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Slide projector, 35-mm slides, antique milk glass lamp, three small oil paintings, and the contents of a
storage closet (pedestals, monitors and TVs, and filing cabinet). Gallery hours are Monday through
Friday from 11am to 5pm, and Saturday and Sunday from 1 to 5pm. In 2019, Tayyabi was awarded
the NEIU MakeSpace Fellowship. We use this information in order to improve and customize your
browsing experience and for analytics and metrics about our visitors both on this website and other
media. Upgrade to a different browser or install Google Chrome Frame to experience this site. Water
bricks, upholstery, blue acrylic, 3D printed rubber grips; “Reproducing H2O: A Field Guide,” 2019.
94-page field guide with waterproof paper. Help Center Here you'll find an answer to your question.
Social Posts Create on-brand social posts and Articles in minutes. Blackboard paint, video, salvaged
geometric wooden shapes, Marshall amplifier, chalk, TV (gifted by Tin Wai Wong), audio (Anthony
Almendarez), and copper. Her work is published in Arts.Black, Barnard Magazine, The Fader, i-D,
MFON: Women Photographers of the African Diaspora, the New York Times, Spot Magazine,
SPOOK, and others. To find out more about the cookies we use, see our Privacy Policy. Video Say
more by seamlessly including video within your publication. Photographs, disintegrating sandstone,
dust, fish “eye-blanks,” used glass, video, field recordings, transducers, and cords. Oil, charcoal,
phosphorescent acrylic, shipping label on primed foamboard; “Untitled F,” 2019. By clicking Submit,
you agree that we may send you communications in accordance with these terms. In interdisciplinary
group critiques, seminars, school presentations, as well as discipline caucuses and one-on-one
conferences, the artist students engage with accomplished faculty members, while developing their
individual studio practices. The exhibition is coordinated by Shehab Awad MA’17, a graduate of the
Center for Curatorial Studies at Bard College (CCS Bard). MDF, wood, epoxy foam, resin, earth
pigment, enamel, laserjet prints, PVC piping, bass transducer, speaker, amplifier. And there is indeed
something strange about creating a machine to look for us. The e-flux site, where announcements are
permanently archived, receives approximately 600,000 unique visitors per month. Background: Diane
Severin Nguyen. “Liquid Isolation,” 2019. Three-part presentation: performance, site-responsive
sculpture, and installation. Oil on canvas; “An unanswered call for answers,” 2019. Choi’s works are
mainly based on his moving experiences and developing ideas about the body and space as a
memory container. The building has a wheelchair-accessible, all-gender restroom. Blackboard paint,
video, salvaged geometric wooden shapes, Marshall amplifier, chalk, TV (gifted by Tin Wai Wong),
audio (Anthony Almendarez), and copper. Awad is a writer, curator, and poet from Cairo living in
New York City. Sasha McEvoy Funto Omojola Charlie Perez-Tlatenchi Rory Rosenberg Andrew
Rubin Ginevra Shay Yanik Wagner Tin Wai Wong Christopher Yuda ricky sallay zoker. He will
matriculate in the Screen Cultures PhD program at Northwestern University in the Fall of 2023.
Schedules and more information are available here.
Darkling beetles and larvae, oat bran, cardboard, resin, eggshells, pom-poms, spray paint, steel.
Quadraphonic sound, chewed bubble gum, bubble gum car fresheners, modulating LEDs. In
interdisciplinary group critiques, seminars, school presentations, as well as discipline caucuses and
one-on-one conferences, the artist students engage with accomplished faculty members, while
developing their individual studio practices. Teams Enable groups of users to work together to
streamline your digital publishing. Four-channel video installation with looping image, text, and short
film (10 minutes), four 32-inch video monitors, one 46-inch video monitor, pipe, headphones, bench,
lighting, stands, and gels. Artists from left to right: Omari Douglin, Daniel Sullivan, Jobi Bicos.
