Poetic Form: An Introduction
MICHAEL D. HURLEY
res of Cambie
MICHAEL O°NEILL
Durham Unesiy
CAMBRIDGEChapter 1
The Elements of Poetic Form
[allway somewhere ander the ve and speaking idiom of the Voce a
podey theres the count, the beats you cn count on your agers. Yes
"Swye under the shout and the whimper andthe quck andthe sow of
posty thee the formal construction tne made sbetact nthe nds
‘at And the strange thing tht tht very abstract dmersion nth poem
fswhat rats the eaders res into the human world ane
‘W.S. Graham!
Gerard Manley Hopkins observed thatthe artical par of poetry, perhaps we
Shall be right to sy all arti, reduces itself to the principe of paralelsm?
His phrate catches well the sense in which words are heightened nko pootry
by organising language into expresive ptterns(parallisms) sounds into
fiyme schemes, rhythms lato metre line into stanzas and so on. Th chap
ter dents, and attempts rio characterise, these common poetic bul
ing block that combine to crete the diferent poetic ones considered inthe
‘ook’ subsequent chapters.
IR mst be emphasised fom the outset hat even where they draw oa lang
standing and widely wed conventions, the descriptive categories requied for
sich a taxonomy ate on inspection nothing like as sturdy a the ‘bulding
‘locke metaphor implies, Te very term for the study of verse form tele 8
point of contention (although this book weas'ersifiatin and prosody’ as
‘synonyms, dhere ae argument fr distinguishing between then), and asim
lar conrariety inconsistency snd confusion aver terms ~ the iplications of
which extend far beyond mere semantics ~ seemingly atends every poetic
fextare and eft ‘Thave read or invented twenty definitions of Ryton and
have adopted none of them, complained Pal Valery: ‘If merely stop to ask
‘what Consonants begin to wonder Such vaelaton and vertigo is under
Sandable, even inevitable. Mone than ths ils welcome, Analyse of verse
form invites ‘wonder’ in oth senses of the word, and persistent uncertainty
‘overeven the most basic elements may helpfull disturb critical complacency
{nto aesthetic appceciation for what maybe felt beyond what ca be classi.
The definitions that follow ae, chen, all working definitions as opposed to
16
‘The Blements of Pootc Form 7