The BEATLES - 1962-1966 2nd Edition GTab Hal Leonard

from The Early Beatles
Love Me Do
Words and Music by John Lennon and Paul McCartney
Intro
Moderately fast q = 148  __ =   
3
    
**G C G
           

 
8va
    
*Gtr. 2
  
        

3 3
 

f 3

18 16 17 15 18 17 18 17 18 16 17 16 17 16 17
16 18
17 17 17 17 17 17
*Harmonica arr. for gtr.
Gtr. 1
          
(acous.) Rhy. Fig. 1
           
        
 
mf
let ring throughout
3 3 3 3 3 3 3 3 3

3 3 1 1 1 1 1 3 3
0 0 0 0 0 0 0 0 0
0 0 2 2 2 2 2 2 0 0
2 3 3 2
3 3
**Chord symbols reflect basic harmony.
 
C G C
 
8va
   
                     

3
 
3
  
 
15 18 17 15 15
16 17 16 17 16
17 17 17 17 17 17 17 17 17 17
End Rhy. Fig. 1
              
                
    
3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 3 3 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 0 0 2 2 2 2 2 2
3 3 2 3 3
3
© 1962, 1963 MPL COMMUNICATIONS LTD.

© Renewed 1990, 1991 MPL COMMUNICATIONS LTD. and LENONO.MUSIC
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All Rights Reserved International Copyright Secured Used by Permission 1
 Verse
Gtr. 2 tacet
       

G G C
 
    
 
1.-4. Love, love me do, you
  
 
8va
       
      
3

17 17 17
16
17 17
17 16 14
17 17 

                
                
       
   


3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 2 2 2 2 2 2
2 3 3
3 3 3 3
    
G C G
 
  

     
know I love you. I’ll al - ways be true,
          
Gtr. 1
          
        
 
3 3 3 3 3 3 3 3 3
3 3 1 1 1 1 1 3 3
0 0 0 0 0 0 0 0 0
0 0 2 2 2 2 2 2 0 0
2 3 3 2
3 3
To Coda 2 
   
   
    
  
  
C
     
  
so please
              
               
                 
3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3
2
 
μ G C
    

     

     
 
love me do. Whoa, love
 
 
8va
 
Gtr. 2
   
       

  
3
18 17 15
16
17 17 17 17 17 17

         
Gtr. 1
            
        

3 3 3 3 3 3 3 3
1 3 3 1 1 1 1 1
0 0 0 0 0 0 0 0
2 0 0 2 2 2 2 2 2
3 2 3 3
3
1. 2.
To Coda 1 

2nd time, Gtr. 2: w/ Fill 1
 G
 
C C
   
   
me do.
  
       
8va
 
8va
      
            

3


12 13 13
18 17 18 17 18 17 14 15 15
17 17
17 17 17 17 17 17 17 17 17

              
              
        



3 3 3 3 3 3 3 3 3 3 3 3
3 3 1 1 1 1 1 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0
0 0 2 2 2 2 2 2 0 0 0 0 0
2 3 3
3 3
Fill 1
 
Gtr. 2
     
8va
  

3 3
18 17 18 17 18 17 17 17
3
Bridge
   
D C G

 
 
 

 
      
  
Some - one to love, some - bod - y new.
 
  
loco
 
     

14 14
17 16 17
17
            
             
     
 
2 2 2 2 3 3 3 3 3 3 3
3 3 3 3 1 1 3 3 3 3 3
2 2 2 2 0 0 0 0 0 0 0
0 0 2 2 0 0 0 0 0
0 0 3
3 3
D.S. al Coda 1
  
D C G μ
  
 
 
        

Some - one to love, some - one like you.
 
   
   
 
14 14
17 16

        
   

       
     
 
2 2 2 2 3 3 3 3
3 3 3 3 1 1 3 3
2 2 2 2 0 0 0 0
0 0 2 2 0 0
0 0 3 3 X 2
3 2 3
4
 Coda 1
Harmonica Solo
 
G D
  
loco
    
8va
       
 
15
14 14
17 17 17 17 17 16
          
            
  
3 3 3 3 3 2 2 2 2
3 3 3 3 3 3 3 3 3
0 0 0 0 0 2 2 2 2
0 0 0 0 0 0 0
0 0
3
 
 

C G D

       
   
 
13
12 14 14 12
15 14 12 17 15 16
        
        
      

3 3 3 3 2 2 2 2
1 1 3 3 3 3 3 3
0 0 0 0 2 2 2 2
2 2 0 0 0 0
3 2 2 0 0
3 3 3
  
  
C G
         
         

15
12 12 17 16
14 14 15 14 12 17 17 17 17 17 17 17
17
        
        
       
3 3 3 3 3 3 3 3
1 1 3 3 3 3 3 3
0 0 0 0 0 0 0 0
2 2 0 0 0 0 0 0
3 2 2 2 2 2 2
3 3 3 3 3 3 3
5
 Coda 2


D.S. al Coda 2
μ C μ

        
love me
   
 
Gtr. 2
          
17 17
17 17 17 17
 
       
Gtr. 1
             
     

3 3 3 3 3 3
3 3 3 3 3 1
0 0 0 0 0 0
0 0 0 0 0 2
2 2 2 2 2 3
3 3 3 3 3
Gtr. 1: w/ Rhy. Fig. 1 (till fade)
    
   
G C G C

3
        
     
do. Whoa, love me do. Yeah, love me
   
     

 
8va
 
                  
Gtr. 2

      
    

3 3
3
15
18 16 17 15 17 18 17 18 16 17 17 17 14 15
16 17 17
17 17 17 17 17 17 17 17 17 17
Begin fade Fade out
 
G C G C
    
             
3
 

do. Whoa, love me do. Yeah.
 
   
      

             

8va
            
  
    
rake 
3
         

3 3 3
13 13 13 15
18 18 18 18 17 17 17 17 14 15 15 15 17 17 17 13 15
17 17 17 17 17 17 17
17 17 17 17 17 17 17 17 17
6
from The Early Beatles
Please Please Me
A B E
5fr 7fr
134211 134211 231
Intro
Moderately fast q = 142
 
E * E/B E E/B
         
 
Riff A End Riff A
  
  
Gtr. 3 (elec.)
        
      
 
mf
w/ clean tone
w/ fingers
12 11 9 7 9 7 4 12 11 9 7 9 7 4

14 13 11 9 11 9 6 14 13 11 9 11 9 6
   
                        
Gtr. 1 (elec.)
                   
                   

                   
mf
w/ clean tone
0 0 0 0 0 0 0 0 0 0 0 0 0 0

0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
  
Gtr. 2 (acous.)
 
                               

                              
mp
slight P.M. 
 0 2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
* Bass plays B.
Copyright © 1962, 1964 UNIVERSAL/DICK JAMES MUSIC LTD.

Copyright Renewed and Assigned to UNIVERSAL/DICK JAMES MUSIC LTD., JULIAN LENNON, SEAN ONO LENNON and YOKO ONO LENNON
All Rights for UNIVERSAL/DICK JAMES MUSIC LTD. in the U.S. and Canada Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
 Verse
           
3rd time, Gtr. 3: w/ Fill 2 Gtr. 3 tacet 2nd time, Gtr. 1: w/ Rhy. Fill 1
   
 
E A E G A B
 
1., 3. Last night I said these words to my girl,
2. You don’t need me to show the way, love.
  

Fill 1 End Fill 1
   



0
         
     
       
 
              
            
     


0 0 0 0 0 0 0 0 0 X 3 3 5 5 7 7 7 7
0 2 0 2 0 0 2 2 4 2 0 0 0 0 X 3 3 5 5 7 7 7 7
1 0 1 2 1 1 1 X 4 4 6 6 8 8 8 8
2 2 2 5 5 7 7 9 9 9 9
2 5 5 7 7 9 9 9 9
0 3 3 5 5 7 7 7 7
    
          
        
                 
                     
                       

 
   
slight P.M. 


0 0 0 0 3 3 5 5 7 7 7 7
0 0 0 0 3 3 5 5 7 7 7 7
2 2 2 2 1 1 1 1 4 4 6 6 8 8 8 8
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5 5 7 7 9 9 9 9
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 2 2 2 2 2 5 5 7 7 9 9 9 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 5 5 7 7 7 7
Rhy. Fill 1 Fill 2
   
Gtr. 1 Gtr. 3
    
          
     

 let ring 
w/ pick & fingers
let ring
0 0 0 0 0 0 4
2 0 0 0 0 0
2 1 1 1 1 1
2 2 2 2 6
0 0 0 0 0 0
2
             
E A E
  

“I know you nev - er e - ven try, girl.”
Why do I al - ways have to say, love...
                 
Gtr. 1
     

      

 
0 0 0 0 0 0 0 0 0 0 0 0 0
0 4 2 0 0 2 0 0 2 2 4 2 0 0 0 0 0 0
1 1 0 1 2 1 1 1 1 1
2 2 2 2 2 2 2
2
0 0
    
Gtr. 2
                          
     

                   
slight P.M.
0 0 0 0
0 0 0 0
2 2 2 2 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Chorus
µ A F#m C#m
     
       

    
             
            
Come on, come on, come on, come
 
(Come on, come on, come on,
        

    
            
                        
  
0 2 4
0 2 2 5
1 2 2 2 6 X X
2 2 2 2 4 4 4 4 4 2 6 X X
2 2 4 4 4 4 3 4 4 4 4 3 4 4 X X 3
  
0 0 0 4
     
         
    
                   
    
           
         
0 5 5 5 5 2 2 2 2 4 4 4 4
0 5 5 5 5 2 2 2 2 5 5 5 5
1 6 6 6 6 2 2 2 2 6 6 6 6
2 7 7 7 7 4 4 4 4 6 6 6 6
2 7 7 7 7 4 4 4 4 4 4 4 4
0 5 5 5 5 2 2 2 2 4 4 4 4

   
To Coda
 

 
A E A B
  

   
  
 
  
 

 
  

on. Please please me, whoa, yeah, like I please

 
come on.)
  
 
 
        
       

          

     
  
5 0 0 0 0 0 0 0
5 0 0 0 0 0 2 2 0 4 4 0
6 1 1 1 1 0 2 2 0 4 4 0
7 7 7 2 2 2 2 2 2 4 4
4 7 7 7 2 2 2 2 0 0 2 2

5 5 5 0 0 0 0
     
         
 

 







      





              
    
5 5 5 5 0 0 0 0
5 5 5 5 0 0 0 0 2 2 2 4 4
6 6 6 6 1 1 1 1 2 2 2 4 4
7 7 7 7 2 2 2 2 2 2 2 4 4
7 7 7 7 2 2 2 2 0 0 0 2 2
5 5 5 5 0 0 0 0
3
1. 2.
   
E A B E µ
       
you. you.
         
  
    
Gtr. 3
 
    
     




12 11 9 7 9 7 4 12 11 9 7
14 13 11 9 11 9 6 14 13 11 9
    
      
     
Gtr. 1
                 
             
             


0 0 0 0
0 0 0 0 2 2 4 4
1 1 1 1 2 2 4 4 1 1 1 1 1 1 1
2 2 2 2 2 2 4 4 2 2 2 2 2 2 2
2 2 2 2 0 0 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0

            
Gtr. 2
 
 



           
                  
 (cont. in slashes)


0 0 0 0 0 0 0 0
2 2 4 4 0 0 0 0 0 0 0 0
2 2 4 4 1 1 1 1 1 1 1 1
2 2 2 4 4 2 2 2 2 2 2 2 2
2 0 0 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Bridge
Gtr. 3 tacet
*A B E
                  
     
Gtr. 2
        
         


I don’t wan - na sound com - plain - ing, but you know there’s al - ways rain in my heart.
(Ah, ah, ah.
 
Gtr. 1
 
             
               
2 2 0 4 0
2 2 2 2 2 0 4 4 4 4 4 0
2 2 2 2 2 4 4 4 4 4
0 0 0 0 2 2 2 2
0 0 0 0 0 0 0 0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
4
A B
 
                 
    

 
  
       
        
  
I do all the pleas - in’ with you, it’s so hard to rea - son with
In my heart, ah, ah.)

  










 
      
          

0
0 2 2 2 2 2 0 0
1 2 2 2 2 2 0 4 4 4 4 4 0
2 2 2 2 2 2 4 4 4 4 4
2 0 0 0 0 0 2 2 2 2 2
0
D.S. al Coda
E A B E B
                           
    

           
  

(cont. in notation)
  

you, oh, yeah. Why do you make me blue?
       
  
Gtr. 3

        
 
12 11 7 9 9 9 7 7
14 13 9 11 11 11 9 9
       
Gtr. 1
                 

          
               
 
 

            
0 0
0 0 0 0 2 2 0 4 4 4 0 0 2 2 2 0 4 4 4 0
1 1 1 1 2 2 0 4 4 4 0 1 1 1 0 2 2 2 0 4 4 4 0
2 2 2 2 2 2 2 2 4 4 4 2 2 2 2 2 2 2 0 2 2 2 4 4 4
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 2 0 0 0 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0
5
 Coda
Gtr. 3: w/ Riff A
E A B E
        

  
   
    
 
  
you, oh, yeah, like I please you, oh
(Please me, oh, yeah, like I please... Please me, oh

          



   

 
       
                   
             
2 2 2 0 4 4 4 0
1 1 1 1 1 1 1 2 2 2 0 4 4 4 0 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 4 4 4 2 2 2 2 2 2 2
2 2 2 2 2 2 2 0 0 0 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0
 
                        
            
               
slight P.M.
2 2 2 2 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 3: w/ Fill 1
A B E G C B E
  

      


  
   
yeah, like I please you.
yeah, like I please you.)
         

     
          


  




     
 



0 3 0 0

2 2 2 0 4 4 4 0 0 3 1 4 0

2 2 2 0 4 4 4 0 1 4 0 4 1
2 2 2 4 4 4 2 5 2 4 2
0 0 0 2 2 2 2 5 3 2 2
0 3 0
     
 

               


            
 
slight P.M. 
0 3 8 7 0
0 3 8 7 0
2 2 2 2 4 4 4 4 1 4 9 8 1
2 2 2 2 4 4 4 4 2 5 10 9 2
0 0 0 0 2 2 2 2 2 5 10 9 2
0 3 8 7 0
6
from The Beatles 1962-1966
From Me to You
III
C/G Am G7 F/C C7 Gm C7 D7 G+/D# Ab
4fr 4fr
342 1 231 131211 34211 3241 134111 13141 3241 3211 134211
Intro
   
Moderately h = 66
C Am C
     
**Gtr. 2
(clean)
mf
               
 
 
  
   
Da, da, da, da, da, dum, dum, da. Da, da, da, da, da, dum, dum,

*Gtr. 1
             

mf

13 15 17 15 13 15 15 13 15 17 15 13 15 15
14
*Harmonica arr. for gtr.

**John Lennon
 Verse
Gtr. 1 tacet
Am C Am
Rhy. Fig. 1
               
           


    
 
da. 1. If there’s (1., 4.) an - y - thing that you want, if there’s
ev - ’ry - thing that you want, like a
     


     
Rhy. Fig. 2
***Gtr. 3
      
(clean)
  
mf


5 5 5
8 8 8 5 5 5
14 9 9 9 5 5 5
10 10 10 7 7 7
***George Harrison
Copyright © 1963 by NORTHERN SONGS LTD., London, England

Copyright Renewed
All rights for U.S.A., its territories and possessions and Canada assigned to and controlled by GIL MUSIC CORP., 1650 Broadway, New York, NY 10019
International Copyright Secured All Rights Reserved
1
C G7 F/C
             
   
               
    

an - y - thing I can do, just call on me and I’ll
heart that’s oh, so true. So
           

  

 
    
    
      
1 1 1
8 8 8 6 6 6 6 1 1 1
9 9 9 4 4 4 4 2 2 2
10 10 10 X X X X 3 3 3
5 5 5 5
3 3 3 3 1 1
1.
To Coda 
Am C G7 C Am
End Rhy. Fig. 1
               

   
    
           
     
send it a - long with love, from me to you. 2. I got
 

 End Rhy. Fig. 2
  
              
    
 


w/ pick & fingers

5 5 5
5 5 5 6 5
5 5 5
7 7 7 5 5
3 3 5 5 8 7
3 3
2.
C G7 C C7
Rhy. Fig. 3 End Rhy. Fig. 3
           
     
 

     
from me to you. I got
   
Rhy. Fig. 3A End Rhy. Fig. 3A
            
     

3 3
5 5 3 5
5 5 4 5 5 3
5 5 3 5 5 5
3 3 5 3 3 3
3
2
Bridge
Gtr. 3 tacet
            
Gm C7 F/C
 
     
 
arms that long to hold you and keep you by my
Rhy. Fig. 4
                     

Gtr. 2
                     
                     
     
(cont. in slashes)
3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1
3 3 3 3 3 3 5 5 5 5 5 5 5 5 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3
5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3
D7
                      
Gtr. 2
             
   
   
side. I got lips that long to kiss you and
Gtr. 3
             
          
       
5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4
3 4 5 5 5 5 5 5 5 5 5
G G+/D#
End Rhy. Fig. 4
               
     
  
     
keep you sat - is - fied, ooh. 3. If there’s
      

        

3
3 3 3 3
3 3 3 4 4 4 4

4 4 4 4 4 4 4
5 5 5 5 5 5 5
5 5 5
Verse
Gtr. 2: w/ Rhy. Fig. 1
  
          
C Am C G7
          
 
an - y - thing that you want, if there’s an - y - thing I can do, just
3
           
F Am C G7
          

       
call on me and I’ll send it a - long with love, from me to you.
Guitar Solo
Gtr. 2: w/ Rhy. Fig. 1 (1st 6 meas.)
C Am C Am
   
Gtr. 3
    
      
From me
   

Gtr. 1
           
    
13 15 15 17 15 13 13 15 13 15 13 15
14
     


Gtr. 4 (clean)
     
 
     
mf
5 7 7 9 7 5 5 7 5 7 2 5 7
Gtrs. 1 & 4 tacet
    
C G7 F
     
     
 
to you. Just call on me and I’ll
  
 

     
    
15 17 15 17 15
15 17 15 13
  
 

     
    
8 10 8 10 8
7 9 7 5
4
Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A
          
Am C G7 C C7
      

       

send it a - long with love, from me to you. I got
Bridge
    
  
Gm C7 F
        



 
arms that long to hold you and keep you by my
            

Gtr. 3
               
    
3 3 3 3 3
5 5 5 5 5 6 6 6 6 6 6 6 6
3 3 3 3 3 5 5 5 5 5 5 5 5
5 5 5 5 5 7 7 7 7 7 7 7 7
5 3 3 3 3 3 8 8 8 8 8 8 8 8
D7

         
 
    

side. I got lips that long to kiss you and
     
      




  


  


 
       
6 6 6 6 6 6
5 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 4 4 4 4 4 4
8 8 8 8 8 8 3 4 5 5 5 5 5 5 5
D.S. al Coda
 
G G+
     
   
keep you sat - is - fied, ooh. 4. If there’s
       

        

  
3
3
3 3 3 3 3 3 3 3

3 3 3 3 4 4 4 4
4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5
5 5 5
5
 Coda


 


C G7 C Am
       
Gtr. 2
             
          
from me to you, to you, to you,
Gtr. 1      
     
15 13 15 13
   
Gtr. 3
     
     

   
  
5 5
5 5 4 7 5 7 5
5 5 3
3 3 5
3
  
Ab C Am



   

 

  
to you.
   

          
 
15 13 13 15 15 17 15 13 13 15 15
14


  

          
  




5
5
7 5 5 7 7 9 7 5 5 7 7 5
7
7
5
6
from The Beatles’ Second Album
She Loves You

G Em Bm D Cm A7 C
21 34 12 1342 43121 1342 2 3 32 1

Tune down 1/4 step
Chorus
     
      
Em A
  
         
She loves you, yeah, yeah, yeah. She loves you, yeah, yeah, yeah. She
           
*Gtrs. 1 & 2
                




















 
             
           
mf

8 8 8 8 8 8 8 8 8 8 X X
9 9 9 9 9 9 9 9 9 9 X 6 6 6 6 6 6 6 6 6 6 6 X
9 9 9 9 9 9 9 9 9 9 X 7 7 7 7 7 7 7 7 7 7 7 X
7 7 7 7 7 7 7 7 7 7 X 7 7 7 7 7 7 7 7 7 7 7 X
0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5
*Gtr. 1 (acous.) - John Lennon; Gtr. 2 (elec.) w/ clean tone - George Harrison.
Composite arrangement
          
C/G ** G
    
Gtr. 1
 
   
loves you, yeah, yeah, yeah, yeah. 1. You
3

Gtr. 2
                      
                      
                
(Gtr. 1, cont. in slashes) *** T

5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 X
5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 X 3 3 5 6 5 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 X 3 3 5 6 5 3 3
3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 X 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X
**See top of page for chord diagrams pertaining to rhythm slashes.
***T = Thumb on 6th string

                     
Verse
G Em Bm D

     
            
 
    
think you’ve lost your love, well, I saw her yes - ter - day. It’s
said you hurt her so, she al - most lost her mind. But
know it’s up to you, I think it’s on - ly fair.

 
                         
                     
     
      

T

0 0 0 0 0 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X
4 4 4 4 0 0 0 0 0 4 4 4 4 5 5 5 5 5 X
5 5 5 5 2 2 2 2 2 4 4 4 4 4 4 4 4 4 X
5 5 5 5 2 2 2 2 2 5 5 5 5 5 X
3 3 3 3 0 0 0 0 0
Copyright © 1963 by NORTHERN SONGS LIMITED

Copyright Renewed
All rights for the U.S.A., its territories and possessions and Canada assigned to and controlled by GIL MUSIC CORP., 1650 Broadway, New York, NY 10019
International Copyright Secured All Rights Reserved 1
                      
G Em Bm D

           
       
 
    
you she’s think - in’ of and she told me what to say. She said she
now she said she knows you’re not the hurt - in’ kind. She said she
Pride can hurt you, too. A - pol - o - gize to her. Be - cause she
      
                          
                
           
T 
0 0 0 0 0 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X
4 4 4 4 0 0 0 0 0 4 4 4 4 5 5 5 5 5 5 X
5 5 5 5 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 X
5 5 5 5 2 2 2 2 2 5 5 5 5 5 5 X
3 3 3 3 0 0 0 0 0
                         
Pre-Chorus
G Em
 
  
             
loves you and you know that can’t be bad. Yes, she
  
 
   
            


    




 
T let ring  let ring 
3 2 0 3 2 0






0 0 0 0 0 0
0 0 0 0 0 0 0
5 4 2 5 4 2 0
3 0
1.
                          
Cm D
 
   
         



  
loves you and you know you should be glad. 2. She

   
                     
                          
              


4 4 4 4 4 4 4 4 4 4 4 X 3 3 3 3 X
5 5 5 5 5 5 5 5 5 5 5 X 5 5 5 5 X 3 3 5 6 5 3
5 5 5 5 5 5 5 5 5 5 5 X 4 4 4 4 X 3 3 5 6 5 3 3
3 3 3 3 3 3 3 3 3 3 3 X 5 5 5 5 X 5 5
2
2.
                        
