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Mustafa Alhilfi
WEEKS
1-5
Collage
Timeline
process
I began to start practicing how to do scaled people. It helped me understand that every
piece of detail is important, meaning in order to draw a more accurate scaled person I had
to measure the length of each body part and not just the height.
Light Construct
This is the result of my 3D model project, my task was to experiment with light and
shadows in a way where they interact with the interior. This task helped me realise the
importance of light and that it should always be taken into consideration how it will change
the feel of the room at different times/ different angles. This is my finalised design of a room
at an art exhibition.
process
Initially, I made this design to experiment with making scale people and how I can manip-
ulate the light. After this, I realised using card would be easier to work with and more aes-
thetically pleasing. this also gave me inspiration for what shapes to use.
Orthographic Drawing
My next task was to do an orthographic drawing of a pepper in 1:1 scale. This helped me
understand the concept of ‘sectioning’ in architecture and prepared me for the next step.
Elevation
After my practice with the peppers, it was much easier to do my elevation for my light
construct in 1:20. I used my model to guide me and make sure my measurements were
correct.
Schroder House
The photos depict the interior of ‘Vori Greek Kitchen’ in Holland Park, showcasing a wood-
en wall-panel design likely made from medium-density fiberboard (MDF) with a hardwood
laminate for cost-effectiveness. The assembly involves precise alignment using wooden
dowel pins or adhesive-based butt-joints due to the high cost of hardwood. Another set
of images feature a chair in “Ruby Zoe Hotel and Bar” made from resilient ‘fir’ softwood.
WEEKS
6-12
Design Proposal
I was assigned to this painting for my installation and for my group project me and my
peers had to create a 3D model in 1:20 of room 11.
Painting Research
This painting by Pietro longhi was made in the 17th century. The context is that the Rhino
was being abused and tortured for the entertainment of others, while some are masked
and some arent. I felt that the painting is strong and symbolic and I wanted to display this
symbolisation and feeling of restrictedness and overcrowdedness in my elevation whilst
simultaneously creating an efficient and captivating design.
Visual Interpretation
Ideas
I began with my elevation by making mini sketches to visualise my ideas, I used this to
make mini models to me visualise a final model even more.
Experimenting
3
1
I used CAD to experiment with a design efficiently, avoiding material waste. I chose this design for
its effective symbolism and captivation. I used 8 sticks to represent the number of people in the
painting, I surrounded the painting with a border like the rhino was, used matching stick colors that
match the colour of the audience in the painting, and layered them to evoke a crowded feel when
you are below it. I created gaps, prompting viewers to step onto the platform for a closer look inside. I
also placed the painting’s description at the back to make the installation engaging from both sides.
Elevation
Installation Sketches
The materials I would use in 1:1 for each piece are: maple wood for the pillars, vinyl wrap for the
colours around the timber, MDF for the wooden border with a thin sheet of mahogony stuck onto
the surface using adhesive, The painting stand will also be made the same way but with a black
acrylic cover panel instead.
Art Gallery 3d Model
Room 11 Elevation
Internal Sketch
Reflection
Initially I thought that this course would be focusing more on research
and gathering inspiration to prepare us for a straight-forward task.
Instead, we were given many tasks that helped broaden my
understanding on architecture, this also helped me expand my creativity.
I did not expect to have as much group projects and for everything to be
as fast paced as it was, however, now I can work at a higher speed
because I know how to organise myself to work more efficiently.