THE ROAD REAPER

written by

Yousef Alnefaie

To be filmed using 35mm film prints

Presented in cinematic aspect ratio 1.85:1

Address
Phone
E-mail
EXT. NEIGHBORHOOD BLOCK. NIGHT
1976. Halloween Night. Detroit
We see a a TEENage girl Walking in the sidewalk. THE camera
goes from kraen to fallow the girl.
The girl goes to a house. With an over shoulder shot. She
knocks the door. A 40 year old woman opens it. Mrs. Walters.

MRS. WALTERS
Oh. Hi. Haley. Happy hlooween.
Halean rogers. 16.
HALEY
Happy halloween. Mrs. Walters.
MRS. WALTERS
Oh please call me Anne.
HALEY
Is judy here.
Judy. 16 haley's friend.

MRS. WALTERS
Oh yeah shes here.
HALEY
Can you call her for Me
MRS. WALTERS
Why
HALEY
Well its hlooween
MRS. WALTERS
Are'it you a little to old for
trick or treatin
HALEY
Im 16. And i promise you she'll be
home in bed time
MRS. WALTERS
Ok. Ok.
 2.

She looks Into the house and yalls

MRS. WALTERS (CONT'D)
JUDY!!.JUDY
JUDY
What!?!Mom
MRS. WALTERS
HALEY is here
HALEY
We'er going to be late. Hurry
We hear foot steps going dawn the stairs.
JUDY
Hi haley. Sorry im late
HALEY
If we go now we could still make it
As They Walk we hear mrs. Walters
MRS. WALTERS
Girls be careful
HALEY
Ok mrs. Walters
JUDY
Yes mom

MRS. WALTERS
And don't be late
JUDY
Okay moM
Cut to

EXT. SIDEWALK. NIGHT

We see the girls Walking as They are chating in an a dark
part of the NEIGHBORHOOD.
HALEY
Hope they well wait for us
JUDY
Of Course they'll wait you thank
these two dumb cunts can do a thing
Without us
 3.

They Laughit out

As They Walking judy Takes a left turn
HALEY
Um. Judy were are you going thats
not the way to sam's house
Sam. 16 there friend. They suppose to spent the night with
and her young Sister Vicky. 14
JUDY
Im talking a short cut.
HALEY
Are you sure. My mom not to go in
this part of the NEIGHBORHOOD
As judy gets fear she shaot
JUDY
What are you a coward
HALEY
No. Bu-
JUDY
But waht. Coward
HALEY
No im not
JUDY
That so.. Anyway i've taken this
way before so don't Worry.
HALEY
If you say so
As the girls get going we notic that the dark and Empty
Street no car few houses most of them look Empty. Then we
hear a HORRORin noise..
HALEY (CONT'D)
What the Fuck was that.
She was Terrified
JUDY
Shit haley it's just a car
As haley calms dawon. We hear the car coming the girls don't
thank much of it Then we can see the cars Lighs coming from
the north west of them.
 4.

Then we see the car Appearing from the left of the frame. It
turns twords the girls. Its a Black plymouth barracuda coupe.
With Michigan lesans plets It get close to them
Cut to

INT./EXT. CAR. NIGHT

We can see the driver cavered in shadow only his hands are
seen which he weres Black leather gloves. We can see the
girls on the Car's windshield. Which he looking at the girls.
He passes the girls. His Windows are patch Black. He made it
to the Street end. Then he takes utern the girls are at his
left.
Cut to

INT. CAR. NIGHT

We see the man hands going thrwo the radio. He stops at the
song where is my mind by vanilla Fudge. Then he speeds Toward
the girls
HALEY looks back. Then she start to run.
HALEY
Judy. Ruuun.
Judy looks back and Start to run

INT. CAR. NIGHT

We can see the man hands changeing gear. THE song taks over
scene. THE man's hand goes to the passenger's seat and takes
a long Sickle

EXT
We can see the car's Window open we can see the sickle get
out of the car
We can see the girls running. Haley madeit to the Some house
but jody is sitll on the Road. THE car's noise and the song
get louder. And the car get really close to judy. Haley bings
the door
HALEY
Please opnin the door.
 5.

As the door opens on Slowmotion the camera snaps to the

DRIVERs hand waveing the sickle at judy
As he strack her neck we

Cut to Black
HALEY (O.C.) (CONT'D)
Nooo. Judyyyhy
The films title appear in mid screen
"THE ROAD REAPER"
Credits start over Black
Along Side j. S bach.

Fade in from Black

INT. FBI BUILDING. DETROIT. 1981.AFTERNOON.

Fade in from Black in a case papers the camera zooms back we
see a man a fbi agent. Named. Dan tansy. 37.
 6.

We see him seting manegan fiels

As the camera closees up on the one of the files titled "the
walters case"
In a close and short shot we see a photo in the file a photo
of a dead body
A teenage girl's body
Jody walters body
We also see him after he finches from the walters file he put
at abuve two other files
We hear knock on the door
Dan get up and shots the staro
That was playing j. S bach. THE music stops.
DAN
Get in
An old lady get in mrs Harris 64.
MRS. HARRIS
Mr. Tansy. This. Has cime for you
Its a package.
Dan gets up and Takes it form mrs Harris.
DAN
Oh. Thank you. Mrs Harris
MRS. HARRIS
YOUR welcome mr. Tansy.. Oh
bytheway larry. Is a about to leave
Larry is dan's supervaser
DAN
Would you please. Tell him to stay
for five minutes. Please mrs
Harris.
MRS. HARRIS
Okay. Ill tell him
DAN
I owe this much mrs. Harris.
 7.

MRS. WALTERS
I know.
She wallks out of the room.
We see dan manege the files.
THEN he checks his watch. It bewn more Than 5 minutes. He
gather the files. And gets out from the fille room.
He runs out in the hallway after chcking his watch.
He arrived at his superviser's office. He just openend the
door.

INT. LARRY'S OFFICE.

Wee see larry lashinsky. 57. Standing up gaven us his back he
is Wearing his coat.
LARRY
Has you'r parents ever taught you
to knock before entering.
DAN
Sorry. Sir.
LARRY
What do you want
Dan gaves larry the files.
LARRY (CONT'D)
Not this again
DAN
Look larry this time a have a Proof
LARRY
Last fuckin time you said the exact
fukin thing.
DAN
This time its Different.
Dan puts the files on larry's disk. Expect one.
DAN (CONT'D)
I just got it today
Larry takes it and sets at his chair.
The file is form napa pd. Dated 1981.4.17. Two manths ago.
 8.

Larry fleps the pages in the file

DAN (CONT'D)
We have. Witness. And the npd. In
bord.
LARRY
In. Boord for what.
DAN
A task force
LARRY
Get THE Fuck out of here
DAN
This is not suppose to be funny
LARRY
With all duo respect. I wont trust
you to handal a fuckin cat. Let
alone a task force.
DAN
Listen larry i know waht im see'in
i know that it's all Connected. And
napa agrees with me.
Larry looks at dan for a sceend
LARRY
Who do They agrre with you.. I mean
they should'int know. About
anything.
Larry looks at dan agein.
LARRY (CONT'D)
Did you
DAN
Yes i did . Bu-
LARRY
God damnit!!!
DAN
Hay listen to me -
LARRY
HOW many times i should tell we
don't share case files under
ingoing investigation. You fuckin
idiot
 9.

DAN
Damnit larry.
Larry shots up and look at dan
DAN (CONT'D)
This is Important shit larry.
They get silenced for a second
DAN (CONT'D)
Look. Evrething is set up. Napa are
allredy put up task force to begen
nex winsday

Larry is furious.. we see larry looking at the napa file. We

see a picture of a dead girl with her head severed.
LARRY
Poor girl.
DAN
We can stop it of you gave me a
Chance.
Larry looks back at the picture for a muinte
LARRY
Well take full rresponsibility.
DAN
Yes i'well
LARRY
Good. And you wll take johnson with
you.
DAN
Wh-
LARRY
Shot THE fuck up. You have no see
in this
Takes a braeth
LARRY (CONT'D)
I swear if you screw this up ima
get your fuckin ass...now go tell
johnson. And get the fuck out of my
office
 10.

Dan gets up and wallk to the door.and he Close the door

INT. OFFICES.
Dan Walk to his office. And sets dawn at his disk.
DAN
Ron were on
Ron johnson. 35. THE African american man. He leans from over
his cubecal.
RON
You're shit'in me right.

DAN
Nope. THE big man just gave his ok.
You better pack up you bags.
Dan take Some stuff from his desk Drawer.
RON
Wait. Pack my bags. Why should i
pack'em
As dan puts Some files in his briefcase he seys
DAN
Oh. Yeah. Larry told me to take
you.
RON
Why
DAN
My point Exactly.
RON
What about my Family
DAN
I thank Shorenda and little danzal
can go on Without you for a while.
Dan gets up
RON
I thought you don't want me there.
Standing up faceing him Walking back words
 11.

DAN
Well. It not up to me. Sooo.
Anyway. See you in Cali. Man
He wincks at him and Points with his fenger at him then he
looks the other way and wallk away.
Fade to

EXT. NAPA COUNTY AIRPORT. MORNING

Dan wallks out from the small Airport small terminal. He pull
out a cigarette. He put his briefcase dwon. Pulls out a
lighter lights his cigarette.
The camera Moves to the right until at find ron in a Phone
booth.
RON
Baby listen to me...
RON (CONT'D)
Hay damn it Shorenda. Its only
gonna take A few days. A week tops.
Cut to

INT. THE JOHNSON'S HOME. DETROIT. AFTERNOON

SHORENDA
A week my ass. You have a son god
damnit
RON (OVER THE PHONE)
I know. But
Cut to

INT/EXT. PHONE BOOTH

RON
But its my job honey. I cant not to
do my job. And i Love our son you
know that
SHORENDA (OVER THE PHONE)
I know but
Cut to
 12.

INT. THE JOHNSON'S HOME. DETROIT. AFTERNOON

RON(OVER THE PHONE)
Shhh. Baby l know you know. Like A
said a week tops and im home.
SHORENDA
A week
Cut to

INT/EXT. PHONE BOOTH

RON
A week baby..
He smilis
RON (CONT'D)
Can i talk to my boy
Cut to

INT. THE JOHNSON'S HOME. DETROIT. AFTERNOON

SHORENDA
Ok. One minute. Danzal. Danzal.
Your father wants to speak with you
The camera dolly to a kid in front of a tv watching loony
toons. 6 Years old danzal johnson. He gets up wallk to his
mother on the Couch she gave him the Phone.
DANZAL
Hi. Dad
Cut to

INT/EXT. PHONE BOOTH

RON
Hayy little man. Who are holding
out
Cut to

INT. THE JOHNSON'S HOME. DETROIT. AFTERNOON

DANZAL
Fine dad
 13.