Chorus
D Em
 
 
         
       
Ooh. She loves you, yeah, yeah, yeah. She
                 
                   
             
           
3 3 3 3 3 3 3 3 3 3 3 X 8 8 8 8 8 8 8 8 8 8 X
5 5 5 5 5 5 5 5 5 5 5 X 9 9 9 9 9 9 9 9 9 9 X
4 4 4 4 4 4 4 4 4 4 4 X 9 9 9 9 9 9 9 9 9 9 X
5 5 5 5 5 5 5 5 5 5 5 X 7 7 7 7 7 7 7 7 7 7 X
0 0 0 0 0 0 0 0 0 0 0
                    
T o Coda 
A7 Cm D
   
                  
   
   

loves you, yeah, yeah, yeah. With a love like that, you know you should be glad.
 
               

  
      
     


              
           
X 4 4 4 3 3 3 3 3 X
6 6 6 6 6 6 6 6 6 6 6 X 5 5 5 5 5 5 5 5 X
7 7 7 7 7 7 7 7 7 7 7 X 5 5 5 4 4 4 4 4 X
7 7 7 7 7 7 7 7 7 7 7 X 3 3 3 5 5 5 5 5 X
5 5 5 5 5 5 5 5 5 5 5
D.S. al Coda  Coda
                    
(take 2nd ending)
G G
    
             

3. You
                 

            
        
T  T 
3 3 3 3 X 3 3 3
4 4 4 4 X 3 3 5 6 5 3 4 4
5 5 5 5 X 3 3 5 6 5 3 3 5 5
5 5 5 5 X 5 5 5 5 5
3 3 3 3 X 3 3 3 3
3
                    
Em Cm D G
  
             

   
 
   
 
With a love like that, you know you should be glad.
 
                   
                 
          

    
T
0 0 0 0 X
0 0 0 0 X 4 4 4 3 3 3 3 3 3 3
0 0 0 0 X 5 5 5 5 5 5 5 5 4 4
2 2 2 2 X 5 5 5 4 4 4 4 4 5 5
2 2 2 2 X 3 3 3 5 5 5 5 5 5 5 5

0 0 0 0 0 X 3 3 3 3 2
        
Em Cm D
  
   

         

 
  
rit. 3
     
rit.


With a love like that, you know you should be
            
          

  

     
      rit.
0 0 0 0 X
0 0 0 0 X 4 4 4 3
0
2
0
2
0
2
0
2
X
X
5
5
5
5
5
5  5
4
2 2 2 2 X 3 3 3 5
0 0 0 0 0 X
Outro
                     
A tempo
G Em
 
      
     
glad. Yeah, yeah, yeah.
   
        
          






  


T let ring
3 2 0 3 2 0






0 0 0 0 0 0
0 0 0 0 0 0 0
5 4 2 0 5 4 2

3 3 2 0
        
C 3 G
    

 
Yeah, yeah, yeah, yeah.
   
     





 

let ring
T T
8 7 5 5



9 9 5 4
10 10 5 X
10 10 3 5
8 3
4
from Meet the Beatles!
I Want to Hold Your Hand Words and Music by John Lennon and Paul McCartney
Intro
*C D5 C D5 C D5 D6 D5 D6 D5
 
Gtr. 1 (clean)
 
      
  
   
  
 
     
 

mf

3 3

0 2 2 0 2 X 0 2 2 2 2
2 0 0 0 2 0 0 X 2 0 0
 
Gtr. 2 (slight dist.)
                            
                         
mf

5 5 7 7 7 7 7 5 5 7 7 7 7 7 5 5 7 7 9 7 7 7 9 7
3 3 5 5 5 5 5 3 3 5 5 5 5 5 3 3 5 5 5 5 5 5 5 5
*Chord symbols reflect overall harmony.
Verse
          
D6 D5 D6 G5 G6 G D5 D6 D5 D6 E5 B7 E5
  
       

  
        

1. Oh, yeah, I’ll tell you some - thing I think you’ll un - der - stand. When

 
      
Gtr. 1
            

grad. bend
1 1
7
8 5 5 5
5 5 5 7 4
9
Riff A End Riff A

Gtr. 3 (clean)
     
     
mf
5 4 5 6 7

Gtr. 2 Rhy. Fig. 1
            
              

               
       
2 2 2 2
7 7 9 7 7 7 9 7 7 9 7 7 7 9 2 2 2 2 2 2 2 1 1 1 1 1 1
5 5 9 5 5 5 5 5 5 7 5 5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 2 2 2 2 2 2 5
3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 3
Copyright © 1963 NORTHERN SONGS LTD.

Copyright Renewed
All Rights in the United States and Canada Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission 1
Gtr. 3: w/ Riff A
    
G G6 G D5 D6 D5 D6 E5 B7

                
I say that some - thing, I wan - na hold your hand.
 
      
Gtr. 1
 
   

       
let ring 
1 1/2 1
8 8 5 5 0
7 7 7 7 7 2 2 0
9 9 9 9 7

Gtr. 2 End Rhy. Fig. 1
                      
    
        
              
7 7 9 7 7 7 9 2 2 2 2 2 2 4 0
5 5 7 5 5 5 5 X 5 5 5 5 5 5 5 2 2 2 2 2 2 2 0
3 3 3 3 3 3 3 X 5 5 5 5 5 5 5 0 0 0 0 0 0 0
Chorus
      
C D5 G Em C D G G6 G G6 G
      
       

  
       
I wan - na hold your hand. I wan - na hold your hand. 2. Oh,
     
    
         
       
 
2 10
3 5 12 12 12 12
0 0 2 5 12 12 X X 12 12
2 0 2 2 0 5 12 12 X X 12 12
2 3
       
       
  

              
             
3 3 0 1 1 1 3
0 0 0 2 0 4 4 0 0 0 0 0 2
2 2 2 0 0 5 5 2 2 2 2 2 0 0 0
3 3 3 0 0 5 5 2 2 3 3 3 0 0 5 5 7 5 5 5 7 5
3 3 0 0 3 3 3 3 3 3 3 3
2
 Verse
Gtr. 2: w/ Rhy. Fig. 1 2nd time, Gtr. 1: w/ Fill 1
Gtr. 3: w/ Riff A (2 times)
  
 
G5 G6 G D5 D6 D D6 E5 B7 E5
 

               

please say to me you’ll let me be your man. And
(3., 4.) you got that some - thin’, I think you’ll un - der - stand. When
  
  
       
Gtr. 1
      
     
 

1

10 10
12 12 7 5 5
12 12 7 4
12 12 7
5
To Coda 
  
3rd time, Gtr. 1: w/ Fill 3
  
G5 G6 G D5 D6 D5 D6 E5
 B7

              
 
please say to me you’ll let me hold your hand.
I say that some - thing, I wan - na hold your hand.
feel that some - thing,
 
  
      
          

   
1 1
10 10
12 12 7 5 5 0
12 12 7 2 0
12 7
Fill 1
 
Gtr. 1
      

5 4
4
Fill 2 Fill 3
   
 
Gtr. 1 Gtr. 1
         

1 1 1 1
0 0 0
2 2 2 0 2 2 2 0
3
Chorus
    
       
C D5 G5 Em C D G G6 G G6 G
        
        


Now, let me hold your hand. I wan - na hold your hand.
I wan - na hold your

Gtr. 2
             
    
 
             
      
  
1 0 3 0 0 1 1 3
0 0 2 0 0 0 0 0 2
2 2 0 0 0 5 5 2 2 0 2 2 0 0
3 3 0 0 0 5 5 2 2 0 3 3 0 0 5 5 7 5 5 5 7
3 3 0 0 0 3 3 3 3 3 3 3
Bridge
         
     
Dm G C Am Dm

  
 

      
*
And when I touch you I feel hap - py in - side. It’s such a

      
Gtr. 1
            
   
let ring  let ring  let ring  let ring  let ring 
3 0 0 5
6 3 1 1 6
7 4 0 2 7
7 5 2 2 7

  

Gtr. 2
                 
            
   
 let ring

let ring 
1 1 1 1 1 1 1 0
2 0 0 0 0 0 0 0 2 2 2 2 0
3 3 0 2 2 2 2 2 2 2 0 3 3 3
5 5 2 3 3 3 3 0 0 0 0 5 5 5
5
*Vocal harmony sung 2nd time only (next 7 1/2 meas.).
           
         
G C D5 C D5 C D5 D6 D5 D6 D5
  




   
feel - ing that my love, I can’t hide, I can’t hide, I can’t hide.
   
                
             
let ring  let ring 
3 3 0
3 3 1 3
4 0 2 2 0 2 2 0 2
5 2 0 0 0 2 0 0 2 0
3 3

     
             
                          

let ring 
1 1
0 0
5 5 5 5 2 2 2 5 5 7 7 7 7 5 5 7 7 7 7 5 5 7 7 9 7 7 7 9 7
5 5 5 3 3 3 3 3 5 5 5 5 3 3 5 5 5 5 3 3 5 5 5 5 5 5 5 5
3 3 3
4
1. 2.
 Coda
  
D.S. al Coda Outro-Chorus
      
       
D6 D5 D6 D5 C D G B5
       

       
3. Yeah, 4. Yeah, I wan - na hold your hand.
      
Gtr. 1
    
 
           

3


1 1 1 1 1
5 5 5 5 3
 5 5 5 5 3 0
2
3
0
         
     
Gtr. 2
                    

              
let ring 


2
1 1 1 3 0
0 0 0 2 0 4 4
7 7 9 7 7 7 7 7 7 7 9 7 7 7 7 7 2 2 2 0 0 5 5 2 2 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 0 0 5 5 2 2 2 0
3 3 0 0
C D5 B7 C D5 C G
          
3
        
       
    
 
   
 
  
I wan - na hold your hand. I wan - na hold your hand.
      

     3 3

 

       



let ring
1
1/2

7 3
7 7 3
9 9 9 7 0
9 0 2 0 2 0 0
3 3 2
3
 

        
3 3
                
                        


             
3
3 3 1 1 1 3 3 1 1 1 1 1 1 3
0 0 2 2 2 2 2 2 2 2 2 2 0 0 0 2 2 0 0 0 0 0 0 0
2 2 0 0 1 1 1 1 1 1 1 1 2 2 2 0 0 0 2 2 2 2 2 2 0
3 3 0 0 2 2 2 2 2 2 2 2 3 3 3 0 0 3 3 3 3 3 3 2
3 3
5
from The Beatles - Meet the Beatles!
All My Loving
   =  3 
Verse
__
  ***
F#m B
        
       
1. Close your eyes and I’ll kiss you, to -
that I’m kiss - ing the
                    

*Gtr. 2 (clean)
    
Rhy. Fig. 2
                   

3 3 3 3 3
f
          
sim.
 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2


2 2 2 2 2 2 2 2 2 2 0 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
*John Lennon
         
**Gtr. 1 (clean)
      
Rhy. Fig. 1
              
     
mf
 2 2 2 2 2 2 2

2 2 2 2 4 4 4 4 4
 2
4
4
2
4
4
2
4
2
4
2
4
4
4
4
2
4
4
2
4
4
4
4
4
4
2
2 2 2
**George Harrison
***Vocal doubled, next 31 meas.
   
E C#m A
   

       
 
      
mor - row I’ll miss you. Re - mem - ber I’ll
lips I am miss - ing, and hope that my
                                
                                 

3 3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 X 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 X 2
4 4 4 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 X 2
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 X
                 
                    
     
4 4 4 4 4 4 4 4 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5
4 4 4 4 4 6 6 6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6 6 6 7 7 7 7 7
7 7 7 4 4 4 7 7 7
5 5 5
Copyright © 1963, 1964 Sony/ATV Music Publishing LLC

Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
Reprinted by Permission of Hal Leonard Corporation 1

F#m D B7

           

al - ways be true. And then
dreams will come true.
     
3 3 3
                             
3
                                   
3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 0 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 1 1 1 1 1 1 1 1 1 1 1
              EndRhy. Fig. 1
          
       



   

  
5 5 5 5 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7
6 6 6 6 6 7 7 7 7 7 8 8 8 8 8
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 9 9 9
7 7 7

F#m B E
 
         
while I’m a - way, I’ll write home ev - ’ry day,
                                
Gtr. 2
                                    

3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 0 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 6 6 6

C#m A B

        

 
        
and I’ll send all my lov - ing to you.
 
Gtr. 2
                               
                                 
3 3 3 3 3 3 3
3 3 3
4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 X
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 8 8 8 8 8 8 8 8 8 8 8 X
6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 X
                
Rhy. Fig. 3
Gtr. 1
               




   

     
4 4 4 4 5 5 5 5 7 7 7 7
5 5 5 5 5 5 5 5 5 7 7 7 7
6 6 6 6 6 6 6 6 6 6 8 8 8 8 8
6 6 6 6 6 7 7 7 7 7 9 9 9 9 9
4 4 4 7 7 7 9 9 9
5 5 5 7 7 7
2
1. 2.
 
E μ μ
 
  
  
   

2. I’ll pre - tend All my
              
   
End Rhy. Fig. 2
                 
 
3 3 3 3
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5  4
5
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6  4
6
         
     
End Rhy. Fig. 3
           
 


9 9 9 9 9 9
9 9 9 9 9 9 9
9 9 9 9 9 9 9
7 7 7 7 7 7
 Chorus
C#m C#m(,7) E
 
   
3
         

lov - in’, I will send to you.

Voc. Fig. 1 End Voc. Fig. 1
  


 
 

(Oo.)
   
   
Gtrs. 1 & 2
                
     
4 4 4 4 4 4
5 5 5 5 5 5
6 6 5 5 4 4
6 6 6 6 6 6
T o Coda 
Bkgd. Voc.: w/ Voc. Fig. 1
  
C#m C#m(,7) E
      
     
  
    
All my lov - in’, dar - lin’, I’ll be true.
        

                       
       
4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5
4 4 6 6 5 5 4 4
6 6 6 6 6 6 6 6
3
Guitar Solo

μ A7
      
E
  
   
Gtr. 1
             
      

     
f

w/ pick & middle finger
*T
5 9 7 5 4 7 5 4
5 5
6 9 8 6 4 9 8 4
7 6
2 0
0 2 4
*T = Thumb on 6th string
                      

Gtr. 2
                             
 
4 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0
5 8 8 8 8 8 8 0 0 0 0 0 0 0 0 0 0 0 0 0
4 6 6 6 6 6 6 1 1 1 1 1 1 1 1 1 1 1 1
6 5 7 7 7 7 7 7 2 2 2 2 2 2 2 2 2 2 2
7
5
    
B7 E μ
    
3. Close your eyes
   
       
              
3 3
   



let ring
2 2 9 9
2 10 5 0 0 0
2 11 11 0 1 0 1
11 6 2
           
        
 


  
  
 

  
         

2 2 2 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 1 1 1 1 1 1
1 1 1 1 1 1 1 2 2 2 2 2 2
Verse
Gtr. 1: w/ Rhy. Fig. 1 (1 3/8 times)
   
      
   
 
 
    
F#m B E C#m
     
   
and I’ll kiss you, to - mor - row I’ll miss you. Re -
         
 

  
A F#m D B7
        
mem - ber I’ll al - ways be true. And then
          
  
F#m B E C#m


       
while I’m a - way, I’ll write home ev - ’ry day, and I’ll
D.S. al Coda
         
A B E μ
   
  
   
  
send all my lov - in’ to you. All my
4
 Coda
Outro
E C#m E
   
      
   
3
       
      
All my lov - in’, all my lov - in’,
   
  
   

(Oo, oo.
        

          
             
Gtr. 2
            

4 4 4 9 9 9 9 9 9 12 12
5 5 5 9 9 9 9 9 9 12 12
4 4 4 9 9 9 9 9 9 13 13
6 6 6 11 11 11 11 11 11 14 14
        
                     
Gtr. 1
            
        
4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5
4 4 6 6 6 6 6 4 4
6 6 6 6 6 6 6 6 6
 
  
C#m E μ
     3   3      
       
oo, all my lov - in’, I will send to you.
     


  
    
Oo, oo.)
             

     
                         
               
  
12 12 12 9 9 9 9 X 0 0 0 0
12 12 12 9 9 9 9 9 0 0 0 0
13 13 13 9 9 9 9 X 1 1 1 1
14 14 14 11 11 11 11 X 2 2 2 2
               

                            
             
4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5
4 4 4 6 6 6 6 6 4 4 4 1
6 6 6 6 6 6 6 6 6 6 6 2
2
0
5
from The Beatles - A Hard Day’s Night
Can’t Buy Me Love

Em Am Dm G6 C7 F7 G7
23 231 231 32 3241 131241 13121
Intro
Moderately h = 84  __ =   
3

Em Am Em
                      
  
Gtr. 1
(acous.)
mf
          
         

Can’t buy me love, oh, love, oh.
     
Gtr. 2 (elec.)
     
  
 
       
 

       
mf
w/ clean tone
0 0 0

0 0 1 1 0 0
0 0 2 2 0 0
2 2 2 X 2 2 2
2 X 2 0 X 0 2 X 2
0 X 0 X
Verse
Gtr. 2 tacet
Am Dm G6 C7
                       
Rhy. Fig. 1
   
    
      
     
    



Can’t buy me love, oh. 1. I’ll buy you a dia - mond ring,
 
   
 
give you all I’ve got
 
    
      
   


  


0 1 1 3 3 3
1 1 3 3 5 5 5
2 2 2 2 4 4 4
2 X 2 3 3 5 5 5
0 X 0
F7
                        
  

    
   

       

      
my friend, if it makes you feel al - right. I’ll get you an - y - thing,
to give, if you say you love me too. I may not have a lot
Copyright © 1964 Sony/ATV Music Publishing LLC

Copyright Renewed
C7 G7
                       
     
 

                
 


my friend, if it makes you feel al - right. ’Cause
I don’t care too
to give, but what I got I’ll give to you.
1. 2.
F7 C7 C7

End Rhy. Fig. 1

 
                 
 

            
     



   
  
  
  
much for mon - ey, ’cause mon - ey can’t buy me love. 2. I’ll Can’t buy me love,
 Chorus
Em Am C7
                            
     
               


oh. Ev - ’ry - bod - y tells me so. Can’t buy me love,
 
     
Gtr. 2
            
  
   
0 0 0 0
0 0 1 1 1 1
0 0 2 2 2 2
2 2 2 2 2 2
2 0 0
0
Em Am Dm G6
                           
          
        


oh. No, no, no, no! 3., 4. Say
   
          
  
  
    
         
     

0 0 0 1 1 3 3 3
0 0 1 1 3 3 5 5 5 5
0 0 2 2 2 2 4 4 4 4
2 2 2 2 3 3 5 5 5 5
2 2 0 0
0
2
Verse
Gtr. 2 tacet
C7
      

  
    

   



   
you don’t need no dia - mond rings and I’ll be sat - is - fied. Tell
F7 C7
         
                
     
me that you want the kind of things that mon - ey just can’t buy. I
To Coda 

G7 F7 μ F7 C7
         

    
       
    

  

don’t care too much for mon - ey, mon - ey can’t buy me love. Wow!
Guitar Solo
C7 C7
Gtr. 1      
 

   
             
    
*Gtr. 3 (elec.)
  
     
f
w/ slight dist. 1  1  1 1 1 1/2
4 6 6 6 6 6 4 4 6 6 6
5 5
*Doubled throughout
F7 C7
                   
   
        
 
1 1 1
1
6 4 1 1 1 1 1 6 6 6 6 6 4
5 3 2 2 2 2 2 5
5 3 1 1 1 1 1 1
3 3 X
1 1
3
D.S. al Coda
G7 F7 C7
Gtr. 1                      
       

 
Can’t buy me love,
   
    
   
  
        
       


let ring 
4 4 3
3 5 3 5 5 3 1 3 1 3 5 5 3 1
3 3 1 3
 Coda
Outro
Em Am Em
Gtr. 1                    
          
         

Can’t buy me love, oh, love, oh.
Gtr. 2
  
            
         
        
 
0 0 0 0 0 0
0 0 1 1 0 0
0 0 2 2 0 0
2 2 2 2 2 2
2 2 0 0 2 2
0 0

Am Dm G6 C7
            

              


  

Can’t buy me love, oh, oh.
 
           
        







        
0 0 1 1 3 3 0
1 1 3 3 5 5 1
2 2 2 2 4 4 0
2 2 0 0 5 5 2
0 0 3
4
from A Hard Day’s Night
A Hard Day’s Night

D“4 G C F'9 D Bm Em A5 Em7 D7 D/A
134 21 34 32 14 T 3214 132 13421 12 11 12 34 213 132
Intro  Verse
Moderately q = 141


** Dsus4 G C G

 
         
Rhy. Fig. 1
Gtr. 2
(acous.) 
     
mf
        
 
       

It’s been a (1., 3., 4.) hard day’s night, and I’ve been


(2.) work all day, to get you

  
Gtr. 1
     
(12-str. elec.)
           
 
    
     

mf
f
let ring throughout

*T

3 3 3 3 X

1 3 1 3 3 3 3 3 X
2 0 0 0 0 0 0 0 0 X
3 0 2 0 0 X
3 2 3 2
3 3
*T = Thumb on 6th string.
**Overall harmony is G7sus Ê/D.

Fadd9 G C G
 
           
End Rhy. Fig. 1
              

  

 

    
work - in’ like a dog. It’s been a hard day’s night,
mon - ey to buy your things. And it’s worth it just to hear you say
              
                     
      
1 1 1 1 X 3 3 3 3 3 0
1 1 1 1 X 3 3 3 3 3 3 3 1 1
2 2 2 2 X 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 X 0 0 0 0 0 2 2 0
2 2 2 2 3 3 0
3 3 3 3
     
     
G Fadd9 G
          
 
I should be sleep - in’ like a log. But when I
you’re gon - na give me ev - ’ry - thing. So why on
              

               
         
3 3 3 3 3 1 1 1 1 1 3 3 3
3 3 3 3 3 1 1 1 1 1 1 3 3 3
0 0 0 0 0 2 2 2 2 2 0 0 0
0 0 0 0 0 0 3 3 3 3 3 0 0 0 0 0 0
2 2 2 2 2 2 2
3 3 3 3 3 3

Copyright Renewed
To Coda 1 
Chorus To Coda 2 
 
C D G C G
                  
             
        
Gtr. 2


        
    
1., 3. get home to you I find the things that you do will make me feel al - right.
2. earth should I moan ’cause when I get you a - lone you know I feel o - kay.
          
