NEW YORK

Important Silver
Wednesday 21 May 2014
Specialists and Services for this Sale

SPECIALISTS SERVICES

Jeanne Sloane, ABSENTEE AND CHRISTIE’S FINE ART

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PLEASE SEE PAGE 95 FOR
CHRISTIE’S INTERNATIONAL
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MINIATURES AND GOLD BOXES
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Auction Calendar
To include your property in these sales please consign ten weeks before the sale date. Contact the specialists or representative office for further information.
22 MAY 9 JUNE 8 JULY
The English Collector The Opulent Eye Christie’s Interiors –
London, King Street New York Masters and Makers
3 JUNE 18 JUNE
London, South
Centuries of Style An American Dynasty: Kensington
London, King Street The Clark Family 10 JULY

4 JUNE
Treasures The Exceptional Sale
The European New York London, King Street
Connoisseur 24–25 JUNE
The European
London, King Street Interiors Connoisseur
New York London, King Street

Subject to change. 16/04/14

 Important Silver
Wednesday 21 May 2014

PROPERTIES FROM AUCTION AUCTION CODE AND NUMBER

Wednesday 21 May 2014 In sending absentee bids

The Estate of Mary Griggs Burke
The Dulaney Estate
The Estate of Betty Barton Evans
The Hascoe Family Collection
The Late 9th Marquess of Londonderry
Property from a Descendant of Thomas
Fortune Ryan
The Estate of Lucia E. Uihlein,
Lake Bluff Illinois
at 10.00 am (Lots 1-138) or making enquiries, this
sale should be referred to as
20 Rockefeller Plaza NICHOLAS-2852
New York, NY 10020 AUCTIONEER
Tom Lecky (# 1135170)
VIEWING

The Westervelt Company Saturday 17 May 10.00 am - 5.00 pm

The Estate of Eric Martin Wunsch Sunday 18 May 1.00 pm - 5.00 pm
Monday 19 May 10.00 am - 5.00 pm
Tuesday 20 May 10.00 am - 5.00 pm

CONDITIONS OF SALE These auctions feature

This auction is subject to
Important Notices, Conditions of Sale
Bid live in Christie’s salerooms worldwide
and to Reserves register at www.christies.com

BUYING AT CHRISTIE’S
Browse this auction and view real-time
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[35]
View catalogues and leave bids online
at christies.com

Front cover: Lot 90

Back cover: Lot 40
 PROPERTY FROM A NEW YORK PROPERTY FROM A VIRGINIA
COLLECTION COLLECTION
1 2
A DANISH SILVER COCKTAIL A DANISH SILVER FLATWARE
SHAKER, DESIGNED BY HARALD SERVICE, DESIGNED BY SIGVARD
NIELSEN BERNADOTTE
MARK OF GEORG JENSEN, MARK OF GEORG JENSEN,
COPENHAGEN, 1930S COPENHAGEN, 1945-77
Tapering cylindrical body with Bernadotte pattern, comprising:
hammered fnish, with detachable Twelve soup spoons
molded and domed shoulder and Eleven teaspoons
cylindrical neck, the cover chased Twelve ice cream spoons
with grape cluster and leaf calyx Twelve coffee spoons
to the openwork multi-frond Eleven smaller coffee spoons, two
and beaded cluster fnial, the circa 1930
interior with tulip pierced strainer, Twelve dinner forks
engraved under base with a Twelve lunch forks
monogram HJ, no. 462C, marked Eleven dessert forks
under base Twelve fsh forks
12 in. (30.5 cm.) high; 28 oz. (880 Eleven pastry forks
gr.) Twelve dinner knives, with stainless
steel blades
$4,000-6,000 Twelve lunch knives, with stainless
Another Jensen silver cocktail shaker
steel blades
sold in these Rooms, 26 October Eleven fsh knives, with silver blades
2006, lot 210. Twelve dessert knives, with stainless
steel blades
Eight butter knives, with silver
blades
1
Twelve lobster picks
A carving fork and knife, with
stainless steel blade
A cake knife, with stainless steel
blade
A salad fork and spoon, with stainless
steel blades
A smaller serving fork and spoon,
with stainless steel blades
A fsh slice and fork
Two pastry servers
Two meat forks
Four serving spoons
Two meat forks
A cold cut fork
A lemon fork
Two sauce ladles
A cheese knife, with stainless steel
blade
A butter knife
236 oz. 10 oz. (7,364 gr.) weighable
silver (208)

