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PAINTING (Modern and Contemporary Period)
PAINTING (Modern and Contemporary Period)
The modern period in painting spans roughly from the late 19th century to the mid-20th
century. It was characterized by a shift away from traditional styles to a more abstract,
experimental approach to creating works of art. It’s a time of profound change, both socially
and artistically. Artist began to break away from the rigid academic traditions and embraced
new forms of expression. During this era, we witnessed the emergence of numerous art
movements, each with its unique style and philosophy.
IMPRESSIONISM
Was an art movement that began in France in the late 19th century. It is characterized
by its focus on capturing the effects of light and atmosphere and emphasizes accurate
depictions of specific times of day and season. Artist employed brilliant colors, tick brush
strokes, high chroma, and vivid ligh-dark contrast to their work. The focus was on conveying the
mood and feeling of a moment rather than precise details.
Characteristics: Brush strikes, lighting, outdoor pai ting, bright painting, broken color, clearer
picture from further away, view angles and nonlocal color.
Techniques: the impressionist painters used layers of colors, leaving gaps in the top layer to
reveal the colors underneath. The technique is achieved through hatching, cross-hatching,
stippling, dry brushing, and sgraffiti (scratching into the paint).
Subject: social interaction, everyday life, identity and collaboration, spatial context.
Mediums: traditional painting such as acrylic, watercolors, oils, Non-traditional surfaces, digital
elements, found objects and mixed media.
Claude Monet- impression sunrise, women with a parasol, the water lily pond.
Pierre-Auguste Renoir- Luncheon of the boating party, Two sisters (on the Terrace),
Girls at the piano.
Edgar Degas- The Ballet class, the dancing class, ballet rehearsal.
POST-IMPRESSIONISM
Was predominately French art movement that developed roughly between 1886 and
1905. Post impressionism concern for the naturalistic depiction of light and color. Its broad
emphasis on abstract qualities or symbolic content means post-impressionism encompasses
neo-expressionism, symbolism, and synthetism, along with some later impressionist work.
Characteristics: extended the use of vivid colors, thick application of paint, distinctive brush
strokes, and real-life subject matter, and were more inclined to emphasize geometric forms,
distort forms foe expressive effect, and to use unnatural or arbitrary colors in their
composition.
Techniques: Built upon impressionism but incorporated more personal and expressive style.
They often used bold colors, heavy brush work, and unique techniques to convey their
emotions and ideas.
Mediums: oil painting, watercolor, pastels, graphite and ink, printmaking, techniques, mixed
media.
Paul Gauguin- when will you marry? arearea, vision after the sermon.
ART NOUVEAU
Also known as Jugendstil or modern style, was an international art movement that
emerged in the late 19th century and reached its peak around 18890 to 1910. It is characterized
by a focus on organic forms, a harmonious and ornamental aesthetic, and a desire to integrate
art into everyday life. Art Nouveau influenced various art forms, including architecture,
decorative arts, and visual arts.
Techniques: artist often use featured sinuous, curving lines inspired by natural forms such as
plants and flowers. It has a significant impact on graphic design, with artists creating posters
and prints using innovative techniques like lithography.
Subject: nature, mythology, feminine form, stylized depictions of plants and animals.
Mediums: oil painting, watercolors, decorative arts, like stained glass and posters
Aubrey Beardsley- the climax, the peacock skirt, the dancers reward, madame rejane.
CUBISM
Characteristics: in cubist painting, objects and figures are broken down into distinct planes and
reassemble into abstract forms.
Techniques: cubist deconstructed objects into geometric shapes and multiple perspective,
creating fragmented and abstracted views. They used techniques like faceting and analytical
cubism.
Subjects: geometric abstraction, fragmentation of forms, often depicted still life, portraits, and
landscape in a fragmented and abstract manner
Mediums: newspaper, wallpaper, and other commercially printed and found objects.
Salvador Dali- the great maturbator, dream caused by the flight of a bee around a
pomegranate a second before awakening, the temptation of St. Antônio
Paul Cezanne- the large bathers, the basket of apples, pyramid of skulls
Juan gris- Juan legua, the musician table, portrait of Pablo Picasso.
