Виктор Фурманов

Пьесы
для тромбона
и фортепиано

Вторая часть

Партия тромбона
2
1. ВЕСЁЛЫЙ ЗАБЕГ
для тромбона и фортепиано
 
Allegro
   
11

          


       
19

       

                


     
 
27 43
  
35

   


          
     

           
51

     

             59
       


   
 
            
     

 
         
67

    
   

12311
 
3

                  
75 85

 

          
      

   
93
              
  

     
           
101 109 117


          
      

            
     
125
   

            
           


          
           
 

     
          
        

12311
4
2. ЗИМНЯЯ ДОРОГА
для тромбона и фортепиано

 
8
 
С легкой печалью

     
 

     
        

             
        
 

  

16
       
  

        
 
 
  
   

       
26
     

              

            
34

         
           

12311
 5

     
        

  
         
42
  


    
      

     
         


      
      
50
 

   
      
  


       



 

       
 


            
62

 

12311
6

                


         70   
   


           
    
 
 
 



    
 
       


 
83

      
  

     
       
 

            
        
  

  
    
91

        


      
     
 
12311
 7
3. ДЕВОЧКА С ШАРИКОМ
для тромбона и фортепиано

     
   
Scherzando
 
9

  

   
                    
 

          
       
  

                                     
17

      


                    

25

 

                 
   

                
    
 

   
33 Meno mosso

                
 

12311
8

 
                  
 

          
   
45

 
    

    
       
        

            
  
       

                  
57 Scherzando

      


     
       
 

        
   
65

     


                            


                                     

     73
     
   


12311
 9

                     
  


          
       
  

                                     
81

      


               
 

 
89

           

4

  

        
   
  
4 4



lip trill


lip trill

    
  

lip trill
 
    
  

  
    

  

    
  
12311
10
4. ОБМАНИ МЕНЯ
для тромбона и фортепиано
       
С легкой печалью

5
        
 

   
    


  
          


      
     
13

    

      
    
   
 

  21

    
 

     
       
 

   
  
  
 
     

    
29

 

 
      

12311
   
11

   
  

    
 
 
    
 

      
     
37

     


   
          
  

    
45
  


   
   

     


      
    
   
 

      
   
53
     
 

 
  
     
 
     

12311
12

61
    
      
     

        
         
 

69
        
        


    
          
  

     
      
77
     


        
    
  
 

 85
     
 

 
      


       
       
 

      
93

 

 
      

12311
  
13

         
       

101
        
         



    
         
   

 
      
109

    
   

        
    
  
 

      
117

     
     

    
  
  
 
     

     
125
 
 


      

 
      
         


12311
14
5. ВЕЧЕР РАССТАВАНИЯ
для тромбона и фортепиано

В темпе вальса

      
  
4

  

      
      

    
    
12
    

           
        


 
22

     



         

      
30

 


        
  

    
38

    


12311
 15

         

      
46

 


    
      


     
58

    


      
      

         
66
   

      
      

       
       
74

  


                   

12311
16

                   
82

          
           


       
poco rit.
  

  
94 a tempo

       



      
102
  


          
 

   
110
      

subito 

         


    
118

     


12311
 
17

   
130
      


          
 

    
138

    

        


     
146

   
 

   
      

   
154

   



           
 


    
162

        
   

12311
 
18

            
    

 
                        
170

  

    

                
    


  
178

        


            
 

     
 
186
  
            
   


       
           
   


194

        
 


      

12311
 19

   
202

    
  

      

     
210

   
 

    
218

      


       
      
  


          
226

        

      
               


               

   
242

           
subito 
12311
20

          

       
250

 


           

      
258
         
 



             

            
269

       
8

                      
8


        
   

  
      

 

12311
 21
6. ТАРАНТЕЛЛА
для тромбона и фортепиано

         
  
Presto 5

         


             
      

               
13

     

                    


                       
21

 

                             

        29
              


               


                        
37



12311
22

                             

         
45
           
 


  
             

               
53

          


            
       

              
61

       

                    


 
         
75

 

                   

12311
 23

                 
83

 

          
              

               
   
91

                         

              
           
99





               

             
107

    



                         

           
              
115



12311
24

               

         
123

         

                   

           
131

       

                    
    

         
139

         

         
      

                


  
    
    

12311
 25
7. ПОСЛЕ ДОЖДЯ
для тромбона и фортепиано
      
  
Созерцательно
 
9

  



      
           

       
    


       
             
17




          
           


  
           
25

     
  


  

lip trill
lip trill

   
    
33

     

 
         
lip trill


lip trill

lip trill

      


12311
 
26

            
41


     
  


 

lip trill
   
lip trill

    
49

    


  
lip trill
    
lip trill lip trill

        
  

      
              
57




      
             
 


       
             
65





                 
     
       



 


  
    
12311
 27
8. СКЕРЦО
для тромбона и фортепиано
       
    
9

  
Allegro

 


              


   
17
           
   

 

             
 

                  


           
        
25




             
33




         
  

              
  

12311
   
28

     
    

    
        
45

    

     
        
 


          
     


       
 

  
   
55

  

    
  



     
    
 

     



12311
      
29

              
67




      
        


     
 
75
           



       
  

               
83

  


       
      
     
cresc. poco a poco

     
         
poco rit.