$15,000-25,000

2
 3

ANOTHER PROPERTY THE PROPERTY OF A LADY

3 4
A PAIR OF DANISH SILVER TWO-LIGHT CANDELABRA, DESIGNED
BY GEORG JENSEN
MARK OF GEORG JENSEN, COPENHAGEN, 1945-77
Pomegranate pattern, each on a circular base, the pomegranate stem
supporting entwined branches with a scroll and berry central fnial,
the futed sockets with circular waxpans, no. 324, marked under bases
9 in. (22.8 cm.) high; 77 oz. 10 dwt. (2,424 gr.) (2)
$12,000-18,000
Another pair of candelabra of this design sold in these Rooms, 17 May
2011, lot 40.
A DANISH SILVER FOUR-PIECE TEA AND COFFEE SERVICE AND
TRAY; DESIGNED BY GEORG JENSEN
MARK OF GEORG JENSEN, COPENHAGEN, 1919-27
Comprising a coffee pot, teapot, cream jug and sugar bowl; each
tapered circular, on circular beaded and lobed foot, the body lobed,
the curved handles with berry joins and silver insulators, the coffee
pot and teapot covers removable, also lobed with vegetal decoration
and wooden fnials, the tray shaped oval, with lobed and beaded
border, each later engraved with the monogram CAV, no. 3, each
marked under base, also prick-engraved with inventory number
The tray 20¿ in. (51.1 cm.) long, the coffee pot 9º in. (23.5 cm.)
high; 112 oz. 10 dwt. (3,509 gr.) gross weight (5)

$8,000-12,000

4 3
 PROPERTY FROM A FAMILY COLLECTION
•5
A GROUP OF SEVEN DANISH SILVER SERVING PIECES
MARK OF GEORG JENSEN, COPENHAGEN, MOST 1933-44
Comprising: a blossom pattern pie lifter and fat server, no. 84, a
serving fork and spoon, no. 141, and three serving forks in sizes, no.
141, marked on reverse, the pie lifter 1945-77
The largest 9Ω in. (24.1 cm.) long; 16 oz. (512 gr.) (7)

$2,000-3,000

ANOTHER PROPERTY
6
A NEAR PAIR OF DANISH SILVER CANDLESTICKS AND A SILVER
BOWL, THE CANDLESTICKS DESIGNED BY GEORG JENSEN
MARK OF GEORG JENSEN, COPENHAGEN, THE CANDLESTICKS 1945-77; THE
BOWL 1933-44
The candlesticks blossom pattern, on a stepped circular base, with
minor variation to size of blossoms, no. 2; the bowl circular, on a
small circular foot, with two tab handles, no. 544A, each marked on
reverse
The candlesticks 4 in. (10.1 cm.) high; the bowl 10º in. (26 cm.)
long over handles; 31 oz. (973 gr.) (3)

5 $4,000-6,000

4
PROPERTY FROM A PENNSYLVANIAN COLLECTION
7
A DANISH SILVER WATER PITCHER, DESIGNED BY JOHAN ROHDE
MARK OF GEORG JENSEN, COPENHAGEN, 1998
Elongated baluster form, with an everted rim, no. 432A, marked under
base
9 in. (23 cm.) high; 22 oz. (692 gr.)