Wood, acrylic paint, laserjet toner; “Scarlet Begonias,” 2019. Artists from left to right: Georgian
Badal, Robert Sandler, Daniel Sullivan. Oil on linen; Daniel Sullivan. “Isis,” 2019. Wood, acrylic
paint, hardware; “Niagara Falls,” 2019. Oil on canvas; “An unanswered call for answers,” 2019.
Schedules and more information are available here. The title of this year’s thesis exhibition was
conceived from the graduating class’s shared hopes, desires, vulnerabilities, and anxieties. And there
is indeed something strange about creating a machine to look for us. Ramos-Barajas and Schichtel
are mutually invested in the ethics of historiography and turn to computer software as a means of
intervening in dominant historical narratives and exposing “History” as a composite of constructed,
institutionalized narratives open for revision. Maryland clay, water, acrylic polymer, and aluminum.
Eggshell, acrylic, resin on linen; “Fatal Loins,” 2019. Digital Sales Sell your publications
commission-free as single issues or ongoing subscriptions. By submitting this form, you acknowledge
that the information you provide will be transferred to MailChimp for processing in accordance with
their Privacy Policy and Terms. As a community organizer, Ashley works in the realm of gender
violence survivor advocacy and Philippine human rights and cultural production. To find out more
about the cookies we use, see our Privacy Policy. To find out more about the cookies we use, see our
Privacy Policy. Schedules and more information are available here. These cookies are used to collect
information about how you interact with our website and allow us to remember you. By submitting
this form, you acknowledge that the information you provide will be transferred to MailChimp for
processing in accordance with their Privacy Policy and Terms. She completed a fellowship in the
Bronx Museum’s Artist in the Marketplace Program (2016), was an artist-in-residence at Vermont
Studio Center (2015), and recipient of the Myers Art Prize at Columbia University (2013). The
exhibition takes place in our off-campus gallery in nearby Red Hook, while presentations occur in
various on-campus facilities. Videographers: Francis Almendarez, Brenda Edith Franco, Brandon
Tho Harris, Ryan Hawk, Karen Martinez, and Sindhu Thirumalaisamy. At Bard, the community itself
is the primary resource for the student—serving as audience, teacher, and peer group in ongoing
dialogue. These cookies are used to collect information about how you interact with our website and
allow us to remember you. The MFA is low residency and takes place over two years and two
months.
Her work deals with the pervasive influences of pseudo-historical aesthetics in digital media. Various
paintings with acrylic, copper, Miracle Gro, oil, and resin on canvas and linen. Videographers:
Francis Almendarez, Brenda Edith Franco, Brandon Tho Harris, Ryan Hawk, Karen Martinez, and
Sindhu Thirumalaisamy. Cast concrete, repaired vending machine, sandblasted cans, dollar bills. At a
time where the porousness of national borders is being presented as a threat and the easy typifying
of people based on appearance is the imagined solution, the complexity and empathy that these
creators embody is more necessary than ever. These cookies are used to collect information about
how you interact with our website and allow us to remember you. Oil on panel; “Sniper Island is in
Your Heart,” 2019. Dequilla’s and Tayyabi’s media-based art riff on the radical refrain, “the personal
is political,” in the exploration of “the screen” as an extension of the racialized, gendered, and
minoritized body. By clicking Submit, you agree that we may send you communications in
accordance with these terms. Videographers: Francis Almendarez, Brenda Edith Franco, Brandon
Tho Harris, Ryan Hawk, Karen Martinez, and Sindhu Thirumalaisamy. Schedules and more
information are available here. The email announcement includes an active URL that links directly to
each client’s site. Eggshell, acrylic, resin on linen; “Patient Ears,” 2019. Please note that there will be
no disruptions to the announcements service, and all forthcoming announcements will be sent as
scheduled, to the same mailing list. Embed Host your publication on your website or blog with just a
few clicks. Announcements from leading art schools and educational institutions will be available
through our new service, e-flux Education. More information about rates and services is available in
e-flux Education’s media kit. Papier mache and pulp, pine wood, plywood, dried squash, and
coconut palm tree wood, 218 ? 252 ? 35 cm. Founded in 1981, Bard MFA is a nontraditional school
for visual, written, and time-based arts. Wood, acrylic paint; Jobi Bicos. “Intention Boxing,” 2019.
