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Beckert Intro Week 3
Beckert Intro Week 3
INTRODUCTION
Dollars
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0 200 400 600 800 1000 1200 1400 1600 1800 2000
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FIGURE 1.1. Growth per capita of world GDP. Data source: Maddison (2001:
264, Table B-21).
their activities toward a future they perceive as open and uncertain, con-
taining unforeseeable opportunities as well as incalculable risks. The
spread of competitive markets and the expansion of monetary exchange have
anchored this temporal orientation toward an open future in the institutional
fabric of the economy and society. But it is also anchored in the unique
human ability to imagine future states of the world that are different from
the present. As they seek to make profit, augment their income, or increase
their social status, actors create imaginaries of economic futures, the achieve-
ment or avoidance of which motivates their decisions. The temporal dispo-
sition of economic actors toward the future, and the capability to fill this
future with counterfactual economic imaginaries, is crucial to understanding
both how capitalism diverges from the economic orders that preceded it and
its overall dynamics. This book investigates the impact of such imagined
futures on the dynamics of capitalism.
I n t rod u ct i o n • 3
Microfoundations
This implies that the book sympathizes with endeavors in economics and
political science that attempt to discern the microfoundations of macroeco-
nomic processes. However, economic macrodevelopment and capital ist
dynamics cannot be explained by approaches rooted in rational actor theory
(see Chapter 3). The assumption that decisions in economic contexts may
be understood as rational calculations based on full knowledge of all (avail-
able) information has been broadly criticized. One chief objection to this
assumption is the issue of uncertainty: future states of the world are not
predictable because of the complexity of situations in which decisions
are made; unforeseeable effects of interactions; genuine novelty brought
about by unpredictable innovations; and the contingency of other actors’
choices. Particularly in situations of rapid economic change or crises (Bronk
2009, 2015), which are characteristic of modern capitalism, uncertainty
prevails.
This objection to rational actor theory differs from those in the sociolog-
ical tradition, whose critiques are based in the fact that some decisions in
the economy are “nonrational”; that is, based on habit and routines, incon-
sistent, or normatively oriented toward goals other than the maximization
of utility or profit (Beckert 2002). While routines, mistakes, and value-rational
action also play an undeniable role in contemporary economies (Beckert
2002; Camic 1986; Etzioni 1988), they are of limited significance if our goal
is to understand an economic system that legitimizes utility maximization
and socializes its actors accordingly.
Instead, if actors intend to maximize what they understand as utility, and
that they consider their goals, means, and conditions for action accordingly,
their decisions must be based on expectations of presumed outcomes. Ex-
pectations are understood here as the value economic agents assume a given
variable will have in the future (see also R. Evans 1997: 401). Rational actor
theory does not fail because actors do not wish to maximize their utility,
but because it is unable to address the consequences of genuine uncertainty.
As theories of bounded rationality have argued persistently, actors often
simply do not have the information or the computational capacity to make
optimizing choices. Under conditions of uncertainty, the parameters and
probabilities that would make it possible to choose the optimal course of
action are unknowable.
Ever since Frank Knight ([1921] 2006) introduced the distinction between
risk and uncertainty, uncertainty has been an important concept in main-
stream economics, as well a crucial point of reference for dissenting voices
in economics and in economic sociology.7 Starting from the assumption
I n t ro d u ct i o n • 9
Fictional Expectations
This book uses these observations on the limits of rational actor theory in
situations characterized by uncertainty as the starting point for a theory of
capitalist dynamics. If actors are oriented toward the future and outcomes
are uncertain, then how can expectations be defined? What are expecta-
tions under conditions of uncertainty? That is the central question to which
this book seeks an answer. If we take uncertainty seriously instead of
conflating it with risk, it becomes evident that expectations cannot be
probabilistic assessments of future states of the world. Under genuine un-
certainty, expectations become interpretative frames that structure situ-
ations through imaginaries of future states of the world and of causal re-
lations. Expectations become determinate only through the imaginaries
actors develop.
The term “fictional expectations” refers to the images actors form as they
consider future states of the world, the way they visualize causal relations,
and the ways they perceive their actions influencing outcomes. The term
also refers to the symbolic qualities that actors ascribe to goods and that
transcend the goods’ material features. This is often a feature of actors’ re-
lationships to consumer goods, but it also holds for the ascription of value
to tokens that circulate as money. Actors use imaginaries of future situa-
tions and of causal relations as well as the symbolically ascribed qualities of
goods as interpretative frames to orient decision-making despite the incal-
culability of outcomes.