$5,000-8,000

VARIOUS PROPERTIES
8
A DANISH SILVER FOUR-PIECE TEA AND COFFEE SERVICE,
DESIGNED BY HARALD NIELSEN
MARK OF GEORG JENSEN, COPENHAGEN, 1945-77
Comprising a teapot, coffee pot, hot milk jug and covered sugar
bowl, Each globular with hammered fnish, the cover with looping
blossom fnial, the teapot, coffee pot and hot milk jug with fared
wooden handles, the teapot no. 875B, coffee pot 875A, milk jug and
sugar bowl 875, marked under bases
The coffee pot 6º in. (15.8 cm.) high; 51 oz. (1,590 gr.) gross weight
(4)

$3,000-5,000 7

5
 9
A DANISH SILVER THREE-PIECE COFFEE
SERVICE, DESIGNED BY HARALD NIELSEN
MARK OF GEORG JENSEN AND WENDEL,
COPENHAGEN, 1945-51
Pyramid pattern, comprising a coffee pot,
cream jug and covered sugar bowl, each
tapering cylindrical on a stepped base, the
covers with ball fnial, the coffee pot with
ebony handle, no. 600A, with monogram
E.G.A. under base, each marked under base,
also with Swedish import marks
The coffee pot 7Ω in. (19 cm.) high; 34 oz.
10 dwt. (1,081 gr.) gross weight (3)

$4,000-6,000

10
A DANISH SILVER COCKTAIL SET, DESIGNED
BY SIGVARD BERNADOTTE
MARK OF GEORG JENSEN, COPENHAGEN, CIRCA
1930
Comprising a cocktail pitcher, ice bucket,
four cocktail cups and a circular tray, each
with lozenge-pattern engraving, the tray and
cups no. 819, the pitcher and ice bucket no.
819A, each marked under base
The tray 10Ω in. (26.7 cm.) diameter, the
pitcher 5æ in. (14.6 cm.) high, the cups 2º in.
(5.7 cm.) high; 51 oz. 10 dwt. (1,610 gr.) (7)

$7,000-10,000
A similar cocktail service designed by Sigvard
Bernadotte sold in these Rooms, 19 January 2005,
lot 375.
10

6
 11
PROPERTY FROM A GREENWICH COLLECTION
11
A PAIR OF DANISH SILVER TWO-LIGHT
CANDELABRA, DESIGNED BY JOHAN
ROHDE
MARK OF GEORG JENSEN, COPENHAGEN, CIRCA
1930
Each on a circular, domed and stepped base,
rising to an openwork berry and foliate stem,
the reeded branches with futed urn-form
sockets and acorn central standard, no. 481A,
marked under bases
12 in. (30.5 cm.) high; 65 oz. (2,036 gr.) (2)
$10,000-15,000
12
VARIOUS PROPERTIES 13
12 A DANISH SILVER FOUR-PIECE SILVER
A PAIR OF DANISH SILVER TWO-LIGHT TEA AND COFFEE SERVICE, DESIGNED BY
CANDELABRA, DESIGNED BY JOHAN JOHAN ROHDE
ROHDE MARK OF GEORG JENSEN, COPENHAGEN, CIRCA
MARK OF GEORG JENSEN, COPENHAGEN, 1945- 1930
77 Comprising coffee pot, teapot, cream jug
Each on a circular, domed and stepped base, and covered sugar bowl; each of inverted
rising to an openwork berry and foliate stem, baluster form on circular foot, the body
the reeded branches with futed urn-form chased with lobed panels and partial futing,
sockets and acorn central standard, no. 481A, with wood handles and fnials, no. 353,
marked under bases 353B, 353B, 353, marked under bases, the coffee
12º in. (31.1 cm.) high; 66 oz. 10 dwt. pot and sugar bowl 1919-27, the teapot and cream
(2,075 gr.) (2) jug 1930s
The coffee pot 9º in. (23.5 cm.) high; 52
$10,000-15,000 oz. (1,626 gr.) gross weight (4)
$6,000-9,000
13
7

