1. Traditional Filipino popular culture included folk traditions of indigenous groups like the Aeta and forms of theater introduced by the Spanish like moro-moro plays and pasyon narratives.
2. Popular music genres that emerged included the korido, a ballad song addressing history and social issues, and awit poems featuring rhyming stanzas.
3. Contemporary popular culture in the Philippines reflects a mixed agricultural and commercial economy, but defining modern popularity is challenging given diverse economic and social influences.
1. Traditional Filipino popular culture included folk traditions of indigenous groups like the Aeta and forms of theater introduced by the Spanish like moro-moro plays and pasyon narratives.
2. Popular music genres that emerged included the korido, a ballad song addressing history and social issues, and awit poems featuring rhyming stanzas.
3. Contemporary popular culture in the Philippines reflects a mixed agricultural and commercial economy, but defining modern popularity is challenging given diverse economic and social influences.
1. Traditional Filipino popular culture included folk traditions of indigenous groups like the Aeta and forms of theater introduced by the Spanish like moro-moro plays and pasyon narratives.
2. Popular music genres that emerged included the korido, a ballad song addressing history and social issues, and awit poems featuring rhyming stanzas.
3. Contemporary popular culture in the Philippines reflects a mixed agricultural and commercial economy, but defining modern popularity is challenging given diverse economic and social influences.
that man has learned and the events the tendency to regard one’s products of men’s learning 6. BELIEFS the perception of own culture as superior, right TYPES OF CULTURE men and natural 1. NON-MATERIAL: refers to 7. CUSTOMS everyday XENOCENTRISM all the things that man has happenings not being proud on your own learned MODES OF ACQUIRING culture 2. MATERIAL: products of CULTURE CULTURE SHOCK men’s learning IMITATION the feeling of awkwardness COMPONENTS OF CULTURE INDOCTRINATION and amazed as you face the 1. NORMS/ SOCIAL NORMS: CONDITIONING new culture Do’s and don'ts in CHARACTERISTICS OF ACCULTURATION the community CULTURE the group adapting other FORMS OF SOCIAL NORMS: I-NTEGRAL cultures but the groups still FOLKWAYS- customary ways D-YNAMIC manage their own culture of everyday life that specify E-DUCATIONAL ASSIMILATION what is socially correct and A-DAPTIVE you adapt the culture but proper in everyday life L-EARNED you have the tendency to MORES- giving importance I-DEATIONAL forget your own culture but having moral lesson, it S-HARED ACCOMODATION embody the code of ethics T-RANSMITTED the tendency in preserving and standards of morality in I-NTEGRATE culture that is nice society C-UMMULATIVE preserving LAWS- rules of the authority, S-OCIAL ENCULTURATION it regulates and control the CULTURE RELATED where an individual learns people behavior and conduct CONCEPTS the culture surrounding them 2.VALUES giving importance, CULTURE UNIVERSAL AMALGAMATION it defines what is right, good a culture that is adaptive by blending of two or more and moral majority culture and creating a new 3. LANGUAGE ommunicating CULTURAL RELATIVISM and unique culture through verbal or an idea that each culture non- verbal should be evaluated from the What is Popular Culture? COMPONENTS OF CULTURE standpoint of its own setting Popular Culture is 4. FADS- men’s are crazy CULTURAL DUALISM considered to be as doing it in a short period of the society adapt and problematic as culture itself time acknowledge other culture in terms of definition. CRAZES- men’s are crazy CULTURAL LAG According to Valdivia (2009), doing it in a long period of the tendency of a people not the problem with defining time to accept an introduced Popular Culture roots from SOCIAL FASHION- it is an culture because of the construction of the term idea, activity, behavior that inconsistency itself. Since it has two words, majority of the populace do SUBCULTURE “Popular” and “Culture”, the it because majority approved the culture of smaller groups term varies from one person it due to social significance within a society to another depending on how they define “popular” Traditionally, Aetas are (from the Spanish corrido) is and “culture”. But to give a hunting and gathering a popular narrative song and general take on the indigenous people. They’re poetry that form a ballad definition of Popular Culture, actually among the most .songs are often about let’s have the following: skilled when it comes to oppression, history, daily life Popular Culture: jungle survival . for peasants, and other .is a culture that is Indigenous Groups in the socially relevant topics extensively favored by the Philippines KOMEDYA many people IGOROT- Cordillera otherwise known as moro- .tends to reflect the interests AETA- Luzon moro or pretending to be of wide audiences or to MANGYAN- Occidental & Moors intentionally target their Oriental Mindoro .is a traditional Filipino play preferences TUMANDOK- Panay island in the vernacular adapted .is a fusion of ideas, things, LUMAD- Mindanao from the Spanish comedia actions, and circumstances MORO- Mindanao de capa y espada that may effect changes in Spanish Era AWIT the belief, personality, and .According to Lumbera, (Tagalog for "song") is a type preference of an individual popular culture in the of Filipino poem, consisting .is a prevalent and well- Philippines was created and of 12-syllable quatrains known culture in most used by the Spaniards to the .it follows the pattern of people that dictates what native Filipinos or indios via rhyming stanzas established will be the trend for a certain plays and literature to get in the Philippine epic pasyon period of time. the heart of the natives and win it. The existence of the .Forms of popular theatre awit/korido in the various HISTORICAL BACKGROUND and literature such as “the Philippine languages and up OF POPULAR CULTURE IN pasyon, senakulo, and korido to the present time attests to THE PHILIPPINES ensure the acceptance and their continuing popularity, Folk Culture in the spread of Christianity, and especially Ibong Adarna, Philippines the komedya and awit did Siete Infantes de Lara, Don The Aetas, pronounced as the same for the monarchy.” Juan Tioso, and Florante at eye-tas are among the PASYON Laura. earliest known migrants or a verse narrative about the Popular Culture at Present inhabitants of the life and suffering of Jesus ❑ The present socio- Philippines. Christ economic state is Folk Culture in the SENAKULO predominantly Philippines (from the Spanish cenaculo) agricultural, semi– Aetas are characterized by is a Lenten play that depicts feudal and neo- their skin color, height, and events from the Old and New colonial with the hair types. They mostly have Testaments related to the presence of dark to dark-brown skin, life, sufferings, and death of multinational curly hair, and are usually Christ corporations and below five-feet tall. KORIDO economy dependent on foreign economies. ❑ Determining what is popular in the Philippine context is not an easy task. ❑ The concept of popular culture is not just “of the people”