FAUVISM
Was the first of the avant-garde movements that flourished in France in the early years
of the 20th century. The fauve painters were the first to break with impressionism as well as
with older, traditional methods of perception. Their spontaneous, often subjective response to
nature was expressed in bold, undisguised brushstrokes and high keyed, vibrant colors directly
from the tube.
Characteristics: object and figured are broken down into distinct planes and resemble into
abstracted form.
Techniques: fauvist artist used bold, non-naturalistic colors and simplified forms to convey
emotion and energy in their works. The colors were often applied in a non-representational
manner, creating vibrant and emotionally charged images.
Subject: musical instruments, bottles, pitchers, glasses, newspapers, and human face and
figures
Medium: oil painting on canvas
Andre Derain- charling cross bridge, the painter and his family, boats at collioure.
EXPRESSIONISM
An artistic style in which the artist seeks to depict not objective reality but rather the
subjective emotions and responses that objects and events arose within a person. The artist
accomplishes this aim through distortion, exaggeration, primitivism, and fantasy and through
the vivid, jarring, violent, or dynamic application of formal elements.
Characteristics: they used jagged, distorted lines; rough, rapid brushwork; and jarring colors.
Techniques: expressionist distorted and exaggerated forms to convey strong emotions and the
inner psyche. The used bold colors and dynamic, gestural brushwork to create raw and visceral
work.
FUTURISM
Emerged in Italy in the early 20th century, around 1909, and was primarily associated
with manifesto written by Filipino Tommaso Marinetti. Futurists celebrated the technological
advancements of the industrial age, glorifying speed, dynamism, and the energy of modern life.
Characteristics: focus on the technical progress of the modern machine age, dynamism, speed,
energy, vitality, and change.
Techniques: foams were often fragmented or abstracted, reflecting the influence of cubism and
emphasizing the movement energy of the subject. Brushstrokes were often energetic and
dynamic, reflecting the movement and speed celebrated by the futurist.
SURREALISM
Characteristics: Bizarre, dream like images that defined logical interpretation, symbolic images,
unconventional.
Techniques: surrealist employed techniques like automatic drawing and the juxtaposition of
unlikely elements to explore the world of drams and the subconscious. They created enigmatic
and thought-provoking artworks.
Joan Miro- the harlequin’s carnival, the farm, the tilled field
Frida Kahlo- The two Frida’s, Diego and I, herby ford hospital
Rene Magritte- the son of man, the treachery of images, the lovers.
ABSTRACT ART
Abstract art is art that does not attempt to represent an accurate depiction of a visual
reality but instead uses shapes, colors, forms, and gestural marks to achieve its effect. It is also
applied to art that uses forms, such as geometric shapes or gestural marks, which have no
source at all in an external visual reality. Some artists of this pure abstraction have preferred
term such as concrete art on non-objective art, but in practice the word abstract is used across
the board and the distinction between the two is not always obvious. Abstracts are often seen
as carrying a moral dimension, in that it can be seen to stand for virtues such as order, purity,
simplicity, and spirituality. Since the early 1900s, abstract art has formed a central stream of
modern art.
Characteristics: non-representational, expressive, non-objective, gesture, simplification,
experimentation, conclusion.
Piet Mondrian- composition with red, blue, and yellow, Broadway boogie woogie,
composition II in red, blue and yellow
DADAISM
Dadaism was an avant-garde art movement in the early 20th century that emerged in
reaction to the horrors of world war I. Dada artists, including painters, embraced absurdity,
irrationality, and anti-establishment sentiments. Dadaist paintings often featured
unconventional materials, collage techniques, and a rejection of a traditional artistic norms. The
movement sought to defy logic and challenge the conventional understanding of art.
Techniques: Dadaist rejected conventional art and culture. They used techniques like ready-
mades, found objects and collages to create nonsensical and absurdist works as a response to
the chaos of the post-world war I.
SOCIAL REALISM
is a term used for work produce by painters, printmakers, photographers, writers, and
film makers that aims to draw attention to the real socio-political conditions of the working
class to critique the power structures behind these conditions.