PROPERTY OF A SOUTHERN CALIFORNIA
COLLECTOR
14
A PAIR OF FRENCH SILVER WINE COOLERS
MARK OF HERMES, PARIS, CIRCA 1930
Each tapered octagonal, the tubular faceted
handles with hexagonal joins, marked near rim
with export hallmark and under base HERMES
PARIS 935
13Ω in. (34.3 cm.) high; 160 oz. 10 dwt.
(5,000 gr.) (2)
$25,000-35,000
According to family tradition, these coolers were
purchased from Hermes, Paris in 1930.
8
14
THE PROPERTY OF A LADY Twelve cheese knives, with silver blades
15 Twelve butter knives, with silver blades
A FRENCH SILVER TABLE SERVICE, A pair of serving spoons with serrated bowls
DESIGNED BY JEAN E. PUIFORCAT
A large serving fork and spoon
MARK OF PUIFORCAT, PARIS, 20TH CENTURY
A large serving spoon
Deauville pattern, each engraved with A pair of serving slices
original monogram, comprising: A pastry server, with silver blade
Twelve table spoons A sauce ladle
Twelve dessert spoons A cheese knife, with stainless steel blade
Twelve teaspoons marked JEAN E. PUIFORCAT
Twelve coffee spoons A small serving fork
Twenty-four table forks A small serving knife, with silver blade
Twelve fsh forks Three serving spoons with pierced bowls
Twelve fruit forks A pierced serving lifter
Twelve pastry forks in a wooden canteen
Twelve seafood forks 333 oz. (10,357 gr.) weighable silver (208)
Twenty-four table knives, with stainless steel
blades marked JEAN E. PUIFORCAT $50,000-80,000
Twelve fsh knives, with silver blades
Jean E. Puiforcat’s Deauville pattern table silver
Twelve fruit knives, with stainless steel was designed in 1937. The pattern is illustrated
blades marked JEAN E. PUIFORCAT in Françoise de Bonneville, Jean Puiforcat, 1986,
p. 255.
15
9
 PROPERTY FROM A PRIVATE NEW YORK
COLLECTOR
16
A SET OF FIVE ITALIAN SILVER NESTING
BOWLS, DESIGNED BY AFRA AND TOBIA
SCARPA
MARK OF SAN LORENZO, MILAN, MOST 1974
Each polygonal, with the number of points
on the rim twice the number of points on
the base, marked near rims, also marked *859
MI, with ATS monogram and San Lorenzo, the
largest bowl 1971
The largest 11º in. (28.6 cm.) diameter; 158
oz. (4,915 gr.)

$4,000-6,000
A single vase of this design is in the collection of
the Victoria & Albert Museum (accession number
m.19-1998).

The San Lorenzo Studio was founded in 1970

by a group of Milanese architect-designers
seeking to integrate the skills of the traditional
silversmith with contemporary design. The
designers of this vase, husband and wife Tobia
16 (b. 1935) and Afra (b. 1937) Scarpa, trained as
architects at the University of Venice and were
among the frst to contribute to the project.
Their design collaborations have been exhibited
at major international institutions including the
Museum of Modern Art, the Louvre, the Austrian
Museum of Applied Arts and the Victoria &
Albert Museum.

ANOTHER PROPERTY
16A
A MEXICAN SILVER FLATWARE SERVICE
MARK OF HECTOR AGUILAR, TAXCO, 1940-1948
Handles with rope-twist and terminating in
scrolls, comprising:
Eight soup spoons
Sixteen dessert spoons
Eight dinner forks
Eight salad forks
Eight dessert forks
Eight dinner knives
A serving fork and spoon
In a wooden canteen
132 oz. 10 dwt. (4,105 gr.) (58)

$12,000-18,000
Another Aguilar fatware service of the same
pattern sold in these Rooms, 23 October 2013,
lot 170.
16A

10
 17

PROPERTY FROM THE HASCOE FAMILY COLLECTION PROPERTY FROM A PRIVATE COLLECTION
17 18
A ITALIAN SILVER FISH-FORM CENTERPIECE BOWL A SET OF TWENTY-EIGHT ITALIAN PARCEL-
MARK OF BRAGANTI ANTONIO, FLORENCE, POST-1965 GILT SILVER DINNER PLATES
MARK OF BRAGANTI ANTONIO, FLORENCE, 1965-
Modeled as a sturgeon, the interior gilt compartment to hold ice and 71
caviar, marked *410 FL, 925, and also with retail mark of Fabergé on head,
also engraved Limited Edition No. 5 and Tatania Fabergé under mouth Each circular, the gilt rim with egg-and-dart
24Ω in. (61.3 cm.) long; 141 oz. (4,398 gr.) decoration and beading, the rim applied with
silver-gilt Russian Imperial double-headed
$7,000-10,000 eagle, marked on feld, 410 FL and retail mark
of Fabergé
11æ in. (29.8 cm.) diameter; 441 oz. 10 dwt.
(13,740 gr.) (28)