RON(OVER THE PHONE)

Soo how was School
DANZAL
It was ok... My frind Lucas forgat
his lunch so we Shared mine
RON(OVER THE PHONE)
That's a boy all wes share with the
unFortuneit. So what did you have
DANZAL
Peanut butter sandwiches
RON(OVER THE PHONE)
Umham. I Bet they were Delicious
DANZAL
No not really They were soggy.
RON (OVER THE PHONE)
Well i thank mommy his so
explain'in to do
DANZAL
That what i Said.... Dad when will
come home
Cut to

INT/EXT. PHONE BOOTH

RON
Not long a week or so.
DANZAL(OVER THE PHONE)
A week is a long time
RON
No Believe me its goona go like A
blink of an eye. And the better
part is when im back i'll have A
day of. And its gonna be you and me
doing waht ever you want
DANZAL(OVER THE PHONE)
What ever i want... Icecram
RON
Icecream its
 14.

DANZAL(OVER THE PHONE)

Well dad i have to go play with my
friends
RON
Now be carfel boy.. I Love you
DANZAL(OVER THE PHONE)
Love too dad
Danzal closes the Phone
Ron closes the Phone and steps out of the booth. Wallks to a
bench he pulls a cig out puts it in his mouth. He pulls his
lighter. Tres to light it but it don't work.
We see that dan was Looking at his watch.
RON
Hey man can i get some light.
Dan Walks to him get his lighter out close up to the light
when it litgt the cig.
RON (CONT'D)
Thanks
Dan shots close the lighter. He stand besidse the bench.
DAN
Wh're the fuck are he.
RON
Who should i know
DAN
Its 9:30 he was suppose to be here
7:30

the two set at the bench look around in small Airport whtch
at closer to an airstrep. Thy looked at its surrounding
Country side.
15 miunets later.
They noticed a truck a blue 1974 Chevrolet Silverado. Getting
of the Road.
RON
That him
 15.

DAN
I don't know
The truck gets even closer
DAN (CONT'D)
Yup i think thats him
The truck stops on front of them. We see a man a 41 Years old
man named jack wanamker
Dan and ron get close to the truck's Window.
DAN (CONT'D)
JACK Wanamker
JACK
Yes. Dan tansy. Ron johnson
JACK Points to both of them
DAN
Yes
RON
Yeah
DAN
Where the hell were you man
JACK
Im sorry.. It was a misunderstading
RON
Misunderstanding. You Were spoppusd
to be here two hours ago.
JACK
Well i guess its one of those
things
DAN(AND RON)
What things
JACK
U. I. I just got it wrong
RON
You better get your shit right.
The two but there bags on the back of the truck
 16.

INT./EXT. TRUCK. DAY

The three look at each other awkwardly. All silent. Jack is
Driveing. Dan is in the middle. Ron on the right. THE smell
of alcohal and cigs is extrem. We could see Empty beer
bottles and cigarette packs thrwon in the trucks dashbord.It
was uncomfortable.

EXT. NAPA POLICE STATION. DAY

Establishing shot of the STATION's Parking lot. We could see
the truck just parked.

INT. NAPA POLICE DEPARTMINT. DAY

We see the three men inside the STATION. As the Walk through
it. Until they inter.

INT. CRIME INVESTIGATION DP. NAPA PD. DAY

As they enter. They hare a voice of a woman
SECRETARY
Mr. Tansy.. Mr. Johnson
DAN(AND RON)
Yes.
SECRETARY
Chief valia Asked to see you.
Before you meet the boys.
So the two follows Her and also wanamker fallows to.
She go to her disk office picks up THE Phone Phones the chief
than she told the two to
SECRETARY (CONT'D)
Chief valia is ready for you
The two Walk to the door. And jack also followed them.
SECRETARY (CONT'D)
Not you Jack
JACK
Right...
He scrmpels off
 17.

INT. CHIEF VALIA'S OFFICE. DAY

As the two enter the room we see tham via pov shot off the
man siting on the disk. And we hear this man's voice off
screen. A voice of one 61 Years old chief richard valia.
CHIEF. VALIA
Im i glad to fanley meet you two.
He Walked from his desk and Shacks their hands.
DAN
Yeah. Were glad to meet you too.
CHIEF. VALIA
Please have a siet
The three sit
CHIEF. VALIA (CONT'D)
How's the trip
DAN
Fine
RON
Will exapt the part when we waited
two hours for your guy
CHIEF. VALIA
Well that's wanamker for ya. You
till him go right he Somehow finds
away to go left.
The three Laughs it out.
Valia cut out a cigar. He light it
Cut to about 5 minutes.
DAN
To be honest i wasn't expecting to
enjoy your company
CHIEF. VALIA
Thank you.
Ron is smoking a cigar.
CHIEF. VALIA (CONT'D)
Gentlemen. I would'int want to keep
you any farther
 18.

DAN
Not at all
CHIEF. VALIA
No i think you should go.
The two look at him
CHIEF. VALIA (CONT'D)
(laughs)
I meant to meet the boys
They also laughs. They fallow the Secretary to the DETECTIVES
offices. Chief valia smil goes off then he enter his office
and close the door

INT. CRIME INVESTIGATION DP. DETECTIVES OFFICES. NAPA PD.

DAY
The two return to jack
JACK
So who was it
RON
None of yo business
JACK
Ok don't be so hostlle!
They Walk through the Almost Empty office cubicals until They
glimpse two DETECTIVES. Randy millers 41.and harry Walex 65.
Harry was sitting on his desk reading a news paper smoking a
cigarette. while randy noticed them so he got up and wallked
to them.
JACK (CONT'D)
Hey randy this da-
RANDY
You must be dan tansy
DAN
Thts me- so that make you randy
millers
Randy graves him his hsnd to Shackit so he does. Randy seys
while Shacking his hand
RANDY
How you feelin.
 19.

DAN
Im feeling fine
They stop handshcking. Randy looks to ron
RANDY
Who's your company
DAN
Oh- thats ro-
RON
The names ron- ron johnson
RANDY
Well nice meet'in you ron
We hear a grant. So the camera Points to harry. Wee see that
his put the paper down. And look them strigt.
RANDY (CONT'D)
Oh you two didn't meet harry ye-
HARRY
Shut up millers
He shut's up
HARRY (CONT'D)
So you federols think you can catch
the Reaper. Huh?
Ron sit on a char
DAN
Sure sir- we have all the peciec.-
and with the help of youre
Division -
He looks around for a second
DAN (CONT'D)
Bytheway - where is the rescst of
them
HARRY
Recest-what rescst
RANDY
Umm
HARRY
YOUre Looking at all of the npd
homicide Division
 20.

RON
(laughs)
The is it the funnyest shit man
As ron keeps laugh'in the camera cuts to dan's face we see
that he's disappointed.
Than THE camera Moves from dan's face, than Shows jack who
appear from the left cornar of the frame to stop at the mid
frame
JACK
Dan if there was more of us we
would'int called you Guys
DAN
So your wasting are time are'nt you
randy
RANDY
Listen dan i would'int sind these
files if i don't need youre help
Dan takes a deep breath.
DAN
Fine i believe you randy
RANDY
Good - now that we are at the same
page. Can we go to the avdens lab
and get going
DAN
Sure randy
Fade out

INT. EVIDENCE ROOM. DAY

The five men are siting in a lettle tabel Looking through
filles
Than ron opens one file the same file randy sind to dan in
detroit the last victim of the Reaper.
He puts at at the tabel
RON
I Wanna know evrething about her
The camera cut to the file Showing her dead body. They lean
to look. Camera cut back.
 21.

RANDY
This lora simson
HARRY
The Reaper's latest
JACK
She was hitchhiking that day around
the soda Springs- well than she was
found there
Dan light a cig
HARRY
She was found dead. With her head
besides her
RON
Jezz.
Dan put out hid cigerett
DAN
Have you had any witness.
Looks at randy
RANDY
No- but i think we have your's
RON
Our witnes.?
RANDY
Yeah.
RON
What witnes
DAN
Yeah - what witnes randy
RANDY
She's form detroit. I thnks Her
name was rogers.
DAN
Halean rogers!!
RON
And who's this
 22.

DAN
She the only witnes to the first
murder
Dan looks at randy
DAN (CONT'D)
Have u talked to her
RANDY
Noo- but we know she's in the state
DAN
Where
RANDY
Stanford.
Dan lean back
DAN
Looks like were going back to
School tomorrow - eh ron
RON
Sure man.
After a lettle While
The chief's Secretary opens the door
SECRETARY
Hey- fellas chief's says five
muintes to go
RON
Too- what
JACK
The pressconfris
DAN
WILL no one told us about no
confris
HARRY
I mean - you would expect the
invilment of the feds would peek
the interst of the prees now
would'it
 23.

DAN
Not when'it well put the
investigation on a critical
condition
HARRY
Well this is a small Town and in a
small Town you don't lie t'em- you
got the note.
Dan sites quietly for a moment
DAN
Sure . Fuck it
He Stand up and Walk away
DAN (CONT'D)
Witch way
SECRETARY
Down the hall to the left
And he left. And sesquintly the Four men fallowed him

INT. PRESSROOM. DAY

Chief is on the Stand
CHIEF. VALIA
As the fallowing months-we git
assured that the simons murder is
part of Something
One REPORTER asks
REPORTER #1
Is this means there is a serial
killer involved.
Chief get silent for a sec
CHIEF. VALIA
As of the moment. yes
REPORTERs yall the chief's name to get his atinion but he
says
CHIEF. VALIA (CONT'D)
allow Me to introduce Special
ageint tansy form the fbi to
explain ferther details
 24.

Dan gets up on the Stand.. THE cameras flash on him

DAN
Think you chief -
He looks at the chief and he nodns back
DAN (CONT'D)
Lides and gentlemen of the prees -
we the federal baural of
investigation have entered the Case
of simons
Extrem close up of dan's face
DAN (CONT'D)
To bee part of a bigger case that
spanes acroos the Country..
The camera Slowly Moves back and as it Moves.. THE screen get
lower in Quality and its zoom out until

INT. BAR. DAY

We see that the Conference is in a small tv hanged on the
bar's wall
DAN(ON TV)
What Some of you called the road
Reaper is propley one person and
the fbi and the napa police
deprtmint are determined to catch.
Thank you
The bartinder changed the Channel
the camera Slowly Moves from right to left in a dolly shot
above the bar until we stops at a man dressed in Black we
don't see his face in front of him is a glass of scotch he
Moves his hand witch both of his hands are coverd in leather
gloves he picks'it up abd drink's it up in one shot then he
pays the bartinder and leaves but the camera is still inside
the bar and it Slowly Moves the other way revaling his car
witch we see through the bar's glass and it's a Black
plymouth barracuda coupe with California lesans plats the
door was open he intered before we could see him he slams the
door cloesed and start the eingn the car rowres.

EXT. NAPA POLICE STATION. NIGHT

We see three men wallk
 25.

THERE are. Dan. Ron. Jack.

