BASSTEP

  
for Bass Clarinet & Drums by Alejandro Portela

   

 = 160
    
        
.
iss
gl


                
  
9

          

              
13

                 

           
   
    
17

        

               
     
21

                

     
25

          
with growl

    
  
   
           
29

                 


with growl

  
   
    
  
   
    
 
   
33

   
 


             
  
37

   
 
      

   
41

                     
Alejandro Portela
 
2

           
 
44

                    

      

47

             

          
  
      
49

        
       

   

 

  

   
53

    
   
      

              
  
57

          

                   
61

                 
 

                  
65

              
gliss.
 gliss.


 
                

69

            



          
73

                    

   
    
     
              
76

    

        
      
79

       

Alejandro Portela
 
3

                 
81

                 


                  
85

                


                 
89

                  

               

93

                  


       
                               
97

 
gliss. 
 
 
                     
101

               

105

                  

               

109

                  


  
  
    

 
113

       
          

 
  



  

   
117

   
   
 
      
Alejandro Portela