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  • Piratas Del Caribe

    Uploaded by

    Sebastian Acevedo
    8 views2 pages
    The document appears to be a musical score containing notes for two violins. It includes musical notation symbols like quarter notes, eighth notes, and rests across multiple lines representing the two violin parts over time. The score continues for over 75 measures and would take some time to perform.

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    Original Title

    piratas del caribe

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    © © All Rights Reserved

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    The document appears to be a musical score containing notes for two violins. It includes musical notation symbols like quarter notes, eighth notes, and rests across multiple lines representing the two violin parts over time. The score continues for over 75 measures and would take some time to perform.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    8 views2 pages

    Piratas Del Caribe

    Uploaded by

    Sebastian Acevedo
    The document appears to be a musical score containing notes for two violins. It includes musical notation symbols like quarter notes, eighth notes, and rests across multiple lines representing the two violin parts over time. The score continues for over 75 measures and would take some time to perform.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    piratas del caribe

     
                      
     

    Violín 1


    Violín 2
                                   

    7
                           

    Vln. 1

     
                          

    Vln. 2

    14  
                    
             
         
    Vln. 1

            
    Vln. 2
               
        

    22                         
       
    
                             
    Vln. 1

    Vln. 2
     

    30                             
     
                               
    Vln. 1


    Vln. 2
      

    38  
               
           
      
              
    Vln. 1


    Vln. 2
                   

    jean acevedo
    47 
    2

                            


    Vln. 1

       
            
                     
    Vln. 2

    56                
    Vln. 1           

                       
    Vln. 2
           

    65             
             
    Vln. 1  

                            
    
    Vln. 2
      

    75                        


    Vln. 1    



     

                              


    Vln. 2
        

    jean acevedo

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