Gtr. 1
          
          
0 2 3 3 3
1 3 3 3 3 3 1 1 X 3
0 0 0 0 2 2 2 0 0 0 X 0
2 2 2 0 0 0 2 2 X
3 3 3 4 2 2 3 3 X
3 3
1. 2. Bridge
   
Bm Em Bm
                   

      
         
       
2. You know I When I’m home ev -’ry - thing seems to be
 
     
         
               
       

         
            
     


3 3 3 3 2 2 2 0 0 0 0 2
3 3 3 3 3 3 3 0 0 0 0 3
0 0 0 0 4 4 4 0 0 0 0 4
0 0 0 0 0 0 4 4 4 2 2 2 2 4
2 2 2 2 2 2 2
3 0 0 0 0
      
A5 Bm G Em7
      
              
     
     
right. When I’m home,
 
   
  
 
           
       
 
           
         

2 2 2 2 2 2 2 2 2 3 3 3 3 0
3 3 3 3 3 3 3 3 3 3 3 3 3 0
4 4 4 4 4 4 4 4 4 0 0 0 0 0
4 4 4 4 4 4 4 4 4 0 0 0 0 2
2 2 2 2 2 2 2 2 2 2
3 3 3 3 0
2
D.S. al Coda 1
 
Em C D7
                    
  

           
       

 
feel - ing you hold - ing me tight, tight, yeah.
3. It’s been a
  
                
           
     


 
0 0 0 0 0 0 0
0 0 0 1 1 1 3 3 3 3 3 0
0 0 0 3 3 3 5 5 5 5 5 0
2 2 2 2 4 4 4 4 4
2 3 3 3 3 3 5 5 5 5 5 5
0
 Coda 1
Guitar Solo
    
(G) G C G Fadd9
Gtr. 2             

   
       

Ow!
    
    
                 
Gtr. 3 (12-str. elec.)
 
mf 3

 10 10
8 10 8 10 12 10 12
10
10 12
10
10 12
10
10 12
10
1210 8
10
 
Gtr. 4 (elec.)
                  
3
        
mf

w/ clean tone
 1 3 1 3 5 3 5
3
3 5
3
3 5
3
3 5
3
53 1
3 3 3


           
                    
Gtr. 1
               
        


3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1
3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2
0 0 0 0 0 0 2 0 0 0 0 3 3 3 3 3 3
2 2 2 3 2 2
3 3 3 3 3
3
1. 2. Chorus
Gtrs. 3 & 4 tacet
G G C
                   
               
     
   
 
So why on earth should I moan ’cause when I

    

10
 10

  
     

 0 2
3 3 4
         
           
           
      


3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 5 5 6
2 2 3 3 3 4
3 3 3
Bridge

D D/A G C G Bm Em
                         

                         
   
 
get you a - lone you know I feel o - kay. When I’m home
                    

     
Gtr. 1
                      
    

let ring 
0 0 0 0 3 3 3 3 3 2 2 2 2 2 2 0
3 3 3 0 1 1 3 3 3 3 3 3 3 3 3 3 3 0
2 2 2 0 0 0 0 0 0 0 0 0 4 4 4 4 4 4 0
0 0 0 2 2 0 0 0 4 4 4 4 4 4 2
2 3 3 2 2 2 2 2 2 2 2
3 3 0
4
 
Bm G Em
                          
                 
      
ev - ’ry - thing seems to be right. When I’m home,
 
                        
       
             
      
                 
 
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 3 3 3 0
0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 4 4 4 4 4 4 4 4 4 4 4 0 0 0 0
2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 0 0 0 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 3 3 3 0
D.S. al Coda 2
C D
                     
  

          
       
 
feel - ing you hold - ing me tight, tight, yeah. 4. It’s been a

                   
                  
 
 
0 0 0 0 0 0 0 0 0
0 0 0 1 1 1 1 1 1 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5
2 2 0 2 2 2 2 2 2 4 4 4 4 4 4 4 0
2 3 3 3 3 3 3 5 5 5 5 5 5 5
0
 Coda 2
Outro
  
(G) C G C G C G
Gtr. 2                 
 
                
   
You know I feel al - right. You know I

             
   
Gtr. 1
                 

      
3 3 3 3 3 3 3 0 0 3 3 3 0 0
3 3 3 3 3 3 3 1 1 3 3 3 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 2 2 0 0 2 2 0
3 2 3 3 2 3 3
3 3
5

G C Fadd9
      
   
   
 
    
feel al - right.
  
Gtr. 3
       
let ring
3 1
1 1 1 1
2 2

       
        


  
3 3 3 0 0 0 1
3 3 3 1 1 1 1
0 0 0 0 0 0 2
0 0 0 2 2 2 3
2 2 2 3 3 3
3 3 3
  
Begin fade Fade out
     
      

      
    
let ring 
3 1 3 1 3 1
1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2
 
 
 

 
 
 

1
1
2
3
6
from The Beatles - Something New
And I Love Her

Intro
Moderately q = 120
μ F#m E6
                        
*Gtr. 2 (acous.)
                            
                       
mf
2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 0 1 1 1 1 1 1 1 1 1 1 1
4 4 4 4 4 4 4 4 4 4 4 0 2 2 2 2 2 2 2 2 2 2 2 0
4 4 4 4 4 4 4 4 4 4 4 0 2 2 2 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0
*John Lennon

**Gtr. 1 (nylon-str. acous.)
         
          
mf

2 1 2 1 2 1
2 4 2 4 2
**George Harrison
Verse
Gtr. 1 tacet
 
F#m C#m F#m
       
       
***
     
1. I give her all my love, that’s all I do.
Rhy. Fig. 1
                  
   

















 
  









 
          
2 2 2 2 2 X 4 4 4 4 4 2 2 2 2 2 0
2 2 2 2 2 X 5 5 5 5 5 2 2 2 2 2 0
2 2 2 2 2 X 6 6 6 6 6 0 2 2 2 2 2 0
4 4 4 4 4 X 6 6 6 6 6 0 4 4 4 4 4 0
4 4 4 4 4 X 4 4 4 4 4 0 4 4 4 4 4
2 2 2 2 2 X 4 4 4 4 4 2 2 2 2 2
 

Fill 1 End Fill 1
 

4
***Paul McCartney

Copyright Renewed
C#m F#m C#m
        
             
And if you saw my love,
                 
Gtr. 2
                   

                  
4 4 4 4 4 2 2 2 2 2 4 4 4 4 4 0
5 5 5 5 5 0 2 2 2 2 2 0 5 5 5 5 5 0
6 6 6 6 6 0 2 2 2 2 2 0 6 6 6 6 6 0
6 6 6 6 6 0 4 4 4 4 4 0 6 6 6 6 6
4 4 4 4 4 0 4 4 4 4 4 0 4 4 4 4 4
4 4 4 4 4 2 2 2 2 2 4 4 4 4 4
 
 
A B E
 
   
      
   
you’d love her too. I love her.
        
End Rhy. Fig. 1
              
       
                
                      
          
5 5 5 5 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0
5 5 5 5 0 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 0 8 8 8 8 8 0 1 1 1 1 1 1 1 1 1 1 0
7 7 7 7 7 0 9 9 9 9 9 0 2 2 2 2 2 2 2 2 2 2 2
7 7 7 7 7 9 9 9 9 9 0 2 2 2 2 2 2 2 2 2 2 2
5 5 5 5 5 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0
 Verse
F#m C#m F#m C#m F#m

         
             
     
2. She gives me ev -’ry - thing, and ten - der - ly. The kiss my
3. Bright are the stars that shine, dark is the sky. I know this
         
                              
Gtr. 1

let ring  let ring  let ring  let ring  let ring 
9 9 9 9 9 9 9 9 9 9
10 10 10 10 9 9 9 9 10 10 10 10 9 9 9 9 10 10 10 10
11 11 9 9 11 11 9 9 11 11
To Coda 
  
 
C#m A B E
  
          
 
lov - er brings, she brings to me, and I love her.
love of mine will nev - er die, and I love her.
        
                  
  
let ring  let ring  let ring  let ring 
9 9 9 9 11 11 9 9 9
9 9 9 9 10 10 10 10 10 10 10 10 9 9 9 9 9 9 9
9 9 9 9 11 11 9 9 9 9
2
Bridge
   
C#m B C#m G#m
             
  
A love like ours could nev - er die,

Gtr. 2
                      
        







 
        











                      
4 4 4 4 4 X 7 7 7 7 7 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 X 7 7 7 7 7 5 5 5 5 5 5 4 4 4 4 4 4
6 6 6 6 6 X 8 8 8 8 8 6 6 6 6 6 6 4 4 4 4 4 4
6 6 6 6 6 X 9 9 9 9 9 6 6 6 6 6 6 6 6 6 6 6 6
4 4 4 4 4 X 9 9 9 9 9 4 4 4 4 4 4 6 6 6 6 6 6
4 4 4 4 4 X 7 7 7 7 7 4 4 4 4 4 4 4 4 4 4 4 4

   
  

Gtr. 1
 
    
 
   
 
 
 

  
 

4 7 4 4
5 7 5 4
6 8 6 4
6 9 6 6
4 9 4 6
4 7 4 4
D.S. al Coda

C#m G#m B B7
      



         
as long as I have you near me.
                     
                         
      








       
    
4 4 4 4 4 4 4 4 4 4 4 7 7 7 7 7 0 2 2 2 2 2
5 5 5 5 5 5 4 4 4 4 4 7 7 7 7 7 0 0 0 0 0 0
6 6 6 6 6 6 4 4 4 4 4 8 8 8 8 8 0 2 2 2 2 2 0
6 6 6 6 6 6 6 6 6 6 6 9 9 9 9 9 0 1 1 1 1 1 0
4 4 4 4 4 4 6 6 6 6 6 9 9 9 9 9 2 2 2 2 2 0
4 4 4 4 4 4 4 4 4 4 4 7 7 7 7 7
    
 
   
     
 
 
   
 
 

 
     
4 4 7 7
5 4 7 7
6 4 8 8
6 6 9 7 2 1
4 6 9 9 2
4 4 7 7
 Coda
  
Guitar Solo
      
        
Gm Dm Gm

Gtr. 1
3
        


let ring

9
9 9 9 5 3 3 6 6
9 9 2 3 2 3
5 5
Rhy. Fig. 2
                 
Gtr. 2
                     
                  
3 3 3 3 3 3 1 1 1 1 1 3 3 3 3 3
3 3 3 3 3 3 0 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 0 2 2 2 2 2 X 3 3 3 3 3 0
5 5 5 5 5 5 0 0 0 0 0 0 X 5 5 5 5 5 0
5 5 5 5 5 5 0 0 0 0 0 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3
3
  
Dm Gm Dm Bb
        
        

5 5 3 5 3 6 6 6 3
2 3 3
5
                    
   






       







 

     
     
1 1 1 1 1 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 3 3 3 3 3 0 2 2 2 2 2 3 3 3 3 3 3
0 0 0 0 0 5 5 5 5 5 0 0 0 0 0 0 3 3 3 3 3 3
0 0 0 0 0 5 5 5 5 5 0 0 0 0 0
3 3 3 3 3
C F
       
3
 
      
let ring 
2
7 7 5 0
3 3 3 0
3 1
End Rhy. Fig. 2
                 
                   
                 
0 0 0 0 0 X 1 1 1 1 1 1 1 1 1 1 1 X
1 1 1 1 1 X 1 1 1 1 1 1 1 1 1 1 1 X
0 0 0 0 0 X 2 2 2 2 2 2 2 2 2 2 2 X
2 2 2 2 2 X 3 3 3 3 3 3 3 3 3 3 3 X
3 3 3 3 3 X 3 3 3 3 3 3 3 3 3 3 3 X
1 1 1 1 1 1 1 1 1 1 1 X
Verse
Gm Dm Gm
       
        
4. Bright are the stars that shine, dark is the sky.
       
       
Riff A End Riff A
Gtr. 1


  let ring  let ring 
10 10 10 10
10 10 10 10 11 11 11 11
10 10 12 12
1 3
Gtr. 1: w/ Riff A (1 1/2 times)

Dm Gm Dm
     
        
I know this love of mine
4
Bb C F
   
     
   
     
will nev - er die. And I love her. Mm.
             
             
Gtr. 1
  
  
let ring  let ring  let ring 
10 10 12 12 10 10 10
11 11 11 11 11 11 11 11 10 10 10 10 10 10
10 10 12 12 10 10 10
3 2
3
Outro
Gm F6
    
                      
Gtr. 2
   

















 
             
                     
3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3 3 3 3 0 3 3 3 3 3 3 3 3 3 3 3 0
3 3 3 3 3 3 3 3 3 3 3 0 2 2 2 2 2 2 2 2 2 2 2 0
5 5 5 5 5 5 5 5 5 5 5 0 3 3 3 3 3 3 3 3 3 3 3 0
5 5 5 5 5 5 5 5 5 5 5 X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1 1 1
Gtr. 1
  

    

  
3 2 3 2
5 3 5 3
Gm D
           


   

















 
 


           
3 3 3 3 3 3 3 3 3 3 3 2
3 3 3 3 3 3 3 3 3 3 3 0 3
3 3 3 3 3 3 3 3 3 3 3 0 2
5 5 5 5 5 5 5 5 5 5 5 0 0
5 5 5 5 5 5 5 5 5 5 5 0
3 3 3 3 3 3 3 3 3 3 3

 
       

3 2
4 5 3 5
5
from Beatles VI
Eight Days a Week

D/A E G Bm A
132 231 21 34 13421 123
 __ =   
Intro 3
Moderately q = 138

         
 
 
* D/A E G D/A
 

 
  
    
             
Gtr. 3 (elec.)
     
mp mf
w/ clean tone
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

10 10 10 12 10 12 12 12 14 12 15 15 15 17 15 10 10 12 10
11 11 11 11 13 13 13 13 16 16 16 16 11 11 11 11
12 12 12 12 14 14 14 14 17 17 17 17 12 12 12 12
3
                  
3 3 3 3 3 3 3 3 3 3 3 3 3 3
     
Gtr. 1 (elec.)
                        
pp mf

w/ clean tone
let ring

7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
    
 


 
  
Gtr. 2 (acous.)
                
  
   
               

     
  
mp mf
(cont. in slashes)
2 2 2 2 0 0 0 0 3 3 3 3 2 2 2 2 2 2 2

3 3 3 3 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 1 1 1 1 0 0 0 0 2 2 2 2 2 2 2
0 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0
0 0 0 0 3 3 3 3
*Chord symbols reflect basic harmony.

Copyright Renewed
 Verse
2nd & 3rd times, Gtr. 3 tacet Gtr. 3 tacet
* D/A E G D/A
Rhy. Fig. 1
Gtr. 2                      
       
 

          

1. Ooh, I need your love, babe. Guess you know it’s true.
2., 4. Love you ev - ’ry - day, girl, al - ways on my mind.
  
 

Gtr. 3
   


0
10
11
12
   
Rhy. Fig. 1A
       
           
Gtr. 1
             
     


2 2 0 0 0 3 3 2 2
3 3 0 3 3 3 3 3 3 3 3
2 2 1 1 1 4 4 4 4 2 2 2
5
E G D/A
                     
        
   
  

   

Hope you need my love, babe, just like I need you.
One thing I can say, girl, love you all the time.
           
   
Gtr. 1
                    
    
2 2 0 3 3 2 2
3 3 0 0 0 0 3 3 3 3 3
2 2 0 1 1 0 4 4 4 2 2
0 5 5 5
2
   
Bm G Bm E
   
                  
       
         
*
     
 
Hold me, love me. Hold me, love me. I
 

 
  
  
       
   
   

 
  
 

 

       
 
3 3 0 0
3 3 3 3 3 3 0 0
4 4 4 4 4 4 1 1
4 4 5 5 4 4 2 2
2 2 5 5 2 2 2 2
3 3 0 0
*Harm. voc. sung 2nd & 3rd times only (next 4 meas.).
To Coda 
D/A E G D/A
End Rhy. Fig. 1
                      
 
    
    
       
  

 
 
ain’t got noth - in’ but love, 1., 4. babe, eight days a week.
2. girl,
        
 
            
End Rhy. Fig. 1A
               

   


2 2 2 0 0 0 3 3 2 2 2 2
3 3 3 0 0 0 3 3 3 3 3 3
2 2 2 1 1 1 4 4 2 2 2 2
Bridge
 
A Bm
Rhy. Fig. 2
            
      
     
          
 
Eight days a week, I love you.
 

   
 
    
    
 

      

2 0 2 2 2 2 3 3
2 0 2 2 2 2 4 4
2 0 2 2 2 2 4 4
2
3
E G A
End Rhy. Fig. 2
                   
    
          
    
  
 
 
Eight days a week is not e - nough to show I care.
       
                          
   
0 0 3 3 2
0 0 0 0 3 3 3 5 5 5 3
1 1 1 0 4 4 4 6 6 6 2
2 0 5 5 5 7 7 7
Verse

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
  
D/A E G D/A
      
 
 

    
3. Ooh, I need your love, babe. Guess you know it’s true.
           
E G D/A
      

  

  
Hope you need my love, babe, just like I need you. Oh. Hold
  
Bm G Bm E
      
    

    

 
me, love me. Hold me, love me. I
     
D/A E G D/A
      
  

   
ain’t got noth - in’ but love, babe, eight days a week.
Bridge

A Bm
            
 
       
 
Eight days a week, I love you.
 
   
 

Gtr. 2
       

 

  

2 0 2 2 2 2 3 3
2 0 2 2 2 2 4 4
2 0 2 2 2 2 4 4
2
4
D.S. al Coda
   
(no repeat)
        
E G A
  
    
  
 
 
Eight days a week is not e - nough to show I care.
     
                    
    
0 3 3 3 5 5
0 0 3 3 3 5 5 5 0
1 0 4 4 4 6 6 6 0
2 0 5 5 5 7 7 7 0
 Coda
Outro

G D/A D/A

              
         
     
  
  
Eight days a week.
 
  
   
Gtr. 3
  
 
 
0 0 0 0
10 10 10 12 10
11 11 11 11
12 12 12 12
                
      
Gtr. 1
      
3 3

3 3
      
 
let ring
 
3 3 3 2 2 2
3 3 3 3 3 3
4 4 4 2 2 2 7 7
5 5 5 0 0 0 0 0 0 0 0 0 0

E G D/A
 
 
     

     
  

 
    
 
 
     

  
0 0 0 0 0 0 0 0 0
12 12 12 14 12 15 15 15 17 15 10
13 13 13 13 16 16 16 16 11
14 14 14 14 17 17 17 17 12

3 3 3 3
 3 3 3

                

3
                    
let ring 
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5
from Beatles ’65
I Feel Fine
G7 D7 D C G Bm C open D open Am
3fr 10fr 10fr 8fr
131241 131211 134211 134211 134211 13421 32 1 132 231
Intro
  
**A5

*Gtr. 1 (acous./elec.)

 
   
***
p f
w/ slight dist. & reverb †fdbk.
 0 0
*Gibson J-160E played by John Lennon. Pitch: C#

**Chord symbols reflect implied harmony. †Fdbk. caused by sympathetic ringing of open A string.
***Open A string rings sympathetically from bass striking a low A note.
D7 C7
             
        
   
let ring throughout
12 11 11 10
12 12 10 14 14 10 10 8 8
12 12 10 10
10 10 8 8
G7
    
       
           
   
 
10 9 9 5 4 4
8 8 12 8 12 5 5 3 3 3 7 3 7 5
10 5 5 5 5 5 5
3 3
 
††Gtrs. 1 & 2
 
        



 
 
 (Gtr. 1, cont. in slashes)
5 4 4
5 5 3 3 7 3 7
5 5 5 5 5 5 5
3
††Gtr. 2 (elec.) - Gretsch Tennessean played by George Harrison;
w/ slight dist., played mf. Composite arrangement

Copyright Renewed
 Verse
* G7
               
Gtr. 1
   
 
mp
         

               
     
1. Ba - by’s good to me, you know, she’s hap - py as can be, you know, she said
2., 4. Ba - by says she’s mine, you know, she tells me all the time, you know, she said
 
Rhy. Fig. 1

Gtr. 2
      

   
       

   

 

 5
5
5
4
3
5
5 4
5
7
4
7
5
5
5
5 3
5
5 4
5
7
4
7
5
3 3

D7 D C G
  
 
                    

3fr
            
(cont. in notation)

              

so. I’m in love with her and I feel
so.
               End Rhy. Fig. 1
       
    

 
      
11 12 11 11 11 11 11
12 12 14 14 12 12 10 10 8
12 12 12 12 12 12 12 12 10 10 10 10 8
10 10 10
1. 2.
  
 

G7

  
fine.
     
*Gtrs. 1 & 2
       
    
    
 
  

(Gtr. 1, cont. in slashes)
5 5 3
5
5 4
7
4
3 7
5
 5 4
3 7
5
4
3
3 0 3
*Composite arrangement
2
Bridge
  
G Bm C open D open
                      
   
    

Gtr. 1
   
     
     
   
I’m so glad that she’s my lit - tle girl.
(Oo, oo.)

Gtr. 2
    
               
    
         

  
 
2 2
1 1 1 3 3 3 3 3 5
4 4 4 0 0 0 0 2 2 2 2 2
5 5 4 4 4 2 2 2 2 2 4 4 4 4 4
5 2 2 3 5 5 5 5 0
3 X

G Bm Am D open
                      
 
     

      
   
       

She’s so glad, she’s tel - lin’ all the world 3., 5. that her ba -
(Oo, oo.)
       
        
  
                 
           
   
0 2 2 2 2 2
3 3 3 0 1 1 3 3 3 3 3
4 4 4 0 2 2 2 2 2 2 2 2 2
5 5 5 5 X 4 4 4 4 4 0 2 2 2 2 4 4 4 4 4 0
5 5 5 5 2 2 0 0 0 5 5 5 5 5 5 0
3 3 0 0
Verse
G7
       
               

- by buys her things you know, he buys her dia - mond rings you know, she said
 
                   
Gtr. 2
                 
 
             
6 6 6 6 6 6 6 6
4 4 4 4 4 4 4 4
3 3 3 3 3 3 3 3 X X
5 5 5 5 5 5 5 5 5 X X
3 3 3 3 3 3 3 3 3 X X

    
To Coda
       

D7 D C
       

so. She’s in love with me and I feel
 
                         
  


























       
      
11 11 11 11 11 11 11 11 11 11 11 11 9 9 9 9
10 10 10 10 10 10 10 10 12 12 12 12 10 10 10 10
12 12 12 12 12 12 12 12 12 12 12 12 12 10 10 10 10
10 10 10 10 10 10 10 10 10 10 10 10 10 8 8 8 8 3
3
 
G7
    
         
fine. Mm.