Three-part presentation: performance, site-responsive sculpture, and installation. Awad is a writer,
curator, and poet from Cairo living in New York City. The exhibition and presentations are free and
open to the public. We use this information in order to improve and customize your browsing
experience and for analytics and metrics about our visitors both on this website and other media.
Slide projector, 35-mm slides, antique milk glass lamp, three small oil paintings, and the contents of a
storage closet (pedestals, monitors and TVs, and filing cabinet). Adobe InDesign Design pixel-
perfect content like flyers, magazines and more with Adobe InDesign. At Bard, the community itself
is the primary resource for the student—serving as audience, teacher, and peer group in ongoing
dialogue. By clicking Submit, you agree that we may send you communications in accordance with
these terms. By pushing the capabilities of open-source software to render a hyperreal cinematic
simulacra, the inevitable resulting glitches point to the flimsiness of digital media and melodrama.
By submitting this form, you acknowledge that the information you provide will be transferred to
MailChimp for processing in accordance with their Privacy Policy and Terms.
Quadraphonic sound, chewed bubble gum, bubble gum car fresheners, modulating LEDs. Hudson
Valley bricks, glaze, aluminum and steel fines, scaffold, rhinestones, frame and poster of Statue of
Liberty shrouded in scaffolding borrowed from Universal Builders Supply Inc., photograph of
wounded bear on road in Red Hook, NY x 2, sample of gloss car wrap technology, flyer, page torn
from The Great Hudson Valley Brick Industry: Commemorating Three and a Half Centuries of
Brickmaking by George V. MDF, wood, epoxy foam, resin, earth pigment, enamel, laserjet prints,
PVC piping, bass transducer, speaker, amplifier. We use this information in order to improve and
customize your browsing experience and for analytics and metrics about our visitors both on this
website and other media. By investigating narratives of exploration and discovery and by distorting
the established conventions of landscape art, his work manifests how images have mediated the
telling of history by veiling ideologies of colonization. Evening presentations of time-based works,
including performances, readings, and screenings, will be held at several locations on the Bard
College campus during the week of July 19. For the students, their reality is of the beauty of their
peers, and through that they remind us that to come back to reality can also mean that we come back
to a world that is worth being part of, trusting, and helping to move forward. Shehab Awad is a
writer and curator from Cairo living in New York City. Ceramic sinks, soap dispenser bracket, cabin
walls, CGI images, pasta extruder, dry casarecce, screens and rollable screen holder, oil on canvas,
electrical outlet, desk, fac-simile of IKEA cabinet, pass-through window, water and glass, see-
through plastic protection sheets, glass and water, antic door, box of noses, variable dimensions. Oil
on linen; Daniel Sullivan. “Isis,” 2019. Wood, acrylic paint, hardware; “Niagara Falls,” 2019. Finally,
Choi’s artistic practice examines the personal even further by adapting early photography techniques,
which expose (and re-expose) the fragile, impermanent conditions of modern, urban-sited
subjectivity. Sliced, forged, and nickel-plated hex bolts; “vending machine,” 2019. By submitting
this form, you acknowledge that the information you provide will be transferred to MailChimp for
processing in accordance with their Privacy Policy and Terms. Performers: Anthony Almendarez
(trumpet), Sonia Flores (double bass), Danielle Gibson (synthesizer), Andrew Martinez (guitar), and
Gabriel Martinez (percussion). It is a place to share, discover, and debate progressive programs and
research in the field. HD Video, 12 minutes; “H2O (Ralph Steiner, 1929)”, 2019. 35mm video
transfer, 12 minutes; “Water Brick (Furniture),” 2019. GIFs Highlight your latest work via email or
social media with custom GIFs. QR Codes Generate QR Codes for your digital content. Social Posts
Create on-brand social posts and Articles in minutes. Her research examines popular media that exists
at the intersection of the historical and the digital, or rather, media that utilizes contemporary image-
making technology to depict varying historical periods and fantasy landscapes. Acrylic on 8.5 ? 11”
US letter size copy paper, polypropylene sleeves, handmade Duralar sleeve, linen tape, plywood,
joint compound, and primer, installation view. Using her own body as a primary site of
experimentation, Green works with instruction and gender performance to tease the boundaries of
intimacy, femininity, and self-transformation. The building has a wheelchair-accessible, all-gender
restroom. The email announcement includes an active URL that links directly to each client’s site.
