Asturias

Sottotitolo
Isaac Albéniz


  1   3   4  1   3   4                          
Moderato


4 5
5

  3   4   1  3   4     3   4   1   3   4              
4

1
1


5

 
            1  3   4  1  4  2     3   4  1   4  4  
7


4 5

   1   3   4   4   3   4  1   3   4    
6


10

 1  3
4 4 4
3


5

  3   4  1   4      
13

1  4
  4 4 4

      
3 3 3 3 3 3

             
     
16


5
4


5 4

           
5


3 3 3 3 3 3 3 3 3 3 3 3

       
    
18

 




        
   
3 3 3 3 3 3 3 3 3 3 3 3

      
      
20




            
3 3 3 3 3 3 3 3 3 3 3 3

       
    
22

 



 VII
2

       

   42               
3 3 3 3 3 3

     
3
24 3 3 3 3

  13
1
1

VII 3 VII 3
   
  
                               
3 3 3 3
26 3 3 3 3

VII 3
 
 
                                  
28 3 3 3 3 3 3 3 3 3 3

VII 3 VII 3
   
  
                   
3 3 3 3
30 3 3 3 3

 



3

                   00 21               
32 3 3 3 3 3 3 4 3 3 3 3


 
 

3 3

 0 1                00 21               
0 2
34 4 3 3 3 3 4 3 3 3 3

 
VIII 3
     
                       
3 3 3 3

        
36 3 3 3 3 3 3

 
 
                     
(VIII) (VIII)


3 3 3 3 3 3 3 3 3 3

        
38

 
 
3

      
   
VII

    
3 3 3 3 3 3


3 3 3 3 3

          

40


VIII 3 VII 3
      
          
3 3 3 3


3 3 3 3

         
42

 
VIII 3 VII 3
           
          
3 3 3 3

            
3 3 3 3

   
44

            
3 3 3 3 3 3 3 3 3 3 3 3

       
     
46

      
3 3 3 3 3 3

        
48

      

VII

           
              
3 3 3 3 3 3


51

                    
VII


3 3 3 3 3 3 3 3 3 3 3 3

  
54

 

                    
VII


3 3 3 3 3 3 3 3 3 3 3 3

  
56

 


                    
VII

 
3 3 3 3 3 3

      
58

 
     
   
4

             VII  

To Coda

      
Andante

   
IV

  
60

 

                 VII  

           
        
67 II m.d.

   

            
                        
   

75

 

                  
      
         
82


 
       
                
       
89



 
4

      
   
       
       
       
94


 
                            
              
100

    

                    

       
105

     

      
VII

  
3 3 3 3 3 3

             
110



    
VII

                           
3 3 3 3 VII V VII

  
3 3 3 3 VII


3 3 3 3

         
113

  
 5




          III
D.C. al Coda

    
               
Adagio

 
117

       


 

127

 