They Walked to jack's truck
JACK
Sooo. Were ima gaana take you
RON
Somewere quiet and has food
JACK
There is an inn down in the River
side - real quiet and Have real
good stick
DAN
SOUNDS perfect
The men got in the truck

EXT. INN. NIGHT

RON
Hey - jack you're right this stick
is real good
JACK
I know
JACK enter his truck then runs it dan goes to the driver's
Window
DAN
hey don't forget 7:30 you'll pick's
up
JACK
Al right i wont
RON
Not like last time
JACK
I just Side alright now dan don't
Worry about it go sleep its along
flight you'll need'it
They enter thier rooms
 26.

EXT. DARK HIGHWAY. LATE NIGHT.

We see a woman with her car haveing a flat wheel. She dont
have any spear.
She sees a car come'in she Waves it to stop so it stops
WOMAN
Hey-man i didn't have a speire
could you help me
He' s quiet for a second then hes mouth boopes out of the
shadow the rest of his face is covered in DARKNSS
THE ROAD REAPER
Sure - - - i'll help yah
In Slow deep vice
WOMAN
Al rig-
Suddenly before she could finish her sentence.
The man strack her naeck with a Sickle it cut her head from
her body she fall down
He wall out of the car we see only his feet he wallks to her
step step step until we see her head on the ground. He sit
down and grap'it the camera zooms out until it become a wide
shot. Then it start to fade out
Fade in to

EXT. STANFORD UINVERSITY COMPES. DAY

We see the men wallking with a woman. Profsoor leni hawk 54
to a girl
They stop and leni seys
LENI
Halean. Darling these men are from
the fbi they want to talk to you
She looks up to her she Stand up from the ground

EXT. CUMPES. DAY

Ron. Dan talked to haley While jack was on the back fixing
his beeber
 27.

DAN
Halean could point to what you
remember that night
Halean sit on a bench and Takes a deep breath
HALEY
I remember the car
Cut a flashback of the car Ruinng fast Towards judy
HALEY(V.O.)
I remember the noise that Horrible
noise
The car's einegan noise rorwres
HARRY(V.O.)
I remember the the voice of Her
haed falling on the ground
We see judy's head falling from her body for a split second
We cut back from the flashback
We see that haley is siting
And jack is still playing wth his beeber
HALEY
And i could'it (CRYING) do anything
about'it
DAN
Come on don't blame you're selfe
Ron pulles out a handkerchief
RON
HERE
Halean Takes it and wipes her taers.
DAN
Now haley are there is a thing else
you remember
She thinks for a minute
While wee hear jack's beeber go start to beeb.
JACK
Shit this is louder then i thought
 28.

He looks at it and it seys go to a Phone

JACK (CONT'D)
Hey im have to go do a call
RON
Sure man. Go
So he goes

INT/EXT. PHONE BOOTH

JACK enter the booth and dials the number

EXT. CUMPES. DAY

Halean seys
HALEY
I remember the car
DAN
You do
Ron looks at him
DAN (CONT'D)
Do you remember what Model it was
HALEY
Yes - you see i did Some research.
It was a Black plymouth barracuda
Pulls out his note book and write it down
DAN
You're doin a great job haley

INT/EXT. PHONE BOOTH

JACK is talking in the Phone he seems a bit bessy
JACK
Listen randy i don't undersind
JACK (CONT'D)
What!!
JACK (CONT'D)
When!!?
 29.

JACK (CONT'D)
Shit - Fuck. Listen were comein
back

EXT. CUMPES. DAY

We see that dan still talk ti haley
DAN
Thank you miss. Rogers if remember
any thing else - heres my card
He gave it to her
Then we can see jack Walking from behind
JACK
We got to go now
RON
Were
DAN
Yeah what happened
JACK
Something really bad happened
Cut to

INT. CORONER'S OFFICE

We see a covered body and two man enter the room one of the
men leves While the other stays the one who steys is coroner
stiren 47. He was then randy. Jack. And ron and dan enter the
room.
DAN
Open it
So the coroner dose and revaling the body witch dose not have
its head
CORONER. STIREN
What every cut her it was sharp.
And took the head
JACK
Jesus.... Ima puke
JACK runs out of the room
 30.

Is they look at her the camera foucs at her then it gos up

and Start to Fade out
Fade in

INT./EXT. CAR. NIGHT

Fade in to box in the passenger seat as the driver's door is
open we see that the drivervs seat is Empty.
Than we hear steps coming to the car. Then the man enter the
car we don't see his face he takes the box and get out of the
car the camera still in the car. Then we hear steps coming to
the car.
He enter the car and slames the door CLOSETED. He Drives away

INT. ANDY WOLTON'S HOUSE

We see a man entering a kitchen he is andy Wolton. 40 year's
old he is the editor at the local news paper.
He meak himselfe Some coffee. He put it in a mug and drink
Some of it he Walk to the door he open it and step out then.
He found a box he looks around and take the box inside.
He put it on a table he looks around in the kitchen for a
knive and he found it then symphony no. 7 by beethoven took
over the scene. He Slowly cut the box open
Then the camera closees up into his face then as he open it
he face whent blue. Then he start to screm. Then the camera
cuts to a shot from over the box the Woman's head is in it
and the music goes to the good part and the scene ends with
him still screming

INT. ANDY WOLTON'S HOUSE. DAY

We see that dan and ron are in the house whit dan having a
look at the haed and ron talking to andy
Also jack was there
RON
Mr. Wolton could you go over
ANDY
Ok... I woke up made my silef a cup
of coffee - got outside looked down
and there it is on my portch. I got
inside and open it. And that's that
 31.

as dan continue examing the head. Jack is outside smoking.

RON
That it? - you don't remember
anything else
ANDY
No.
RON
Okay if you remember anything don't
hesitate to call
ANDY
O. Ookay
As dan was examing the head he noticed Some writting under
her Ear "to u fbi" to wes scritch under her left Ear.
He Stand up and pulls out his instant camera and take photo.
Ron ask him
RON
Found Something?
DAN
I think - i know why he killed her
RON
And what's that
DAN
Us
RON
Us??
DAN
He was Sending a message to us.
He wallk Toward him - and gave him the photo. And dan wallk
away. Ron looks at it then he looks at at the head.
Dan wallk out
RON
Hey were are you're going.
JACK
Yeah were you going
DAN
Bar
 32.

INT. BAR. NIGHT

We see that is siting by the bar drinking he drinks up his
cup and put it down
DAN
Bartender full it up
So the Bartender dose
Dan picks it up and drink Some of it
Then a man sits besides him we don't see his face for a
second because he's in deepth of field.
Then the camera adjust revealing that he is ron
He talks to the Bartender
RON
Bourbon on the rocks
He gave it to him
RON (CONT'D)
Thanks
He sepps a little and then looks at dan
RON (CONT'D)
So daniel what is in your Mind
Dan looks at him
DAN
My mind... Why he do it
RON
He's a creep.a psycho.
DAN
No not that-.. His kind have
pattern.. He don't
RON
All of them were women
DAN
No that's not enough.
RON
Well we will catch and then you can
ask him what ever you want.
 33.

DAN
That if he still in the Country
RON
He's propply is cncesring the stant
he pulled.
The two got quiet for a second and sherd the silence. THE
camera is behind them. Dan on the right and ron on the lift.
Cut to

INT. CHIEF VALIA'S HOUSE . DAY

We see that the chief is siting in the kitchen hes eating
brekfast. Then mrs Valia entered the kitchen and gaved him
the mail and he hold her hand and kissed it
CHIEF. VALIA
Bliss yah honey
She set down and powed her selfe a cup of coffee.
As he go through the mail he stops at one letter he opens it
then as he reads it he stops his face want pale.
MRS. VALIA
What's the matter
He look to the Window
MRS. VALIA (CONT'D)
Is Something wrong. Honey
He gets up and run Toward the door.
We see a Black plymouth barracuda coupe Driveing away.
He get back and goes to the kitchen were the Phone is
MRS. VALIA (CONT'D)
Honey
He picks it up
CHIEF. VALIA
He drives a Black plymouth
CHIEF. VALIA (CONT'D)
The Reaper.
 34.

INT. CHIEF VALIA'S HOUSE . DAY

Dan and ron start to ask the chief
DAN
So chief are you sure it was him
CHIEF. VALIA
You now Some times i think you're
an idiot you now
DAN
Sorry. But i should make sure
CHIEF. VALIA
Yeah im sure
Dan looks at the tapel behind him and the letter on it
DAN
May I.
He points to the letter
The chief hand him over the letter
He looks at it
It read "nice house chief shame it well be Gone" written in a
tape written
Then the Phone rings and ron gets up and go to it
RON
I got it
He picks it up
RON (CONT'D)
Hello.
RON (CONT'D)
Shit
He Walks to dan and the chief
RON (CONT'D)
We got to go to the station now.

INT. NAPA POLICE DEPARTMINT. DAY

We see a man siting in a char in a room alone. A highway
patrolman
 35.

Than THE three enter the room. He got up

CHIEF. VALIA
You're McClinsky.
Then jade mcClinsky. 25 says.
JADE
Yes
CHIEF. VALIA
Are you an idoit
JADE
No sir.
CHIEF. VALIA
So why didn't you fuckin arrested
him you fucking idoit motherfucker!
Dan but his hand on the chief's shoulder.
DAN
Hey. Chief why don't you relax and
go outside and let me manage it.
Dan looks it ron
DAN (CONT'D)
Ron well wallk chief outside.
So ron and the chief leved the room. Leaving dan and jade
alone.
Dan sits down faceing him.
DAN (CONT'D)
So Jade. What happened.
JADE
I don't know Ia-I- got scared. And
- an-
DAN
Hold here for a second. Jade Take a
deep breath. And let's start over.
Alright
JADE
Alright. It wes earlier-
Fade out is he still talking.
Fade in to as he talks to
 36.

EXT. HIGHWAY. MORNING

We see that jade is on his highway patrol cruise.
JADE(V.O.)
It was early in the morning we I
first saw him with that car.
We see the Black plymouth barracuda coupe. Drive in high
speed passing jade's cruiser.
JADE(V.O.) (CONT'D)
Thaen i followed him and stoped him
fir speeding.
We see that the car has stoped and jade step'it out and
Walked to the DRIVER'S window.
JADE(V.O.) (CONT'D)
And sir. I swear-" i didn't know -
its him
He looks through the Blacked out Window as it Slowly went
down.
JADE
Sir. Do know how fast you were?
We only see his lips he see that is a scar Crossing them. We
see that jade is unsateled by them. Then he talked.
THE ROAD REAPER
Did i.
JADE
Yes sir you were Drive-ing 80
miles.
THE ROAD REAPER
Really.
JADE
Yeah. And i have to ask you for
the License and registration.
THE ROAD REAPER
That's not going to happen.
Jade wes surprised by what he Said.
JADE
What did you say.
We see that his hand is on the sickle.
 37.