$15,000-25,000

18

11
 19

VARIOUS PROPERTIES 20
19 A GROUP OF THREE ITALIAN SILVER FROG-FORM BOXES
AN ITALIAN SILVER CENTERPIECE BOWL MARK OF MARIO BUCCELLATI, SECOND HALF 20TH CENTURY
MARK OF MARIO BUCCELLATI, MILAN, 1934-44 Each realistically formed as a frog, with applied black hardstone eyes,
Shaped oval, with futed sides and everted scalloped rim, the bowl set marked under bases
on ten seahorse feet, marked on rim, also marked 15 MI and 800 The largest 8Ω in. (21.6 cm.) high; 77 oz. 10 dwt. (2,416 gr.) gross
15æ in. (40 cm.) long; 127 oz. (3,952 gr.) weight (3)

$30,000-50,000 $20,000-30,000

20

12
21
A LARGE ITALIAN SILVER STRAWBERRY-FORM BOWL
MARK OF MARIO BUCCELLATI, MILAN, 1934-44
Realistically formed as a strawberry, the cover with leaves and stem, marked under base and one
leaf 15MI and 800, the body with applied plaque engraved M. BUCCELLATI, also engraved M.
BUCCELLATI under cover
20 in. (50.1 cm.) high, 17Ω in. (44.5 cm.) wide; 140 oz. 10 dwt. (4,379 gr.)

$40,000-60,000

13
 22
A ITALIAN SILVER SOUP TUREEN
MARK OF MARIO BUCCELLATI, MILAN, 1934-44
Oval on an oval foot, the body with grapes and vines on a matted ground, the cover with
conforming decoration, with two grape leaves forming the handle, marked under base, with
15MI, and 925
16 in. (40.6 cm.) long; 160 oz. (4,981 gr.)

$20,000-30,000

14
23
AN ITALIAN SILVER LOBSTER AND OCTOPUS CENTERPIECE
MARK OF GIANMARIA BUCCELLATI, MILAN, 20TH CENTURY
Depicting an octopus and lobster in battle, set on a shell and stone base, with wood backing,
the lobster engraved Gianmaria Buccellati ITALY
26 in. (65 cm.) long

$40,000-60,000

15

24
24
A ITALIAN SILVER MODEL OF A LION
ENGRAVED BUCCELLATI, ITALY AND WITH
MARK OF FRATELLI LISI E FIGLI, FLORENCE, 20TH
CENTURY
Realistically formed as a recumbent lion,
engraved under paw Buccellati, Italy and U359
and stamped *615 FL, LISI and 800
33 in. (82.5 cm.) long
$35,000-45,000
16
25
25
AN ITALIAN SILVER MODEL OF A LION CUB
MARK OF BUCCELLATI, MILAN, 20TH CENTURY
Realistically fashioned as a cub, with textured
fur, engraved Buccellati, ITALY J1484, and
marked *765 MI and 800 under base
10 in. (25 cm.) high
$8,000-12,000
THE PROPERTY OF A GENTLEMAN
26
AN ITALIAN SILVER CENTERPIECE BOWL
MARK OF BUCCELLATI, MILAN, 20TH CENTURY
In the form of a mermaid driving a wave-form chariot, the shaped wave base set with sea and
clam shells, mussels, dolphins, coral and sea urchin, fsh, sharks and swordfsh, the mermaid’s
chariot pulled by fying fsh, and applied with octopus, sea otters, starfsh, a turtle and
lobster, the chariot with removable center bowl, marked on base, *763 MI, 925, Sterling and
BUCCELLATI ITALY
30 in. (75 cm.) long; 705 oz. (21,940 gr.) gross weight