Acrylic on board; “Untitled (Smoking Section),” 2019. Please note that there will be no disruptions
to the announcements service, and all forthcoming announcements will be sent as scheduled, to the
same mailing list. Announcements are also distributed through the e-flux app which has 16,000 users.
This new platform will offer many advantages, including a far greater reach, as we continue to build
a singularly important resource for information about the history of art education since 2004.
Inflatable sculpture, retro-reflective fabric quilt with screen print, animated video loop, and riso-print
poster. Ashley graduated from the College of William and Mary with a BFA in Studio Art and Art
History and holds a Post-Baccalaureate certificate in Fine Arts from the Maryland Institute College
of Art.
Add Links Send readers directly to specific items or pages with shopping and web links. Makgeolli
made from local microbes, handmade bricks, ceramic pieces from local clay, and cooking supplies.
Choi becomes an examiner around various boundaries with linguistic and visual differences through
his research, which is Identifying himself as a transnational wanderer. Choi keeps questioning
limited status and belonging beyond nationality as well as obscure distinctions between human and
non-human beings. Students are on campus for three consecutive eight-week summer sessions and
off campus for two independent study sessions completed during the intervening winters. In recent
decades, the explosion of cameras and photo distribution systems has multiplied these effects a
thousandfold. Background: Diane Severin Nguyen. “Liquid Isolation,” 2019. Darkling beetles and
larvae, oat bran, cardboard, resin, eggshells, pom-poms, spray paint, steel. In 2019, Tayyabi was
awarded the NEIU MakeSpace Fellowship. Eggshell, acrylic, resin on linen; “Happy Dagger,” 2019.
And there is indeed something strange about creating a machine to look for us. Her work deals with
the pervasive influences of pseudo-historical aesthetics in digital media. Eggshell, acrylic, resin on
linen; “Fatal Loins,” 2019. We provide scent-free soaps and encourage guests to consider attending
our events scent-free. At Bard, the community itself is the primary resource for the student —
serving as audience, teacher, and peer group in an ongoing dialogue. He will matriculate in the
Screen Cultures PhD program at Northwestern University in the Fall of 2023. Announcements from
leading art schools and educational institutions will be available through our new service, e-flux
Education. Announcements from leading art schools and educational institutions will be available
through our new service, e-flux Education. The exhibition challenges viewers to think beyond the
subject or situation in front of the camera and examine the many emotions and stories packed within
each. Schedules and more information are available here. These cookies are used to collect
information about how you interact with our website and allow us to remember you. Artists from
left to right: Omari Douglin, Daniel Sullivan, Jobi Bicos. Schichtel received her Bachelor of Fine Art
at the School of the Art Institute of Chicago in 2016 and has shown work at Intersect Art Space,
Fluffy Crimes Gallery, and Gene Siskel Film Center. Various paintings with acrylic, copper, Miracle
Gro, oil, and resin on canvas and linen. Performers: Anthony Almendarez (trumpet), Sonia Flores
(double bass), Danielle Gibson (synthesizer), Andrew Martinez (guitar), and Gabriel Martinez
(percussion). The exhibition and presentations are free and open to the public. We use this
information in order to improve and customize your browsing experience and for analytics and
metrics about our visitors both on this website and other media. Wood, acrylic paint, laserjet toner;
“Scarlet Begonias,” 2019. Bard MFA is a low-residency program that takes place over two years and
two months. With a recent group exhibition at the Zaha Hadid building in New York, NY (2017),
Green has participated in exhibitions at institutional venues such as the Bronx Museum (2017),
Houston Center for Photography (2017), BRIC (2015 and 2016), Arsenal Gallery (2015), and Macy
Gallery (2013 and 2014).
