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  • American Patrol-Mar.3

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    darwin jamez
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    The document appears to be a musical score containing multiple sections labeled with letters. It includes tempo markings, time signatures, notes, and dynamics. The score progresses from section to section utilizing crescendos, accelerandos, and changes in tempo such as from Vivace to Piu Mosso.

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    The document appears to be a musical score containing multiple sections labeled with letters. It includes tempo markings, time signatures, notes, and dynamics. The score progresses from section to section utilizing crescendos, accelerandos, and changes in tempo such as from Vivace to Piu Mosso.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    5 views3 pages

    American Patrol-Mar.3

    Uploaded by

    darwin jamez
    The document appears to be a musical score containing multiple sections labeled with letters. It includes tempo markings, time signatures, notes, and dynamics. The score progresses from section to section utilizing crescendos, accelerandos, and changes in tempo such as from Vivace to Piu Mosso.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    Mar.

    3 American Patrol
    F.W.Meacham
    Arr: Darwin Jamez

              
                    
     A

     
    Vivace = 144 3

     
            
                
    B

          
    12

          
                             
    24

       D
     
                               
    C

      
    37

         
        
                         
     
    47

     
                                   
    59 E


      
                               
    74 F


                 
    G

               
    84

                         
    H

             
    98


              
                       
    112

                           
    I

            
    124

     

                          
            
    133

     

      
                                  
    J

    
    142


    molto rit.


    K  
                            
    Jazz Feelin'


    152 a tempo

          
     
               
    L

    
    165

     
      
       M
                         
              
    174

     
                           
    N

      
    186

     
     
    O

       


    accel.
    Píu mosso = 160

                  

    199 3

     cresc.

    2
        
    P

                     
    Presto  = 200
        
    216


    (cresc.) 

         
                      
       
    (Option→)


    225

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