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1 ROMANESQUE-ARCHITECTURE Part-1
1 ROMANESQUE-ARCHITECTURE Part-1
1 ROMANESQUE-ARCHITECTURE Part-1
ARCHITECTURE
HISTORY OF ARCHITECTURE 2
• Clerestory
• Triforium
• Arcades
• Triforium:
• Above the arcades, there is the triforium, which is a narrow, horizontal gallery. The
triforium is often characterized by a series of smaller arches or openings,
sometimes enclosed with tracery or other decorative elements. While the triforium
is not typically a functional space, it contributes to the overall visual rhythm and
decorative richness of the interior. In some cases, the triforium may also have
served as a passage for clergy or for displaying relics.
• Clerestory:
• The highest section of the wall is the clerestory, which is a row of windows or
openings located above the triforium. The clerestory is positioned to bring in
natural light and illuminate the central nave of the church. It is an essential
element for creating a well-lit and airy interior. The term "clerestory" is derived
from the Old French word "cler," meaning clear or bright. The windows in the
clerestory are often larger than those in the triforium, allowing more light to
penetrate the space.
and Symbolic • One of the main reasons for thick walls was to provide structural
stability. The heavy stone structures, including vaulted ceilings,
Purposes needed robust support. Thick walls distributed the weight of the
structure evenly, preventing collapses and ensuring the overall
stability of the building.
Defensive Considerations:
• Symbolic Significance:
• Architectural Tradition:
• Structural Simplicity:
• Round arches are structurally simpler than pointed arches. They exert
vertical pressure directly downward, distributing the weight more evenly
across supporting columns or piers. This simplicity was suitable for the
thick and sturdy walls characteristic of Romanesque buildings.
• Masonry Constraints:
• Romanesque builders often worked with large, heavy stones. Constructing
round arches with these materials was more straightforward than creating
pointed arches, which required more precision in cutting and fitting stones.
• Liturgical Considerations:
• Romanesque architecture was closely tied to the needs of the Church. The
rounded arches contributed to the creation of a more enclosed and
intimate space within churches, enhancing the solemnity of religious
rituals and emphasizing the sacred nature of the interior.
• Groin Vaults:
• A groin vault is formed by the intersection of two-barrel vaults at
right angles. This creates a series of crossed arches or ribs, resulting
in a more complex and visually interesting ceiling structure. Groin
vaults were often employed in Romanesque buildings to cover the
intersections of the nave and transept, as well as in crypts and side
chapels.
• Decorative Possibilities:
• The surfaces of barrel and groin vaults provided opportunities for
decorative elements, such as painted frescoes, intricate carvings, and
symbolic imagery. The architectural forms themselves, with their
repetition of rounded arches and intersecting ribs, added a sense of
rhythm and order to the interior spaces.