     


             
91 a tempo


  

          
       


12311
30
       
     

        
    
99

        
  



     
  
107

      


 
                  

 
                  

115

              
     


                   



                   


12311
 
                         31

 

                       
129

 
 cresc. poco a poco

   
              
         




lip trill

       
137

            



     
                
  

        
145

            
   
 cresc. poco a poco

 
lip trill

      
       


 
   
       
      


          
        
       

12311
32
9. ПРОЩАНИЕ С ЛЕТОМ
для тромбона и фортепиано

             
Allegro



           
 

     
      
13

    
V




               
      
VI
       

 
                
23

     


                   
31

 
   


                  
      


  
Meno mosso
     


12311
 33

   
45

      
2 2

 
2

 

         
  
2


2 2

 

  
53

       
   

        
     
   


   
61 2

   
2

 
2

      
   
      
2

  
2 2

 

       
69

      



     
   
    

 
  
   

12311
34


                   
85

    



                  
      


 

95

     



                   
103

    



                  
      



   
  


         
117
         
    



                   
     


     
             
         
12311
 35
Моему другу генерал-лейтенанту
Халилову Валерию Михайловичу
10. СЕНТИМЕНТАЛЬНАЯ БАЛЛАДА
для тромбона и фортепиано

 
    
Rock Ballad
  
 

9

             
  



                 
 
 

  
17

         





               
 

 

      

       

   
25 

     

 

      
 


        
    

  


      
 
 


12311
    
36 33

      

 


         
 




  
   


    
      

    
 
 
 


   
41


     
 


         
 



    
        

         

  


 
 
    
 

12311
 49      
37

      



    
      



         
  



  
   
 

57 Double Time  Solo ad lib. (импровизация по гармонии)

            
D m9

 

            
A m9

            
C7

            
F7

B 7
            
A 7sus 4

12311
38 73

            
D m9

            
A m9

            


            
C7 F7

B 7
            

89

            
A 7sus 4 D m9

            


            
A m9

            
C7

12311
 B 7
39

            
F7

       
     
A 7sus 4



    
Rock Ballad

      
105
 
   


 

  
   
  
      
  


      
  
      
  

    
113



      

 
  

      


    
      

        
 
      
 

121

        
    

  
 

12311
          
40

    

  



  
   

  
Solo ad lib. (импровизация по гармонии)

   
      
D m9

 


             
  
A7


134
   
Dm

 A 7

Solo ad lib. (импровизация по гармонии)
   
   
D m7

     
  

D 7
    
    
  

    
  
E7

   

B9 
     
D

      
  

12311
 41
11. РУССКИЙ ТАНЕЦ
для тромбона и фортепиано
  
  
Lento Allegretto

 

 
12


            

 


               


    
          
 

 
                
 
 

   
28

         
 


            

       

             


       
         

12311
  
42

            
   

      44
  
      



             


                  
  


          
          


      
60 Meno mosso
             
 


                      

         
        


                 
76

        


12311
 43

                     
 


                
    
 

               


          
 

 
  

 
92 Allegretto

           

    
 3


           
3 3

                  
  


        
        



108

 

12311
44 124

                         



                        

                           


           

               
  

       
 
       
            



lip trill

    
    

accel.


   
          
   

               

  


    
    


12311
 45
12. ВЕЧЕРНЯЯ ПРОГУЛКА
для тромбона и фортепиано

   
       
Сдержанно

       
 
               
   



      
      


   
14

          
 

        
   

       
    

      


 
            



  
31

          

12311
46

            
 

         
  
 

              
 

 
        48
        
     

                
     

        
       
     
 

                   
 

            
            


     
         
64

 
12311
 
    
         
47
 
      



        
       
    



            

        


         
    
 


     
   
cresc. poco a poco

      
80

        
       


                   
       
 

        
                   

          
                

12311
 
                   
48

 

    
    
  
       


                       
101

     
  

           
      

               
   



                
  


121
                
     



             
      
 

       
  
  
rit. 3
3

 3 3 3 3

12311
 49
Моему другу полковнику
Мясоедову Вениамину Вениаминовичу
13. ВДОХНОВЕНИЕ
для тромбона и фортепиано

