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  • Interstellar

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    Edoardo Golinski
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    The document is a musical score for the film Interstellar. It is divided into three parts and contains the musical notes and time signatures for the film's score. The score uses different musical keys including F7M, G6, and Am. It provides the framework for Hans Zimmer's musical composition for the film.

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    Interstellar piano

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    The document is a musical score for the film Interstellar. It is divided into three parts and contains the musical notes and time signatures for the film's score. The score uses different musical keys including F7M, G6, and Am. It provides the framework for Hans Zimmer's musical composition for the film.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    8 views2 pages

    Interstellar

    Uploaded by

    Edoardo Golinski
    The document is a musical score for the film Interstellar. It is divided into three parts and contains the musical notes and time signatures for the film's score. The score uses different musical keys including F7M, G6, and Am. It provides the framework for Hans Zimmer's musical composition for the film.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Interstellar


    Hans Zimmer
    Transcrição: Nikolas Yuri

           
     = 100
          
           


                                      
    Primeira Parte
    5

                   
      


                        
                              
    14

            
          


      
       
             
    23

     
        


    Segunda Parte

                                    
    27

                   


     
                                     
    35

          
           

             
    2

     
                            
    44

             
     


                    
    Terceira Parte

      
    52 F7M G6 Am G6

                                   
               


                    
        
    60 F7M G6 Am G6

                                  
              
    


                  
    69 Am G6 F7M G6

                                   
    
               


        
                 
    78 Am G6

                   
        
         

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