$50,000-80,000

17
VARIOUS PROPERTIES 27
27
AN ITALIAN SILVER TABLE BOX WITH
MICROMOSAIC PLAQUE
MARK OF MARIO BUCCELLATI, MILAN, 20TH
CENTURY
The retangular box with textured fnish,
the cover inset with a micromosaic of St.
Peter’s square, with gold tesserae surround,
the interior lined, marked on bezel, also marked
15MI and 800
15æ in. (37.5 cm.) long; 223 oz. 10 dwt.
(6,961 gr.) gross weight

$25,000-35,000

28
AN ITALIAN SILVER CIGAR BOX
MARK OF MARIO BUCCELLATI, MILAN, 20TH
CENTURY
Rectangular, engraved with the Milan
cathedral, engraved Milan nell’Ottocento - Il
Duomo, the base and sides with textured
surface, marked on interior bezel, *15 MI, 925
and M. BUCCELLATI
28 9√ in. (24.6 cm.) long; 84 oz. 10 dwt.
(2,633 gr.)

$8,000-12,000

18
 29
AN ITALIAN SILVER MODEL OF AN OWL
MARK OF BUCCELLATI, MILAN, 20TH CENTURY
Modeled as an owl, set on a rockwork base with
silver leaf and berry branch, marked on feather, also
marked *763MI, Buccellati, SILVER and 925
20 in. (50 cm.) high

$10,000-15,000

29

30
AN ITALIAN SILVER MODEL OF A GROUSE
MARK OF MARIO BUCCELLATI, MILAN, 20TH
CENTURY
Realistically modelled with fanned tail feathers,
with silver-gilt beak, set on rockwork base,
marked on tail feather, also marked *15 MI, 925
19 in. (47.5 cm.) high

$15,000-25,000

30

19
 THE PROPERTY OF A GENTLEMAN
31
AN ITALIAN SILVER VASE
MARK OF BUCCELLATI, MILAN, 20TH CENTURY
Vase form, on circular domed base with ruffed foot, the vase applied with rose garland and
drapery swag, each side with vacant cartouche with scrollwork surround, with futed neck,
ftted with a removable brass liner, marked under base, BUCCELLATI, 925, MADE IN ITALY
24 in. (60 cm.) high; 191 oz. 10 dwt. (5,957 gr.) weighable silver

$25,000-35,000

20
32
AN ITALIAN SILVER FRUIT-FORM CENTERPIECE BOWL
MARK OF BUCCELLATI, 20TH CENTURY
Shaped circular, with futed center bowl, with leaf and fruit surround, comprising apples,
pears, strawberries, pomegranates, a pineapple, cherries, grapes fgs and lemons, marked on
reverse, engraved G.M and stamped BUCCELLATI, ITALY
24 in. (60 cm.) diameter; 155 oz.(4,846 gr.)

$20,000-30,000

21
 THE PROPERTY OF A GENTLEMAN
33
THREE INDIAN GOLD, ENAMEL AND
DIAMOND-SET CHESS PIECES
EARLY 20TH CENTURY
Comprising an elephant with houdah, a horse
and rider, and a standing fgure, each with
polychrome translucent and white opaque
enamel and diamonds, weighted, apparently
unmarked
The largest 3¬ in. (8.5 cm.) high (3)

$3,000-5,000

ANOTHER PROPERTY
34
A CONTINENTAL GOLD SNUFF BOX
PROBABLY GERMAN, CIRCA 1800
Curved oblong, the cover, sides and base with
moirj engine-turned panels within chased
foliate borders, the inside of cover with later
monogram MFG; marked inside cover and base with
33 pseudohallmarks, marked on bezel with French control
marks for 1798-1809 indicating 18 karat
3 in. (7.6 cm.) long