THE ROAD REAPER

I said officer mcClinsky that it
not going to happen.
His hand is on the sickle. Jade notices that
JADE
Hey stop ri-
Suddenly the man hit him on the holster with the sickle and
took his gun and throw it to his right hand and swiftly he
hit jade with the sickle on his shirt and he got him clise to
him and put the gun on his face.
THE ROAD REAPER
Now what is it gonna be officer
McClinsky.
JADE
Please mister. Ill bee quiet about
this i wont till no one.
THE ROAD REAPER
You allready failed
He coicks the gun.
JADE
Please. Ill do anything you till
me.
THE ROAD REAPER
Good. Now till them the Reaper did
this.
He his him with the gun knocking him out. He fail to the
ground. As the car drove away the camera gose above him.
JADE(V.O.)
I woke up a While after that. And
got here.
Cut to

INT. INVESTIGATION ROOM. DAY

JADE
That's all I remember.
DAN
That's all he say
 38.

JADE
Yes sir.
Dan gets up and laves the room.
The camera is on jade alone in the room. Fade out
Fade in to

EXT. NAPA TOWNHALL PARKING LOT. NIGHT.

A sound of a car eingen can be heared. THE Black plymouth
barracuda appears. THE man park it and then runs off to the
DARKNSS. Then suddenly the car Explodes.
Cut to

INT/EXT. CAR. NIGHT

Dan and ron are in the back seat of a car heading to the
explosion. Police cars and fair trucks Sirens can be heard.
Cut to

EXT. NAPA TOWNHALL PARKING LOT. NIGHT.

Dan and ron get out of the car and wallk closer the bullding,
half of it is gone, destroyed.
We see that randy. Jack. Harry are there. Also the chief is
talking to harry. Then randy noticed them. And Walked toward
them.
RANDY
It don't Look good.
RON
Who many are in there.
RANDY
Five or eight.
Dan Looking concerned.
DAN
Jesus!
Dan looks at harry and the chief.
As he wallk to them jack passes him and go and puke in a
datch.
 39.

Then as he got naer them harry wallked to him

HARRY
You did this- both of you ass-
wopoing fedrols.
RON
Hey old man back off.
HARRY
Ha. Fucink crow. You think you can
take me on.
RON
Yeah you old Basterd.
As harry lushes to ron
Dan puts his hand on harry
DAN
Lets Take it easy now.
Harry pushes dan
HARRY
Get you're hands off of me you-
cough-
He spits blood.
HARRY (CONT'D)
If wasn't for you this shit would
have not happened.
RON
Bullshit
DAN
Chief. Waht sup with him.
The chief how was silence for the whole time. Opened his
mouth.
CHIEF. VALIA
Dan.im sorry but i have to agree
with mr. Walex.
DAN
What! Why.
 40.

CHIEF. VALIA
You'r presence only made him do
more. after this i wont allow that
anymore.
DAN
You cant do that.
CHIEF. VALIA
Actually i can and i did.
DAN
Huh?
CHIEF. VALIA
Before you two came here i called
detroit.
RON
This is Some bullshit.
CHIEF. VALIA
You're serviceses are not needed in
this Town.
Dan looks angry.
DAN
Fuck!
He Walk away. And ron fallow him.
Cut to
Black.

TITLE CARD: DETROIT - 1984.

INT. FBI BULLDING. DAY.

Three years has pased. THE camera Moves from a dark coroner
reviling dan now 41 warking now in the tax fraud Division.
He was talking on his office Phone he shot it dwon.
Cut to

INT./EXT. CAR. EVENING.

Dan is Driveing home. He is mumbel a song.
 41.

Cut to

INT. DAN'S HOME. NIGHT.

Dan lives in a small house alone.
He enter the house with Some dinner he put it in a tapel.
Then he sits. Then as he eates we see that hes stareing at
Something. We don't see. Until THE camera gets behind him to
an over shoulder shot. Revealing the wall. THE wall is full
of photos and evidences and Details from the investigation..
Fade out
Fade in to.

INT. FBI BULLDING. DAY.(EVIDENEC ROOM)

Dan wallks to the recpion office. We see an old lady. Its

mrs. Harris
DAN
Hey there. Mrs Harris.
MRS. HARRIS
Mr tansy. How.'s it going.
DAN
Fine.
MRS. HARRIS
Hope fraud doing you well.
DAN
It sure is fine.
As they smile.
DAN (CONT'D)
How are Felling
MRS. WALTERS
Oh me. Im alrigt. Hon
They gigel about. Then dan says waht is he here for.
DAN
MRS. Harris can i go in
MRS. HARRIS
Sure. Can i see your papers.
 42.

DAN
Heres the thing i don't have any
MRS. HARRIS
What?
He lean closer to her.
DAN
In fact its better that no knows
that i wes even here.
Mrs. Harris looks councerond and norves and Unsure.
DAN (CONT'D)
Please mrs. Harris. I own you one.
MRS. WALTERS
As i remember you already owned me
one
Dan seys under his voice
DAN
I know.
She takes a deep breath.
MRS. HARRIS
Fine.
DAN
Think you vary much mrs. Harris.
MRS. HARRIS
Hey. You got 10 no mo no less.
He enter the room.. Before cuting the camera is on mrs Harris
as she rides a news paper.

INT. EVIDENCE ROOM. DAY

Dan steps in he Walk Slowly from shelfs pointing his fanger
to the dates wretin on it so he goes on and on until he stops
at a drawer written on at the date. Septemer 22. 1983.
(abandoned) stems on it.
He open it and it is last file on the napa murders and the
Reaper case before it went cold. He open it. And a montage
start.
In the montage is shwon in it Some ditdls about the case
after ron and dan left.
 43.

And most amportintly the name of the only arsstt on the case
mentioned. Robert Schneider 37.he was clered wen he was
discovered that he had Some mintel proplomes.
Dan gets out a note book and write it down.
Cut to

INT. RONALDS OFFICE. DAY.

We see a man drinking coffee While siting on his disk this
man is dan's boss ted ronalds (47).
We hear knocking noise.
TED
Get in
He open the door
TED (CONT'D)
Hi dan.. What do you want.
DAN
Hi. I want to ask you something.
TED
What.
Dan get closer and ted gave more of his atntion.
DAN
My old man is in the Hospital up in
bay city and it doesn't look good.
(lying)
TED
Well jezz!.. What wrong with him.
DAN
Long cancer
TED
Well jezz lm very sorry
He Stand up.
TED (CONT'D)
Do you need any thing.
 44.

DAN
Well i need to go up there and i
need Some days oof.
TED
Well if the Old man needs you. You
should bee with him... A have a
week off.
DAN
Think you sir.
Dan leaves the room and closees the door with him.
Cut to.

EXT. MICHIGAN STATE PRISON. GATE. DAY.

TITLE CARD: MICHIGAN PRISON

TITLE CARD: JACKSON.

Dan is outside the gate. Smoking.
Then we see a guard. Calling him in... So he fallow him

INT. VISIT ROOM. DAY

Dan is wallked in to the room by the guared. THE room is
Empty and a bet dark and grainey. There is a tapel in the
mideel he sites in its chire. And the guared leaves the room.
After a whale.
A guared enters the room with a prisoner. The prisoner is
chained. And the prisoner is Robert Schneider (37). Is
bulck'e.
The guared site him down and looked one of his hands and as
gose for the other hand dan seys.
DAN
That would'int be necessary.
The guared looks at him.
GUARED
Are sure.
He don't Look Up THE hand
 45.

DAN
Thank you.
The guared leaves the room leaving the two men alone.
Dan pulls a cig and gaves one to robert. He lights both.
ROBERT
Thanks
They SMOKE fir a whale.
ROBERT (CONT'D)
What do you want.
Dan gets his brifcase on the tapel and opens it and gets out
of it a file a copped file from septemer 22 1983.
Robert looks at it and looks back at dan.
ROBERT (CONT'D)
I already talked about it.
DAN
Yeah but can you explain this.
Dan opens the file and Points as a sentens watch says "i
didn't do it he did".
DAN (CONT'D)
Whos he robert
Robert looks at him plank eyed.
ROBERT
A kid i worked with.
DAN
A kid.
ROBERT
Yeah. A kid i worked with Years ago
in milwauckee.
Dan writes it down
DAN
Who many Years ago?
ROBERT
I don't know i've lost track of
time. Been here for a long While.
 46.

DAN
Would tray and think
ROBERT
Umm. Oh 1973.yeah wee worked at a
mechanic shop. Phil's Shop.
DAN
Do you remember the kid's name
Robert giggle's
DAN (CONT'D)
Whats so funny. Rob
ROBERT
Oh the kid called himselfe john
smith.
Dan smiles
ROBERT (CONT'D)
Of Course evreone saw through it.
DAN
And no one did anything.
ROBERT
Back in that time things were hard.
And phil Larson god bless him was a
nice man.
DAN
So phil hired besed on his good
hart..
ROBERT
Yes
Dan writs it down on his note book.
DAN
How long was mr. Smith working
there.
ROBERT
About six months.
DAN
Can you be more scpcifc
ROBERT
Form march to septemer.
 47.

Dan writes it down.

DAN
Before i go dose he have any kind
of-
Robert untripeses dan
ROBERT
Scars.
Dan puses
DAN
Yes.
ROBERT
Sure he has. Its long cuts the laps
gets up to the forhead.
Dan looks in displef the first real anformison on the reaper.
ROBERT (CONT'D)
Looks like are time is up.
He gets up and put out his cig on the tepal and yalles.
ROBERT (CONT'D)
Guared!
Robert gets up and dan too he doesn't do and say a thing.
The guared enters the room and unchained him then chained him
back before the two leave the room robert seys.
ROBERT (CONT'D)
Hope i was any help. Ageint
He smiles before leaving the room.
Dan still in the room standing still and quiet.
Fade out to Black.
Fade in to.

INT. THE JOHNSON'S HOME. DETROIT. MORNING.

Ron and his Family danzal. Shoranda his wife and his 8 months
old girl joana.
There having brckfest. Shoranda is fedding joana somch
potato.
 48.

Then we hear the bus stoping outside.

DANZAL
I bteer go.
He gets up and picks up his backpack.
SHORENDA
Be curful hon.
RON
When you come from School you come
home. And you better not hang out
with that no good Thomson kid.
DANZAL
Yes dad.
RON
Good now go.
Danzal leaves the house.
SHORENDA
You should be not so hard on that
kid
RON
Am doing this for his sake.
SHORENDA
He may not see it that way.
RON
I doesn't matter what he think now.
He looks at his whtch hes late so he gets up
RON (CONT'D)
Besides if a get him to the ice
cream he liks he'll fergits he ever
angry with me.
He get close to his wife and gave her a kiss. And he get
close to joana and kiss her on the cheek.
RON (CONT'D)
I better go now.
Ron wallks to the door and grab the handel and as he go
closes it.
Cut to.
 49.

INT/EXT. CAR. DAY

Ron is Drive-ing his car and as he Drive-ing he is mumpeling
the lines of a song.
Cut to

INT. FBI BULLDING. DAY.(MURDER DIVOSON)

Ron is in his office doing his work papers when a another
ageint put a note on his disk. He looks at it.
Cut to

INT. FBI BULLDING. DAY.

Ron is in front of the evidenec room respchinst. He gave her
the note.
Cut to.