As Chapter 4 explains in detail, the term “fictional” should not be taken to
mean that these expectations are false or mere fantasies, only that expecta-
tions of the unforeseeable future inhabit the mind not as foreknowledge, but
as contingent imaginaries. Actors, motivated by an imagined future state,
organize their activities based on this mental representation and the emo-
tions associated with it. Expectations under conditions of uncertainty and
10 • INTRODUCTION
Fictional expectations have four sets of implications for the dynamics of cap-
italist economies.
I n t rod u ct i o n • 11
and a major goal of speech acts uttered in the field of the economy. Mate-
rial interests in the economy are swayed by the expectations of competi-
tors, consumers, researchers, employees, and employers, and so the poli-
tics of expectations are an impor tant element in the microfoundation of
capital ist dynamics. Power is expressed in the creation and influencing
of expectations—in other words, fictional expectations are central to the
market struggle. This stands in stark contrast to the theory of rational ex-
pectations, which denies the possibility that attempts to influence expec-
tations may shape economic outcomes. Rational expectation theorists argue
that rational actors will always perceive a commodity’s intrinsic value and
therefore cannot be blinded in their expectations.
These implications are crucial elements in this analysis of the role of ex-
pectations in the dynamics of capitalism. Chapters 5 through 8, which form
the second and main part of the book, describe how fictional expectations
coordinate action, have performative effects, help to create newness, and
are contested among actors in four key fields of the capitalist economy:
money and credit, investment decisions, innovation processes, and con-
sumption choices.
Fictionality, far from being a lamentable but inconsequential moment of
the future’s fundamental uncertainty, is a constitutive element of capitalist
dynamics, including economic crises. An economy without uncertainty
would be an economy without fictional expectations in which actors could
act fully rationally, but it would also be a static economy without novelty
and without time, in which every thing happens at once. The mathematical
models of general equilibrium theory brought this idea to its logical con-
clusion in the 1950s (Arrow and Debreu 1954).
By contrast, Keynes ([1936] 1964) asserted that it was important for ac-
tors to evoke desirable future states of the world to keep the economy
running despite the incalculability of outcomes. Keynes used the notion of
animal spirits to express the idea that calculation is not the only factor driving
economic growth and crises. Animal spirits counter feelings of insecurity
that arise when actors perceive the future’s uncertainty, which might lead
to inaction and stagnation. As contemporary behavioral economists have so
often shown, people tend to grossly overestimate their chances for success
in economic ventures (Taleb 2010: 180). This overconfidence underpins the
very functioning of capitalism—and is a far cry from the rationality assump-
tions of neoclassical economics. Keynes also coined the term “liquidity
preference” to express the consequences of actors’ lack of confidence in
I n t ro d u ct i o n • 13
The first part of this book critically engages existing approaches to expecta-
tions in sociology and economics in order to develop the idea of fictional
expectations, beginning with a discussion of the temporal order of capitalism
and its consequences for the time orientation of actors. It first reviews the
relevant work of sociologists, historians, and economists on this subject, then
shows that the dominant temporal orientation of actors in capitalist moder-
nity is toward an open future.
Chapter 3 opens with a critical assessment of general equilibrium theory
and rational expectations theory as the most powerful ways to conceptualize
expectations in modern economics. This chapter also covers dissenting
approaches in economics by economists such as John Maynard Keynes,
George Shackle, and Paul Davidson, which foreshadow arguments regarding
expectations in economic action. It continues with a discussion of the more
limited literature on expectations in sociology.
Chapter 4 develops the concept of fictional expectations, discussing the
notion of fictionality in literary theory, in par ticular that of John Searle
(1975), and the philosophy of arts (Walton 1990). It relates the notion of
fictional expectations to concepts such as hope, fear, beliefs, ideology, imag-
inaries, ideas, and promises. It then examines the political dimension of
expectations salient in the politics of expectations. Chapter 4 closes with a
discussion of the social sources of imaginaries of the future, with special
attention to the pragmatist theory of action.
Part 2, which forms the main, empirical segment of the book, discusses,
chapter by chapter, the concept of fictional expectations with reference to
what are considered to be four building blocks of capitalist economies.
Chapter 5 discusses the operation of money and credit, arguing that their
chief precondition is belief in the stability of the monetary system and in
the future credibility of debtors. The belief in the stability of the monetary
system, which is indispensable for the expansion of capitalism, depends on
actors’ expectations that they will be able to exchange tokens, which are
worthless in and of themselves, for valuable commodities at a future point
in time. It discusses the question of how this “fiction of a monetary invariant”
(Mirowski 1991: 580) is maintained and what happens if belief in the future
value of money vanishes. Linked to money is the notion of credit, another
building block for capitalist growth in which uncertainty is inherent, since
a debtor’s willingness and ability to repay his debt cannot be fully known.