*Gtr. 3 (elec.)
     

mf
w/ slight dist.
*George Harrison
   
**Gtrs. 1 & 2
  
     
    

4 5 4 4
5 5 3 7 3
5 5 5
3
**Composite arrangement
Guitar Solo
Gtr. 2 tacet
G7

 

          
Gtr. 3
    
 

6 8 6 6 8
7 7 9 5 7 7 5 3 3 5 7 7 9
5
D7
               
      
 
6
5 7 7 5 12 11 11 11
8 5 12 10 14 14
12
10 10
Interlude
Gtr. 3 tacet
 
D7 C7
                    

Gtr. 3 Gtr. 1
       
       
   
Gtr. 1
divisi
12 11 11 10 9 9
12 12 10 10 10 14 10 14 10 10 8 8 8 12 8 12
12 12 12 12 10 10 10 10 10 10
10 10 8 8
4
D.S. al Coda
(take 2nd ending)
G7
   
           
*Gtrs. 1 & 2
                 
  
5 4 4 5 4 4 4
5 5 3 3 3 7 3 7 5 5 3 3 7 3 7
5 5 5 5 5 5 5 5 5 5
3 3 3
*Composite arrangement
 Coda
      

G7 D C
 
    
fine. She’s in love with me
    
     
**Gtrs. 1 & 2
             
      
  
4 4 4 5 4 4 11
5 5 3 3 3 7 3 7 X 12 12
5 5 5 5 X 12 12 10
3 3 X 10 10 10 8
**Composite arrangement
        
G7

            

and I feel fine. Mm.
   
     
   
    


 
 
      
   
        
9 9 4 5 4 4 4
10 12 10 10 5 5 3 3 3 7 3 7 3
10 10 10 10 5 5 5 5 5 5 5
8 8 8 8 3 3 3 3
Outro
Begin fade Fade out
  
G7
   
         
 
Mm.

Gtr. 2
          
                   
5 3 5 3 5 3 5 3 5 3
3 5 3 5 3 5 3 5 3 5
3 3 3 3 3
5
from The Beatles - Help!
Ticket to Ride
A A6sus2 Bm E F#m D Gmaj7
123 12 3 3421 231 134111 132 321

Tune down 1/4 step
Intro
Moderately q = 125
Gtr. 1: w/ Riff A
  
     
  
*A A6 A A6 **A A6sus2 A A6sus2
 
Gtr. 2 (clean)
mp

        


1. I
Gtr. 1 Riff A End Riff A Rhy. Fig. 1A End Rhy. Fig. 1A
          
(12-str. elec.)
   
3 3 Gtr. 3 (clean)
  
     

mf
w/ clean tone mf
let ring
0 0 0 0

2 0 2 0
2 2 2 2
0 0 0 0
*Chord symbols reflect implied harmony. **See top of page for chord diagrams pertaining to rhythm slashes.
Verse
    
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (2 times)
 
A A6sus2 A A6sus2 A A6sus2 A A6sus2
          
    
      
think I’m gon - na be sad, I think it’s to - day, yeah! The
said that liv - ing with me is bring - in’ her down, yeah!
  
     
  
   
  
   
  
A A6sus2 A A6sus2 Bm E
 
          
Gtr. 2
           
 
girl that’s driv - in’ me mad is go - in’ a - way.
She would nev - er be free when I was a - round.
         
Gtr. 1 Riff B End Riff B

        
3 3
   
3 3
 
0 0 0 0 2 0
2 0 2 0 3 3 3 0 0
2 2 2 2 4 1
4 4 2 2 4

Gtr. 3

Rhy. Fig. 2A End Rhy. Fig. 2A
  3
            
0 0 0 0 2 2
0 0 0 0 0

Copyright Renewed

Chorus
Gtr. 3 tacet
                 
  
F#m D F#m G,7

Rhy. Fig. 3A
                
       


She’s got a tick - et to ride, she’s got a tick - et to ri - hi - hide,
*
 
Rhy. Fig. 3
          

Gtr. 1
   

       
 
     
    
 
let ring  let ring    
2 2 2 2 2 2 2
2 2 3 3 3 2 2 3 3
2 2 5 5 5 5 2 2 4 4 4
4 4 4 4 4 4 0 4 4 4 5
4 4 0 0 0 4 4 4 2
2 2 2 2 2
*ride
1.
              
  
   
  
Gtr. 3: w/ Rhy. Fig. 1A
F#m E A A6sus2 A A6sus2

End Rhy. Fig. 3A
            
                 
she’s got a tick - et to ride and she don’t care. 2. She
    
End Rhy. Fig. 3
           

    
3 3
     
     
 let ring   

let ring let ring
2
2 2
2
2
0
0 0 0
0
0
0
2 0
0 0
2 0
0

2
4
4
2
4
4
2
4
4
2 X
X
X 2
1
2
1
2
2
1
2
1 2 2 2 2

2 2 2 X 0 0
 Bridge
  
      
    
   
   
  
2. Gtr. 3: w/ Rhy. Fig. 1A
A A6sus2 A A6sus2 D
 
                   
       
I don’t know why she’s rid - in’ so high, she ought - ta
         

Riff C End Riff C
      
        
3 3
      
let ring         
0 0 0 3 2 2 2 2 2 2 2 2
2 0 2 0 3 3 3 3 3 3 3 3 3
2 2 2 2 5 5 5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0

      
E
    
D

  
   
  

                         
              
think twice, she ought - ta do right by me. Be - fore she gets to say - in’ good - bye, she ought - ta
                        
                            
                

2 2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
5 5 5 5 5 5 0 1 1 1 1 1 0 5 5 5 5 5 5 5 5 5 5 5 5 5
4 4 4 4 4 4 0 2 2 2 2 2 0 4 4 4 4 4 4 4 4 4 4 4 4 4
0 0 0 0 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0
2
  
  
 
E
    
  

  
         
     

 4. She
3. I

think twice, she ought - ta do right by me.
 
 

        
 

Gtr. 4 (dist.)
  


f 1
1 1/4
10 12 12 12 10 12
10 10 8 10 12 12
9
        

Gtr. 1
        

       
     
       
2 2 2 2 2 2 0
3 3 3 3 3 3 0 0
5 5 5 5 5 5 1
4 4 4 4 4 4 2 2 2 2 2 2 2 2
0 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0
Verse
Gtr. 1: w/ Riff A (3 times) Gtr. 4 tacet
    
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (3 times)
 
A A6sus2 A A6sus2 A A6sus2 A A6sus2
          
  
      


think I’m gon - na be sad, I think it’s to - day, yeah! The

said that liv - ing with me is bring - in’ her down, yeah! For


Gtr. 4
   

12
Gtr. 1: w/ Riff B
         
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A
A A6sus2 A A6sus2 Bm E
               
   



girl that’s driv - in’ me mad is go - in’ a - way, yeah! Ah!
she would nev - er be free when I was a - round.
Chorus
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
  
F#m D F#m G,7
             
       


She’s got a tick - et to ride, she’s got a tick - et to ri - hi - hide,
ride
T o Coda 
D.S. al Coda
Gtr. 1: w/ Riff C
    
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A
F#m E A A6sus2 A A6sus2
       
          
   
   
she’s got a tick - et to ride, and she don’t care. I
3
 Coda Outro
Double-time feel
  
  
            
Gtr. 3 tacet
A Asus2
 A A A6sus2 A A6sus2
 
      
   
Gtr. 2

     
(cont. in notation)
    
My ba - by don’t care. My ba - by don’t
    3       
Gtr. 1
      
 
Gtr. 4
   
let ring  1/2 1/2 1 1
(cont. on lower staff)
0 0
2 0
2 2 2 6 6 7 7 5 5 5 5
7 7 7

Gtrs. 1 & 2
               

Gtr. 3

Gtr. 1
  
3
          
    let ring          
0 0 0 0 0 0 0 0 2 2 2 2 2 2
2 0 2 2 2 2 2 2 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
  
Gtrs. 1 & 2: w/ Rhy. Fig. 4 (till fade)
  
A A6sus2 A6sus2 A A6sus2
       
care. My ba - by don’t care.
         
Gtr. 4
                    

1/2 1 1/4 1/2 1 1 1 1/2
7 7 7 7
7 7 5 7 7 6 5 5 7 7 5
7 7 7 7
Begin fade
Voc.: w/ Voc. Fig. 1 (till fade)
A A6sus2 A A6sus2 A A6sus2
           
        


  
     
1/2 1/2 1/2
1/2 1 1 1 1/2 1/2
7 7 7 7 7 7 7 5
7 5 7 7 7 7 7 7 5 5 7
7 7 7
Fade out
   

A A6sus2 A A6sus2 A A6sus2
                     
    
   

1/2 1 3/4 3/4 3/4 3/4 1 1 1/4

5 5
7 7 7 7 7 7 7 7 7 7
6 6 7 7 7 7 7 5
7 7 7 7
4
Yesterday
Tune down 1 step:
(low to high) D-G-C-F-A-D
Intro Verse
Moderately q =98
G5 G5

        
1. Yes - ter - day,
Gtr. 1 (acous.)
                 
                   
      
mf
w/ fingers
let ring throughout
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 0
    
F#m B7 Em Em/D Cmaj7 D7
 
                 
all my trou - bles seemed so far a - way, now it looks as though they’re
                 
                 
 

2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2
2 2 0 0 0 0 0 0 0 0 0 0 0 1 1 1
0 2 2 2 0 0 0 0 0 0 0 2 2 2
2 2 0 0
2 3
2
G5 G/F# Em7 A C5 G5
 
               
 
     


here to stay. Oh, I be - lieve in yes - ter - day.
                

          
  
        
3 3 3 3 0 0 0 3 3 3 3
3 3 3 3 0 3 3 2 2 0 1 3 3 3 3 3
0 0 0 0 0 0 0 2 2 0 0 0 0 0 0
2 2
0 3
3 3 2 0 0 3 3

Copyright Renewed
Verse
  
G5 F#m B7 Em Em/D
  
             
3
  
2. Sud - den - ly, I’m not half the man I used to be
               
                
     
3 3 3 3 3 2 2 2 2 2 0 0 0 0 0
3 3 3 3 3 2 0 0 0 0 0 0 0
0 0 0 0 0 2 2 2 2 0 0 0 0
2 2 0
2
3 3 3 2 2
 
Cmaj7 D7 G5 G5/F# Em Em7 A
        
            
   

There’s a shad - ow hang - ing o - ver me. Oh, yes - ter - day came
           
              
  
     
0 0 2 2 2 3 3 3 3 0 0 0
0 0 1 1 1 3 3 3 3 3 0 3 2 2
0 0 2 2 2 0 0 0 0 0 0 0 2 2
0 2
3 3 0
3 3 2 0 0
Bridge
 
   
C5 G5 F#m(add11) F#m B7 Em D C5 B5 Am6 D7
        
       
 
  
sud - den - ly. Why she had to go, I don’t know, she would - n’t say.
                     
              
  

  
      

3 3 3 2 2 2 2 2 0 2 3 2 0 2 2 2 2 2 2
1 3 3 3 0 0 0 2 0 0 0 1 1 1 1 1 1
0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2
2 0 0
3 2 3 2 0
3 3 2
 
 
  
G5 F#m B7 Em D C5 B5 Am6 D7
          
    

I said some - thing wrong, now I long for yes - ter -
                    
               
  
       
3 3 3 3 3 2 2 2 2 0 2 3 2 0 2 2 2 2 2
3 3 3 3 3 2 2 0 0 0 1 1 1 1 1 1
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2
2 0 0
2 3 2 0
3 3 0 2 2
2
Verse
   
G5 G5 F#m B7
         
   
day. 3. Yes - ter - day, love was such an eas - y
      
       
 


 
 
    

3 3 3 3 3 2 2 2 2 2
3 3 3 3 3 3 2 2 0 0 0 0
0 0 0 0 0 2 2 0 2 2 2
2
3 3 3 0 2
    
Em Em/D Cmaj7 D7 G5 F#m
 
    
       
   
  


game to play, now I need a place to hide a - way, Oh,
                
                   
 
  
0 0 0 0 0 0 0 0 2 2 2 3 3 3
0 0 0 0 0 0 0 0 1 1 1 3 3 3 3
0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 2
2 2 0 0
3
3 3 2
Bridge
     
Em7 A C5 G5 F#m B7 Em D
 C5 B5
  
             
 
  
I be - lieve in yes - ter - day. Why she had to go, I don’t
            


                

     
         
0 0 0 3 3 3 3 2 2 2 0 2 3 2 0
3 2 2 2 1 3 3 3 3 2 2 0 0 0
0 0 2 2 2 0 0 0 0 0 2 2 2 2 2 2
2 2 0
0 3 2 3 2
0 0 3 3 3 3 0 2
  
Am6 D7 G5 F#m B7
    
     


know, she would - n’t say. I said
           
        
  

         

   
2 2 2 2 2 2 3 3 3 3 3 2 2 2 2
1 1 1 1 1 1 3 3 3 3 3 2 2 2 0 0 0
2 2 2 2 2 2 0 0 0 0 0 2 2 2 2 2
0
0 2
3 3 0 2
3
      
Em D C5 B5 Am6 D7 G5
        
 
  
some - thing wrong, now I long for yes - ter - day.
            
       

    
 
0 2 3 2 0 2 2 2 2 2 2
1 1 1 1 1 1 3

2 2 2 2 2 2 0
2 0 0
3 2 0
3
Verse
    
G5 F#m7 B7 Em Em/D
 
              
4. Yes - ter - day, love was such an eas - y game to play,
     
         
                
   

3 3 3 3 3 0 0 2 2 2 0 2 0 0
3 3 3 3 3 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 2 2 2 2 2 0 0 0 0
2 2 0 0
2
3 3 0 2
Cmaj7 D7 G5 F#m Em7 A

         
 
  
   
        
  
now I need a place to hide a - way. Oh, I be - lieve in
              

         
    
     
0 0 2 2 2 3 3 3 0 0 0
0 0 1 1 1 3 3 3 3 3 3 2 2 2
0 0 2 2 2 0 0 0 0 2 0 0 2 2 2
0 2 2
3 3 0
3 3 2 0 0
Outro
C5 G5 G5 A7/G C5 G5
 
           
   
     
yes - ter - day. Hmm.
              

   
 
                   
    
3 3 3 3 3 3 3 3 3 3 3 3 3
1 3 3 3 3 3 3 3 3 2 2 2 1 1 3 1 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3
3 3 3
4
Help!
Bm/F# G E A/E Asus2 F#m Em11
113421 21 34 231 234 23 134111
Intro
Fast q = 188
Bm G
           
         
         
3
I need some - bod - y. Not just an - y - bod - y.
(Help! Help!
            
Gtr. 1 (acous.)
         
                        
                     
mf
2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0
4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3

Gtr. 2 (elec.)
  
    
mf
w/ clean tone
 2 0
3 3 2
E A
   
       
  

 
 
  
You know I need some - one.
Help! Help!)
             
              






               
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 2
1 1 1 1 1 1 1 1 1 1 1 2
2 2 2 2 2 2 2 2 2 2 2 2 X X X X
2 2 2 2 2 2 2 2 2 2 2 0 X X X X
0 0 0 0 0 0 0 0 0 0 0
 
    
         
  
  let ring  let ring  let ring  let ring 
0 0 0 0
0 0 0 0
5 4 3 2
7 6 5 4
0

Copyright Renewed
Verse Gtr. 2 tacet
   
  
A C#m
                
    
 
1. When I was young - er so much young - er than to - day,
(When, when I was young I nev - er
2. And now my life has changed in, oh, so man - y ways.
(Now my life has changed. My in - de -
 

 

     
          
 
                 
 
       
                    


0 0 0 0 0 0 0 0 0 4 4 4 4 4 4 4 X X
2 2 2 2 2 2 2 2 2 X 5 5 5 5 5 5 5 X X
2 2 2 2 2 2 2 2 2 X 6 6 6 6 6 6 6 X X
2 2 2 2 2 2 2 2 2 X 6 6 6 6 6 6 6 X X
0 0 0 0 0 0 0 0 0 X 4 4 4 4 4 4 4 4 X X
4 4 4 4 4 4 4 4 X X
  

 
 

 0
F#m
   D G
 
A
     
           
 


  
I nev - er need - ed an - y - bod - y’s help in an - y way.
need help in an - y way.
My in - de - pen - dence seems to van - ish in the haze.
pen - dence seems to van - ish in the haze.
 
  
    
 
                
Gtr. 1
                 

        
                
  
2 2 2 2 2 2 2 2 2 2 2 3 3 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 3 3 3 3 2 2 2 2 0 0
2 2 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2 0 0
4 4 4 4 4 4 4 4 4 0 0 0 0 2 2 2 2 0 0
4 4 4 4 4 4 4 4 4 0 0 2 2 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 3 3 0 0 0 0 0
 
C#m
    
  
          
 


 




But now these days are gone and I’m not so self - as - sured.
Now these days are gone. And now I
But ev - ’ry now and then I feel so in - se - cure.
But, and now and then. I know that
 

            
 
        
                     
                       
0 0 0 0 0 0 0 0 X 4 4 4 4 4 4 4 4 4 2
2 2 2 2 2 2 2 2 X 5 5 5 5 5 5 5 5 5 2
2 2 2 2 2 2 2 2 X 6 6 6 6 6 6 6 6 6 2
2 2 2 2 2 2 2 2 X 6 6 6 6 6 6 6 6 6
0 0 0 0 0 0 0 0 0 X 4 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0 X 4 4 4 4 4 4 4 4 4 4
2
F#m D G A
        
    

        
   

Now I find I changed my mind and o - pened up the doors.
find and o - pened up the doors.)
I know that I just need you like I’ve nev - er done be - fore.
I... I’ve nev - er done be - fore.)
   
                      
             


        
                     
 
(cont. in slashes)
2 2 2 2 2 2 2 2 2 0 2 2 3 3 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 0 3 3 3 3 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 0 2 2 0 0 2 2 2 2 2 0
4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 2 2 2 2 2 0
4 4 4 4 4 4 4 4 4 4 0 0 0 2 2 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 3 3 0 0 0 0 0 0
 Chorus
* Bm/F#
G
Gtr. 1                     
            
        
 
Help me if you can, I’m feel - in’ down. And I do

Gtr. 3 (elec.)
                
       
mf
w/ clean tone
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2

Gtr. 2
   
 
2 0
3
                       
         
  
 
   
ap - pre - ci - ate you be - in’ ’round.

  

 

 

 

 

 

 

 

       
4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3

   
  
3 3 2
                      
      
   

 


  
   
  
   
      
Help me get my feet back on the ground. Won’t you

   

  

  

  

   
       
1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0

   

4
Gtr. 3 tacet
To Coda  1. 2.
     
A/E
 Asus2 A/E

Asus2 A/E
      
  
 

  
   

    
   
(cont. in notation)
  
please, please help me?
  


Gtr. 2
                 
 let ring  let ring  let ring 
  

let ring

0 0 0 0
0 0 0 0
5 4 3 2
7 6 5 4 0 0
Verse

A C#m
                   
 
3. When I was young - er, so much young - er than to - day,
        
Rhy. Fig. 1
    
Gtr. 1
                         
             
0 0 0 0 0 4 4 4 4 4
2 2 2 2 2 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 6 6 6 6 6
2 2 2 2 2 2 2 2 6 6 6 6 6 6 6 6 6 6
0 0 0 0 0 0 0 0 4 4 4 4 4
  
0 0 0 0 0 0 0 0 4 4 4 4 4
 
   
Rhy. Fig. 2
     
Gtr. 2
 

  

   
   

let ring 


5 9 9
5 9 9
6 9 9
7 11
7 11
5 9

F#m D G A
   
        

   
 


  
I nev - er need - ed an - y - bod - y’s help in an - y way.
    
End Rhy. Fig. 1
             

             









        

    
let ring
2 2 2 2 2 2 3 5 5 5 5 5
2 2 2 2 2 2 3 3 3 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 6 6 6 6 6
4 4 4 4 4 4 4 4 4 4 0 0 0 0 7 7 7 7 7
4 4 4 4 4 4 4 4 0 0 2 7 7 7 7 7
2 2 2 2 3 5 5 5 5 5
   
  
    
End Rhy. Fig. 2
 
 
  
 
2 2
2 3
2 2
4 0
4 0
2
5
 
A C#m

  
               

But now these days are gone and I’m not so self - as -
(Now these days are gone.
F#m
   
  
           

     
sured. Now I find I changed my mind and
And now I find and
D.S. al Coda
D G A
 
         
o - pened up the doors.
o - pened up the doors.)
      
   
Gtr. 1
          
       
(cont. in slashes)
2 3 3 0 0 0 0
3 3 3 2 2 2 0
2 0 0 2 2 2 0
0 0 0 2 2 2 0
0 2 2 0 0 0 0
3 3
 
 Coda
          
F#m Em11 A/E
   
 

  
    
       
 

  
me? Help me. Help me.
(Help me. Mm.)
 
    
   
2
4 0
2
6
You’ve Got to Hide Your Love Away Words and Music by John Lennon and Paul McCartney
Gtr. 2: Drop D tuning:
(low to high) D–A–D–G–B–E
Intro
Verse
Moderately q. = 66 2nd time, Gtr. 2 tacet
  
*G G D F G

 
           
1. Here I stand, head in hand,
2. How can I e - ven try?
     

Gtr. 1 (acous.)
                           
        
    






      
     
                   

mf

let ring throughout **T

3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 3 2 1 1 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0 0 0 0 0

0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 0 3 3 3 2 0 0 0 0 0
2 2 2 2 2 X X X 0 2 2 2 2 2 0 0 0 X 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 3 3 3 3 3
*Chord symbols reflect basic harmony. **T = Thumb on 6th string.
 

   
C F C G D
         

    
turn my face to the wall. If she’s gone, I
I can nev - er win. Hear - ing them,
                          
 





  
 





       



 
 
      




     
T
0 0 0 0 3 0 0 0 0 1 1 3 3 3 0 0 0 3 3 3 2 2
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 2 2 2 2 2 0 0 0 0 0 0 0 0 0 2 2 2 2
2 2 2 2 0 2 2 2 2 3 3 3 3 3 2 2 2 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 X 3 3 3 0 2 2 2 2 2 0 0 0 0
1 3 3 3 3 3

   
F C/E G C F C/E
       
    
can’t go on, feel - ing two foot small.
see - ing them, in the state I’m in.
                        
