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If you want to support the work that goes behind publishing high-quality feminist media content,
please consider becoming a FII member. And in the case of the scholar and translator MM Kalburgi,
the attack was fatal. We are living through a time when right-wing ideology has led to hate-
mongering and war-mongering, and when more and more people are being excluded from full
citizenhood. Is equality something that oppressed people will continue to have to fight for. But every
one of us has a world view, and this view is essentially our reading of power structures, how one
group of people relate to another. This portion of the novel is educational, a throwback in time that
breaks down the continuity of India’s most vicious social institution, despite reformist movements.
How the professor never sees his raised arm when he wants to answer or ask a question. As for the
other restriction, national security, this is, sadly, misused. In certain kirtans, Namdev and Kabir were
envisaged as contemporaries whereas historically they belong to different epochs. Reserve Bank of
India and Another, led to a landmark Supreme Court judgment in 1999 on guardianship. Of course,
the allegedly landmark judgment only said the mother could “also” be the natural guardian. There is
a man who rules, as so many have done and as so many do. It did not strike down the offensive legal
provisions. Woven into these many headlines, Hariharan imagines a dissenting spiritual community
of many centuries earlier, one which believes in equality and love, in which skinners of cattle,
cleaners of shit, washers of clothes and rat-killers live together in a casteless commune as brothers
and sisters, labouring, teaching, and writing songs of resistance, equality and love. I had a lot of
support in making my small contribution to women’s rights. We always discuss freedom of speech in
these binary terms of absolute versus restricted. But what still glimmers through its dark recesses is
that this is as much a story of oppression as it is of resistance. And the same fierce pride of working
people, even laughter, and their gentle private mockery for those who do not work with their hands:
This water is holy, and this, and this, they mumble in a foreign tongue, sprinkling a few drops on
stony dolls in the temple, on the floors of their houses and outside, These men even sprinkle water
on themselves and say they are born again. Sita, an ideal daughter-in-law, wife and mother, when
arranges a marriage for her daughter comes to the terms with an old dream of her own. Pritika is a
student of political science who recently completed her M. A. from Jawaharlal Nehru University,
New Delhi. When I found out I was not the natural guardian of my minor son — as if everyone had
forgotten the meaning of the word “natural” — I was determined to fight it out. If these are curbed,
our knowledge stagnates, and so do writing and reading. She wrote a monthly column for many
years on different aspects of culture and their political and social underpinnings, in The Telegraph,
Kolkata. Krishna’s theories about the mystic poet’s life and verses are confirmed when he examines
some medieval palm leaves. The re-visiting and re-narrating of the myths as allusions of the
character's story is the highlight of the novel. She talks to Joeanna Rebello Fernandes about her
writing, her activism and her reformative decision to take on the law Your case was recalled by the
press this week for the precedent it set in establishing a mother’s equal rights to guardianship.
Mayamma knows well, how to survive as the old family retainer. Educational institutions, research
institutions and cultural institutions are there to provide a physical and intellectual space for writers,
readers and scholars to grapple with the questions they are trying to understand and articulate.
Hariharan, winner of the 1993 Commonwealth Prize for best first book, is also a vocal campaigner
with the Palestine solidarity movement. What intrigues you most about this approach and what do
you find most challenging in writing this way.
There is at least a market now, but has it evolved. The political power contained in the word seems to
scare the casteists in the government. There were definitely loose strands as the weaving progressed:
the predictable background and life of Krishna’s assailant can read a tad tired to a reader otherwise
ensorcelled by the ebb and flow of the protagonists’ plotlines. It has been over 20 years since you
contested the Hindu Minority and Guardianship Act. Some among them today can aspire to be a
doctor, a scientist, a university teacher. Author Githa Hariharan (Mohit Kumar) In this novel,
Krishna, a literature professor, is targeted by Hindu militants for his research on Kannadeva, a
character based on Basava. It depicts the status of women of the Indian society and articulates the
problems of women with the help of Indian Mythology, including the scenario for women as
mentioned in the Puranas. I would like to think that of the three novels that deal with story-telling,
The Thousand Faces of Night, The Ghosts of Vasu Master and When Dreams Travel, the third is the
most sophisticated in terms of craft. We must remember that the struggle for equality is not between
men and women; it’s between people committed to equal rights for all, and regressive people who
think some are entitled to more of everything, from power to rights. Advertisement As for writing
and politics: the “political” may be overt or implicit in a work of fiction. What was the space of
English writing at that time like. But the women of the ancient times come back to claim Devi
through myths and stories, music and memory. How the professor never sees his raised arm when he
wants to answer or ask a question. I put In Times of Siege on top of my list of books that must be
read.” Khushwant Singh. Like many young people, I showed some samples of what I thought was
poetry to Nissim Ezekiel. Did you find yourself seeing one in the other, when you were writing the
book. From this, she produces fiction which is tender, gentle and lyrical, but at the same time savage
in its rage. There would be no point in writing a new book if it was not more ambitious than the last.
