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  • 廻廻奇譚-長號 2

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    zz4hwnd7tt
    6 views2 pages
    This musical composition is scored for solo horn and piano. It consists of 15 labeled sections (A through O) that transition between melodic themes played by the horn over piano accompaniment. The piece explores a variety of moods and techniques through these contrasting sections.

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    Original Title

    廻廻奇譚-長號_2

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    This musical composition is scored for solo horn and piano. It consists of 15 labeled sections (A through O) that transition between melodic themes played by the horn over piano accompaniment. The piece explores a variety of moods and techniques through these contrasting sections.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    6 views2 pages

    廻廻奇譚-長號 2

    Uploaded by

    zz4hwnd7tt
    This musical composition is scored for solo horn and piano. It consists of 15 labeled sections (A through O) that transition between melodic themes played by the horn over piano accompaniment. The piece explores a variety of moods and techniques through these contrasting sections.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    長號 2 廻廻奇譚

     = 185           Ｇ.P. A           
    Arr. Chi-Yen Hsieh

               

                        
    3

             
          
    8

                    
             

    13
    B


               C 
               
        
    21


                
                 
    D

       
    29

                             
    E

       
         

         
    37


        

                        
             
    F
    43


        
            
               
         
    49

        

                
    To Coda G

        
           
      
    54 1.

      
                       
    H

           
    60

     
    2

                          
    I J


        
      
    65


      

                 
          
    78

        
    K

          
           
    83


                                
          
    88

           
                 
        
    L

        
    93 2.

                               
    M

         
    99

           
                 
    N O

      
    106


            
            
                 
    119

       
                      

             
    D.S.

       
    P

     
    123

              Q           
                       
    130

     
                
         


    135

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