Characteristics: adhere to reality, avoid romantic establishment, and create candid portraits
that expose human flaws.
Techniques: artist often created narrative scenes to tell a story or convey a message related to
social issues. Symbolic elements were employed to represent broader societal themes and
struggles.
Subject: social concerns, hardship of everyday life that the working class had to put up with,
images of the humans.
Ben Shahn- the passion of Sacco and Vanzetti, after titian, miner’s wives
Jose Clemente Orozco- man of fire, Prometheus, dive bomber and tank
CONTEMPORARY PERIOD
The art during the contemporary period is the art of today, produced in the second half of
the 20th century or in the 21st century. Contemporary artists work in globally influence, culturally
diverse, and technologically advancing world. Their art is a dynamic combination of materials
method, concepts and subjects that continue the challenging of boundaries that was already
well underway in the 20th century.
ABSTRACT IMPRESSIONISM
Abstract Impressionism is an art movement that originated in New York City, in the
1940s. It involves the painting of a subject such as real-life scenes, objects, or people (portraits)
in an Impressionist-style, but with an emphasis on varying measures of abstraction. The
paintings are often painted end plein air, an artistic style involving painting outside with the
landscape directly in front of the artist. The movement works delicately between the lines of
pure abstraction (the extent of which varies greatly) and the allowance of an impression of
reality in the painting.
Techniques: artist allow paint o drip or be poured onto the canvas, creating intricate and
random patterns. Artist used palette knives to apply paint in thick, textured layers, adding
depth and dimension to the canvas. Color field painting involves large expanses of color to
evoke emotional responses without distinct or shapes.
Subject: emotions, expression of the self, gestural abstraction, color, and form exploration.
Mediums: oil on canvas, acrylic paint, palette knife and brushes, drip painting, action painting.
POP ART
Pop art is an art movement that emerged in the United Kingdom and the United States
during the mid- to late-1950s. The movement presented a challenge to traditions of fine art by
including imagery from popular and mass culture, such as advertising, comic books and
mundane mass-produced objects. One of its aims is to use images of popular culture in art,
emphasizing the banal or kitschy elements of any culture, most often using irony. It is also
associated with the artists' use of mechanical means of reproduction or rendering techniques.
In pop art, material is sometimes visually removed from its known context, isolated, or
combined with unrelated material.
Techniques: pop artists incorporated imagery from popular culture, mass media, and consumer
products into their work. they often used techniques like silk-screen printing and comic book-
style imagery to create visually striking and iconic works.
Mediums: acrylic paint, screen painting, collage, assemblage, oil paint, photography.
NEO-EXPRESSIONISM
Techniques: artist uses expressive and gestural brushworks to convey energy and emotion in
their paintings. Bold and vibrant colors are common feature, contributing to the emotional
impact of the works. neo-expression artists often apply thickly to the canvas, creating textured
surfaces.
Mediums: oil paint, acrylic paint, collage, pastels and drawing materials, mixed media.
POST MODERNISM
Techniques: artist often quote or appropriate imagery and styles from previous movements,
recontextualizing them within contemporary works.
NEO-POP ART
Neo-pop (also known as new pop) is a postmodern art movement that surged in the
1980s and 1990s. It is a resurgent, evolved, and modern version of the ideas of pop art artists
from the 50s, capturing some of its commercial ideas and kitsch aspects. However, unlike in
pop art, Neo-pop takes inspiration from a wider number of sources and techniques.
Characteristics: popular cultural references, bold colors, and forms, mix of high and low art.
Techniques: artist often appropriate images and icons from popular culture, recontextualizing
them within their artworks. Techniques like collage and layering contribute to the multi-
dimensional and visually dynamic nature of neo-pop artworks. Neo-pop artist may employ
satire and humor to comment on contemporary society, consumerism, and the intersection of
art and popular culture.
Subjects: comic strips, soup cans, road signs and hamburgers, popular culture, and mass media.
Mediums: acrylic on canvas, screen painting and other techniques, incorporation of everyday
objects and materials into artworks.
