La Calunnia

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The Barber of Seville
ROSSINI

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                     
     
Allegro

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1 2 3 4

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3
PiaR

   
          
 
  
PiaL

           
           
5 6 7 8 9

 


 
La ca lun nia e un ven ti cel lo u au

                 
          
 
       
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3


           
   
  

                        
         
10 11 12 13 14

 

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ret ta as sai gen ti le che insensi bi le, sot ti le

    
             
               
       
  
 
3


          
        
  

   
                             
          
15 16 17 18 19

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leg ger men te dol ce men te in co min cia in co min cia a sus sur

 
        
  
   
         

 2
             
   

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20 21 22 23

  
                                                
rar. Pia no pia no, ter ra



                            
   
             

              
   


 
24 25 26 27

                       
                        
ter ra, sot to vo ce si bi

       
                         
       
  
           
3

                   
             
28 29 30 31

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           
                             
lan do va scor ren do vascor ren do va ron za do, va ron

                             
      
  
 
  
 
  
                 
       

                      
          
32 33 34 35

      


      
                                 
zan do, nell 'o rec chio del la gen te s'in tro du ce s'in tro du ce des tra

 
                             

      
  
 
  
 
  

  
   
   
   

    
 

   

 


                        
                       
36 37 38

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                                        
men te, e le tes te edi cer vel li e le tes te edi cer vel li fa stor di re, fa stor

    
    
    
    

   
   
 
   
 
         
3
 
          
39 40 41 42

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               
                                   
di re, fa stor di re fa gon fiar.

       

                
   
 
 


                      
               
43 44 45 46

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                             
Dal la boc ca fuori u scen do lo schia maz zo va cre scen do,

                   
                   

       
                        

                  
             
47 48 49

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            
pren de for za a poco a po co, vo la gia di loco in

            
            
       

                  
     

                     
                   
      
50 51 52

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                 
   
lo co sembrail tuo no, la tem pe sta che nel sen del la fo re sta va fi schi ando, bron to

         
             

            
           
           

           
                      
        
53 54 55


                       
        
lan do e ti fa d'or ror ge lar. Al la fin traboc ca scop pia, si pro pa ga, si rad

                            
 
                            
         
   
              
   
4
         
        
56 57 58 59


                           
 
dop pia e pro duce un'e splo sio ne, come un col po di can no

       

                 

                                   
     

                      
                    
60 61 62 63


        
ne come un col po di can no ne, un trem uoto, un tem po ra le, un trem uo to,un tem po

   
        

                
         
    

                       
                     
64 65 66


            
ra le, un trem uoto un tem po ra le, che fa l'a ria rim bom bar, un tre muo to,un tem po

              
     

          
          
   

                        
                       
67 68 69


              
ra le, un tre muo to un tempo ra le un tre muo to, un tempo ra le che fa l'a ria rim bom

            
     
           
   
           

               
     
    
70 71 72 73 74


   
              
bar E il me schi no ca lun nia to, av vi

              
      
              
3 3


                 
                 

                    
5
     
                 

75 76 77 78


                 
li to, cal pe sta to, sot to il pub bli co fla gel lo per gran

                     
     
        
         
                   
      

 
                       
 
79 80 81 82 83


    
sor te va a cre par. il me schi no ca lun nia to av vi li to cal pe

   
    
            
  

        
             
 


                  
 
   
        
                
          
84 85 86 87


  
sta to, sot to il pub bli co fla gel lo per gran sot te va a cre

 
    
  

          
          
   



88 89 90 91 92

      
    
par. E il me schi no ca lun nia to av vi

                            
  
3 3


     
                             

                    
                     
  
93 94 95 96


               
li to, cal pe sta to, sotto il pub bli co fla gel lo per gran

 
8va

                     
      
                
                 
       
 
       
6

               
 
97 98 99 100 101


    
sor te va a cre par E il me schi no ca lun nia to, av vi li to, cal pe

   
                
  
       
              
 

                             
           

102 103 104 105


 
sta to sot to il pub bli co fla gel lo per gran sor te va a cre

  
    
  

                      
                   
106 107 108


                      
                       
par sot to il pub bli co fla gel lo per gran sor te va a cre par sot to il publ bli co fla

           


              

     
   
  

  
                    

 
109 110 111 112


                     
gel lo per gran sor te va a cre par, si, va a cre par, si va a cre par, si va a cre

     
                                         

                
           

       



113 114 115 116 117 118 119

                
                         
   
par.

                            
  

 
                              
    
                       