Professional Documents
Culture Documents
EVU 21 The Visual Arts
EVU 21 The Visual Arts
A Changing tastes
T
Throughout
hroughout
suspicious of
the the
the
centuries,
new
centuries,
art
peoplepeople
movements
havehave
of
tended to be
tended
their period.
to be
suspicious of the new art movements of their period.
At At
thethe
endendof ofthethe19th
19th century,
century, forfor
example,
example, people
people were
were
1 1
shocked
shocked bybyImpressionism
Impressionism , criticising
, criticisingitsits
practitioners
practitioners
2 2 3
asascareless
carelessdaubers
daubers . Later,
. Later,when
when faced
faced with Cubist
with Cubist3
paintings, the public were puzzled by
paintings, the public were puzzled by those too. The those too. The
4 4 5 5 6 6
Surrealists
Surrealistswere wereinitially
initiallydeemed
deemedcrazy. Op-art
crazy. Op-artwas was
7 7
criticised
criticisedbecause
because itsitssubject
subject matter
matterwas wassaid to to
said consist
consist
of of
nothing
nothingof of significance.
significance. However,
However, nowadays,
nowadays, liking
liking
8 8
Surrealism or Op-art is considered perfectly
Surrealism or Op-art is considered perfectly acceptable, acceptable,
9 9
andandimages
images fromfromthese
these schools
schools of of
artartappear
appear
everywhere,
everywhere, from
fromposters
posters to to
advertising
advertising campaigns.
campaigns.
Perhaps
Perhaps because
because of of
thethe ubiquity
ubiquity of of
advertising,
advertising, people
people
10 10
tend to be more visually literate
tend to be more visually literate than they used than they used to to
be,be,
11 11
and so are perhaps inured to surprises.
and so are perhaps inured to surprises. Perhaps new Perhaps new
movements
movements in in
artart
will meet
will meet withwithless hostility
less hostilityin in
future.
future.
1, 3, 4, 6, 8
types of artist and schools of art of the last 150 years 2 someone who paints quickly and carelessly
5
(disapproving) considered; formal 7 content 9 art movement 10 educated with regard to art
11
not affected by
The writer paints his hero in a fascinating light. Minor characters are more shadowy or sketchy
but they are also depicted quite powerfully, even though the focus is, inevitably, on the two
central characters. These are portrayed with great sensitivity. The heroine is particularly
colourful and we see how her character is shaped and moulded by events. Some say the author
illustrates his motifs in a black-and-white fashion, but the image he creates to illuminate the
evils of slavery will remain with me for ever.
paint sketch depict portray colour shape illustrate illuminate