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  • Tragica Saxo-Saxofón - Contralto - 1-Saxofón - Contralto - 1

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    Leandro Rivara
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    This document is a musical score for the first movement of Franz Schubert's Symphony No. 4 in C minor. It contains musical notation including time signatures, key signatures, dynamics, and other markings to indicate how the piece should be played. The movement is in sonata form and alternates between melodic themes presented by different instruments.

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    tragica saxo-Saxofón_contralto_1-Saxofón_contralto_1

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    This document is a musical score for the first movement of Franz Schubert's Symphony No. 4 in C minor. It contains musical notation including time signatures, key signatures, dynamics, and other markings to indicate how the piece should be played. The movement is in sonata form and alternates between melodic themes presented by different instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    5 views1 page

    Tragica Saxo-Saxofón - Contralto - 1-Saxofón - Contralto - 1

    Uploaded by

    Leandro Rivara
    This document is a musical score for the first movement of Franz Schubert's Symphony No. 4 in C minor. It contains musical notation including time signatures, key signatures, dynamics, and other markings to indicate how the piece should be played. The movement is in sonata form and alternates between melodic themes presented by different instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    Saxofón contralto 1 Sinfonía n.

    4 en Do menor
    I.

          
    Franz Schubert

      Allegro vivace
              
     
    Adagio molto

        

      
        

                        

      
    30

     
     


                             
    51
    A

       
      

              
       

          
    94

      
          

                 
       
    115

    
         

    
      

                          
     cresc.

      
    133
    B

      
         

      
                        
    195

                    
        

               
    236

     
      

                                 
    249

       
        
    cresc.

                           
      
    265

       
       

       
    (cresc.)

                           
      
    277

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