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    Silverio Pérez Paso Doble

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    lpc.dcg
    The document is a musical score containing musical notation. It consists of multiple sections with different instruments and melodies indicated. The score directs the musicians to play different parts at different points throughout and includes markings for dynamics, tempo, and structure.

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    © All Rights Reserved
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    Silverio Pérez Paso Doble

    Uploaded by

    lpc.dcg
    21 views2 pages
    The document is a musical score containing musical notation. It consists of multiple sections with different instruments and melodies indicated. The score directs the musicians to play different parts at different points throughout and includes markings for dynamics, tempo, and structure.

    Original Description:

    Original Title

    silverio Pérez paso doble

    Copyright

    © © All Rights Reserved

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    The document is a musical score containing musical notation. It consists of multiple sections with different instruments and melodies indicated. The score directs the musicians to play different parts at different points throughout and includes markings for dynamics, tempo, and structure.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    21 views2 pages

    Silverio Pérez Paso Doble

    Uploaded by

    lpc.dcg
    The document is a musical score containing musical notation. It consists of multiple sections with different instruments and melodies indicated. The score directs the musicians to play different parts at different points throughout and includes markings for dynamics, tempo, and structure.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Silverio P.

                         
     
     = 50  = 70

    3 3 3 3

                     
               
    7  = 90

              
    3


    3

            
         
    14

               
    3

             
          
    22

        
       
    3

              


    30

                         
        
    38

                 
                              
    45

       1.
    3 3

        

                          
    52
        
                     

    61

            
            
      
    68
    3

            
              
    73

        
                           
    78

                       
                    
       
     
    To Coda

     
    86

              
              
             
    95

         
       
           

        
    104

        
                     

    111 D.S. al Coda

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