Dedicated to Olga HASANOVA

Emotions
Suite for 2 Pianos


Yiğit YÜKSEL


Moderato


         
I -Confusion

      
      
  
I


                           

3

        
    

II

7
    


    
           
 
            
I

         
          
3

    
II

14  


                   
           
          
I

  

       
5

II

   
3

 
Andante ma energetico

        
      
rit.

   



19

    
   
I

  


   
            
II

            



23                                      
        


                                 
I





  
II


25
                                 
  
    
  
II 3 3 3 3 3 3

*) All notes with a crossed note head should be played with right hand on the strings to sustain.
 
               
       
2

 

27

 
       
                      
I


  24
         
       

   
II


      
               
 
                 
24 24


30

           
          
24

    

    
II




 


                           

    
             
  
34



     

I


         
              


              

      
II


 
               
          

40


                        
          

I


        
       
  


                  

II

              
              
 
 
                                   
3

   
44

 
                                  
   


I

 
                                       


                   
II

                 
   


   
     
  
47


     
  
I


  
      

  
        
II

        


     


      
 
  
Larghetto
II - Calmness


    
 

I


        
         
 

    

            
 
II


       
   
  
        
4

  
     

I

 


  

     
   

    

II
   


   
          
                
4


    
     

8

  
 
   

I






    

 


    
II

    


11 
   
 
     
      
  
   
I


 



 ()   

 


   

II


14                                  
   
 
 
    
I

         
II



15              
     

 
       
I

 
         
II
          


17   
  
        
         
               

I

     







                                       
  
 
 
II
 


5

   
21 attacca without stopping

     
I





    
II
    



          





       
     
Adagio
III - Sadness

          
      
I




  
 
         
 
    
 



  

II

  
     




       
         
 
7 1

  
        
rubato

        
I
1


*)

    
   
     

        
1

 

II
1
 
     
      


           
           
              
          
14 1

         
     
I
1


                 
                      
 
 
 
  

1

   
II
1

    
    
 
6

          
   
3 3

 
3 3 3 3

 
 
23

   
drammatico
3 3

  
3 3

 
I

    
  
  
drammatico


          
          
  
    
drammatico   
         
 
          
    
II

drammatico



 
     
       
3

  

3 3
26

 
 
drammatico
3 3

   
6

    
I

    
3 3 3

           
  
drammatico


                 
             
       
 
      drammatico
       
     
                   
   
II

drammatico



 
 
   
  
  

3

  
3 3


29

 

         
3 3

    
6

 
I

   
3 3 3

        
     



       
          
          
  
       
           
            
II
 
        
7

           
     

32

     
                      
I

                        
    


                  
               
    
  
                  
                     
II




          
     
          
    
       
36

        
                 
I

                    
   
  


        
                  
             
        
                   
            

II




          
          
            
40 = =

 

3 3

 drammatico
            
I 3


3 3

        
       
drammatico


   
     
   

            
 drammatico
     
          
    
 




II

drammatico
 
           
8

  
 

        
45


        
3 3

    
3 3 3 6


I

      
3

  
3 3

     


              
        
            
    
                     


     
II

   
48
                   
    
 
   
 3 3   3 3

3drammatico
   
I 3 3 3 3
3

    
  
  
drammatico
      



      
        
      
drammatico   

              
         
II


drammatico


 
51                
  
       
=
      
     
           
3 3 3 6

  
I


     
  



7

            
           
   

             
    
  
II

   
 
 


53 
         
  
    
    
 
 
     
     
     

I 7 7

        


7

        
          
       
     
II

     
 
           
9

               
             
56

             
                       
I

           


           
               
             

                                     
                           
II

           



      
60


    

I





  
 
   

      
II