animation
process.
B.Clean-up drawings and in-between drawings have no similarities or differences, as they are two separate techniques
used in unrelated animation processes.
C. Clean-up drawings and in-between drawings serve different purposes, with clean-up drawings emphasizing the final
artwork, and in-between drawings focusing on the primary key poses and movements.
D. Clean-up drawings and in-between drawings both involve adding details and refining the animation, but clean-up
 drawings focus on the final polished version, while in-between drawings focus on the transitional frames.
26. You are an animator tasked with creating in-between drawings for a character animation. Which of the following actions
demonstrates producing in-between drawings based on the provided guidelines effectively?
A. Copying the keyframes exactly without making any adjustments or modifications.
B. Creating in-between drawings without considering the character's movement or the timing of the animation.
C. Ignoring the guidelines and inventing new poses and movements for the character in the in-between drawings.
D. Referring to the keyframes and guidelines to accurately position the character's body and limbs during transitional
frames.
27. As an animator, you are assigned to create drawings for an animation sequence based on the details provided in the
exposure sheet. What is the appropriate approach to follow?
A. Ignore the exposure sheet and create drawings based on your personal interpretation of the scene.
B. Create drawings without considering the exposure sheet, as it is not essential for the animation process.
C. Refer to the exposure sheet for specific instructions on timing, camera angles, and character actions.
D. Modify the exposure sheet according to your preferences and create drawings based on the revised instructions.
28. As an animator, you have received an exposure sheet for a specific animation sequence. When creating drawings
based on the exposure sheet, what would be the appropriate approach?
A. Ignore the exposure sheet and create drawings at your own pace and timing.
B. Create drawings without referring to the exposure sheet, relying solely on your artistic intuition.
C. Consult the exposure sheet and follow the provided timing and frame instructions to create accurate drawings.
D. Create drawings based on a rough understanding of the exposure sheet, but make adjustments according to your
personal preferences.
29. As an animator, you are tasked with creating drawings for a scene that requires the use of special effects. Which of the
following actions demonstrates using different special effects effectively?
A. Avoiding the use of any special effects to maintain simplicity in the drawings.
B. Using the same special effect repeatedly in every frame of the scene, without variation.
C. Adding random special effects throughout the scene, regardless of their relevance or purpose.
D. Analyzing the scene's requirements and applying appropriate special effects to enhance the desired visual impact.
30. You are working on a drawing for an animated scene that requires the depiction of a thunderstorm. Which of the
following options demonstrates the appropriate use of special effects to create the desired effect?
A. Applying a blur effect to the entire scene to create a hazy and dreamlike atmosphere.
B. Incorporating vibrant colors and exaggerated lines to depict lightning and rain.
C. Drawing the thunderstorm scene using regular pencil strokes without any additional effects.
D. Adding glitter and sparkles to every element of the scene, including the background and characters.
31. You have been assigned to create clean-up drawings for a character animation. Which of the following options
accurately identifies all the relevant requirements for clean-up drawings in this situation?
A. Incorporating complex shading techniques and intricate textures.
B. Using a variety of colors to enhance the visual appeal of the character.
C. Experimenting with different character designs and exaggerating features.
D. Ensuring accurate line quality, consistent proportions, and precise detailing.
32. You are about to start working on clean-up drawings for an animation project. Which of the following options correctly
identifies the materials and equipment you would need to prepare for this task?
A. Watercolor paints, brushes, and a canvas.
B. Clay modeling tools and sculpting materials.
C. Graphite pencils, erasers, and clean drawing paper.
D. A computer with animation software and a digital drawing tablet.
33. You have been assigned to create model sheets for a new animated TV series. Which of the following options
accurately identifies the purpose and content of model sheets in this situation?
A. Model sheets focus on designing unique and elaborate costumes for the characters in the animation.
B. Model sheets are created to showcase the scenic backgrounds and environments for the animated series.
C. Model sheets are used to showcase different artistic styles and experimental techniques for the animation.
D. Model sheets provide reference drawings that establish the consistent appearance and proportions of characters.
34. You are an animator working on a scene where a character performs a complex acrobatic stunt. Which of the following
options correctly identifies the key drawings that would require special attention for clean-up in this situation?