INT. FBI BULLDING. DAY.(EVIDENEC ROOM)

Ron wallk form shlve to shlve until he found the one he
needed. he opens it and takes the file.
Cut to

INT. FBI BULLDING. DAY.

Ron wallks out of the room and thevrespchnits has chenged to.
MRS. HARRIS
Mr johnson. yoohoo
He was stateld by her prcent.
RON
How you're doin
He gets closer to her as he smailes
MRS. HARRIS
Im fine. Hows your Family and the
new baby.
RON
There fine there all fine
 50.

MRS. HARRIS
Are here for the thing.
Hes smale is gone.
RON
What thing.
MRS. HARRIS
You know the thing that dan is
doing with the Reaper case. He told
me not to till anyone. and i've
been real quiet.
She smales.
Hes clarly geting peassed. But he cooles off and prtend he
knows.
RON
Oh that thing.
He looks at his watch.
RON (CONT'D)
Damn im late i better go.
He wallk away.
MRS. HARRIS
Have good one.
He don't answer back.

INT/EXT. PHONE BOOTH. DAY.

Ron parks his car outside of Phone booth. Gets out of the
car. An enters the booth.
He have an old copy of dan's work file witch contens his
Phone number he calls.
Cut to

INT. DAN'S HOME. DAY

CLOSE shot of dan's telphone it rings no one answers. THE
room is dark
Cut to
 51.

EXT. LAKE HUT. EVENING

Dan is on some lake hut Porch. siting on a beach chair
drinking beer and Looking into a file and writeing down Some
information on his note book. And the horizon setes on the
lake on front of him.
Cut back to

INT/EXT. PHONE BOOTH. DAY.

Ron is angry he tras to call again but no one is answering
again. He start to hit and kick the booth.
RON
Fuck. Fuck.
He hit the booth's door and it borock.
RON (CONT'D)
Son of bitch
He walks to his car
RON (CONT'D)
Motherfucker!
He enters it and Drives it into the horizon.
Fade out
Fade in to

INT. THE JOHNSON'S HOME. NIGHT

Ron wallks into his house. Then danzal runs to his father and
hugs him
RON
Hoo lettle man where this come
from.
Danzal steps back and say with a smille.
DANZAL
I'll go to the car first.
Ron seys in confusion
RON
The car?
 52.

Danzal's smail is gone.

Then shorenda enters the room dressed.
RON (CONT'D)
Why are you dressed
SHORENDA
You know what day it is.
RON
Its friday
SHORENDA
Its first day of summer break you
promiseed to take him to the
movies.
RON
Shit
Ron looks down at his son with a Tear on his face. And looks
at his wife with a gurnt at her face.
RON (CONT'D)
Fine go
Danzal smales and runs out to the car.
DANZAL
Thanks dad.
He looks at his wife for a second and she wallks passed him.
Then she fallow het son outside
He gose to the kitchun and drinks a glass of Water.
Cut to

INT. CINEMA. NIGHT

Ron and his Family are in a movie Theatre watching the new
hit the kartae kid as thier son's wonder
Cut to

EXT. MALL'S PARKING LOT. NIGHT

A Black car is larcking in the lot Looking for something.
Cut to
 53.

INT. CINEMA. NIGHT

The Family Continue enjoying the film unAware about whats
happening in the parking lot.
Cut to

EXT. MALL'S PARKING LOT. NIGHT

The balck car is still Looking for Something. Until it stops
behind ron's car.
Cut to

INT. CINEMA. NIGHT

The last fight in the film just happened as the camera is on
danzal's little face he is Amazed.
Cut to

EXT. MALL'S PARKING LOT. NIGHT

The Black car parks just besides ron's car.
Cut to

INT. CINEMA. NIGHT

The movies credits rolls. THE Family get up from there Seats
and left the cinema.
Cut to

EXT. MALL'S PARKING LOT. NIGHT

The Family wallks outside of the mall in the Parking lot.
Wallking Toward the car.
Then. THE man in the Black car steps out of it. We don't see
his face (yet) he steps Toward them.
Ron noticed he don't rectinze him. He stops for a second his
wife noticed.
SHORENDA
Whats the matter
 54.

RON
Nothing baby .
Then the man seys
DAN
Johnson
Its dan. he Walks out of the shadow
RON
Take danzal and get in the car I'll
be back in a minute.
Shorenda and danzal get in the car While ron wallks toward
dan.
He get closer to him.
DAN
Listen iam sorry i sneked up on you
like that but we need to talk.
Then suddenly ron Punches him on the Face
DAN (CONT'D)
Fuck man! Why did you do that?.
Ron hold him by the slides and says as he is angry.
RON
Why did i do that. Ha. Lets see oh
right you opened an unofficial
investigation for a division that
is not youres and youre try to get
me involved.
Dan out of brath says
DAN
Okay i got that but you and i can
get him thus tim-
Ron Punches him again and leaves.as he Walks dan gets up from
the ground.
DAN (CONT'D)
Look we can go to sancho's and talk
it all out. Man!
Ron stops and Without Looking at him says.
 55.

RON
If i see you again I'll fucking
kill you.
Dan seems to get that ron it in no MOOD so dan get into his
car and leves as soon as ron also get in his car and take his
Family home.

INT. THE JOHNSON'S HOME. MORNING

Ron wallks into the kitchen and made himself Some coffee as
he was look at his door he notice something a file was slpte
under the door. So he go and gets it and it reads the Reaper
it was not an official file but as ron was about to read it
he hears something.
DANZAL (O.S.)
Dad are you in kitchen
He hiddes the file on the druoer.
RON
Yeah.
Then danzal wallks in.
DANZAL
Dad can you meak some eggs. Please
RON
Sure how many Do you want.
DANZAL
Two
Ron crack open two eggs and cook them and gave them to his
son witch he Ate them and drinks orange juice. After that
DANZAL (CONT'D)
My friends are have a night over.
Can i go
RON
Sure be cerful
Danzal smalies
DANZAL
Thanks dad
He finishes his breakfast and leaves the house.
 56.

Then ron gets up and wallks twoard the Phone and picks it up
and calls his boss. THE Phone is on hold.

INT. FBI BULLDING. DAY.

A Secretary Answers The Phone.
SECRETARY
Hollo.
We Hear Noming Noises.
SECRETARY (CONT'D)
One Second I'll Connect You.
Cut To

INT. LARRY'S OFFICE.DAY

The Office Phone Rings We Hear Steps Coming From Out Of
Frame. . Then A hand comes From Out Of Frame And Picks Up
THE Phone. And Left It Up to his Ear revealing THE Man Its
larry lashinsky.
LARRY
Hollo Ron what do you want you. why
are'int you Here.
Cut to

INT. THE JOHNSON'S HOME. DAY

Ron Answers
RON
Hi larry. I can't go im not feeling
good today.
Cut To

INT. LARRY'S OFFICE.DAY

LARRY
Why what happened. Are You sick.
Cut to
 57.

INT. THE JOHNSON'S HOME. DAY

RON
I feel if i came Today i w'll be a
obstruction for the guys and the
job.
Cut To

INT. LARRY'S OFFICE.DAY

Larry looks at hid watch and thinks ron is late.
LARRY
Fine. You can stay.
Cut to

INT. THE JOHNSON'S HOME. DAY

We see ron holding the Phone presed to his ear
RON
Thank you sir.
We hear a namping noise
RON (CONT'D)
Alright.
He closes the Phone.
Then we hear a noise coming from inside its his wife coming
from thier bedroom wearing her nurse Outfit.
SHORENDA
Morning honey
RON
Morning
She looks at him.
SHORENDA
No work today
RON
Yeah. Im not felling good today
Shorenda make hrself Some coffee
 58.

SHORENDA
You would'int Mind takeing care of
joana
RON
Sure baby.
She gave ron a kiss on the chack and leaved the house.
Ron then gose and take joana and leaves the house the camera
dose'int leave.

INT/EXT. RON'S HOUSE / NEIGHBOR'S FRONT YARD. DAY

We see ron knock on his neighbor house we see a woman opening
the door. Ron talks with her for a second. Then he gave her
joana and comes back to his house.
Without cuts

INT. THE JOHNSON'S HOME. DAY

Ron Walks in and opens the Drawer and Takes the file and
opens it and start to read it. THE camera closes up of Ron's
face from under him. With the words super Imposed on his face
and the wall behind him. THE word contains every thing that
robert Schneider said. From the Description of the Reaper to
Phil Larson's Shop.
He gets up and picks up THE Phone and dials up a number.
Cut to

INT. DAN'S HOME. DAY

We see dan's hand picking up THE Phone and gets it up to his
ear we only his head from behind.
DAN
Hollo.
Cut to.

INT. THE JOHNSON'S HOME. DAY

RON
We need to talk.
Cut to
 59.

INT. DAN'S HOME. DAY

We stll don't see his full head he says.
DAN
Sure see me at sancho's
He shots the Phone.
Cut to

EXT. SANCHO'S. NIGHT.

Ron parks his car on the club /bar's parking lot.

INT. SANCHO'S. NIGHT

Ron wallks into the bar/club Looking for dan he was not going
anywre until he heard a whistling.
It was dan siting on a table alone signaling to ron to come
to him.
So ron wallks towards him and sits in front of him.
Ron puts the file on the tabel.
RON
Where did you get this.
Dan gets closer
DAN
I talked to schneider
Ron understind what happened so he mives on to the next
question
RON
You sure it him this smith guy.
DAN
I've never been so sure like this
in my life.
Ron napes.
DAN (CONT'D)
Also the names proply a fake.
RON
So he have the scars.
 60.

DAN
Yes. Just like the sketch.
Ron taks a deep brith
RON
Jesus
He looks down
Then looks at dan.
RON (CONT'D)
So why we should believe this fool.
DAN
Because this is the most belivevbl
thing i've haed when it comes to
the Reaper.
RON
Thats it?
DAN
What do you need more
RON
I don't know doin this shit in the
official way.
DAN
We should get the man before tillin
RON
I don't know
DAN
Man im not even murder anymore
remember and im brtte sure larry
wont open the Case now.
RON
Fine lats say that guy is the guy
now waht.
DAN
You Convince larry to Reopen the
Case
RON
Didn't you just he wont
DAN
Not with a Convinceing evidence.
 61.

Ron looks down and really thinks about it.

Then he taks a deep breath.
RON
So if do this we talk to who.
.
DAN
Old man phil larson. That who we
talk to.
Ron is conflcted until dan gave his hand out to sack it.
DAN (CONT'D)
Are with me. partner
Ron smales.
RON
Sure man.
Fade in to

EXT. PHIL'S CAR SHOP. DAY.

TITLE CARD: ONE DAY LATER

TITLE CARD: PHIL'S CAR SHOP.

TITLE CARD: MILWAUKEE.

We see the ron and dan get out of the dan's car parked
outside of Phil's Shop.
Cut to

INT. PHIL'S CAR SHOP. DAY.

Ran and dan wallk to the Shop the enter the warkshop behind
the Shop.
They see an old man supervising the workers. Its phil larson
(66).dan says to him as he noticed them
DAN
Are you phil larson.
 62.