The e-flux site, where announcements are permanently archived, receives approximately 600,000
unique visitors per month. Their varied approaches to such time-honored subjects as childhood,
social space, personal identity, and cultural history yield startling insights into the way we live today.
The open rate for emails is up to 34%, depending on the content. In interdisciplinary group critiques,
seminars, and all-school presentations, as well as in-discipline caucuses and one-on-one conferences,
the artist students engage with approximately sixty noted faculty members as they develop their
individual studio practices. Makgeolli made from local microbes, handmade bricks, ceramic pieces
from local clay, and cooking supplies. Evening presentations of time-based works, including
performances, readings, and screenings, will be held at several locations on the Bard College campus
during the week of July 19. In interdisciplinary group critiques, seminars, school presentations, as
well as discipline caucuses and one-on-one conferences, the artist students engage with
accomplished faculty members, while developing their individual studio practices. Photographs,
disintegrating sandstone, dust, fish “eye-blanks,” used glass, video, field recordings, transducers,
and cords. Inkjet print, steel frame; “New Moon Capture,” 2019. Gallery hours are Monday through
Friday from 11am to 5pm, and Saturday and Sunday from 1 to 5pm. We encourage guests who do
not require accessible parking to park at the Saint Christopher’s Church lot, located at 7411 South
Broadway, or on Garden Road. As actual facts erode and become conflated with rhetoric, the
members of the ICP-Bard MFA class of 2018 focused on the question, “What use is it to consider
photography in proximity to reality?”. Her work deals with the pervasive influences of pseudo-
historical aesthetics in digital media. Oil, charcoal, phosphorescent acrylic, shipping label on primed
foamboard; “Untitled F,” 2019. These cookies are used to collect information about how you interact
with our website and allow us to remember you. To find out more about the cookies we use, see our
Privacy Policy. Cast concrete, repaired vending machine, sandblasted cans, dollar bills; “at, towards,
across, over, down, above, in, through, below, out of, onto,” 2019. It is not until well after our
encounter with them that we realize the true depth of their concerns, and the seriousness with which
they pursue them. Inflatable sculpture, retro-reflective fabric quilt with screen print, animated video
loop, and riso-print poster. Eggshell, acrylic, resin on linen; “Happy Dagger,” 2019. These cookies are
used to collect information about how you interact with our website and allow us to remember you.
Through its announcements and editorial initiatives, e-flux Education provides an international
forum for institutions wishing to participate in the discourse surrounding art education. As a
community organizer, Ashley works in the realm of gender violence survivor advocacy and
Philippine human rights and cultural production. It's like a masterclass to be explored at your own
pace. And there is indeed something strange about creating a machine to look for us. GIFs Highlight
your latest work via email or social media with custom GIFs. By clicking Submit, you agree that we
may send you communications in accordance with these terms. He received his BA from The School
of Theater, Film and Television at UCLA, and will complete his MFA from the University of Illinois
Chicago in Spring 2023. The title of this year’s exhibition, “Absolutely Maybe,” considers the
tumultuous and often anxiety-ridden nature of this process: the beauty and absurdity of what it
means for artists to insist on creating new worlds through their art within the polarity of uncertainty
and necessity. Maryland clay, water, acrylic polymer, and aluminum.