16 • INTRODUCTION
Assessments of the risks associated with credit and the future stability of
money are both forms of fictional expectations that are at least partly insti-
tutionally anchored and enforced through the power of creditors and the
state to impose compliance.
Chapter 6 turns to investments as another crucial building block of cap-
italist dynamics, and discusses investments in plants and equipment, finan-
cial investments, and human capital investments. These investments are
motivated by the desire for profit or, in the case of investments in human
capital, by expectations of income, social status, or employment security. As
its high failure rate shows, investment is a fundamentally uncertain prac-
tice: actors often cannot know in advance which investment will maximize
utility and therefore must rely on imaginaries of future states of the world
(as well as on conventions) when deciding on specific investments. Finan-
cial markets in particular are rife with examples of investment motivated
by fictional expectations, conveyed as stories of how asset prices will develop
in the future.
Chapter 7 investigates innovation processes as a third crucial element of
capitalist dynamics. Economic growth theories have attributed the unpre-
cedented growth over the past 250 years in large part to technological
innovation (Roemer 1990; Solow 1957). Schumpeter (1934) examined the
microlevel and observed that innovative processes are inspired by actors’
imaginaries. Following in his footsteps, contemporary innovation studies
investigate the roots of technological progress in “projections” of future
worlds, and this chapter uses these studies to show the role of fictional
expectations in the innovation process.
The final chapter in Part 2 examines consumption. Capitalist growth in
affluent consumer societies requires that demand outstrips necessity, and
consumers’ perceptions of the value of goods or ser vices depends on expec-
tations regarding the symbolic “performance” of these goods once they are
purchased. In affluent societies, the value of goods is increasingly based on
symbolic meanings, which must be created and maintained through com-
munications between producers and consumers for purchases to take place.
The imaginaries of value that consumers attribute to purchasable products
is another instance of fictional expectations.
In all four chapters of Part 2, the topic of valuation plays a central role:
actors pursue money, investments, innovations, and consumption only if they
believe the objects they obtain through market exchange will have value in
the future. Their expectations of value take many forms: they accept money
because they believe in its future purchasing power; they accept the risk of
I n t ro d u ct i o n • 17
capital investments and innovation because they expect profit; they purchase
consumer goods based on dreams of future satisfaction and expected
social status. Valuation and imagined futures are closely intertwined. Cur-
rent value is based on fictional expectations regarding future outcomes and,
vice versa, fictional expectations express assumptions about future value.
Looking at how value is based on the expectations created in markets can
contribute to the sociology of valuation (see also Beckert and Aspers 2011;
Beckert and Musselin 2013).
The final part of this book focuses on two instruments used to generate
fictional expectations. Chapter 9 discusses forecasting (macroeconomic fore-
casts and technological projections) as a technology that helps to establish
fictional expectations. It examines the question of why substantial resources
continue to be spent on economic forecasts even though they have been
widely shown to be unreliable and erroneous. They are analyzed as instru-
ments for the creation of fictional expectations that help actors to make
decisions under conditions of uncertainty. In the same vein, Chapter 10 inves-
tigates how economic theories and models may be interpreted as instruments
that help generate fictional expectations by providing accounts of causal rela-
tions with which actors form a cognitive map for predicting the future conse-
quences of present decisions. In addition to their function in the coordination
of economic decisions, economic and technological forecasts and economic
theories are analyzed according to how they help contribute to newness, as
well as their role as tools in the politics of expectations.
The conclusion reviews the book’s findings with a discussion of their im-
plications for a theory of capitalist modernity. It critically questions Max
Weber’s view of the development of the capitalist economy as a process of
rationalization and disenchantment. Weber ([1930] 1992) identified the
religious motifs present in the origins of modern capitalism, but believed
these nonrational influences disappeared as capitalism evolved, arguing
that the “iron cage” of self-propelled economic mechanisms would ultimately
force actors into instrumentally rational behavior. His view of modernity’s
development has been highly influential, but the central role of fictional
expectations shows that capital ist dynamics are still partly animated by
nonrational beliefs, or “secular enchantment.” This is not a trivial phenom-
enon or a romanticization of modern capitalism; rather, it reconceptualizes
the notion of the “iron cage” as colonizing creative and non-economically
motivated expressions of agency, feeding into capitalism’s restlessness.
Using the processes of social interaction in the economy—an approach
typical of economic sociology—to explore the broad question of the dynamics
18 • INTRODUCTION