PHIL
Yes i am.
DAN
Im ageint tansy and this is ageint
Johnson. Were Fbi.
PHIL
Well nice to meet you all but.
Wahts the Occasion.
RON
We need to talk about john smith.
Phil gaguls and seys
PHIL
Jesus john smith. Now lats go on in
my office and get this thing done.
DAN
That would be bast mr. Larson.
PHIL
Please call me phil.
DAN
Alright Phil.
Cut to

INT. PHIL'S OFFICE. DAY

Ron and dan fallow phil into his office. And all site down.
Ron lights a cig.
DAN
So can you till me about smith.
Phil scartch his face then he says
PHIL
He was a kid 19 or 20 he ceme by in
the winter of 73 he Asked for a job
so i gave him one.
DAN
Who was he.
PHIL
I don't know. I guess he didn't
talk much.
 63.

DAN
Did he have Scars
PHIL
Yes. By the way did you talked to
robert.
RON
Well as much it is not your
bessins. But yes
PHIL
Oh! how is he
DAN
Fine. Anway. Do you have any thing
could Lead us to smith.
Phil scartch his face once more the he says
PHIL
I don't know.
DAN
Please phil try and think
He scartchs his face again.
PHIL
Oh I got what you need.
He stand up and wallk to the wall when he Stand by a picture
hanged in the wall.
Phil calls the tow to come.
PHIL (CONT'D)
I think you should see this.
The two Walk to him to the picture hanged to the wall. They
Walk to it and Stand and look at it.
So they look not sure what to see.
Phil take his hand and Points at a falla in the left top of
the picture witch contains a team picture of the workres of
the shop in 73, and the falla in the left coroner is what
phil points at.
PHIL (CONT'D)
Look here.
He says at the two ageints look at the man in the picture is
indeed have a scar in his face and it look like a win.
 64.

RON
Jesus h. crist
PHIL
I Hope its any halp Those murders
where horrible.
The camera closes on the picture particularly smith "The man
in the picture". It on it for 5to10 Seconds
Then it cuts to.
Dan face in a Extrem close up. Then dan bracks the close up
and seys.
DAN
Can we make copys.
PHIL
Sure the Machine is Over there.
He Points behind him.
Cut to
The copys get out from the Machine.
Cut to

EXT. PHIL'S CAR SHOP. DAY.

Dan and ron and phil are outside of the Shop in the Parking
lot.
DAN
Thank you for the help mr. Larson.
PHIL
Don’t Mention it. And call me phil.
.
DAN
Sure thing.
He enter the car witch ron is in it.
Cut to

INT/EXT. CAR. DAY

Ron and dan are in the car. Then ron seys to dan.
 65.

RON
So now what.
DAN
What?
Ron looks it him (dans Drive-Ing)
RON
So we know it him. so now waht?
.
Dan looks at him
DAN
We talk to larry. I mean you ron
.
RON
Yeah like he would be in even if j.
Edger hoover told to he wont do it.
DAN
Ron you know thats nit true you
know you can talk him in.
Ron taks a deep brath.
RON
Sure man.
Fade in to

INT. LARRY'S OFFICE.DAY.

TITLE CARD: NEXT DAY.

The camera is looked on larry's office door when a knock at
the door can be heard. Larry's haed enter the shot from the
left coroner of the frame.
LARRY
Get in.
So ron enters the room then closees the door behind him.
LARRY (CONT'D)
Johnson. waht do you want.
 66.

Ron gets even closer and grsps the char and sits on it then
larry seys.
LARRY (CONT'D)
I didn't tall you to sit.
The camera closes to ron's hand there is a file in it. Cut to
larry who sow it.
.
LARRY (CONT'D)
What's this.
RON
Its a file.
LARRY
No shit. I know its a file what
file it is and why you bring it
here
Ron gaves it to him to read it
.
RON
I think you should read it.
Larry takes it.
.
LARRY
What's in it.
RON
I thank you should read it
.
LARRY
Why.
RON
Larry please this me asking.
.
LARRY
Fine.
Larry start to opnin the file fulder.
 67.

He looks at ron ad he do it then he. Tacks out the file.

THEN he start to read it so Slowly until he stops he stop cus
he read the name THE ROAD REAPER and he looks to ron..
.
LARRY (CONT'D)
What the fuck is this?!
Ron looks at him. He is kenda norvise.
RON
Its waht it seems. we should look
into this again.
Larry looks it him.
.
LARRY
Who you was talk to was it tansy.
RON
Thats besides the point the point
is new stuff hat come to to ligh-
LARRY
Was it him .
RON
Like i said thats besides the poin-
LARRY
God damn it was him. Wasn't it. Ron
till me was it him.
Ron is silenced he don't say anyting.
LARRY (CONT'D)
Was it him johnson?.
Ron Takes a deep breath.
.
RON
Yes. I've talked with him
LARRY
I know it. This son of bitch stil
try to fuck my division after i
kicked him out with this fuckin
cold Case.. Son of a bitch.
 68.

RON
Yeah but three is some new shit and
i think we-
LARRY
That son of bitch thinks he could
do that with a cold Case.
Larry giguls.
.
RON
Larry. Larry.
Larry gave him his attention.
RON (CONT'D)
Look larry i think with the new
shit in this file this thing could
go somewere.
.
LARRY
Its a cold Case. Ron
RON
Yeah but we are seriously going
Somewere. Larry List-
.
LARRY
Its a cold Case.
RON
Bu-
LARRY
Waht not to understand with taht
nigger head of yours. Its a cold
Case.
Shock Waves hits ron he calld him a nigger in that day and
age. Cus he didn't like his behiver.
Then the anger is Visible on ron's eyes..
Larry becoming to understand that he made a mistake.
Then ron gets up and Walks towrad larry whos is also got up
and Walk to the coroner scared. To waht's coming.
 69.

LARRY (CONT'D)
Ron. Ron. Listen i didn't mean too
say that.
Ron is getting colser and larry is getting scareder.
.
RON
You know what you said.
LARRY
Listen Ron we can talk this
through.

.
Then suddenly Ron Punches larry in the Face.
Larry falls down by the coroner.
LARRY (CONT'D)
Ron please.
Ron hold him up and pres him to the wall.
RON
You have the odisty to call me
that.
LARRY
Im sorry.
RON
Your sorry huh.
He Punches again.
Then larry yells.
LARRY
Heellp!!!
He Punches him down.
Hes sup-conches then two ageints enters the room and try and
get him off of larry. But the did have Some Trouble doin it.
Then when they did larry in the ground.
LARRY (CONT'D)
Get him out of here.
 70.

Ron yells.
RON
You called me this. You called me
this.
Larry Slowly gets up.
LARRY
Get him out of here.
So they did.. Door shots.
Cut to.

EXT. FBI BUILDING. EVENING.

Ron wallks out of the Building with a box that have all his
stuff from his disk. He is smoking..
THEN the camera snps to the other side revivaling dan out of
his car Standing waiting for ron. Also smoking.
.
Ron wallks to his car ignoring him. Dan is surprised.
DAN
What your doin.
He whispers to himself.
THEN dan fallows him.
He walks across the Street. Then he cet close to ron
DAN (CONT'D)
Ron. Ron. What happened.
As he wonder about the box.
Dan looks at the box thrn to ron.
DAN (CONT'D)
Did they.
RON
Yes they did and thats cus of you
and your Fucking Goose Chase.
DAN
Me why.
 71.

RON
Yes you. Dan i don't want to see
you i ever again in my life.
Understand.
Dan is in shock his plan is ruind and cost ron's job.
Ron walks to his car and leaves.
Fade in to.

INT. DAN'S HOME. NIGHT.

We hear a voice as dan is on the Phone siting on a chair in
his Kitchen as the voice is coming from it.
TED(V.O.IN P)
Listen pal. We could'int do more
for you.
DAN
I understand.
TED(V.O.IN P)
Its it were going to Lit you go.
But if you want to resign. I think
that would be better for all of us.
DAN
I'll send it first thing in the
morning.
TED(V.O.IN P)
Thank you for your cooperation.
He ends the call by shoting the Phone. We hear the Phone
beebin and dan dose itnt shot it for a second then he looks
down. And shot it.
Cut to.

.
.
.

A dark Black screen.

 72.

We hare a Train noise then in the black screen the words.

TITLE CARD:. ONE YEAR LATER.

Appears on the black screen then it start to Fade out as the
screen dose too.
Fade in from Black to.

EXT. TRAIN STATION. DAY.

A wide shot of the station is seen its Afternoon and its
suny. We see people entering and exiting the station. THE
word

TITLE CARD: DETROIT.

Appears on the screen.
Then the camera zooms from the wide shot Slowly to a man hows
gaveing us his back. We don't see his face.
Then the man start to Walk with his back in hand and a cig in
the other. He walks to a car a Black 1969 Doge charger. He
Stand in front of the car. He Throw the cig away. And stands
still..
Then the camera gets in his side and he looks at it revaling
his face he has a big scar in his face. And he is the Reaper
we sow his face for the first time.
He enter the car and leaves.
Cut to

EXT. SCHOOL. DAY

A car parks in front of the School the camera zooms to the
driver it is ron. THE camera goes into the car we can see a
badge it says haed of Security. Ron is smoking then he
noticed his son geting out form the School with the other
kids. He throw it out of the Window.
.
His son gets closer then he enters the car.
DANZAL
Hi dad.
 73.

RON
Hi.
.
DANZAL
Is'ant mom soupesrd to take me.
RON
shes busy in the Hospital.
DANZAL
Alright... Can we get Some ice
cream.
RON
Mabye next time boy i have to get
back to work after i get you home.
DANZAL
Dang'it
RON
No swearing!
DANZAL
Sorry dad.
He Drives the car away.
Cut to.

INT. BAR. DAY

We see a bar in the day cupel of local warkers and some
senors are drinking an old man yells at the Bartender who is
graves us his back his a bit overweight. THE old man yells.
OLD MAN
Bartender fill my glass.
The Old man puts the glass on the table. THE Bartender taks
it with a bottle of wiscky in hand. THE camera is on the
bartanders hand. He fills it up. Then the camera goes up.
Revaling the man. Is Dan. He has changed a lot...
Then he gave the drink to the old man.
Cut to
 74.

INT. COMPANY'S WAREHOUSE. DAY

The camera is locked on a shot of a door a back door in
warehouse. Then the doors open. And Ron enters it and Walk
inside the Warehouse. He is walking to his office as haed of
security.
He enter it and sits and puts his feet on his tapel. And gets
picks up a news paper that was lean on the tapel. THE camera
Slowly zooms out revealing the Empty Warehouse.
Fade to
.

EXT. BAR. EVENING

We see that Dan is leaving the bar he work in he enter his
rusty Nissan Laurel. He enters it and Drives it away.
Cut to.

