1. SING LEGATO + Be sure to slur the vouel (see the frst bor) when It occurs on two oF ches. "of hops between pitches! * Between the last tuo phrases (from “oh to “smoothly”), fel that the Upper note sings from the some place os the lower. + Sing moderotely fast. + Sing four bars on one breath, and eventually, eight. Te aah - ty, owing fom Piano r pa2 5. SING A UTTLE LOUDER + Stott softy: add more fullness to your voice os you sing louder. + Ughten your voce and decrescendo as you sing down the scale. (This ‘vocalise may also be sung la minor) Sing § Ute loud = er in crevsean-dp with @ fal - ler — t 2 Sing 4 e-tle soft = er Sn dt = cre-amen=do with a lighter SING A UTTLE LOUDER, transpositions: ® SS f Voice = Sing a litte oud - er do vith a ful-ler vole! Pine vaPiano Wie 6. SIGH THE TONE + Sluron the words “sigh” ond "smile," feeling the voice able lighter on the lower pches. + Imagine the “smile” inside, especially on the “ah-ee'” diphthong. igh the tone with a alle to ere toro Tor SIGH THE TONE, transpositions ®i) 7. FLEXIBUTY = Repeat the vowel onthe sivred notes ("lah-eh-eh") Ihe © quik, hoppy ‘chuckle. (Surprisingly this fs easier to do quickly thansloully. Do not be overly concemed about accuracy at fst) «+ Keep your voles light. Fier Qbil-toty, flor bitty, sing with light and shart note Phase Fen = T-til-i-iy, fle = (-bl-t-ty, slag with sary float ng) breath: yahaaheah, yah heb, sh, yahoabah, yah ahah, yah theab ab. visa