There, and in the cloth to be woven the fields to be planted the goats to be slaughtered the cows to
be skinned the rats to be caught the shit to be carried away the bodies to be loved the songs to be
sung the stories to be told. You may write a “small” love story, but it would not work if the writer
does not locate these two individuals. Any reader who is even casually familiar with the headlines
that are the alchemy from which Hariharan creates her story will know from the start where the
stories are certain to end. In scene after scene, we witness their humiliation. Yet, despite extensive
and exhaustive reviews, there remain three facets of Githa Hariharan’s writing that deserve due
adulation and consideration. So my novel had to travel from the life and struggle of a cattle skinner
about 900 years ago, to the lives of three Dalit students in India today. Surely we should not
encourage intimidation, or “hurt sentiment” as a means of expressing these other citizens’ rights. Of
course, the allegedly landmark judgment only said the mother could “also” be the natural guardian.
This remained incomplete, and sometimes forced to bring the braid together. Sat, Jul 09, 2016 How
to ensure a better life for the Indian woman Premium Story January 01,2006 00:00:00 AM. She has
also edited a volume of stories in English translation from four major South Indian languages, A
Southern Harvest (1993), co-edited a collection of stories for children, Sorry, Best Friend! (1997), a
collection of essays entitled From India to Palestine: Essays in Solidarity (2014), and co-edited
Battling for India: A Citizen’s Reader (2019). The result will be formulated on the basis of
marginalization and inferiority of females, neglection of women in patriarchal society and gender
disparity and longings of women in androcentric setup.
Hariharan, winner of the 1993 Commonwealth Prize for best first book, is also a vocal campaigner
with the Palestine solidarity movement. The primary inference from this statement is of Asha’s
mother’s hardships as a labourer on land that will perhaps never be hers. She talks to Joeanna
Rebello Fernandes about her writing, her activism and her reformative decision to take on the law
This week’s Supreme Court verdict favouring guardianship rights of the unwed mother recalled a
similar order author Githa Hariharan wrested from the SC in 1999, when it ruled that women were as
much the natural guardians of their children as men. But instead, he tells her “with great kindness”
that she is right, he “can never directly understand — in the sense of experience — the day-to-day
life of a cattle skinner, his suffering, his fears and his dreams.” This may be true for scholarly work.
Hariharan’s real victory is in the beauty of each segment. Speakers include Professor Rajendra
Chenni, writer Saraswathi, translator N. How can you not be politically engaged in such a time. She
has also written children’s stories; and edited a collection of translated short fiction, A Southern
Harvest, the essay collection From India to Palestine: Essays in Solidarity and co-edited Battling for
India: A Citizen’s Reader. As for the other restriction, national security, this is, sadly, misused. In
medical college, we see how the Dalit student sits alone in his bench, as though he is unclean,
diseased. Advertisement Githa Hariharan’s latest novel I Have Become The Tide centres around the
caste system. Her collection of essays, Almost Home: Cities and Other Places, was published in
2014. My river, generous as always, Gurgles as it laughs. If these are curbed, our knowledge
stagnates, and so do writing and reading. The Junior Sentinel Saturday Fare Melange Multi-lingual
The Sentinel. Three of them delve into about the society's patriarchal pattern and try to meet society
's expectations and taboos laid by men. In scene after scene, we witness their humiliation. Hariharan
is one of the founders of the Indian Cultural Forum, a platform for cultural politics, and was a
consulting editor to the Forum’s journal of culture, now the Guftugu Collection. There were
definitely loose strands as the weaving progressed: the predictable background and life of Krishna’s
assailant can read a tad tired to a reader otherwise ensorcelled by the ebb and flow of the
protagonists’ plotlines. I was in my late 30s when my first novel was published. The draft guidelines
are placed on the website of the Department of Consumer Affairs and are accessible through the
link. Both the title and the poem speak powerfully of the rising anger, and the rising resistance, of
Dalits, of youth, and of those who dissent today. There are three Dalit friends, who enter college
with dreams to go where few in their community have traversed. Was the decision to lace up for
what could likely be a long-drawn bout with the law an unequivocal one? Absolutely. It has been
over 20 years since you contested the Hindu Minority and Guardianship Act. Almost three decades
on since her first novel, and two decades on since she fought a landmark case in court, the writer
spoke to Firstpost about the way her writing has evolved, the influence of Rohith Vemula’s death on
her work and the politics of her writing. They are meaningful only if there is also questioning of
discriminatory practices in classrooms, in media, in popular culture, homes, and on the street. You
have since then written political texts, columns and non-fiction. These motifs give me the courage to
bring back the pained opening metaphor of the braid. Most recently, she held a writing fellowship at
the University of the Witwatersrand (WITS), Johannesburg, South Africa.