INT. APARTMENT BUILDING. SUNSET

Dan is now lives in on a apartment Building.hes Walking
through a hall in the apartment Building he stops at his
apartment...and gots his key out of his coat pocket he opens
it.
He enters his dark apartment the camera fallows him he opens
the lights and wallk to the kietchen he taks an apple and
gose to a chair. He sits on at and crooses his feet. Then as
he ate Some of the apple he picks up a news paper he start to
read it the camera is faceing him then the camera goes behind
him revealing whats in front of him. We also see the same
photos he copyed from phil. Turn into posters it says do you
know him? And a number under it. Just leyin on the tapel.
His wall is full of the Road Reaper Case stuff. The camera
zooms back making it wide shot.
Fade to

EXT. CABIN IN THE WOODS. NIGHT

We see a wide shot of a Cabin in dark only a light can be
seen from the Cabins garage the camera zooms from the wide
shot to the Garage. Then we could see that the man is doing
Something to the car as he fix it what ever it is the camera
enters the charger and we could see that a big sickle is in
the passenger seat.
 75.

Fade to

INT. DAN'S APARTMENT. MORNING

The Phone rings weaking dan from his sleep he Walks to it and
he is yawning and Heavy walking to it. He picks it up. And.
DAN
Hollo.
DAN (CONT'D)
Yes that's him
DAN (CONT'D)
What really!
DAN (CONT'D)
Where?
DAN (CONT'D)
Okay i'll be there in 20 minutes.
Thank you.
He shots it. Then he runs out of frame..
Cut to

EXT. DINER PARKING LOT. DAY

We see dan Parking his car and gets out of it and entering
the diner
Cut to

INT. DINER. DAY

We see that dan is Walking into the Diner hes Looking around
for someone we looks and looks until he found someone a guy
in his 30s in a table in the coroner of the diner. He Walks
toward him. And seys.
DAN
Your jones?
The man gets up and Seys
PAT
Yes im patrick jones. But people
call me pat
 76.

He looks at dan for a second and to his tabel then at dan

again.
PAT (CONT'D)
Whats the matter with me please
have a seat.
Dan sits and pat too.
.
PAT (CONT'D)
So do you need anything. Eggs.
Coffee.
DAN
Lets cut to the chase. What do you
now about him.
At dan pulls out a poster from his pocket. And Points to the
low Quality picture.
PAT
Oh. This fist. Well i didn't eat
anything from Yesterday so all Have
some.
He looks back to yell at a Waitress dan looks aritated by his
behavior.
PAT (CONT'D)
Waitress!
Dan get closer to him
DAN
Listen pat. I don't have all day.
Do you know
PAT
Hhmm. Alright. All till you know.
He points at the poster
PAT (CONT'D)
This man is Fred Elmore.
The camera zooms at the picture briefly.
DAN
You sure this is him
PAT
Yes i am
 77.

DAN
Do you know were he is.
PAT
No. But i know were his mother is
maybe she knows
.
DAN
Yes were
PAT
Green bay. Her name is elizabeth
elmore. Lovely lady.
Pat written something in his notbook. He cuts a page from the
notebook.
PAT (CONT'D)
Heres her address and number.
DAN
Thank you.
Dan gets up at he is going to leave pat says.
PAT
Hope you'll find him
DAN
What
PAT
Hes missing is'ant he
DAN
Yeah thanks pal.
Dan start to Walk and leaves to his car and Drives away.
Cut to

INT. GAS STATION SHOP. DAY

We see the man buying Some candis and gas for the his car. He
is about to pay. In the cacher is a young woman.
YOUNG WOMAN
That well be 17.99 for All.
He looks at her in a frecky way.
 78.

He pays
YOUNG WOMAN (CONT'D)
Thank you sir.
He leaves he still looks at her.
The camera zooms to a wide shot revealing that behind the gas
STATION is the WAREHOUSE that ron work at.
Cut to

INT. COMPANY'S WAREHOUSE. DAY

Ron is his office reading a car magazine as he siting his
suddenly a voice from his walkie talkie can be heard
MAN(V.O.IN W. T)
Mr. Johnson we have a problem.
RON
Alright i got you
He gets up and a montage of ron going around the Warehouse
help the workers and drinking coffee Sometimes. With music
plays in the backgurond.
.
Then the montage ends.
He gets back to his office.
Cut to

EXT. GAS STATION. NIGHT.

The young woman from the gas STATION leaves her work hours
has ended she her car is in the other Side of the Street. As
shes going to it Crossing the Street a car engine noise is
coming fast.
Cut to

INT/EXT. CAR. NIGHT

We see the man Drive-Ing fast wearing his Black gloves
plasting music coming from his radio its talking over the
scene. As the car get closer. He get the sickle out. He get
closer to her she is don't know hes coming.
 79.

Then he get to her he hit her in the neck. Her haed and
lifeless body hit the ground. He Drive away.
Cut to

EXT. COMPANY'S WAREHOUSE. NIGHT

Ron is leaveing to home hes giting his stuff and coat.
Cut to

INT/EXT. CAR. NIGHT

Ron is Drive-Ing home he Drive across the gas STATION. But
its a lot of cars there that is Slowing down the traffic and
also police cars and ambulances. And nwes vans are in one
sopt.
Then ron Drive close to it. When he saw the body but in a
coroner's van he noticed that the body's haed has been put on
its chest. Whiplash has hit ron. He looks at the body hopeing
it not true that he didn't Comeback again.
Cut to

INT. BAR. NIGHT

Dan is working its has last Night in the week before going to
Green bay. Hes gaveing Someone a beer. When THE nwes at the
tv start
News man in the tv seys
NEWS MAN
tonight a woman named florence
divis has been murdered in the
South side.
Footage of the crime is shwon and a brife close up of dan's
face can bee seen. Then cut to the tv
NEWS MAN (CONT'D)
Her haed has been Severed.
The camera zooms out. Then fades out.
Fade to
 80.

INT. THE JOHNSON'S HOME. DAY

Ron walks out from his house to get the news paper he then
gets back in he reads the first paper and it talk about what
happened last Night and even mention THE ROAD REAPER. By
name.
As he hold it he says
RON
Jesus
He through it away and drinks his coffee
Cut to

EXT. THE JOHNSON'S HOUSE. DAY

Ron is going outside his house going to his car going to his
job. He gets to his car and enter it.
Cut to

INT/EXT. CAR. DAY

Ron is inside his car hes about to leave wean. Knock at the
window happened. Then the camera Moves to the Window so dose
ron. We see that the one how knowed is Dan. Ron is confesed.
Dan tilkes him to turn down the Window. So ron dose. Then dan
seys.
DAN
Do you want to Have breakfast.
.
.
Cut to

INT. DINER. DAY

Ron and dan are havenig food and talking about the new stuff
in the Case
RON
So this elizabeth woman is up in
Green bay still.
 81.

DAN
Yeah a called her. Told her im
silles man..
RON
Why?
DAN
Mabye little freddy is there.
.
RON
Well we know hes not there.
DAN
Yes Fuck last Night
DAN (CONT'D)
Mabye it like the last time he was
here
.
RON
But it could be like napa.
DAN
I hope its not
DAN (CONT'D)
Oh god please be him
RON
So your Ain't sure
DAN
The guy how told gaves me the
creeps. I just Hope he just creepy
not a liar
RON
So your going to Green bay
DAN
Yes we're going tomorrow.
RON
We
As he is surpriesed
 82.

DAN
You know i can't do it by myself.
Come in. Ron Come on. You know i
need Someone to make sure i don't
screw things up.
Ron looks dawn it the table then he looks back up
Cut to

INT/EXT. PHONE BOOTH

Ron is talking to his boss to take few days off
RON
Thank you sir. Thank you
He shots the Phone then he puts a piny again and calls home.
.
Hes conicted
RON (CONT'D)
Hollo baby. I need to till you
Something iam going to be Gone for
a few days.
SHORENDA (OVER THE PHONE)
What do you mean
She yalls so hard we could hear her.
RON
The job honey the job please don’t
get mad
.
RON (CONT'D)
Well be fine baby. Now Goodbye

He shots the Phone on her he Walks to towards dan whis just

out of his car
DAN
Who it going
RON
Fine man.
 83.

RON (CONT'D)
Okay Let's go before i change my
mind.
He enters the car as so is dan they Drive away.
.
Cut to

EXT. MIDWESTERN HIGHWAYS. DAY

A wide shot of the back of the car Driveing through the mid
western land. Is seen and is going to be this way through out
tgid Scene.
We could her in the voice over the two talking.
.
RON(V.O.)
So what's the plan
DAN(V.O.)
Well say we know her son that were
uesed to work with him.
RON(V.O.)
Thats it
DAN(V.O.)
It don't need to be complicated.
Besides. Like the sey gose you fake
it till you make it.
RON(V.O.)
Sure man.
.
.
The scene gose silence the car drives in the shot for few
seconds more
Cut to

EXT. CITY MAIN ROAD. DAY

The car is Driveing on the main Street of GREEN bay when This
fallowing title card Appears
 84.

TITLE CARD: GREEN BAY.

The title card fade out
.
Cut to

EXT. ELIZABETH ELMORE'S HOUSE. DAY

.
The two men parked ther car out of her house. Then they
Walked to the house and knocked at her door.
She opens the door.
ELIZABETH
Hollo.
She syes a little old lady in het mid 60s. Then
Cut to

INT. ELIZABETH ELMORE'S HOUSE. DAY

The old lady let the two men in her house.
ELIZABETH
Well my son never told about you
Guys
She syes jokeingly.
DAN
Well fred don't like to talk about
work
.
RON
Anyway mrs. Elmore we need to talk
about something.
ELIZABETH
Well not after we have dinner
DAN
Im Afraid we can't
 85.

ELIZABETH
We two came all the way down from
Milwaukee . Waht do you think my
freddy would feel his friends visit
and don't gave them dinner.
.
RON
Yiu know what why not
ELIZABETH
Now thats the spirit. See daniel
why not you can be like rony here
She gose to the ketchen.
Then dan whispers in rons ear
DAN
Asshole!
.
They fallow het to the dinning room and sit in the food table
.
Cut to after a while.
The three are at the are at the tabel.
Thre having dinner as danand ron are eating its chicken.
.

RON
Hmm. This some Delicious Chicken
mrs. Elmore
ELIZABETH
glad you liked it.
Dan is eating in silence
ELIZABETH (CONT'D)
Hey who's youre chicken
DAN
Hum. Oh it good. Thank you mrs.
Elmore
 86.

ELIZABETH
Well im gald you liked it to
.
.
They continued the eating.. When then finsed and do ron
.
DAN
Thank for the Food mrs. Elmore
.
ELIZABETH
You're welcome
RON
But before we go we need to look
for something.
ELIZABETH
What is it mabye i'll help.
DAN
That wont be necessary mrs. Elmore
ELIZABETH
Are you sure
RON
Yes ma'am
ELIZABETH
Well i'll be here when.
Cut the two going up stairs.
Cut to

INT. FRED'S ROOM. DAY

They entered the room is surprieingly clean. Was he here
recntly.
RON
Looks like are guy was here
DAN
Hum. It look clean
 87.

Then they hear staps at the stairs.