                              
           
 
T T
1 3 0 3 3 3 3 3 3 3 3 3 3 3 1 1 3 3 3 0 0 0 0
1 1 1 3 3 3 3 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 0 0 0 0
3 3 2 0 0 0 0 0 2 2 2 0 2 2 2 2 3 3 3 3 3 2 2 2 2 0
X 2 2 2 2 2 3 3 3 3 3 3 3 X
1 3 3 3 3 3 1
  
D G D F C/E G
 
            
Ev - ’ry - where peo - ple stare,
How could she say to me
                           
                            
                      

T
2 2 2 2 2 2 2 2 2 3 3 3 3 2 2 3 2 1 1 3 0 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 3 3 3 3
2 2 2 2 2 0 2 2 2 2 2 0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 2 0 0 0 0
0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 0 0 0 X 2 2 2 2
3 3 3 3 3 1 3 3 3 3

Copyright Renewed
  
 
C F C G D

        
 
    
each and ev - ’ry - day. I can see them
love will find a way? Gath - er ’round
                        
  





  
  



      



 
       





      

T
0 3 3 3 3 3 3 3 1 1 3 3 3 3 3 3 3 3 3 2 2 2 2
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2
2 2 2 2 2 0 2 2 2 3 3 3 3 2 2 2 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 X 3 3 3 0 2 2 2 2 0 0 0 0
1 3 3 3 3
 
  
F C/E G C F C/E
 
            
laugh at me, and I hear them say:

all you clowns, let me hear you say:
                        
                     


   



     
T T
1 1 0 3 3 3 3 0 0 0 0 0 0 0 0 1 1 3 3 0 0 3 3
1 1 1 3 3 3 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 0 0 0 0
3 3 2 0 0 0 0 2 2 2 2 0 2 2 2 2 3 3 3 3 2 2 2 2
X 2 2 2 2 3 3 3 3 3 3 3 3 X
1 3 3 3 3 1
Chorus


D D/C Bm7 D/A G

       
Hey! You’ve got to
 
Gtr. 1
            
                

               

2 2 2 2 2 2 2 2 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 0 2 2 2 2 0 0 0 0 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 3 2 0 0 0 2 2 2 2 2 0 2
0 3 3 3 3 3
Gtr. 2

(12-str. acous.)
         
            
mf
 
let ring throughout
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0
3 2 2 0 0 0 2
5 5
2
C Dsus4 D Dsus2 D
    
      
 
hide your love a - way.
                    

              
 
     
                     
3 3 3 3 3 3 2 2 2 2 0 0 0 0 0 2 2 2
1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
2 2 2 2 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
                  
                   
     

1/4
3 3 3 3 2 2 2 2 2 0 0 0 0 0 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0
3
5 2 0
   
G C Dsus4 D Dsus2 D
 

         
   
Hey! You’ve got to hide your love a - way.
  
                    
         





  
  



 















   
   



  
       


3 3 3 3 3 3 3 3 3 3 2 2 2 2 0 0 0 0 0 2 2 2
3 3 3 3 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 2 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 2 2 2 2 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 0 2 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3
                 
       

 
   
     


1/4

3 3 3 3 2 2 2 2 2 0 0 0 0 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0
0 2 3
5 5 5 2 0
3
Outro
Gtr. 2 tacet

G D F C/E G C
  
3

  
mf

         
*Gtr. 3
  

         

**Gtr. 4
divisi mf 3
11 12
8 10 4 5 11 12 11 10 8 8 10 8
0 2 3 4 3 2 0 0 2 0
*Alto flute arr. for gtr.

**Tenor flute arr. for gtr.
              
Gtr. 1
            
                        
        
T
3 3 3 3 2 2 3 3 0 0 3 3 3 3
3 3 3 3 3 3 3 3 1 1 1 3 3 3 3 1 1 1 1 1 1 1 1
0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 3 3 2 0 0 0 0 2 2 2 2 0 2 2 2
2 2 2 2 0 0 0 0 X 2 2 2 2 3 3 3 3 3 3 3
3 3 3 3 1 3 3 3 3

F C G D F C/E G
  
3

    
      

  
    

  
         
 
3
10 8 11 12
3 1 11 12 10 8 10 4 5 11 12 11 10 8
3 4 2 0 2 3 4 3 2 0
                    
               








        
             
 
T T
1 1 3 3 0 0 3 3 3 3 2 2 3 3 3 0 0 3 3 3
1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 1 1 1 3 3 3
2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0 0 0 0 0
3 3 3 3 2 2 2 2 0 0 0 0 0 0 0 0 0 3 3 2 0 0 0 0 0
X 3 3 3 3 2 2 2 2 0 0 0 0 0 X 2 2 2 2 2
1 3 3 3 3 1 3 3 3 3 3

C F C G
   
  
  

    
         
 


10 8 7 8 7 8 10
8 10 8 3 1 3
0 2 0 4 5 4 5

       
 
  
       
     
 
     
        

T
1 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3
0 0 0 0 0 0 0 2 2 2 2 0 0 0 0 0
2 2 2 2 0 2 2 2 3 3 3 3 2 2 2 2 0
3 3 3 3 3 3 3 X 3 3 3 3 2
1 3
4
We Can Work It Out

Verse
Moderately q = 102
   
*D Dsus4 D Dsus4
          
        
1. Try to see it my way. Do I have to keep on talk - ing
   
Gtr. 1
    

    
   
(acous.)
 
    

     








mf mp mf
let ring throughout
2 2 2 2 3 2 2 2 2 2 2 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 0
2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0
0
  
C D Dsus4 D
           
    
’til I can’t go on? While you see it your way,
     

        
    





 

  

 

3 3 3 2 2 2 2 2 2 2 3 2 2
1 1 0 3 3 3 3 3 3 3 3 3
0 0 0 2 2 2 2 2 2 2 2 2
2 2 0 0 0 0 0
3 0 0 0
Dsus4 C D
           
     
run a risk of know - ing that our love may soon be gone.
        

      
               
          
2 2 2 2 3 3 3 3 3 3 3 3 2 2 0
3 3 3 3 3 3 0 1 1 1 1 3 3 0
2 2 2 2 2 2 0 0 0 0 0 2 2 0
0 0 0 0 0 0 0 2 2 2 0 0 0
0 0 0 3 3 0 0

Copyright Renewed
All Right Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
G D G A
              

   
We can work it out. We can work it out.
                       
        










    
          
          
3 3 3 3 3 3 2 2 2 2 2 2 0 3 3 3 3 3 3 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 0 3 3 0 3 3 3 0 2 2 2 2
0 0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0
2 2 2 2 2 2 0 0 2 2 2 2 2 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3
Verse
D Dsus4 D Dsus4
              
     
2. Think of what you’re say - ing. You can get it wrong and still you think
 

      
  
        
    

    

 







let ring
2 2 2 2 3 2 2 2 2 2 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 0
2 2 2 2 2 2 0 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0
       
C D Dsus4 D
      
  
that it’s al - right. Think of what I’m say - ing.
                

                
     
let ring 
3 3 3 3 0 2 2 2 2 2 2 3 3 2 2
1 1 1 1 0 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2
2 2 2 2 0 0 0 0 0 0 0
3 3 3 3 0 0
2

Dsus4 C D
             
      
We can work it out and get it straight or say good - night.
        

        
                  
         
2 2 2 2 2 3 3 3 3 3 3 3 3 2 2 2 0
3 3 3 3 3 3 3 0 1 1 1 1 3 3 3 0
2 2 2 2 2 2 2 0 0 0 0 0 2 2 2 0
0 0 0 0 0 0 0 2 2 2 2 0 0 0 0
0 0 3 3 3 3 0 0
G D G A
               
    
             
              
 

 
           

*
  
3 3 3 3 2 2 2 0 3 3 3 0 0
3 3 3 3 3 3 3 0 3 3 3 0 2 2 2
0 0 0 0 2 2 2 0 0 0 0 0 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0
2 2 2 2 0 0 0 0 2 2 0 0
3 3 3 3 3 3
*Staccato applies to fretted notes only.
Bridge
Bm Bm/A G F#
               
         


Life is ver - y short and there’s no time
Riff A

**Gtr. 2 (elec.)
    

mf

w/ fingers
*** w/ pitch shifter
let ring
4 4
7 5
**Harmonium arr. for gtr.

***Set for one octave higher
      

Gtr. 1
            
   
     
            
2 2 2
3 3 3 3 2 3 3
4 4 4 4 4 4 4 4 2 2 2 4 3
4 4 4 4 4 4 4 4 4 4 0 5 5 5 5 4
2 2 2 2 2 0 0 0 5 5 5 5 4
2 2 2 2 3 3 3 3
3
*
Bm Bm/A Bm/G Bm/F#
  
     3  
  


3
   
3

for fuss - ing and fight - ing, my friend.
End Riff A
        
   
3 3 3
   
 let ring  let ring 
3
let ring let ring
7 7 7 7 7 7 7 7
4 3 7 7 7 7 7 7 7 7
4 4 9 7
10 9
3 3 3 3
          
                   









              
0 2 2 2 2 2 2 2 2 2
0 3 3 3 3 3 3 3 3 3
3 3 3 3 0 4 4 4 4 4 4 4 4 4
4 4 4 4 4 0 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 0 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 0
*Bass plays note to right of slash, next 2 meas.
Gtr. 2: w/ Riff A
Bm Bm/A G F#

 
             
 
       
 
I have al - ways thought that it’s a crime,
  
             
            






 

             
2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 2
4 4 4 4 4 4 4 4 4 4 4 4 4 3
4 4 4 4 4 4 4 4 4 X 5 5 5 5 4
2 2 2 2 2 2 2 0 0 X 5 5 5 5 4
2 2 2 2 2 2 2 X 3 3 3 3
  
Bm ** Bm/A Bm/G Bm/F#
  

     
  
 
    
3 3 3
so I will ask you once a - gain.

Rhy. Fill 1 End Rhy. Fill 1
3 3 3 3
        
                 
                 
2 2 2 2 2 2 2
3 3 3 3 3 3 3 0
3 3 3 3 4 4 4 4 4 4 4 0
4 4 4 4 0 4 4 4 4 4 4 4 4 4 4 0
4 4 4 4 0 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2
**As before
4
Verse
D Dsus4 D Dsus4
              
     
3. Try to see it my way. On - ly time will tell if I am
      
 
          
              

 
2 2 2 2 3 2 2 2 2 2 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 0
2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0
C D Dsus4 D
             
  
right or I am wrong. While you see it your way,
     

        
   


          
    
3 3 3 2 2 2 2 2 2 2 3 2 2
1 1 1 3 3 3 3 3 3 3 3 3
0 0 0 2 2 2 2 2 2 2 2 2
2 2 2 0 0 0 0 0 0 0 0 0 0
3 3 3 0 0 0 0 0 0
Dsus4 C D
           
     
there’s a chance that we might fall a - part be - fore too long.
        

     
   







  
 





 


 
    
2 2 3 3 3 3 3 3 3 3 2 2
3 3 3 3 3 0 1 1 1 1 3 3 0
2 2 2 2 2 2 0 0 0 0 0 2 2 0
0 0 0 0 0 0 0 2 2 2 2 0 0 0
0 0 0 3 3 3 3 0 0 0
5
G D G A
    
           
  

             

        
        


    
       
3 3 2 2 3 3 3 0
3 3 3 3 3 3 3 3 3 3 2 2 0
0 0 0 0 0 2 2 2 2 0 0 0 0 0 0 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2
2 2 0 0 0 0 2 2 0 0 0 0 0
3 3 3 3 0
Bridge

Bm Bm/A
 
         
       
Life is ver - y short and there’s no time
    
   
Rhy. Fig. 1
                    
          
2 2 2 2
3 3 3 3 3
4 4 4 4 4 2 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 0 0 0 0
2 2 2 2 2 2 2
G F#
    


  3 
 

    
  
for fuss - ing and
   
                          
          
     
3 3 2
3 3 2 2 2 2
4 4 4 4 3 3 3 3 3 3 3 3
5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4
3 3 3 3 3 3 3 3 2 2 2 2 2 2
6
Bm * Bm/A Bm/G Bm/F#
 
      
3 3
fight - ing, my friend.

End Rhy. Fig. 1
3 3 3 3
       
            
           
2 2 2 2 2 2 2
3 3 3 3 3 3 3
4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2
*Bass plays note to right of slash, next 2 meas.

Bm Bm/A G
             
          


I have al - ways thought that it’s a crime,
Gtr. 1: w/ Rhy. Fill 1
    
F# Bm ** Bm/A Bm/G Bm/F#
    
  


    
3 3

so I will ask you once a - gain.
**As before.
Verse
D Dsus4 D Dsus4
              
       
4. Try to see it my way. On - ly time will tell if I am
            
Gtr. 1
             

   
2 2 2 3 2 2 2 2 2 3 3 3
3 3 3 3 3 3 3 3 3 3 3 0
2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0

C D Dsus4 D
            
  
right or I am wrong. While you see it your way,
      

         
   







        
         
3 3 3 3 2 2 2 2 2 2 2 2 3 2 2
1 1 1 0 3 3 3 3 3 3 3 3 3 3
0 0 0 0 2 2 2 2 2 2 2 2 2 2
2 2 2 0 0 0 0 0 0 0 0 0 0 0
3 3 3 0 0
7

Dsus4 C D
            
      
there’s a chance that we might fall a - part be - fore too long.
                  
                   
                 
2 2 2 2 2 2 3 X 3 3 3 3 3 3 2 2 2 0
3 3 3 3 3 3 3 X 3 0 1 1 1 0 3 3 3 0
2 2 2 2 2 2 2 X 2 0 0 0 0 0 2 2 2 0
0 0 0 0 0 0 0 X 0 0 2 2 2 0 0 0 0 0
0 3 3 3 0 0
G D G A
              
  
 
           
                     

 
  
                 
3 3 3 3 3 3 2 2 3 3 3
3 3 3 3 3 3 3 3 0 3 3 3 0 2 2 2
0 0 0 0 0 0 0 2 2 2 2 2 0 0 0 0 0 0 0 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2
2 2 2 2 2 2 2 0 0 0 0 0 2 2 2 2 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3
Outro
D
  

Gtr. 2 3
    
3
  

 
let ring 
0 2
3 3 3 3
2 0 2
4 0 4
5 5
3 3

     
Gtr. 1
        

      

2 2 2 2 2
3 3 3 3 3
2 2 2 2 2 2 2
0 0 0 0 0 0 0
0 0 0
8
from The Beatles 1962–1966
Day Tripper
A7 F#7 A7 V G#7 C#7 B7
5fr 4fr 9fr 7fr
2 3 131241 131241 131241 131211 131211
E A7 type2 B7sus4 B7 type2 B7 VII B7#9

5fr 7fr 7fr 7fr 7fr
Intro
231 131211 131411 131411 131241 131244
Moderately q = 138
  
Gtrs. 1 & 2
 
µ(E7)
 
  
           
 
 
mf

2 0 4 0 2 2 0
2 2 2 2
0 3 4 0 3 4

Gtrs. 1 & 2 E E7 E E7 E E7
           
         

0 4 0 2 2 0 4 0 2
2 2 2 2 2
0 3 4

           

Gtr. 3
               
 
p  
let ring throughout
0 0 0 0 0 0 0 0 0 0 0
0 0 3 0 0 0 0 0 3 0 3
1 1 1 1 1 1 1 1 1 1 1 1
2
2
0 0
Gtr. 3: w/ Rhy. Fig. 1 (2 times) (drums enter)

E E7 E E7 E E7 E E7 E E7 E E7
 
Gtrs. 1 & 2
  
  
           
        
 
2 0 4 0 2 2 0 4 0 2
2 2 2 2 2 2
0 3 4 0 3 4
 Verse
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
   
       
    
E E7 E E7 E E7 E E7 E E7 E E7


    
       
1. Got a good rea - son for tak - ing the ea - sy way out.
2. She’s a big tea - ser. She took me half the way there.
  
 
3. Tried to please her, she on - ly played one night stands.
         
                     

 2
2 0
2
4
2
0 2
2
2 0
2
4
2
0 2
0 3 4 0 3 4

Copyright Renewed
T o Coda 
            
A7 E E7 E E7 E E7

   
Gtr. 3
      
          
         


Got a good rea - son for tak - ing the ea - sy way out, now.
She’s a big tea - ser. She took me half the way there, now. She was a
Tried to please her, she on - ly played one night stands, now.

       
  

  
   
  
      

2 0 4 0 2
2 2 2 2 0 4 0 2
0 3 4 2 2 2
0 3 4
Chorus
F#7
          

     
             
Gtr. 3
            


     
       
 
day trip - per; one way tick - et, yeah. It took me
 
Gtr. 1

                                  
   
  
mp mf
P.M.


4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 2 2 2
 
Gtr. 2
 
  


 
                
p
let ring 
4 4 2 0
2 2 2 0 2 2 2 2 2 2 2 2 0 2 2 2 2 2
Fill 1

Gtr. 2

 
  

 
            
          
2 2
4 4 2 4 4 2 0 4 2 4 4 2 0
0 2 2 2 2 0 2 2 2
2
2nd time, Gtrs. 1 & 2: w/ Rhy. Fill 1
V
 
A7 G#7 C#7
               
          
             
     
   

 
so long to find out, and I found
 
Gtrs. 1 & 2
         

          

      
    
 

P.M. P.M.
X
6 6 X
7
6 6 6 6 6 X
5
6 6 6 6 6 6
7 7 7 7 7 6 6 6 6 6 6 4 4 4 4
5 5 5 5 5 X 4 4 4 4 4 4 0
1.
B7 µ(E7) E
        
   
    
out.

    




  


       
           

4 4 4 4 4 4
4 4 4 4 4 4 4
4 4 4 4 4 4 4 2 0 4 0 2
2 2 2 2 2 2 2 2 2
0 3 4
Gtr. 3: w/ Rhy. Fig. 1 2.

type2
E7 E E7 E E7 B7 A7
     

       
  
out.
  
          
      


2
2 0
2
4
2
0 2  4
4
2
0 3 4
Rhy. Fill 1

Gtrs. 1 & 2
       
      
P.M. 
6 6 6 6 6 6 6
4 4 4 4 4 4 4
3
Bridge
B7
           

Gtr. 1
        
 
     
2
4 2 2 4
4 4 4 4
2 5 6

Gtr. 2
 



2 4
B7sus4 B7 type2
              

           
 
    
2
4 2 2 2 4
4 4 4 4
2 5 6
 
  


6 7
               
 
          
 
    
let ring 
2
4 2 2 4
4 4 4 4 4
2 5 6
 
    
4 6
4
Guitar Solo
B7 VII B7#9
                        

    






   
        
Ah.
   
    
      

  

 
P.M.
1 hold bend 1/2 slight vib.
10 10 12
10 0 0 12 12 12
8 7 7 9 9 9
9 9 9
 
      
2
2 4
      
B7 VII
               

     

  
  

   
Ah. Ah.
     
 
Gtr. 1
 
        
1
12 12 12 10
12 0 0 0 0
4 4 4 4
    
Gtr. 2
      
2
4 5

Gtr. 4
            
        
P.M.  P.M.  P.M.  P.M.  P.M. 
0 0 0 0
4 4 4 4 4 4 4 4
4 4 4 4 4
2 2 2 2 2 2 2 2 2
5
D.S. al Coda
Breakdown

Gtr. 4 tacet Gtr. 3: w/ Rhy. Fig. 1
N.C.(E7) E E7 E E7 E E7
     

Gtrs. 1 & 2
         
  
       
      
 
2 0 4 0 2 2 0 4 0 2
2 2 2 2 2 2
0 3 4 0 3 4
 Coda
Chorus
 
Gtr. 3            
F#7
 
        


  
 
day trip - per;
 
Gtr. 1

               
mp
P.M.
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
 
Gtr. 2
  
  
    
4 2 0
2 0 2 2 2
  A7 V

                 
  
   
            
  


         
 
 
Sun - day driv - er, yeah. It took me so
                
                
       
P.M.
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 7 7 7 7 7 7 7 7
2 2 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5
 
 
    
  
     
2 2 2 0 2 2 2 4 5 5 5
6
G#7 C#7 B7
                
          
              

long to find out, and I found out.
 
       
              
                     
P.M. 
6
6 6 6 6 6 6 6 4 4 4 4 4 4 4 4
6 6 6 6 6 6 6 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4
 



  

  
4 4 4 7 9 7 7

Breakdown
Gtr. 3 tacet
µ(E7)

Gtrs. 1 & 2
         
  
       
      
 
2 0 4 0 2 2 0 4 0 2
2 2 2 2 2 2
0 3 4 0 3 4
 
E E7 E E7 E E7 E E7 E E7 E E7 E
        
   
        
      
2 0 4 0 2 2 0 4 0 2
2 2 2 2 2 2
0 3 4 0 3 4
Repeat and fade
Outro-Chorus
   
  
Gtr. 3: w/ Rhy. Fig. 1, till fade
 
    
    
 
E7 E E7 E E7 E E7 E E7 E E7
     
 
Day trip - per, day trip - per, yeah.
   
 
 
  
           
        
 
 
 2
2 0 0
2
4
2
0 2
2
2 0
2
4
2
0 2 
0 3 4 0 3 4
7
from The Beatles - Rubber Soul
Drive My Car
Intro Verse
Moderately q = 122
    
    
µ *** D
 
     
1. Asked a girl what she
                
*Gtr. 1 (slight dist.)
        
mf
1/2

6 6 5 7 7 5 5 7
5 8 7 5 5 7 7 5 5 7
7 7 7
*George Harrison
 
**Gtr. 2 (clean)
    
       
mf

7
5 7 9 9 7 5
**Paul McCartney ***Chord symbols reflect implied harmony.
Gtr. 1 tacet
        
        
  
      
G D G
   

want - ed to be, she said, “Ba - by, can’t you see?

Gtr. 2
      
                 
7
5 5 7 9 9 7 5 5
3 5 7 7 5 3 3 5 7 7 5 3

Copyright Renewed
   
           
                
     

D G A7
  
  
 
I wan - na be fa - mous, a star of the screen. But you can do some - thing

        
             
P.M.
7
5 7 9 9 7 5 5
3 5 7 7 5 3 5 5 5 5 5 5
Chorus
                

     
 Bm G7
 
  
    
in be - tween.” Ba - by, you can drive my car.
  
Rhy. Fill 1 End Rhy. Fill 1 Rhy. Fig. 1
    
3
       
*Gtr. 3
   
       3
mf
w/ pick & fingers
3 3 3 3 3 3 3 5 6 5 3
4 4 4 4 4 4 4 5 7 5 4
0 2 2 2 2
3
*Piano arr. for gtr.

Gtr. 2
     



              
P.M.
7 9 7 0
5 5 5 5 7 9 9 7 7 7 7 5 3 3 3 3 3
       
 
      
                
Bm G7 Bm

   

    
Yes, I’m gon - na be a star. Ba - by, you can drive my car,
    
3

3
           
 
       3
    
3 3 3 3 3 3 3 5 6 5 3 3 3 3 3 3
4 4 4 4 4 4 4 5 7 5 4 4 4 4 4 2
2 2 2 2 2 2 2 2 2 2
3


              
2 2 2 2 0 0 2 2 2 2 2
3 3 3 3
2
       
       
E A D G A

   

and may - be I love you.
End Rhy. Fig. 1
   
      
      
  
 let ring   let ring 

let ring let ring
0 2 2 2 3 3 3 2
1 2 2 2 2 4 4 2
2 2 2 2 2 2 4 5 5 2
2 0 5 5 5 0
0 3 3


   
       
           
2 0 5 5 5 7 0
0 2 3 0 3 2 0 3 7 7 0 5 5 5 7 9 9
 Verse
Gtr. 3 tacet
    
                       
D G D
          

2. I told that girl that my pros - pects were good, and she said, “Ba - by, that’s
3. I told that girl I could start right a - way, when she said, “Lis - ten, babe, I got

Gtr. 2
   
      
    
 
        
  
7 7
5 5 7 9 9 7 5 5 5 5 7 9 9 7 5
3 3 5 7 7 5 3
 
      
           
G D G
      
          
 

un - der - stood. Work - in’ for pea - nuts is all ver - y fine. But
some - thing to say. I got no car and it’s break - ing my heart. But

  
   
   
         
     
7
5 5 5 7 9 9 7 5 5
3 3 5 7 7 5 3 3 3 5 7 7 3
3
Chorus
Gtr. 3: w/ Rhy. Fill 1 Gtr. 3: w/ Rhy. Fig. 1 (1st 4 meas.)
A7 Bm
                  
       

   

 
I can show you a bet - ter time.” Ba - by, you can drive my car.
I’ve found a driv - er and that’s a start.”