   
Moderato rit. 6
   
a tempo

    

      
     

    
                  

  

  
14

       
      

  
          

             
           
   
    
22
  
           
Sostenuto

 

   
                


    
      
30 Moderato
     

12311
 
50

           


  
                   


                     
38 Piú mosso

    
 


               
     
3 
 
                              


 
46

             


                 



       
54


  
          
cresc. poco a poco

                
 
  

12311
    
51

                     
3

      
                      
62

    

 sub.  cresc.
3
3

   


                
     
 
 
  
          
            



                      
70 Allegro moderato

   


   
               

                    
              

                                 
  

                         
         
78

12311
                  
52

    
         

    

                       


                                  
86 Sostenuto




    
                  

      
              

              
94 Allegro moderato




             

  
      
           


        
Cadenza *

  
       
3
3
* Артикуляция по желанию исполнителя
12311
   
53

            
     

         
                 
 


                   
           
3

3 3 3

      
   

               


 
         
              

      
         

            
    

                      



         
       
 
12311
54
Моему ученику полковнику
Дурыгину Сергею Юрьевичу
14. КОНЦЕРТНАЯ ПЬЕСА
для тромбона и фортепиано

   
  
Медленно Быстро

 
13



             
  
    

                  
21

      
     
    
 

 

lip trill

                   
29

    


lip trill
    
lip trill lip trill lip trill

                     

  

lip trill

    
  
lip trill lip trill

              

           
   
37

   

           
   
       

12311
 55

              
  

                  
 

           
   
45

   

                       

              
  

                  
 

   
              
53

  

             
        

 Медленно
             
         

12311
  
56

            
63

 


                    
 
3

           
   
3

    

                        
   
71







               




  
          
79
Быстро

   



   
lip trill

          
  
 
 
lip trill lip trill

          
   

    
           
lip trill

    

12311
 57
Моему учителю Браславскому
Даниилу Абрамовичу
15. ТАНЦУЮЩИЙ ТРОМБОН
для тромбона и фортепиано *
    10    
Умеренно быстро
     

        
                 

              
   
 
18

      
         
        
26

  

        
       
     

         
 
34

    
    

   ando             
frull.

Gliss
     
 
           
   
      
42


     
          
      
* Партия тромбона в редакции Николая Кондрашова.
12311
      
58
  
50

             Gl
issa
frull.

  
ndo

 


        
           
  

   
 58
      
        

         
66
        


         
           
  

 .   

79

       
Менее подвижно

  
is s
 
Gl


     
         
    
ndo

ssa

G li
Gliss.

   
        
87
   
liss
.
 Gliss.   

G

        Gliss   
 . 
 

12311
 
 
lip trill

  
59

   
95 Воодушевленно
    
   
  

 
 
lip trill

    
         
   



lip trill

       
      
  



lip trill

  
          
   



lip trill
103
       
      
  


lip trill

       
     
   


 
lip trill

  
          
   

     
постепенно расширяя и замедляя

       
     
  

 

   

marcato

lip trill

      
     
 
     

    



Glissando

    
12311
 Умеренно быстро

        
lip trill


60 126

       

 
      
                

              
134

      


      
    
              
142

 

          
     
    


  
150
 
            G   
frull.

   
liss.
   
  

       
    
158
      
    


     
          
    

       frull.
 G         
 
166
       
liss.

 


   
12311
    
               
174 61

       


          
182
            
   

                   
190 Очень быстро

          
 

 
   
                    
198

  


  
        
    
  

 
     
       
        
    

     
       
        
    

     
       
        
    

    
 
         
  
  
12311
 СОДЕРЖАНИЕ

1. Весёлый забег ………………………………………………………... 2

2. Зимняя дорога …………………………………………................. 4
3. Девочка с шариком ……………………………………………....... 7
4. Обмани меня ……………………………………………………...... 10
5. Вечер расставания …………………………………………….…… 14
6. Тарантелла …………..…………………………………………….... 21
7. После дождя ……………………………………………………….... 25
8. Скерцо ………………………………………………………………... 27
9. Прощание с летом ………………………………………………... 32
10. Сентиментальная баллада …………………………………….. 35
11. Русский танец ……………………………………………………... 41
12. Вечерняя прогулка …………………………………………….… 45
13. Вдохновение …………..………………………………………….. 49
14. Концертная пьеса ………………………………………………... 54
15. Танцующий тромбон ………………………………………….... 57
Виктор Иванович фурманов. Пьесы для тромбона и фортепиано
Вторая часть
ISMN 979-0-6603815-0-2 (общий)
ISMN 979-0-6603815-4-0 (партия тромбона)