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  • Bach Passione Secondo Matteo - Alto Sax 1

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    Tommaso Saltarelli
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    This document contains a musical score for the final chorus "Wir setzen uns mit Tränen nieder" from Bach's Passion According to St. Matthew (BWV 244b). The score is notated using alto clef and contains the melody and harmony parts for this choral piece over 83 measures. It concludes with indications to ritardando and diminuendo the tempo and dynamics.

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    This document contains a musical score for the final chorus "Wir setzen uns mit Tränen nieder" from Bach's Passion According to St. Matthew (BWV 244b). The score is notated using alto clef and contains the melody and harmony parts for this choral piece over 83 measures. It concludes with indications to ritardando and diminuendo the tempo and dynamics.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    3 views2 pages

    Bach Passione Secondo Matteo - Alto Sax 1

    Uploaded by

    Tommaso Saltarelli
    This document contains a musical score for the final chorus "Wir setzen uns mit Tränen nieder" from Bach's Passion According to St. Matthew (BWV 244b). The score is notated using alto clef and contains the melody and harmony parts for this choral piece over 83 measures. It concludes with indications to ritardando and diminuendo the tempo and dynamics.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    alto 1

    Passione secondo Matteo


    BWV 244b (78 Coro finale)
    Adagio "Wir setzen uns mit Tränen nieder"

                    
    (Ci sediamo a terra in lacrime)
         
     = 64

          
     
      
        
                         
         
    A

      
    7 1 2

      
                  
     = 64             
       
     
    14


             
                                  2 
    B

        
    20 1

        
                                          
     
    dim.
     dim.

       
    27

     
               
                          
     
    33

               


      

    39

                        
              

    45

                  
                      

    51


                          
      

    58


         
            
                        

      
    64

      
                   
          
          
       
    70 1 2


                     
                         
    allargando

       
    77

      

          
    rit.

     

    83 1


    dim.
     
    dim. 

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