A. Random frames that you find visually appealing or interesting.
B. The starting pose and the final pose of the acrobatic stunt.
C. Frames where the character is not performing any significant action.
D. Every frame of the character's movement throughout the acrobatic stunt.
35. You are an animator working on a complex animation sequence that involves a character lifting an object. Which of the
following options correctly identifies the purpose and content of animation breakdowns and X-sheets in this situation?
A. Animation breakdowns provide a detailed breakdown of the character's movements, while X-sheets list the names of
all the animators involved in the project.
B. Animation breakdowns showcase the use of special effects and visual enhancements, while X-sheets list the
dialogue lines and sound effects for each scene.
C. Animation breakdowns outline the overall story and plot of the animation, while X-sheets provide a breakdown of
the character's facial expressions and emotions.
D. Animation breakdowns break down the timing and spacing of the character's movements, while X-sheets list the
frame numbers and corresponding actions for each drawing.
36. You have been assigned to create clean-up drawings for a cartoon character that will be used in a fast-paced action
sequence. Which of the following options accurately identifies the key requirements you should consider for creating the
clean-up drawings in this situation?
A. Adding intricate details and textures, incorporating realistic shading techniques, and using a variety of colors.
B. Experimenting with different art styles and incorporating abstract shapes and patterns into the character design.
C. Ensuring clean and well-defined lines, maintaining consistent proportions, and emphasizing exaggerated poses.
D. Focusing on smooth and fluid motion, showcasing dynamic camera angles, and highlighting intricate background
elements.
37. You are working on clean-up drawings for a character animation where the character performs a complex dance routine.
Which of the following options correctly identifies the role and usage of animator keys in this situation?
A. Animator keys are used to add special effects and visual enhancements to the dance routine, making it more visually
appealing.
B. Animator keys are used to experiment with different dance styles and choreography, allowing for creative exploration
and artistic expression.
C. Animator keys are used to define the character's facial expressions and emotions throughout the dance routine,
capturing the nuances of the performance.
D. Animator keys are used to mark the starting and ending positions of each dance move, ensuring smooth transitions
and maintaining consistent timing.
38. You have been tasked with producing clean-up drawings for a 3D animated film. The production team has provided you
with detailed 3D models of the characters. Which of the following options accurately identifies the role and process of
producing clean-up drawings based on these models?
A. Utilizing the 3D models to generate in-between frames automatically, reducing the need for manual clean-up
drawings.
B. Modifying the 3D models to match the desired look and style of the clean-up drawings and rendering them as final
images.
C. Copying and pasting the 3D models directly into the animation software, eliminating the need for separate clean-up
drawings.
D. Using the 3D models as a reference to trace over and create clean and precise 2D drawings for each frame of the
animation.
39. You are working on a scene where a character is running and jumping over obstacles in a parkour-style sequence.
Which of the following options accurately identifies the situational arrangement of the animation breakdown for clean-up
drawings in this scenario?
A. Breaking down the character's emotions and expressions throughout the sequence, highlighting moments of
excitement, fear, and determination.
B. Breaking down the scene into separate layers, such as foreground, middle ground, and background, to facilitate
easier clean-up and coloring processes.
C. Breaking down the scene into individual frames and organizing them sequentially, focusing on capturing each
frame's unique composition and visual appeal.
 D. Breaking down the character's actions into key poses and movements, such as takeoff, mid-air, and landing
positions, ensuring smooth transitions and clear timing.
40. You are a records clerk responsible for maintaining confidential client files in a law firm. You receive a request from a
colleague to access a specific client's file. Which of the following options demonstrates the correct procedure to follow,
considering the situational context?
A. Deny your colleague's request as it goes against the privacy policies and procedures of the law firm.
B. Provide your colleague with the client's file, but keep a photocopy for your records to ensure transparency and
accountability.
C. Immediately grant your colleague access to the client's file without further verification, as they are a trusted
colleague within the law firm.
D. Request your colleague to submit a formal written request for access, ensuring they provide proper authorization
and justification.

- END -
Answer key ANIMATION
1. A
2. D
3. B
4. B
5. D
6. D
7. B
8. C
9. C
10. A
11. A
12. B
13. D
14. C
15. D
16. A
17. A
18. B
19. A
20. A
21. D
22. D
23. D
24. D
25. D
26. D
27. C
28. C
29. D
30. B
31. D
32. C
33. D
34. B
35. D
36. C
37. D
38. D
39. D
40. D