Be My Wife - Billy Simpson

Bongo Drums ou
SEJA A MINHA ESPOSA

Panderola Billy Simpson
Adap.: Josué Cardoso
=130
                     
                       
6
                       
12
                       
18
                       
24
                   
30
 
                       
36
                       
42

            
48 =110
   
Casamento de Pedro e Ana

SEJA A MINHA ESPOSA
Clarinet in B  1 Billy Simpson
=130

                
    
 
3 3

3 3 3 3
 
     
8
   
       
23
    
                    
31 3 3 3 3
3 3
            
37 3 3
   
  
           
43
     
3 3
 
3 3
51 =110 
  
SEJA A MINHA ESPOSA
Clarinet in B  2 Billy Simpson
=130

                
    
3 3
3 3
  
3 3
 
     
8
    
   
23
         
                  
31

3 3 3 3

3 3
               
37 3 3 3
  
 
       
44 3 =110
        
3 3
55
 
SEJA A MINHA ESPOSA
Drum Set Billy Simpson
=130
                
                    

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                   
                         
5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                   
                        

10
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                   
                        

15
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                   
                        

20
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                   
                         
25
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                
         
          
30
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                   
                        

35
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                   
                        

40
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                   
                         
45
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
      =110
   
     
50

3 3 3 3

SEJA A MINHA ESPOSA
Billy Simpson
Electric Bass
=130
    
F
 
Bb Bb
    
Bb A Gm F D Eb Eb F4
 
Bb

F Bb Bb
    
Bb
  
8
F A Gm F D Eb D Cm7

Bb

F Bb

Bb
      
Bb Gm D

16
F4 A F Eb Cm7
 
D
Bb Bb Bb
          
24
F4

D Eb Eb D D Cm7 Cm7 F4
F Bb Bb Bb
      
32
F Bb A Gm
   
F D D
 
Eb
  
F Bb Bb
   
Eb
   
39
Bb Gm
 
Cm7 F4 A F D
     
F Bb =110
         
46 Cm7 Eb
A Gm

Eb F4 Bb F Eb
  
   Cm7

53
 
F4 Bb Bb

SEJA A MINHA ESPOSA
Billy Simpson
Flute
     
            
=130

       
3 3 3 3 3 3
     
   
 
8
       
       
22
 
         
   
29
3 3
         
       
    
35
3 3 3 3
         
    
  
        
41

3 3 3 3 3 3
       

46 =110

Guitar SEJA A MINHA ESPOSA Billy Simpson
=130
 3  3  3  FA 3  3  3  3  Gm 3  3  3  3 
Capotraste
                  
3ª Casa 3
 Bb                        
 
  
  3  3  Eb 3  3  3  3  Eb 3  3  3  3 
Bb
                        
Bb 3 3
D
F
                      
4
    
 3 3 3   3  3  Bb 3  3  3  3 
                      
3 3 3
 
F4 F
                      
7
 

    Gm       3 3
Bb Bb
   
                      
3 3 3 3 3 3 3 3 3 3
F F D
                    
10 A
 
 
 3  3  3  D 3  3  3  3 Cm7 3  3  3  3 
Bb
                       
3
                        
13
Eb
   
  F 3  3  Bb 3  3  3  3   3 3 3
F
                        
3 3 3
A
       
16 F4
 
 
 3  3  3  Bb        
Bb
                        
3 3 3 3 3 3 3 3 3
Gm D Eb
19
F
   

Bb
    Cm7       3 3
D
                F4       
Bb 3 3 3 3 3 3 3 3 3 3
        
D
                 
22
  
       3 D 3  3  3  3 
2 SEJA3A MINHA ESPOSA Bb
   
                      
3 3 3 3 3 3
Eb Eb
                    
25
   
Bb
 3  3  3 Cm7 3   3   Cm7 3  3  3  3 
                        
3 3 3
D
            
28
 
 
  
F4         F
  3 3 3 F
 3 3 3
               
3 3 3 3 3 3
         
Bb A
       
31
    
     3 D 3  3   3 3 3
Bb Bb
                        

3 3 3 3 3 3
Gm F Eb
               
35
  

  3   Cm7 3  3  3  3  F4 3  3  3  3 
   
                      
3 3 3
Bb
                
D
   
38
 

         3 3 3
F
Bb                        
3 3 3 3 3 3 3 3 3
A Gm
                         
41

  
 3  D 3  3  Eb 3  3  3  3   3 3 3
Bb
                        
Bb 3 3
Eb
F
                      
44
    
  3   F4 3   3   Bb 3  3 A 3  3 
F
   
                      
3 3 3 3 3
Cm7
                    
47

  
Bb
    Eb
=110
F
            
3 3 3 3

Eb
 
Gm Bb Bb
 
Cm7
            
50 F4
  

SEJA A MINHA ESPOSA
Billy Simpson
Piano Adap.: Josué Cardoso

=130

                 
     
3 3 Bb F4
   
           
3 3 3 3

Piano
   
       
   
3 3 3 3 3 3
F Bb Bb F Bb Bb

Bb
             
F D
9 F4
A F D A
 
Bb Gm Eb D Cm7 Bb Gm
            
        
Pno.
       
         


Bb Bb Bb Bb
         
21
Eb Cm7 F4 D Eb
    
D Eb D D Cm7 Cm7 F4 F
            
  
Pno.
              
      
F Bb Bb F Bb Bb
 Bb
Bb
            
33
A F D Eb A F D
 
Gm D Cm7 F4 Bb Gm
            
        
Pno.
        
        
=110
F

Bb
     
45
Cm7 Bb A Gm F Eb Eb Cm7
      
Eb Eb F4 F4
 
Bb Bb
           
 
Pno.
            
            
 
SEJA A MINHA ESPOSA
Tenor Sax
Billy Simpson
=130

                
     
3 3
3 3 3 3
 
     
8
   
    
23
      
                  
31
 
3 3 3 3
3 3
               
37

3 3 3
 
 
         
=110

44
     
3
3 3
55
  

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