     


              
P.M. 
7 9 7
5 5 5 5 5 5 5 5 5 5 7 9 9 7 7 7 7 5
         

           
G7 Bm G7

     
  
Yes, I’m gon - na be a star.


                
0 2 2 2 2 2 0 0
3 3 3 3 3 3 3 3 3
To Coda 
        
       
  
    
Bm E A D G A
   


  
Ba - by, you can drive my car, and may - be I love you.
 
Rhy. Fill 2 End Rhy. Fill 2

Gtr. 3
     
    

       
 let ring 
 
let ring
3 3 3 3 3 3 2
4 4 4 2 2 4 2
4 5 2
2 2 2 2 2 0 0 5 5 0
0 3

Gtr. 2
     
           
    
2 2 2 2 2 2 0 5 5 5
0 2 3 0 3 2 0 3 7 7 5 3
4
Guitar Solo
Gtr. 3 tacet
      
 
 
µ D G
     
    
Beep, beep, mm, beep, beep, yeah!
          

      
Gtr. 1

        




w/ slide
1/4 1/4 1/4
8 10 8
6 8 8 6 8 8 8 6 8
5 7
7 7 7
Riff A End Riff A

Gtr. 2
    
  
        
   
   

7
5 5 5 7 9 9 7 5 5 7 5
5 3 3 3 5 7 7
     
D G D


       
                 
Gtr. 1


 

w/ slide w/ slide
1/4 1/2 1/4 1/4 1/2
10 8 8 10 8
6 8 8 6 8 8 8 6 6 8 8 6
5 7 7 7 5 7
7
   
    
G A7
    
Gtr. 1
      
 


w/ slide
1/4
3 5 5 8 8 8 10 10 10 13 13 8 10 10
8 8 8 6
7

Gtr. 2
    
   
         
 
       
P.M. 
5 7 5 7 9 7
3 3 3 5 7 7 5 5 5 5 5 5 5 5 5 5 5 7 9 9
5
Chorus
Gtr. 3: w/ Rhy. Fig. 1 Gtr. 1 tacet
        
        

                      
Bm G7 Bm G7
 
 
    

Ba - by, you can drive my car. Yes, I’m gon - na be a star.


    


w/ slide
10


                    
0 2 2 2 2 0 0
7 7 7 7 5 3 3 3 3 3 3 3 3 3
D.S. al Coda
                  

       
Bm E A D G A


  
  
Ba - by, you can drive my car, and may - be I love you.

Gtr. 2

        
              
       
2 2 2 2 2 0 5 5 5 7 9 7
0 2 3 0 3 2 0 3 7 7 5 3 5 5 5 7 9 9
 Coda
Gtr. 3: w/ Rhy. Fill 2
     


 
D G A µ

          

you. Beep, beep, mm, beep, beep, yeah!

Gtr. 2
       
     
5 5 5
3 7 7 5 3 5
6
Outro
        

   
*D G A D G
  
      


 

 
 
   
   
      

       
 
5 5 5 7 9 7 5 5 5 5
5 7 7 5 3 5 5 5 7 9 9 5 7 7 5 3
Begin fade
       

         

A D G A
   
 
      

 

Beep, beep, mm, beep, beep, yeah! Beep, beep, mm, beep, beep, yeah!
          
  

Gtr. 1
  
  

w/ slide
8 10 8 10 8 10 8 10 10

Gtr. 2

 
       
             
 
  
7 9 7 5 5 5 5 7 9 7
5 5 5 7 9 9 5 7 7 5 3 5 5 5 7 9 9
    

Fade out
 
     
  
D G A D G
      


 

                    
     
      
  

w/ slide
8 10 8 10 8 10 8 10 10 8 10 8 10 8 10 8 10

 

  
   
              
 
  
5 5 5 5 7 9 7 5 5 5 5
5 7 7 5 3 5 5 5 7 9 9 5 7 7 5 3
7
Norwegian Wood
(This Bird Has Flown)
Gtrs. 1, 2 & 3: Capo II

Gtr. 4: Capo VII
Intro
Moderately q. = 60
E E'4 E D'9 A/C# E
**[D] [D'4] [D] [C'9] [G/B] [D]
                      
*Gtr. 1 (acous.)
 
                     

 
    


      
mf
let ring throughout
2 2 2 2 2 2 0 0 2 2 2 2 2 2 2 2

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 4 2 0 0 0 0 0 0 2 2 0 0 0 2 2 2 2 2 2 0 2 2
0 0 4 4 4 2 4 0 0 0 0 0 0 0 0 0 0 0
0 0 0 3 2 0 0 0 0 0 0
*John Lennon
**Symbols in parentheses represent chord names respective to capoed guitars.
Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
Chord symbols reflect basic harmony.
E'4 E D'9 A/C# E
   
 
[D'4] [D] [C'9] [G/B] [D]
***Gtr. 2
    
     

f
 1/2
1/2

5 5 7 5 3 2 0 2 2 3
3 0
4 2
***George Harrison
Sitar arr. for gtr.
                
Gtr. 3 (12-str. acous.)
        
   
   
mp
let ring throughout
2 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 4 2 0 2 2 2 2 0 2 2 2 0 2 2 2 2 2
4 2 4 0
3 2 0 0
             


 
Gtr. 1
           

  

              


     

2 2 2 2 0 0 2 2 2 0 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 4 2 0 0 0 0 2 2 2 0 0 0 2 2 2 2 0 2 2 0 2
0 0 0 0 0 0 4 4 4 2 4 0 0 0 0 0 0 0 0 0
0 0 0 0 3 2 0 0 0 0 0 0

Copyright Renewed
Verse
E E'4 E D'9 A/C# E
     
  
  
[D] [D'4] [D] [C'9] [G/B] [D]
 

     
    
John Lennon:
1. I once had a girl, or should I say she once had me.
 
       


1/2
3
0
4
Rhy. Fig. 2A
                
  


 

 

    

  
 
2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0
3 2
Rhy. Fig. 2 3
                
                       
       
               

2 2 0 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 4 2 0 0 0 0 0 0 0 2 2 2 0 2 0 2 2 2
0 0 0 0 0 0 4 4 4 4 2 4 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 3 2 0 0 0 0 0
0
E'4 E D'9 A/C# E
     
   
[D'4] [D] [C'9] [G/B] [D]
          
    

She showed me her room, is - n’t it good, Nor - we - gian wood. She

  
       


 1/2
3
2 4 4 4
End Rhy. Fig. 2A
                
 
 

 

 

 

 

 

 

 
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
3 3 End Rhy. Fig. 2
                         

                          
   
2 2 2 2 2 2 0 0 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 4 2 0 0 0 0 0 0 2 2 2 0 0 0 2 2 0 2 2 2 2 0 2 0
0 0 0 0 0 0 4 4 4 2 4 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 3 2 0 0 0 0 0 0 0 0
2
 Bridge
2nd time, Gtr. 2 tacet Gtr. 2 tacet
Em A
[Dm] [G]
* [[Am)) [[Dsus2]]
                    
**

               
asked me to stay, and she told me to sit an - y - where. So

told me she worked in the morn - ing and start - ed to laugh. I



Gtr. 2
    

2
    
 
   
 
  
 
      
Gtr. 3
 
  

 
 
  
 
  
 




          
mf      




1 1 1 1 1 1 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3
                      
Gtr. 1
                      
                                       
                       
         
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                        

   
       
            
      
       
mf
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
*Symbols in double parentheses represent chord names respective to capoed Gtr. 4.
**Paul McCartney, harmony vocals
3
Em
[Dm]
               

[[Am]]
           
I looked a - round and I no - ticed there was - n’t a chair.
told her I did - n’t and crawled off to sleep in the bath.
    
   
    
Gtr. 3
  


    


1 1 1 1 1 1 3
3 3 3 3 3 3 3
2 2 2 2 2 2 2
0 0 0 0 0 0 0 2
  
Gtr. 1
                     
                          
                      
0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
      
 
      
 
  
Gtr. 4
           
 

         
0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 X
2 2 2 2 2 2 2 2 2 2 2 2 X
2 2 2 2 2 2 2 2 2 2 2 2 X
0 0 0 0 0 0 0 0 0 0 0 0
F#m7 B
[Em7] [A]
   
[[Bm7]] [[E]]
   
       
 

 

 
 
   
 
 
  
   let ring
0 0 0 0 0 0
3 3 3 3 2 2 3
0 0 0 0 2 2 2
2 2 2 2 2 2
2 2 2 2 0
0 0 0 0
                    
                    
        
         
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 0 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
   
 

   
    
      
  
     
 
        
    
0 0 0 0 0 0 0
0 0 0 2 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 1 1 1 1 1 1 1
0 0 0 0 0 0 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0
4
Verse
Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A
Gtr. 4 tacet
E E'4 E D'9 A/C# E
     
[D] [D'4] [D] [C'9] [G/B] [D]
    

   
     

 
2. I sat on a rug bid - ing my time, drink - ing her wine.
3. And when I a - woke I was a - lone, this bird had flown.
 
Gtr. 2
  
 
0 0
To Coda 
E'4 E D'9 A/C# E
     
[D'4] [D] [C'9] [G/B] [D]
  
 

         
    
We talked un - til two, and then she said, “It’s time for bed.”
So I lit a fire, is - n’t it good, Nor - we - gian wood.


 
  
0 0
Interlude
E E'4 E D'9 A/C# E
  

  
[D] [D'4] [D] [C'9] [G/B] [D]
            
Gtr. 2

  
 1/2
1/2
 
5 5 7 5 3 2 0 2 2 3
3 0
4 2 2
          
Gtr. 3
               
      
   
2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3
2 2 2 4 2 0 2 2 0 2 2 0 2 2 2 2
4 2 4 0
3 2 0 0
5
D.S. al Coda
E'4 E D'9 A/C# E
  

[D'4] [D] [C'9] [G/B] [D]
     

She
     
 


           
 1/2
1/2

5 5 7 5 3 2 0 2 2 3
3 0
4 2
          
 
            
      

   
2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3
2 2 2 4 2 0 2 2 0 2 2 0 2 2 2 0
0 4 2 4 0 0
3 2 0 0
 Coda
Outro
E E'4 E D'9 A/C# E
[D] [D'4] [D] [C'9] [G/B] [D]
  
 
[[A5]] [[G'9]] [[A5]]


     

Gtr. 2
   
 1/2
1/2

5 5 7 5 3 2 0 2 2 3
3 0
4 2
       
Gtr. 3
         

     


2 2 2 2 2 2
3 3 3 3 3 3
2 2 2 4 2 0 2 2 0 2 2 0
0 4 2 4 0
3 2 0



                
Gtr. 1
                    
    
2 2 2 2 2 2 0 0 2
3 3 3 3 3 3 3 3 3 3
2 2 4 2 0 0 0 0 0 0 2 2 2 0 0 0 2
0 0 0 0 4 4 4 4 2 4 0 0 0 0 0
0 0 0 0 0 0 3 2 0
 
Gtr. 4
            
       
2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 0 2
0 0 0 0 0 0
0 3
6
Nowhere Man
(D) (G6) (A) (G) (Dsus2) (Em) (Em7) (Gm) (A )V
5fr
132 111 21 34 13 23 23 4 134111 134211
Gtr. 1: Capo II
Verse
Moderately q = 122
E B A E F#m7
                 

* (Em7)
 

  

           
   
 
He’s a real no - where man, sit - ting in his no - where land,

 
Gtr. 1 (acous.)
        
 


mf

3
0
2
2
0
*Symbols in parentheses represent chord names
respective to capoed guitar. Symbols above
reflect actual sounding chords. Capoed fret
is “0” in tab. Chord symbols reflect basic
harmony.
Am E
[Gm] [D]
 
 
  
             

 

   
 
   
mak - ing all his no - where plans for no - bod - y.
 
                       
Gtr. 1
                     
                       
            
(cont. in slashes)
0 0 0 0 X 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2
3 3 3 3 X 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 X 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2
2 2 2 2 2 X 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0
2 2 2 2 2 X 5 5 5 5 5 5 5
0 0 0 0 0 X 3 3 3 3 3 3 3
     
Gtr. 2 (elec.)
  
      


mf
w/ clean tone

2
3
4 2 1
2 2
2

Copyright Renewed
Verse
* [D] (G6) [A] (G6) [G] [D] (Dsus2) (D) (G6)
 
           
      
Gtr. 1
       
    

           
 
2. Does - n’t have a point of view, knows not where he’s go - ing to.
 
Gtr. 2
  
 
2
[Em] [Em7] [Gm] [D]

   
            
      

   
             

(cont. in notation)

   
  
  
Is - n’t he a bit like you and me? No - where man,
 
   
  
     



4 2 1

2 2
2 2
 Chorus
Gtr. 2 tacet
A G#m
G#m [G] [F#m]

[F#m]
 
    


     

  
 
please lis - ten. You don’t know what you’re
 
Voc. Fig. 1

     
      

(Ah, la, la, la, ah,

  
              
Gtr. 1
      










 
     
        
2 2 2 3 3 3 3 3 2 2 2 2
2 2 2 3 3 3 3 3 2 2 2 2
2 2 2 4 4 4 4 4 2 2 2 2
4 4 4 5 5 5 5 5 4 4 4 4
4 4 4 5 5 5 5 5 4 4 4 4
2 2 2 3 3 3 3 3 2 2 2 2
2
A G#m F#m7
[G] [F#m] [Em7]
   3   
  
       
 
  



miss - ing. No - where man, the world is

 
        
          
 
la, la, la, ah, la, la, la,
                   
 











            
                  
    
3 3 3 3 3 2 2 2 2 2 0 0 0 0 0 0 0 0
3 3 3 3 3 2 2 2 2 2 3 3 3 3 3 3 3 3
4 4 4 4 4 2 2 2 2 2 0 0 0 0 0 0 0 0
5 5 5 5 5 4 4 4 4 4 2 2 2 2 2 2 2 2
5 5 5 5 5 4 4 4 4 4 2 2 2 2 2 2 2 2
3 3 3 3 3 2 2 2 2 2 0 0 0 0 0 0 0 0
To Coda 
Guitar Solo
B B7
[A] [A7] [D] (G6)
     
Gtr. 1
 
 

 

  
3

at your com - mand.
End Voc. Fig. 1
       
  

  
ah, la, la, la, la, la.)
  
                  
Gtr. 2
               





 

             
       
(1st time, cont. in slashes) let ring 
0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 0 0

3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 0 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
(A) (G6) (G) (D) (G6)

 
                      
   
    
    
            
   



  

let ring let ring let ring
0 2
4 4 2 2 0


4 4 2 2 2 1 2 1

4 2 2 2 2 2
0 2 2
3
(Em7) (Gm) (G6) (D)
   
                             

8va
    
          
         


 
 Harm.
let ring let ring
let ring
5
2

2 2 2 2

4 4 4 2 2
4 4 0 3 3 2 2
2 0
Pitch: E
Verse
 
[D] (G6) [AV] (G6) [G] [D] (G6)
          

     
      
    
   

   



(cont. in notation)
       

 
 
3. He’s as blind as he can be, just sees what he wants to see.
 
8va
    
   
let ring 
5
F#m7 Am E
[Em7] [Gm] [D]
  
 
  
        

     
    
    

No - where man, can you see me at all? No - where man,
                      
       
Gtr. 1
                       
                         
         mp mf
0 0 0 0 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 2 0
3 3 3 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 2 0
2 2 2 2 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 5 5 5 5 5 5 5
0 0 3 3 3 3 3 3 3
    
Gtr. 2
   
    
 

4 2 1

2 2 2
2
4
Chorus
Gtr. 2 tacet
G#m A G#m
[F#m] [G] [F#m]
 
    


     

  

don’t wor - ry. Take your time, don’t

                   
Gtr. 1
 










         









 

                  
2 2 2 2 2 2 3 3 3 3 3 3 3 2 2 2 2 2
2 2 2 2 2 2 3 3 3 3 3 3 3 2 2 2 2 2
2 2 2 2 2 2 4 4 4 4 4 4 4 2 2 2 2 2
4 4 4 4 4 4 5 5 5 5 5 5 5 4 4 4 4 4
4 4 4 4 4 4 5 5 5 5 5 5 5 4 4 4 4 4
2 2 2 2 2 2 3 3 3 3 3 3 3 2 2 2 2 2
A G#m F#m7
[G] [F#m] [Em7]
        
    
 
 

   



3
hur - ry. Leave it all ’til some - bod - y else lends
                      

 












                
             
             
3 3 3 3 3 3 3 0 2 2 2 2 2 2 0 0 0 0 0 0 0
3 3 3 3 3 3 3 0 2 2 2 2 2 2 3 3 3 3 3 3 3
4 4 4 4 4 4 4 0 2 2 2 2 2 2 0 0 0 0 0 0 0
5 5 5 5 5 5 5 0 4 4 4 4 4 4 2 2 2 2 2 2 2
5 5 5 5 5 5 5 0 4 4 4 4 4 4 2 2 2 2 2 2 2
3 3 3 3 3 3 3 2 2 2 2 2 2 0 0 0 0 0 0 0
Verse
B E
     
[A] [D]
  
 
         

you a hand. 4. Does - n’t have a
                      

Gtr. 1
                      
               
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 0
3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 3 3 3 3 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0

Gtr. 2 Fill 1 End Fill 1
                 
          
p f
4
4 4 4 4 4 4 4 4 4 4 4 2
2 2 2 2 2 2 2 2 2 2 2
5
Gtr. 2 tacet
B A E
      
[A] [G] [D]
 

        

   

point of view, knows not where he’s go - ing to.
                      
Gtr. 1
                














 
       
(cont. in slashes)
0 0 0 0 0 0 0 0 3 3 3 3 3 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 0 3 3 3 3 3 3 3 3 3 3 3 3 0
2 2 2 2 2 2 2 0 0 0 0 0 0 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2 2
3 3 3 3 3
D.S. al Coda
[Em] [Gm] (G6) [D] [Dsus2] (D)

     
               
Gtr. 1
     

    
     
     
 
(cont. in notation)
      

Is - n’t he a bit like you and me? No - where man,

  
Gtr. 2
       

4 2 1
2
2
 Coda
Verse
Gtr. 2: w/ Fill 1
E B A
             
[D] [A] [G]
   


       

    
5. He’s a real no - where man, sit - ting in his
                    

Gtr. 1
 








               
             
2 2 2 2 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3
3 3 3 3 0 2 2 2 2 2 2 2 0 3 3 3 3 3 3
2 2 2 2 0 2 2 2 2 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 2 2 2 2 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2
3 3 3 3 3 3
6
E F#m7 Am
 
[D] [Em7] [Gm]
           


        
 

no - where land, mak - ing all his no - where plans for
                   
                     
                 
            
2 2 2 2 2 0 0 0 0 0 0 3 3 3 3 3 3 3
3 3 3 3 3 0 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3
0 0 0 0 0 0 2 2 2 2 2 2 2 5 5 5 5 5 5 5
2 2 2 2 2 2 5 5 5 5 5 5 5
0 0 0 0 0 0 3 3 3 3 3 3 3

Outro
[D] (Dsus2) (D) (Dsus2) (G6) [Em7]
 
                
Gtr. 1
   
  
     

 

  
 
 
no - bod - y. Mak - ing all his

   
Gtr. 2
     


4 2 1
2 4
[Gm] [D] (Dsus2) (D) (G6)
                     
  
      

 


   
 
  
   
no - where plans for no - bod - y.
 
     
   

2 4 4 2 1
2

[Em] [Gm] [D]
   
                   
            
             


     

          
 

Mak - ing all his no - where plans for no - bod - y.
   

       
2 4 2 1
4 2
2
7
Michelle
Words and Music John Lennon and Paul McCartney
 
Capo V
Intro __  3
Moderately q = 118 =
* Fm Fm(maj7) Fm7 Fm6 Dbmaj7 C
(Cm) (Cm(maj7)) (Cm7) (Cm6) (Abmaj7) (G)
        

      
**Gtr. 1 (acous.)
             


   
mp
33
let ring throughout
3 3 3 3 3 1 1 3 3

4 4 4 4 1 1 4 1 3 3
3 5 4 3 2 1 1 0 0 0
**Doubled throughout
  

             
       
Gtr. 2 (acous.)
         
mp 3
let ring throughout
3 3 3 3 3 3 1 3 3 2 3 3 3 1

4 4 4 4 4 1 1 4 3 3 2 3 3 3 1
5 4 3 2 1 0
*Symbols in parentheses represent chord names respective to capoed guitars.

Chorus
Gtr. 2 tacet
F Bb7#9 Eb6
(C) (F7#9) (Bb6)
    

      
Mi - chelle, ma belle, these are words that
Voc. Fig. 1

   


 



 

 


(Oo, oo.)
       
  
Gtr. 1
         
      
mp
let ring throughout
3 3 3 4 4 3
1 1 1 4 4 3 3
0 0 0 2 2 3 3
2 2 1 1 3 3
3 3 3 1 1
1 1

Copyright Renewed
Dº7 C Bº7 C
(Aº7) (G) (F#º7) (G)
      

       
go to - geth - er well, my Mi - chelle.
    

End Voc. Fig. 1


    
    
        

       

 
  
    
  
2 3 3
1 4 4 7 4 0 0 1 1 0 3 3
2 5 5 8 5 0 2 2 0 0 0
1 4 4 7 4 0 1 1 0 0
2 2 2
3 3 3

F Bb7#9 Eb6 Dº7
   

(C) (F7#9) (Bb6) (Aº7)
 

       
  
3
   
Mi - chelle, ma belle, sont les mots qui vont tres bien en -
                    

                       
       
3 3 3 3 4 4 4 3 3 3 2 2 2 2
1 1 1 1 X 4 4 4 4 3 3 3 3 3 3 1 1 1 1
0 0 0 0 X 2 2 2 2 3 3 3 3 3 3 2 2 2 2 2
2 2 2 2 1 1 1 3 3 3 3 3 1 1 1
3 3 3 3 1 1 1 1
1 1
Verse
C Bº7 C Fm
 
(G) (F#º7) (G) (Cm)

               
3
   
3 3 3

semble, tres bien en - semble. 1. I love you, I love you, I love you,

               
                       
  
     
3 2 3 3 3 3 3 3 3 3 3
3 0 1 1 0 3 3 3 4 4 4 4 4 4 4
0 0 2 2 0 0 0 0 5 5 5 5 5 5 5
0 0 1 1 0 0 0 0 5 5 5 5 5 5 5
2 2 2 2 2 3 3 3 3 3
3 3 3 3 3
2
Ab7 Db C7 Fm
   
   
(Eb7) (Ab) (G7)
 (Cm)
           
       
3
 
that’s all I want to say. Un - til I find a way, I will
   
          
    


  




    
(Oo, oo.)
            