Its mrs. Elmore
ELIZABETH
Oh bardon me im just going to take
my midicin
RON
Was fred here recntly
ELIZABETH
Oh. Yes about a week age
Ron and dan look at each other
DAN
Did he tall where is he now.
ELIZABETH
At detroit
RON
Well detroit is a big TWON were at
detroit.
Dan wallks in the room and seys a picture for fred. Bingo its
him.
Dan Shows ron the picture its him he nodded
.
Ron looks back at elizabeth
ELIZABETH
Umm. He said Something about my
Father's Cabin.
RON
And thats in?
ELIZABETH
Its up in the escanaba forest in
Michigan. Do you know it
RON
Yeah sure.
ELIZABETH
Good i'll till him youre coming
Dan wallks out of the room with the picture in his pokite
 88.

DAN
This is'nt needed. Its a surpries
ELIZABETH
Oh i see
DAN
Ron we all set.
The go down stairs.

INT. ELIZABETH ELMORE'S HOUSE. DAY

.
As they are about to leave dan says to elizabeth
DAN
We thank for the food and the
Hospitality
ELIZABETH
Youre welcome.
As They leaving
ELIZABETH (CONT'D)
Drive safely
Cut to

EXT. ELIZABETH ELMORE'S HOUSE. DAY

Dan answers
DAN
I will
He walks to the car and both enter the car
.
Cut

INT/EXT. CAR. DAY

Dan pulls the picture out. And Shows it too Ron
RON
Jesus!
 89.

DAN
We found the son of a bitch. Ron
Ron is a bit fuzzy
RON
Now what!
DAN
What . We found him
.
RON
Now what we call how
DAN
We catch the son of a bitch
RON
How im a security guard and you.
What fuck are cant arrest him.
DAN
I know a guy.
Cut to

INT. DINER. MORNING

.

TITLE CARD: MENOMINEE. MICHIGAN

The title cards fade out
.
We see that ron and dan are haveing coffee . waiting on Some
one when a man has enterd
.
The man is an fbi ageint from an other office has a
superveser.his name is martin golger. In hus early 40s.
Dan gets up and wallk to martin
He gaves him a hug.
DAN
Good to see you old friend.
 90.

MARTIN
Im not as old as you old timer.
They stoped huging
MARTIN (CONT'D)
How are yah
DAN
Fine man. Real fine
.
MARTIN
Im Glade
Martin looks back noticed ron whos siting by his own fishing
up his coffee. Then getting up to talk to martin
.
Dan is going to introduced the two
DAN
Martin golger this is Ron johnson
my partner
He point at ron
DAN (CONT'D)
Ron this is martin my old friend
and war body. He saved my life. And
i Hope he'll do it again
Ron says as he shacks martin's hand
.
RON
Nice to meet you
MARTIN
Yeah me to
The three are siteing on the tabel
.
Cut to after a While
 91.

.
Martin is reading the file that dan gaved him it have
evrething in the road Reaper Case. Old stuff and also the new
stuff.
He puts the file down and says.
MARTIN
Very interesting
DAN
So are we in
.
Martin looks at him
.
MARTIN
This could be Something. But
DAN
But what
Dan asks
MARTIN
Listen dan the fbi has no interst
in the road Reaper. B-
Ron says
RON
We driven all the fucking way from
detroit to end this thing
MARTIN
Now let me finish. Please. I do
know someone who could help.
DAN
Who
MARTIN
Look across the Street
Dan and ron look from the Window there was the MENOMINEE
County sheriff deprtmint. We see an old man outside smoking.
His name is william Valgear.
MARTIN(O.S.) (CONT'D)
H'ell help you.
 92.

He says as the camera is still at the old man.

Then dan says.
DAN
Who will he help.
MARTIN
Well Considering the recnt murder.
You will BE the best thing he needs
.
DAN
What murder
MARTIN
A woman found with her haed on her
lab.
Ron looks blue.
RON
Jesus
MARTIN
Indeed
MARTIN (CONT'D)
All gave him Some ditdls before you
can talk to him
.
DAN
Thank you.
Fade to

INT. CHIEF VALGEAR. OFFICE. DAY

TITLE CARD: FEW HOURS LATER.

We see that ron and dan has enter the office. The chief dose
itn say anything hes just smoking hes still this way for a
lettle While. Then he says.
CHIEF. VALGEAR
So i've been told you wanna tell me
Something
Dan gets closer and ron fallows him.
 93.

DAN
Yes sir
CHIEF. VALGEAR
What is it
.
DAN
I've heard about the murder and i
think we could help
He his the file in his hand the same file ge gaved to martin
with the new stuff. He gave it now to the chief.
The chief took it and before he start to read it he looks at
them for a second. Then he start to read it.
.
Cut to after he read it
He hold his head with one of his hands he then looks at ron
and dan.
CHIEF. VALGEAR
Jesus crist. Its him he has to be
him
Ron and dan are both siteing now as ron is smoking. And dan
is about to say something to the chief.
.
DAN
Its him Or'Right.
CHIEF. VALGEAR
The place you say hes in dose it
have a name.
RON
Hes in a Cabin in the escanaba
Forrest
CHIEF. VALGEAR
I know the Forrest there is lots of
Cabins up there
.
DAN
It was his father's Cabin a long
time age
 94.

CHIEF. VALGEAR
Si hes old man elmore's son. I know
the one
.
Ron puts out his cig.
CHIEF. VALGEAR (CONT'D)
You know what lets bring him in.
DAN
Think sir.
CHIEF. VALIA
Before we get the guys and go we
need to deputize you two
He dose then the three go on to
Cut to

INT. DARK ROOM.

a room full of deputies where THE room is small. And dark.
And full of people.
Dan is on the stand behind him is a screen.
Dan seys in the dark room
DAN
Gentlemen we are going to catch
this target.
The Projector pous out photo of fred same one from the
poster.
DAN (CONT'D)
This is Friedrich elmore hes the
target.
Then the Projector Shows pics from the files of the Case.
DAN (CONT'D)
Hez the prime suspect of being the
road Reaper killer.
Cut to
 95.

INT. CABIN IN THE WOODS. DAY

We see the man Standing drinking coffee Looking out the
Window when the camera zooms out revealing that a Machine gun
is sit to the Window
DAN(V.O.)
This man is dangerous hes more of
capable to kill you if he can do
don't gave him any chance.
He seys it over the scene
Cut to

INT. DARK ROOM.

DAN
Gentlemen
Cut to

EXT. FORREST ROAD. DAY

DAN(V.O.)
We have a killer to catch
He seys it over six police cars Driveing on a small Forrest
road
Cut to

INT/EXT. CAR. DAY

We see ron and dan inside a car both of them havein shotguns.
Dan Looks outside the Window Looking at the trees.
.

The cars still are Driveing the music gose higher and higher.
Then they stop the road has ended they have to cuntuine on
foot so they do that
Cut to
 96.

EXT. WOODS. DAY

The troop start to walk to the Cabin in the woods. They are
out of the cars they Walk and Walk when they found the
hunting Cabin in the woods
.
Cut to

EXT. CABIN IN THE WOODS. DAY

The men has found there way to the Cabin out Side the Cabin.
Are Some big rocks. And we could see that the charger is out
of the Garage.
DAN
Hes here.
Dan says
.
Then suddenly.
The gun start to shot. Chaos.... Two guys got killed in a
split of a second.
RON
Everyone take cover
Ron yalls.
.
So they do
And they start and try to shot at the gun its not doing
anything but they are still trying.
DAN
Fuck motherfucker
He says it as he saw a another man get shot an he start to
shot at the house to
.
Dan shots and every one else also shot.
Another man get shot but he lives
 97.

RON
Are okay man
COP
Im not dead
The shoting is still on
.
.
Cut to

INT. CABIN IN THE WOODS. DAY

We see the gun it not been fierd by Some one but it self.
Some one set it to.
.
Cut to

EXT. CABIN IN THE WOODS. DAY

The garage doir open the man seps out with a m4. He start
shoting he killd one man before getting into his car and
going away.
But one man trys to be a hero and Stand in front of him and
shots
Cut to

INT/EXT. CAR. DAY

The man ducks avoiding the shots and he steps Harder on the
gas
Cut to

EXT. CABIN IN THE WOODS. DAY

The car gets even faster andso. He runs over the cap who shot
at him and drives away
DAN
Ron fallow me
 98.

As dan runs to a police car that was parked. Ron fallows him
both get in the car.
.
Cut to

EXT. WOODS. DAY

The two cars chase in the Woods for a While when ron start to
shot at the man he start shoting back so they shot back.
.

They shot and shot.

Cut to

EXT. FALL. DAY

We see a Rive fall they didn't come to it yet. Its high and
deep with rocks at the end of it
Cut to

EXT. WOODS. DAY

The chase is still on
They are still shoting
THEN the get closer to the fall
.

They are cliser to the fall.

As the got to the fall the man has no ida about it so we he
looks back about to shot at them he fall to the fall. But
before he fall he sow it
THE ROAD REAPER
Fuuuck
He yalls as hes falling down.
Then when dan trys to brack he could'int so they fall to.
 99.

The man car has fallen into the rocky bit.

But ron and dan's car has fallen into the parts with deep
water.
THEIR car is starting to drwon. Dan has passed out but ron is
awecknd.
He ooens his eyes
The car his Gone under Water
Cut to

UNDER WATER
.
Ron trys to get dan body out of the car
He trys and try he star to Move him vary Slowly.
.
He did Move him.
He got him out of the car
He star to swim out of the car with dan he fanly got to the
serfis.
Cut to

EXT. FALL. DAY

He swim him to the land were he leay down.
.
Then as he trys to help dan weaking up. Behind him the
Reaper's body pops up from the deep.
RON
Go to hell
He says to the lifeless body. Then he start to really worry
about dan hes not moving
RON (CONT'D)
Dan. Dan. Dan. Wake up man. Dan
Fade out to Black
 100.

Fade in from Black

EXT. PARK. DAY

Ron is siting on a park bench in front of them bench is a
road. Then the following title card appears

TITLE CARD: DETROIT - ONE YEAR LATER.

The title card Fade out
Then as he suting alone. Danzal pops from out of frame hes
haveing two ice creams one for him and the other one is for
his father.
DANZAL
HERE dad
Ron takes it
RON
Thanks
They start to eat it when a Black caprice stops they walk
toward it and enter it.
Cut to

INT/EXT. CAR. DAY

They enter and whos Driveing the car. Its dan.
DAN
Danzal be carful i just got it
cleaned out
DANZAL
I'll be carful
He looks at him
DANZAL (CONT'D)
How much they pay a private
investigator. Dan?
DAN
Not enough
Ron and look at each other
 101.

DAN (CONT'D)
Where to.
RON
Get danzal home. Then to SANCHO's
DAN
Sure thing
He drives away
Cut to

EXT. NEIGHBORHOOD BLOCK. DAY

We see dan's car Driveing away to up a hill then into the
horizon. Then its disappear behind the hill we see the hill
for a second. Then
Fade out
Credits Roll.