Takashi Murakami- super flat flower, miss ko2, and then (blue)
Yayol Kusama- infinity mirrored room, pumpkin, all the eternal love I have for the
pumpkins.
Alex Katz- ada in spain, the black dress (1960), coca-cola girls (1962)
MINIMALISM
In visual arts, music and other media, minimalism is an art movement that began in
post–World War II in Western art, most strongly with American visual arts in the 1960s and
early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin,
Dan Flavin, Carl Andre, Robert Morris, Anne Truitt, and Frank Stella. The movement is often
interpreted as a reaction against abstract expressionism and modernism; it anticipated
contemporary post minimal art practices, which extend or reflect on minimalism's original
objectives.
Characteristics: geometric shapes, neutral colors, emphasis on form and shapes, reduction to
essentials.
Techniques: hard-edge paintings, repetition, grid system, simplified composition.
CONCEPTUAL ART
Subjects: philosophical inquiry, social and political commentary, identity, and perception.
Medium: many conceptual artists explore a wide range of media beyond traditional painting
materials.
Sol LeWitt- wall drawing N.804, splotch #3, wall drawing #1136
FIGURATIVE PAINTING
Is a style of art that represents the human figure or other recognizable objects in a
recognizable manner. Unlike abstract art, which may depart significantly from realistic
depictions, figurative painting maintains a connection to the visible world. It has a rich history
and has been a prominent form of artistic expression throughout various art movements.
Techniques: range from realistic portrayals to more expressive or abstract interpretation of the
human form.
Mediums: oil painting, acrylic painting, watercolor, pastels, charcoal and pencils, mixed media.
Alex Katz- the black dress, black brook, the red smile
Lotte Laserstien- Russian girl, Sir Ernst chain, boy with Kasper puppet
DIGITAL PAINTING
with the advancement of technology, artist began using digital tools to create paintings,
opening new possibilities in terms of style and technique. An artist will operate their stylus like
a brush or pencil to execute illustration and painting techniques within a software program
using a computer screen or tablet as their digital canvas.
Characteristics: digital tools, versatility, undo and editing capabilities, color manipulation,
accessibility, efficiency.
Techniques: graphic tablets, digital brushes, layers, blending modes, texture, and filters.
Subjects: fantasy and sci-fi worlds, character design, portraiture, concept art, landscapes and
environments, abstract and experimental art, nature and wildlife, cultural and social
commentary, narrative scene, digital illustration, digital still life.
Mediums: gadgets
RELATIONAL PAINTING
Relation art or relational aesthetics is a mode or tendency in fine art practice originally
observed and highlighted by French art critic Nicolas Bourriaud. Bourriaud defined the
approach as a set of artistic practices which take as their theoretical and practical point of
departure the whole of human relations and their social context, rather than an independent
and private space. The artist can be more accurately viewed as the catalyst in relational art,
rather than being at the Centre.
Subjects: social interaction, everyday life, identity and collaboration, spatial context.
Mediums: traditional painting materials such as acrylic, watercolors, and oils, on-traditional
surfaces, digital elements, found objects and mixed media.
Carolee Schneemann- interior scroll, up to and including her limits, eye body:36,
transformative actions.
CONTEMPORARY REALISM
The contemporary realism movement is a worldwide style of painting which came into
existence c. 1960s and early 1970s. featuring a straightforward approach to representation
practiced by artist such as Philip Pearlstein, Alex Katz, Jack Beal, and Neil Welliver. The
movement refers to figurative artworks created in natural yet highly objective style. Today the
term contemporary realism encompasses all post-1970 sculptors and painters whose discipline
is representational art, where the objects is to portray the real and not the ideal.
Subject: identity, the body, technology, globalization, migration, society, culture, memory, the
passage of time, and artistic critique of sociopolitical institutions.
Robert Bechtle- alameda gran torino, potrero hill, thanksgiving, sunset nels
POST-INTERNET ART
Post-internet art is a 21st century art movement involving works that are derived from
the internet or its effects on aesthetic, culture, and society. Post-internet art is a contemporary
art movement influenced by internet culture.
Cory Arcangel- super Mario clouds, data diaries, various self-playing bowl games