                   
3
        
      
4 4 4 3 3 3 3 3
4 4 4 4 4 4 6 6 6 4 4 4
6 6 6 5 5 5 4 4 4 5 5 5
5 5 5 6 6 6 3 3 5 5
5 6 6 6 6 5 5 5 3
6 4 4 3
Fm(maj7) Fm7 Fm6 Dbmaj7 C

(Cm(maj7)) (Cm7)
 
(Cm6) (Abmaj7) (G)

          

     
say the on - ly words I know that you’ll un - der - stand.
         

   
Gtr. 1
       
  
3 3 3 3 3 1 1 3 3 3 3
4 4 4 4 1 1 4 1 3 3 3 3
5 4 3 2 1 1 0 0 0
           
  
      
Gtr. 2
        
  
3 3 3 3 3 1 2 3 3 2 3 2 3
4 4 4 4 1 1 4 2 3 3 2 3 2 3
5 4 3 2 1 1 1 0
Chorus
Gtr. 2 tacet
F Bb7#9 Eb Dº7
(C) (F7#9) (Bb) (Aº7)
   
      
   
   
3
    
Mi - chelle, ma belle, sont les mots qui vont tres bien en - semble,
       
Gtr. 1 Rhy. Fig. 1
          
   
    
        
3 4 4 2 2 2 3
1 1 1 4 4 3 3 3 3 1 1 1 1 0
0 0 0 2 2 3 3 3 3 2 2 2 2 0
2 2 2 1 1 3 3 3 3 1 1 1 1 0
3 3 3 3 1 1
1 1 1
3
 Verse
C Bº7 C Fm
 
(G) (F#º7) (G) (Cm)
   
3

     
        
3 3
   
3 3

tres bien en - semble. 2. I need to, I need to, I need to,
want you, I want you, I want you,
                 


End Rhy. Fig. 1
     
             
         
3 0 2 2 3 3 3 3 3 3 3 3 3 3 3
3 0 1 1 0 3 3 3 4 4 4 4 4 4 4
0 2 2 0 0 0 0 5 5 5 5 5 5 5
0 1 1 0 0 0 5 5 5 5 5 5 5
2 2 3 3 3 3 3 3 3
3 3

Ab7 Db C Fm
 
(Eb7) (Ab) (G) (Cm)

    
                
3

3 3
 
I need to make you see, oh, what you mean to me. Un -
 
I think you know by now. I’ll get to you some - how. Un -
    

              
        




             
      
4 4 4 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 3 3 3 3 4 4 4 4
6 6 6 6 6 5 5 5 4 4 4 4 5 5 5 5
5 5 5 5 5 6 6 6 5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 5 5 5 3 3 3
4 4 4 3 3 3
T o Coda 
Fm(maj7) Fm7 Fm6 Dbmaj7 C
(Cm(maj7)) (Cm7) (Cm6) (Abmaj7) (G)

       

        
til I do, I’m hop - ing you will know what I mean.
til I do, I’m tell - ing you so you’ll un - der - stand.
           

  
 
Gtr. 1
             
  
 
3 3 3 3 3 1 4 1 3 3 3 3
4 4 4 4 1 1 4 1 3 3 3 3
5 4 3 3 2 2 1 1 1 0 0 0
           
  
  
  
Gtr. 2
 

       
   
 
3 3 3 3 3 1 1 3 3 1 3 1 3
4 4 4 4 1 1 4 1 3 3 1 3 1 3
4 5 4 3 2 1 1 0 0
Fill 1

Gtr. 3
    

( )
1
0
4
Guitar Solo
Gtr. 2 tacet
F Bb7#9 Eb
(C) (F7#9) (Bb)
       
    
I love you.
Riff A

*Gtr. 3 (elec.)
       
3
       
3 3
  
steady gliss.
mf
0 2 3 5 6 6 1 0 0 1 3
3 3 1
*Neck pickup w/ treble rolled off.
  
         
     
Gtr. 1
        



         
3 0 0 3 4 4
1 1 1 1 4 4 4 3 3 3 3 3
0 0 0 0 2 2 2 3 3 3 3 3
2 2 2 2 1 1 1 3 3 3 3 3
3 3 3 3 3 3 3 1 1 1 1
1
D.S. al Coda
Dº7 C Bº7 C
(Aº7) (G) (F#º7) (G)
       
3
3. I

End Riff A

3

3 3
    
3
          
0 1 1 0
3 3 0 2 0 3 2 0 2 3

3
            
             
   
       

2 2 2 2 2 3 3 2 2 3 3 3 3
1 1 1 1 1 0 3 1 1 0 3 0 3 3
2 2 2 2 2 0 0 2 2 0 0 0 0 0
1 1 1 1 1 0 0 1 1 0 0 0 0 0 0
2 2 2 2 2 2
3 3 3 3 3 3
 Coda
Chorus
Gtr. 2 tacet
Gtr. 1 w/ Rhy. Fig. 1
F Bb7#9 Eb6
(C) (F7#9) (Bb6)
 
  3
   
      
Mi - chelle, ma belle, sont les mots qui
Dº7 C Bº7 C
(Aº7) (G) (F#º7) (G)
    

     
3
      
vont tres bien en - semble, tres bien en - semble. And I will
5
Fm Fm(maj7) Fm7 Fm6 Dbmaj7 C
(Cm) (Cm(maj7)) (Cm7) (Cm6) (Abmaj7) (G)

       
  


 
 
   
    
     


3
say the on - ly words I know that you’ll un - der - stand, my Mi -

(Oo.)
           

  
 
Gtr. 1
 
          
 
3 3 3 3 3 1 1 3 3 3
4 4 4 4 1 1 4 1 3 3 3
3 5 4 3 2 1 1 1 0 0
          

   
Gtr. 2
          
   
3 3 3 3 3 1 1 3 3 3 3 3
4 4 4 4 1 1 4 1 3 3 3 3 3
5 4 3 2 1 0 0 0
Outro
Gtr. 2 tacet
F Bb7#9 Eb

(C) (F7#9) (Bb)
    

chelle.

      

 
 
Gtr. 1
        


  
0 0 0 0 4 4 3 3
1 1 1 1 4 4 4 3 3 3 3 3
0 0 0 0 2 2 3 3 3 3
2 2 2 2 3 3 3
3 3 3 3 3 1
1
Gtr. 2 tacet
Dº7 C Bº7 C
(Aº7) (G) (F#º7) (G)
      
       
Gtr. 1

*
    
Gtr. 1
   
           

   
Gtr. 2
divisi
3 2 2 3 3 3 3
1 4 4 7 4 4 3 3 0 1 1 3 3 3
2 5 5 8 5 5 0 0 0 2 2 0 0 0 X
1 4 4 7 4 4 0 0 1 1 0 0 0 X
2 2 2 X
3 3 3
*Played as even eighth notes.
Begin fade Fade out

F Bb7#9 Eb
(C) (F7#9) (Bb)
    
     
  
       

    

3 0 3 0 4 3
1 1 1 1 4 4 4 3 3 3 3
0 0 0 0 2 2 3 3 3 3
2 2 2 2 3 3 3 3
3 3 3 1 1 1
6
In My Life
Intro
Moderately q = 104
 
A E A E
     
 
1. There are
      
     
Gtr. 1 (clean)
    
   
mf
let ring let ring let ring let ring
5 0 4 5 0 4

2 2 3 2 2 3
     
Gtr. 2 (clean)
                       
          
            
mp
let ring throughout
0 0 0

0 0 0 0 0
2 2 2 2 2 1 1 1 0 2 2 2 2 2 1 1 1 1
2 2 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 2
0 0 0 0 0 2 2 2 2 0 0 0 0 0 0 2 2 2
0 0 0 0 0 0 0 0
Verse
  
A E F#m A7/G D Dm
      
    
   
     
 

plac - es I re - mem - ber all my life, though
(Oo.)
  
3

3
    
  
3
 
3
      
      

  
  
 let ring    
 let ring 
0
7 6
6 2 7 7 7 7 7 7
7 2 2 4 7 7 7 7
7 2 4 5 5 5 5
5 5 0 0 2 2 3 5

  
 
 
  
Rhy. Fig. 1
 
       
     
     
3 2 1
2 3 3
2 2 1 1 2 2 2 2
2 2 2 2 4 2 0 0
0 0 2 2 4 0
0 0 2 3

Copyright Renewed
     
 
A E F#m A7/G

 

     

  
    
some have changed. Some for - ev - er, not for bet - ter. Some have

        
3 3 3
      
3
      
    
 
  
  let ring  
  
6 6 6 2
7 7 7 7 7 6 4

7 7 7 7 4 4
5 5 5 5 0 0 2 2 3
   
               
         
 




  
3 3
2 2
2 2 2 2 2 1 1 2 2 2
2 2 2 2 2 2 2 4 2 2
0 0 0 0 0 2 2 4 0
0 0 2 3

D Dm A F#m
           
              

     

gone and some re - main. All these plac - es have their
(Oo.)
  
3 3
      
3
      
       
  
  
7 6
7 7 7 7 6
7 7 7 7 7 7 7 7
5 5 5 5 7 7
5 5 5 5 2
   
   

    

    

2 1
3 3
2 2 2 2 2 2
0 0 2 2 2 4
0 0 0 4
2
    

D G A
             

    
3
     

mo - ments with lov - ers and friends I still can re - call. Some are

 
 

 
        
       
0 0 0 2 0
0
 
3 3 3 3 3 3 3 3 5 5 5 5 5 5 0
 
 
     
       
       
2 3 3 3 3 5
3 3 3 3 3 5 0
2 4 4 4 4 6 0
0 5 5 5 5 7 0
5 5 5 5 7 0
3 3 3 3 5
2
            
 
 
F#m B7 Dm
              

     


dead and some are liv - ing. In my life, I’ve
 
3
       
          

    
 
  

4 6
4 4 7 7 7
4 4 4 4 7 7 7 7
4 4 2 2 5 5 5
2 2

End Rhy. Fig. 1 Rhy. Fig. 2
      
  
 











 
1 1 1 1 1
4 3 3 3 3 3
2 2 2 2 2 2 2
4 4 0 0 0 0 0
4 2
2

  
A E
  

      
loved them all. 2. But of
      
      
3
  

 
  

5 0 4
5 2 2 3
6
7
7
5 5

 
End Rhy. Fig. 2
   










          
                 
2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 2 2 2 2
0 0 0 0 0
Verse
 
A E F#m A7/G D Dm
     
     

    

   
     

all these friends and lov - ers, there is no one com -
(Oo).
    
Gtr. 1
               
3 3
 
       
 


     

let ring  let ring 
0
2 0 7 6

2 1 0 2 2 7 7 7
2 2 2 4 2 2 7 7 7 7
0 2 2 4 X 4 5 5 5 5
0 0 2 3 5 5 5 5
3
      
 
A E F#m A7/G

 

        
 
      
pares with you. And these mem - ’ries lose their mean - ing when I

       
             
 
   
let ring
  
7 7 7 4 2 2
7 7 7 7 7 4 4
5 5 5 5 5 5 5 0 0 2 2 3
     
D Dm A F#m
  
 

               
      

3
think of love as some - thing new. Though I know I’ll nev - er lose af -
(Oo.)
  
        
3 3
          
          
 let ring   noise 
   string

7 6
7 7 7 7
7 7 7 7 7 X 4
5 5 5 5 7 7 X 4
5 5 5 5 5 5 5 2 2 2 2
  D  G
     
A
           
     

fec - tion for peo - ple and things that went be - fore, I
  
       

 

            
2
3
2 2 2 2 6
0 2 2 7
0 5 5 5 5 5 5 7 7 7
3 3 3 3 3 3 5 5 5 5 5
         
   
         
F#m B7 Dm A
       

      
    
know I’ll of - ten stop and think a - bout them. In my life, I love you more.

                
        
 let ring 
      
4 4 7
2 4 4 4 4 7 7 7 7 7 7 7 7
4 4 4 2 2 5 5 5 7 7 7 7
2 5 5 5 5
4
Piano Solo
A E F#m A7/G
mf
      
         
*Gtr. 3
     
(clean)
           
   

*Gtr. 4 mf
(clean)
divisi
9 12 10 12 12 15
10 12 10 12 12 14 12 14 15
9 11 13 14 6 4
7 9 7 6 7 6 4 5 7 5 4
7 7
*Piano (played by George Martin) arr. for two gtrs.

Gtr. 1

    
3 3
        
  
  
   

let ring  
let ring  
let ring 
0
6 7
7 7 6 4 0
7 7 4 0
5 5 0 0 2 2 3 3 3
D Dm A
     
               

    
              
 


 

15 14 12 14 10 14 9 14 13 12 13 12 10 12 9 12 7 12 12 10 12 9
12 15 12 10 12
7 6 7 4 7 7 9
7 7 7 11 9 11 7 11 6
5 5 4 7
   
        
3 3
      
   
  
  
  
  
6 5
7 7 7 7 6 6 6
7 7 7 7 7 7 7 7 7
5 5 5 5 7 7
5 5 5 5 5
E F#m A7/G
      
               
   
           
 
9 12 10 12 12 15
10 12 10 12 12 14 12 14 15
9 11 13 14 6 4
7 9 7 6 7 6 4 5 7 5 4
7 7

  
3
  
3
  
3
         
  
   
  
  
6 1
7 7 2 2 4
7 2 4
5 5 0 0 2 2 3 3
5

D Dm A
     
3. Though I
     
             
                
 


    
   


15 14 12 14 10 14 9 14 13 12 13 12 9 10 12 9
12 15 12 10 9 10 9
7 6 7 4 7 7 9 11 9
7 7 7 7 6 12 11 9
5 5 4 7 9 7 5 12
9 7 5
  
3 3
         
3
       
   
  
   
  
  
7 6
7 7 7 7 6 6
7 7 7 7 7 7 7 7
5 5 5 5 7 7 7
5 5 5 5
Verse
Gtr. 2: w/ Rhy. Fig. 1 (last 6 meas.)
         
Gtrs. 3 & 4 tacet
  
F#m D G
    
       
    
    

know I’ll nev - er lose af - fec - tion for peo - ple and things that
  

Gtr. 1
          

      
        

7
2 7 4 4 4 4 4
4 7 5 5 5 5 5 5 5
4 5 5 5 5 5 5 5 5
2 5 5 0 3 3 3 3 3 3 3
        
          

A F#m B7
  

   

    

went be - fore, I know I’ll of - ten stop and think a - bout them. In

   








             
          
 
6 6 6 6 6 6 0 4 4
7 7 7 7 7 7 0 4 4 4 4 4 4 4
7 7 7 7 7 7 0 4 4 4 4 4 2 2 2
5 5 5 5 5 5 0 2 2
6
  
Dm A E
                 

 
my life, I love you more. In
 
            
Gtr. 1
 
3
 
    
   
 
   

let ring let ring let ring let ring
5 0 4
6 5 5 2 2 3
7 7 7 7 7 6
7 7 7 7 7
5 5 5 5 7
5
       
Gtr. 2
         












            
             
  
 

1 1 1 1 1
3 3 3 3 3 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2
0 0 0 0
Outro
Free time A tempo

Dm/F µ A E A
      
          

   
my life, I love you more.
    

  
            
  





 



1 5 0 4 4 2 4 5

3 2 2 3 3 2
2 4 2
3 2 2
0
  
     

  



           


      






 
1 0
3 0 2
2 2 2 2 2 2 1 1 1 0 2
0 2 2 2 2 2 2 2 2 0 2
0 0 0 0 0 2 2 2 0
0 0 0
7
Girl
 __ =   
Capo VIII
Verse 3
Moderately q = 96
Cm G7 Cm Cm7 Fm **Ab6/C
              3  
*(Em) (B7) (Em) (Em7) (Am) (C6/E)

            
3
    
1. Is there an - y - bod - y go - ing to lis - ten to my sto - ry all a - bout the girl who came to
think of all the times I’ve tried so hard to leave her, she will turn to me and start to
 
Rhy. Fig. 1
              

Gtr. 1 (acous.)
     
 
 
          
     
     
mf

let ring throughout

0 2 2 0 0 0 0 0 0 0 0

0 0 0 0 0 0 3 3 0 1 1 1 1 1 0
0 0 2 2 0 0 0 0 0 0 2 2 2 2 2 0
2 2 1 1 0 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 0 0 3 3
0 0 0 0 0 0
  
     


p



2
3
*Symbols in parentheses represent chord names respective to capoed guitars. ** Bass plays C.
Chord symbols reflect basic harmony.
Eb G7 Cm G7 Cm Cm7 Fm Ab6/C
(G) (B7) (Em) (B7) (Em) (Em7) (Am) (C6/E)

                              
*** †
3 3
stay? She’s the kind of girl you want so much it makes you sor - ry, still you don’t re - gret a sin - gle
cry. And she prom - is - es the earth to me and I be - lieve her. Af - ter all this time I don’t
                     
                             
                
     
0 2 0 0 0 2 0 0 0 0 0 0 0 0
3 0 0 0 0 0 0 0 0 0 0 0 3 3 3 0 1 1 1 1 1 1 0
0 0 0 2 2 2 0 0 0 0 2 2 2 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0
0 0 0 1 1 0 2 2 2 2 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 3 3
3 0 0 0 0 0 0


       
0
0 2 0 2 0
4
***Sung behind the beat. †Sung as even eighth-notes.

Copyright Renewed
Gtr. 2 tacet
Chorus
Cm Eb Gm Fm Bb7 Eb Gm
(Em) (G) (Bm) (Am) (D7) (G) (Bm)
  
   
   
        
   
    

3 3
day. Ah, girl, * ffff. Girl, girl.
know why. (Girl, Girl.)
End Rhy. Fig. 1 Rhy. Fig. 2
                    
Gtr. 1
                           

             

0 0 0 0 3 2 2 2 0 0 0 0 2 2 2 0 3 3 2 0
0 0 0 0 3 3 3 3 0 1 1 1 1 1 1 0 3 3 0 3 0
0 0 0 0 0 0 4 4 4 0 2 2 2 2 2 2 0 0 0 0 0 4 4 0
2 2 2 2 2 0 0 4 4 2 2 0 0 0 0 0 0 4 4 0
2 2 2 2 2 2 2 2 0 0 2 2 0 2 2
0 3 3 2 0 3 3 2
   
*Inhale
Bridge
 =  
Fm Bb7 Fm C
(Am) (D7) (Am) (E)
    
                 
                 
3
       
2. When I 3 3 3 3 3 3 3 3
She’s the kind of girl who puts you down when friends are there, you feel a
(Dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit.
 
End Rhy. Fig. 2
             

                
     
   


0 0 2 2 2 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 0 1 1 1 1 0 0 0 0
2 2 2 2 2 2 2 0 2 2 2 2 1 1 1 1
2 2 2 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 2 2 2 2
0 0 0 0 0
Fm C Fm
(Am) (E) (Am)
                  

 
 



  
  

       
3 3
fool. When you say she’s look - ing good, she
Dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit. Dit, dit, dit, dit, dit, dit, dit, dit,
            

            
    
   
0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 0 0 0 0 1 1 1 1
2 2 2 2 1 1 1 1 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 2 2 2 2 0 0 0 0
0 0 0 0
C Fm Ab
(E) (Am) (C)
                           

 
    

 



 
        

3 3 3 3
acts as if it’s un - der - stood. She’s cool, ooh, ooh, ooh.
dit, dit, dit, dit, dit, dit, dit, dit. Dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit, dit.)
            
            
    
   
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 1 1 1 1 1 1 1 1
1 1 1 1 2 2 2 2 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 0 0 0 0 3 3 3 3
0 0 0 0
2

__  3 

Chorus
 =  
Eb Gm Fm Bb7 Eb Gm Fm Bb7
(G) (Bm) (Am) (D7) (G) (Bm) (Am) (D7)
 
  
    
    
            
3
   
3 3
Girl, * ffff. Girl, girl. 3. Was she
(Girl, *Inhale.
Girl.)
Verse
Cm G7 Cm Cm7
 
(Em) (B7) (Em) (Em7)
 **
    3      
    
 
told when she was young that pain would lead to pleas - ure?

Gtr. 2

Riff A
       
mf
0 2 4 5 4
2 4 5
**Sung as even eighth-notes.
Fm Ab6/C Eb G7 Cm G7
(Am) (C6/E) (G) (B7) (Em) (B7)
 

             
***
        
3

3

Did she un - der - stand it when they said that a man must break his back to earn his
 
           

5 4 2 0 2
7 7 5 5 5 4 2 4
***As before.
Cm Cm7 Fm Ab6/C Cm
(Em) (Em7) (Am) (C6/E) (Em)
       
***
      
3
        

day of lei - sure? Will she still be - lieve it when he’s dead? Ah,
  
End Riff A
            
4 5 4 5 4
5 7 7 5 5 7 5
7 5
***As before.
3
Chorus
Gtr. 2 tacet
(G) (Bm) (Am) (D7) (G) (Bm) (Am) (D7)
  
    
 
 
     
     
3 3
girl, * ffff. Girl, girl.
(Girl, Girl.)
*Inhale.
   
Interlude
 =  
Gtr. 2: w/ Riff A
Cm G7 Cm Cm7 Fm Ab6/C Eb G7
(Em) (B7) (Em) (Em7) (Am) (C6/E) (G) (B7)
            
           
            
mf
0 0 0 0
0 0 1 1 3 3 0 0 3 3 1 1 3 3 1 1 0 0 1 1 0 0
0 0 2 2 2 2
            
       
Gtr. 1
   
                           
   
             
     
0 0 0 0 0 0 0 0 0 3 3 3 0 2 2 2 0
0 0 0 0 0 0 0 0 0 3 3 1 1 1 1 0 3 3 3 0 0 0 0 0
0 0 0 2 2 2 0 0 0 0 0 2 2 2 2 2 0 0 0 0 0 2 2 2 0
2 2 2 1 1 1 0 2 2 2 2 2 2 2 2 2 0 0 0 0 0 1 1 1 0
2 2 2 2 2 2 2 2 2 0 0 3 3 3 2 2 2 0 2 2 2 0
0 0 0 0 0 0 3 3 3
Begin fade
Cm G7 Cm Cm7 Fm Ab6/C Cm

(Em) (B7) (Em) (Em7) (Am) (C6/E) (Em)
        
3

Ah,

                 
              
  
0 0 0 0
0 0 1 1 3 3 0 0 3 3 1 1 3 3 1 1 0 0 1 1 0 0
0 0 2 2 0

      
3
                
                        
                   
          
0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 3 3 1 1 1 1 1 0 0 0 0 0 0
0 0 0 0 2 2 2 0 0 0 0 0 2 2 2 2 2 0 0 2 0 0 0
2 2 2 0 1 1 1 0 2 2 2 2 2 2 2 2 2 0 2 2 2 2 0
2 2 2 0 2 2 2 0 2 2 2 2 0 0 3 3 3 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0
 __  3 

Outro-Chorus
Fade out
 =  
Gtr. 3 tacet
(G) (Bm) (Am) (D7) (G) (Bm) (Am) (D7)

  

 
 
      
   
     
3 3
girl, * ffff. Girl, girl.
(Girl. *Inhale.
Girl.)
4
from The Beatles - Past Masters
Paperback Writer
G5/D Csus2
10fr 8fr
Intro 1134 1334

Fast q = 157
μ (G) Am7('4)
 
   
    
  
    
 

Pa - per - back writ - er.
(Pa - per - back.)
  
    
          
   
(Pa - per - back writ - er.)
* G7

Gtr. 1 (slight dist.)

      
 
    
  
      
f
let ring
4
5 3 3 5 3
3 5 3 3 5 3 3 5
3 3 3 3 3 3
*Chord symbols reflect implied harmony.
 Verse
3rd time, Bkgd. Voc.: w/ Voc. Fill 1
 
4th time, Bkgd. Voc.: w/ Voc. Fill 2
*** G5/D
Gtr. 2 (clean)  
mf
           
w/ amp tremolo
   
**
 
1. Dear Sir or Mad - am will you read my book? It took me
dir - ty sto - ry of a dir - ty man, and his
thou - sand pag - es, give or take a few; I’ll be

real - ly like it, you can have the rights. It could
     
 
              

 
let ring slight P.M.

3 3 5
4
3  5 5 5 7 5 5 5 5 5 7 5
3 3 3 3 3 3 3 3 3 3 3 3 3
**Lead vocal doubled throughout Verse.
***See top of page for chord diagrams pertaining to rhyhm slashes.

  
Voc. Fill 1

   
   
(Frè - re Jac - ques.)
 
     
Voc. Fill 2
   
(Frè - re Jac - ques.)

Copyright Renewed
 
                
    
years to write, will you take a look? It’s based on a nov - el by a
cling - ing wife does - n’t un - der - stand. His son is work - ing for the
writ - ing more in a week or two. I can make it long - er, if you
make a mil - lion for you o - ver night. If you must re - turn it, you can

                    
                    
slight P.M.
5 5 5 5 7 5 5 5 5 5 7 5 5 5 5 5 7 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
         
      

    

man named Lear. And I need a job, so I want

Dai - ly Mail. It’s a stead - y job, but he wants to be a pa - per - back
like the style. I can change it ’round, and I want
send it here. But I need a break, and I want

                   

    
slight P.M.
5 5 5 5 7 5 5 5 5 5 7 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
1., 3.
 
Gtr. 2 tacet
Csus2 G7
 
       
Gtr. 2
         

          

writ - er, pa - per - back writ - er. 2. It’s a
4. If you

                     
     

 
  
slight P.M. let ring

10 10 10
10
10
10
10 10 10
10
10
10
10 3 5
5 3
3 3 5
4
3 
7 8 8 8 8 8 8 8 8 8 3 3 3 3
Fill 1

Gtr. 1
    
 

  

   


let ring
5 3
3 5 3 3 3 5
3 3 3 3
2
2., 4.
Interlude
   *
Gtr. 2 tacet Gtr. 1 tacet Gtr. 3 tacet
G7 μ (G)
   
 

 

writ - er. Pa - per - back

(Pa - per - back.)

 
Gtr. 1 let ring
     
 
Gtr. 3
 

(clean)
divisi mf
let ring
5 3
3 5
3 3
*w/ echo set for quarter-note triplet regeneration w/ 6 repeats.
T o Coda 
(Am7'4)
    
  
 
writ - er.
  
    
      
 
   

D.S. al Coda
(take repeat)
G7 G5/D
Gtr. 2  
       

3. It’s a

Gtr. 1
              
                
let ring 
4
5 3 3 5 3 3
3 5 3 3 5 3 3 5 3 3 5
3 3 3 3 3 3 3 3
 Coda
Outro

G7 G5/D


Gtr. 2
 

Gtr. 1
          
   
     
 
         
let ring 
5 3 5 3
3 5 3 3 3 5 3 5 3 3 3 5
3 3 3 3 3 3 3 3
3
    
 
 

(cont. in notation)
 
   
   
   
   
(Pa - per - back writ - er.
 Rhy. Fig. 2 End Rhy. Fig. 2
                          


slight P.M.
5
5 5 5 5 7 5 5 5 5 5 7 5 5 5 5 5 7 5 5 5 5 5 7 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

 

 
   
   
   
   
    

Gtr. 2
        
12 12 12 12
12 12 12 12
10 10 10 10
10 10 10 10
Begin fade
 

 
   
      
 
 
        

            
   

12 12 12 12 12 12
12 12 12 12 12 12
10 10 10 10 10 10
10 10 10 10 10 10
Fade out
  
   
    
     
 
   
Pa - per - back writ - er.)
                
                        
          
   
12 X 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 X 12 12 12 12 12 12 12 12 12 12 12 12 12 12
10 X 10 10 10 10 10 10 10 10 10 10 10 10 10 10
10 X 10 10 10 10 10 10 10 10 10 10 10 10 10 10
4
Eleanor Rigby
Intro-Chorus
Moderately q = 137
      

C Em
  
         
  
   
 
  
  
Ah, look at all the lone - ly peo - ple.
              
Riff A End Riff A
*Gtr. 1
   
mf
5 7 7 7 7 7

8 8 7 8 5
*Strings arr. for gtr.
                 
               

**Gtr. 2
                 
mf
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
**Strings arr. for gtr.

***Gtr. 3
   


        
mf
 3
2 3 3 2 2 2
3 0
***Cello arr. for gtr.
To Coda 
Gtr. 1: w/ Riff A
      

C Em
  
        
  
       
 
Ah, look at all the lone - ly peo - ple.

Gtr. 3

    
      
   
3 2
3 0 3 0

Copyright Renewed
Verse
Em
             
      
    
1. El - ea - nor Rig - by picks up the rice in the church where a wed - ding has been,
Rhy. Fig. 2
                  
Gtr. 1
                  
Gtr. 2
Rhy. Fig. 2A
divisi
5 5 5 5 5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5

Gtr. 3
            
           
0 0 0 0 0 0 0 0 0 0 0 0
C Em

                         
lives in a dream. Waits at the win - dow, wear - ing a face that she keeps
               
End Rhy. Fig. 2
          Gtr. 1                
              
End Rhy. Fig. 2A
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
5 5 5 5 5 5 4 4 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
5 5 5 5 5 5 5 5
                
 
Gtr. 2
        
*w/ fingers
5 5 5 5 5 5 5 5
5 5 5 5
7 7 7 7
*Next 5 meas.

         


       
     
         
5
5 X 5
3 X 3 X 3 3
3 3 0 0 0 0 0 0 0 0 0 0
2
Em/D C Em

                  
in a jar by the door. Who is it for?
                       
                        

7 7 7 7 7 7 7 7 8 8 8 8 8 8 8 8 8 8 8 8 7 7 7 7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
                 
             
 
5 5 5 5 5 5 5 5
5
5 5 5 5 2 5
7 7 3 3 5

          
         
   
5 5 3 3 3 3 3 5
0 0 0 0
Chorus
Em7 Em6 Cmaj7/E Em
   
                

  
All the lone - ly peo - ple, where do they all come from?
      
   
   
       
   
       
   
       
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
 Riff

B
 
End Riff B
 
7 6 5 4

Riff B1 End Riff B1

   
3
Gtrs. 2 & 3: w/ Riffs B & B1
Em7 Em6
   
          
 
All the lone - ly peo - ple, where do
Verse
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A
Cmaj7/E Em Em
           
                
they all be - long? 2. Fa - ther Mc - Ken - zie, writ - ing the words of a ser -
     
   
Riff C

*Gtr. 4 End Riff C
        
mf

15 12
12 12
14 12
*Violin arr. for gtr.
Riff D
  
Gtr. 3
        
       
0 0 0 0 0 0 0 0
Gtr. 4 tacet
C Em
 
  
3
                

- mon that no one will hear, no one comes near.

End Riff D
 
   
        
       
2
3 5 0 2 3
0 0 0 0 0 2 3
4
Gtr. 3: w/ Riff D
 
                       
Look at him work - ing, darn - ing his socks in the night when there’s no - bod - y there.
       
    
Gtr. 1
      
9 11 12 11 9 7 9
9

Gtr. 2
    

 

 

 

 

 

 

 

 

 

 

4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 7 7 7 7
C Em
  
         
What does he care?
    
 
9 9 11 12

   
  
  
  
  
     
5 5 5 5 5 5 4 4
5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7
Chorus
Gtrs. 2 & 3: w/ Riffs B & B1 (2 times)
Em7 Em6 Cmaj7/E

 
         
            
5
Em Em7 Em6
   

            


8va
 
Gtr. 4
   
   

12 14 15 17 19
Gtr. 4: w/ Riff C
D.C. al Coda
Cmaj7/E Em
    
       
they all be - long?
 Coda
Verse
Em
             
           
3. El - ea - nor Rig - by died in the church and was bur - ied a - long with her name,

    
    
Gtr. 1
    
   
Gtr. 4
divisi
12
12
14 12 14
10
12
          
Gtr. 2
            

 

       
  
5 5 5 5 5 5
4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2

Gtr. 3
            
           
0 0 0 0 0 0 0 0 0 0 0 0
6
Gtr. 4 tacet
Am/C Em
 
         

       
no - bod - y came. Fa - ther Mc - Ken - zie,
     
       
      
Gtr. 1
 
12 12 12 12 12
12 12 12 12
14 9 12 12 12 12
10 10
12
            
                    
   
5 5 3 5 5 5 5 5
2 2 2 2 2 4 4 4 4 4
2 2 2 2 2 2 5 5 5 5
         
  
        
 
2 4
3 3 3 3 3 3 2
0 0
Am Em
             
             
wip - ing the dirt from his hands as he walks from the grave, no one was saved.
               
                          
      
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 13 13 13 13 13 13 12 12
12 12 12 12 12 12 12 12 14 14 14 14 14 14 12 12
                            
                    
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4 5 5 5 5 5 5 4 4
5 5 5 5 5 5 5 5 7 7 7 7 7 7 5 5
              
       
   
  
3 2 2
2 4 4 4 2 4 2 2
5 5 2 2
3 0 7
0
7
Chorus
Gtr. 1: w/ Rhy. Fig. 3 (1 1/2 times)
Gtrs. 2 & 3: w/ Riffs B & B1 (1 1/2 times)
Em7 Em6 Cmaj7/E
 
              

  
 
            

 

 
   
(Ah, look at all the lone - ly peo - ple.)

Em Em7 Em6
   

            

Cmaj7/E Em
  
   
    
 
they all be - long?
   
 
Gtr. 4
     
  

Gtr. 2
divisi
15 12
12 12
5 4 14 12
2
  










 



Gtr. 1
         
7 7 7 7 7 7 7 5 3
8 8 8 8 8 8 8 7 5
9 9 9 9 9 9 9 9 4
 
Gtr. 3
    
  
   
2
2 2
0 3 2 0
8
from Revolver
Yellow Submarine
*Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
 __ =   
Verse 3
Moderately q = 100
D/A C G Em Am C
     
3
            
 
 
1. In the town where I was born, lived a man who sailed to
    
    
   
Gtr. 1 (acous.)
     
  

 



mf
2 0 3 0 0 0

3 1 0 0 1 1
2 0 0 0 2 0
0 2 0 2 2 2
0 3 2 2 0 3
3 0
*Gtr. recorded in standard tuning, then tape is slowed till pitch is 1/2 step lower.
D7/A G D/A C G Em Am C

       
3
      
3
    
3
   
sea. And he told us of his life in the land of sub - ma -
      
    

   
  
    
   
   

2 3 2 0 3 0 0 0
1 3 3 1 0 0 1 1
2 0 2 0 0 0 2 0
0 0 0 2 0 2 2 2
0 2 0 3 2 2 0 3
3 3 0
D7/A G D/A C G Em
   
          
*
rines. So we sailed on to the sun ’til we
 
  
            
      
           
    
   

2 3 2 2 2 2 2 2 0 0 3 3 3 0
1 0 3 3 3 3 3 3 1 0 3 3 3 0
2 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 0 0 0 0 0 0 0 2 2
0 2 0 0 3 2 2 2 2
3 3 3 3 0
*Sung as even eighth-notes.

Copyright Renewed
Am C D7/A G D/A C
 
 
3
             
 
found the sea of green. And we lived be - neath the
                 

                     
      


 
0 0 0 0 2 2 2 0 3 2 2 2 0
1 1 1 1 1 1 1 1 0 3 3 3 3 3 3 3 3 1 0
2 2 2 2 2 0 0 0 2 2 2 2 2 0 0 0 2 2 2 2 2 2 0 0
2 2 2 0 2 0 0 0 0 0 0 0 0 2 0
0 0 0 3 0 0 0 2 0 0 0 3
3
G Em Am C D7/A
  
         
3
  
waves in our yel - low sub - ma - rine.
                 

                      
           
 
  
3 3 3 0 0 0 0 0 0 0 2 2 2 2 2 0
3 3 3 0 1 1 1 1 1 1 1 1 1 1 1 0
0 0 0 0 0 0 0 0 2 2 2 2 2 0 0 0 2 2 2 2 2 2 2 0
0 0 0 2 2 2 2 2 0 2 0 0 0 0 0
2 2 2 2 0 0 0 3 0 0 0 0
3 3 3 0
Chorus
G D/A
 
  


           
 
          
 
We all live in a yel - low sub - ma - rine, yel - low sub - ma - rine,
                  
                  
           
           
3 3 3 3 0 2 2 2 2 2 2 2 2 2 2 2 2 0
3 3 3 3 0 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 0 0 0 0 0 0 0 0
3 3 3 3
G D/A
  
      
      
 
      
 
 
 
yel - low sub - ma - rine. We all live in a yel - low sub - ma - rine,
                 
                 
       
           
3 3 3 3 3 3 3 3 3 3 0 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 0 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 0 0 0 0
3 3 3 3 3 3 3 3
2
    
G

  







   
yel - low sub - ma - rine, yel - low sub - ma - rine. 2. And our friends
         
  




     
   
       
2 2 2 2 0 3 3 3 3
3 3 3 3 0 3 3 3 3
2 2 2 2 0 0 0 0 0
0 0 0 0 0 0 0 0
0 0 0 0 2 2 2 2
3 3 3 3
Verse
w/ cocktail party ambience
D/A C G Em Am C

              
*
  
are all a - board, man - y more of them live next

     
 

   

 
 

 



2 0 0 0 0
3 1 3 0 1 1
2 0 0 0 2 0
0 2 0 2 2 2
0 3 2 2 0 3
3 0
*Sung as even
eighth-notes.
D7/A G D/A C G Em


†
          
   
     
door. And the band be - gins to play.
  

 
 
Gtr. 1


   
  



2 3 2 0 3 0
1 3 3 1 3 0
2 0 2 0 0 0
0 0 0 2 0 2
0 2 0 3 2 2
3 3 0
3
  
†As before
   
**Gtr. 2
    
3
**Gtr. 3 mf
divisi
12 10
13
11
12 14
**Trumpet arr. for gtr.

***Gtr. 4
   
3
   
mf
5 4 2
***Tuba arr. for gtr.
3
Chorus
Gtr. 2 tacet
 
Am C D7/A G G
   
 
   
 

We all live in a
   
  
     
 
Gtr. 1


   







 

   
0 0 2 3 3 3 3 3 3
1 1 1 3 3 3 3 3 3
2 0 2 0 0 0 0 0 0
2 2 0 0 0 0 0 0
0 3 0 2 2 2 2 2
3 3 3 3 3
 
3 3
3
               
             

     
Gtr. 2 Gtr. 3
     
 3
   
Gtr. 3 3 3
12 10 12 12 10 12 12 10 12 10 12
12 12 11 12 12 11 12 13 12 12
12 11 12 11 9 11 9 9 11 9
12 14 12 9 12
      
     
*Gtr. 5
                
     
        
Gtr. 4    
divisi 3
4 4 3 4 4 4 4 4 4 4 4 4 4 4
2 4 5 4 2 2 2
5 5 3 2 2 5 5
*Trombone arr. for gtr., played mf.
Gtrs. 3, 4 & 5 tacet
   
D/A G
 

  

  
  
 



  
  
    
yel - low sub - ma - rine, yel - low sub - ma - rine, yel - low sub - ma - rine.
                    
Gtr. 1
  

 



 

 

 

 
       
   
           
2 2 2 2 2 2 2 2 2 2 2 2 2 0 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 0 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2
3 3 3 3
4
D/A G
      

  

 
           

          
  
 
We all live in a yel - low sub - ma - rine, yel - low sub - ma - rine, yel - low sub - ma - rine.
                     
                     
               
               
3 3 3 3 3 0 2 2 2 2 2 2 2 2 2 2 0 3 3 3 3
3 3 3 3 3 0 3 3 3 3 3 3 3 3 3 3 0 3 3 3 3
0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2
3 3 3 3 3 3 3 3
Interlude
w/ nautical ambience
D/A C G Em Am C D7/A G

    
Spoken: Full speed ahead Mr. Boatswain, full speed ahead. Full speed ahead it is, Sgt.
        
      
   
 
 
 
   

 
2 0 0 0 0 2
3 1 3 0 1 1 1 3
2 0 0 0 2 0 2 0
0 2 0 2 2 2 0 0
0 3 2 2 0 3 0 2
3 0 3
D/A C G Em Am C D7/A G
 
      
3. As we
      
Cut the cable, drop the cable. Aye, sir, aye. Captain, Captain.
  
        
  
    
   
 

2 3 0 0 0 2 3
3 1 3 0 1 1 1 3
2 0 0 0 2 0 2 0
0 2 0 2 2 2 0 0
0 3 2 2 0 3 0 2
3 0 3
Verse
D/A C G Em Am C
      
3

              
 

live a life of ease, ev - ’ry one of us has all we
Spoken: Ev - ’ry - one of us
                     

           
           
    
     
   
2 2 2 2 0 0 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 0 1 0 3 3 3 3 3 0 0 0 1 1 1 1 1 1 1 0
2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 0 0 0
0 0 0 0 2 0 0 0 0 0 0 0 2 0 2 2 2 0 2 0
0 0 0 3 2 2 2 2 0 0 0 3
3 3 3 0
5
D7/A G D/A C G Em
 
3
            
3
     
         
  

 


* 3
need. Sky of blue and sea of green, in our
has all we need. Sky of blue, sea of green,
                        

     
                 
    
 
    
2 2 2 2 2 0 3 2 2 2 2 0 0 0 3 3 3 3 3 0 0 0
1 1 1 1 1 0 3 3 3 3 3 3 0 1 0 3 3 3 3 3 0 0 0
2 2 2 2 2 0 0 0 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 2 0 0 0 0 0 0 0 2
0 0 0 2 0 0 0 3 2 2 2 2
3 3 3 3 0
*Sung as even eighth-notes.
Chorus
2nd time, Begin fade
Am C D7/A *** G
 
    
3
 
 
**
     


 
 

    
 
  

yel - low sub - ma - rine. We all live in a
in our yel - low sub - ma - rine, ah - hah!
 
                
               


    

      
 





 330
 02
0 0 0 0 0 0 0 0 2 2 2 2 3 3 3
1 1 1 1 1 0 1 1 1 1 1 1 1 0 3 3 3 0
2 2 2 2 2 0 0 0 2 2 2 2 2 2 2 0 0 0 0 0
2 2 2 0 2 0 0 0 0 0 0 0 0
0 0 0 3 0 0 0 0 2 2 2
3 3 3 3
**As before ***As before
    

D/A G

             
         
    
yel - low sub - ma - rine, a yel - low sub - ma - rine, yel - low sub - ma - rine,
                  
                  
           
           
2 2 2 2 2 2 2 2 2 2 2 2 0 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 0 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2
3 3 3 3
Repeat and fade
 

     
D/A G
 

 
           
  
          
 
 
We all live in a yel - low sub - ma - rine, a yel - low sub - ma - rine, yel - low sub - ma - rine.
 
                     
                    
       
               


3 3 3 3 0 2 2 2 2 2 2 2 2 2 2 0 3 3 3 3 3
3 3 3 3 0 3 3 3 3 3 3 3 3 3 3 0 3 3 3 3 3
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2
3 3 3 3 3 3 3 3

The BEATLES - 1962-1966 2nd Edition GTab Hal Leonard

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The BEATLES - 1962-1966 2nd Edition GTab Hal Leonard

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from The Early Beatles

           

*Harmonica arr. for gtr.

End Rhy. Fig. 1

© 1962, 1963 MPL COMMUNICATIONS LTD.

know I love you. I’ll al - ways be true,

Gtr. 1: w/ Rhy. Fig. 1 (till fade)

    

Begin fade Fade out

do. Whoa, love me do. Yeah.

         

134211 134211 231

Copyright © 1962, 1964 UNIVERSAL/DICK JAMES MUSIC LTD.

Rhy. Fill 1 Fill 2

                 

        

*Harmonica arr. for gtr.

     

Copyright © 1963 by NORTHERN SONGS LTD., London, England

           

send it a - long with love, from me to you. 2. I got

keep you sat - is - fied, ooh. 3. If there’s

      

Gtrs. 1 & 4 tacet

keep you sat - is - fied, ooh. 4. If there’s

       

from me to you, to you, to you,

She Loves You

21 34 12 1342 43121 1342 2 3 32 1

Copyright © 1963 by NORTHERN SONGS LIMITED

D.S. al Coda  Coda

                 

             

Riff A End Riff A

Copyright © 1963 NORTHERN SONGS LTD.

I say that some - thing, I wan - na hold your hand.

And when I touch you I feel hap - py in - side. It’s such a

                    

                    

Copyright © 1963, 1964 Sony/ATV Music Publishing LLC

Gtr. 1: w/ Rhy. Fig. 1 (1st 3 meas.)

and I’ll send all my lov - ing to you.

               

        

                      

        

             

               

Can’t Buy Me Love

23 231 231 32 3241 131241 13121

Copyright © 1964 Sony/ATV Music Publishing LLC

oh. Ev - ’ry - bod - y tells me so. Can’t buy me love,

oh. No, no, no, no! 3., 4. Say

Can’t buy me love, oh, love, oh.

            

Can’t buy me love, oh, oh.

A Hard Day’s Night

134 21 34 32 14 T 3214 132 13421 12 11 12 34 213 132

Gtr. 2: w/ Rhy. Fig. 1