$2,000-3,000

34

22
 35

THE PROPERTY OF A GENTLEMAN 36

35 A SWISS GOLD AND ENAMEL SNUFF BOX FOR THE TURKISH
A SWISS GOLD AND ENAMEL SNUFF BOX FOR THE TURKISH MARKET
MARKET CIRCA 1830
CIRCA 1830 Oval, the cover with scene of the Bosphorus against a guilloché
Lobed oval, the cover, sides and base with alternating panels of enamel sky, the base centering a bouquet of fowers, the borders of
turquoise opaque and pink guilloché enamel painted with fowers turquoise or pink enamel, the bezel engraved with inventory number
and trophies, the cover later set with a diamond-set branch, the base 11, apparently unmarked
centering a harbor scene, the interior of the cover enameled with 3¿ in. (8 cm.) long
Turkish military trophies within a pale green foliate border, apparently
unmarked $10,000-15,000
3º in. (8.3 cm.) long

$12,000-18,000

36

23
 38

37

THE PROPERTY OF A LADY PROPERTY OF A WASHINGTON STATE FAMILY COLLECTION

37 38
A SWISS GOLD, ENAMEL AND PEARL-SET SNUFF BOX A GERMAN GOLD AND ENAMEL SNUFF BOX
MARK ?G INCUSE, GENEVA, CIRCA 1810 HANAU, CIRCA 1810
Rectangular with canted corners, the cover fnely painted with fgures Octagonal with canted corners, the cover painted with a hunting
before a river landscape, within a split-pearl border, the sides and base scene, the sides and base with white opaque enamel panels, the
with translucent blue guillochj enamel panels within polychrome borders with gold paillon decoration, marked inside cover and base with
borders, marked inside base with incuse monogram, possibly LG beneath a pseudohallmarks for Paris
crown; also with later French control marks on bezel 3¬ in. (9.2 cm.) long
3æ in. (97 mm.) long
$4,000-6,000
$6,000-9,000

24
VARIOUS PROPERTIES
39
A LOUIS XV GOLD-MOUNTED LACQUER CARNET-DE-BAL
MARK OF JEAN DUCROLLAY, PARIS, 1752; THE LACQUER JAPANESE, 17TH
CENTURY
Rectangular, each side mounted en cage with a lacquer panel decorated
in gold hiramakie on a black roironuri ground depicting pine trees
and a pavilion beside a lake, the reverse in nashiji, the mounts chased
with reeded strapwork sections of interlaced circles, fastening with
a reeded gold pencil with fattened rosette fnial and containing a
gilt-edged note-book with blue silk cover, marked inside spine and on
fastening, with charge and décharge of Julien Berthe
3¬ in. (9.1 cm.) long
$8,000-12,000
PROVENANCE:
Almost certainly S. E. Kennedy Esq., 24 Upper Brook Street, W.1.,
whose collection of objects of vertu, arms and armor and antiquities
was sold in a fve-day sale, Christie’s, London, 18-22 March 1918
Sir Philip Sassoon, Bt., 25 Park Lane, W.1., recorded in the Library
in the pre-1927 inventory as from the Kennedy Collection
Works of Art from Houghton, Christie’s, London, 8 December 1994,
lot 93
Jean Ducrollay (b. 1709) was among the most esteemed 18th-century
Parisian goldsmiths. He entered his mark on 26 July, 1734 and by 1748
was living in the Place Dauphine. The livre journal of the marchand-mercier
Lazare Duvaux records frequent purchases of lacquer boxes by Ducrollay,
who is also recorded as a supplier of boxes to the Menus Plaisirs. For a
full discussion on the trade in lacquer in 18th century France, see F. J. B.
Watson, “Beckford, Mme. de Pompadour, the Duc de Bouillon and the
Taste for Japanese Lacquer in 18th Century France,” Gazette des Beaux-
Arts, February, 1963, p. 101-127
A related gold-mounted lacquer snuff box by Ducrollay, Paris 1750-1751,
sold Christie’s, Geneva, 12 November 1985, lot 72
25
 Charles Duron (1814-1872), goldsmith-jeweler of Paris, won his greatest
acclaim for the gold-mounted hardstone vessels he exhibited at the
International Exposition in Paris in 1867. Five of his six extant examples
from the 1867 fair are now in museum collections; the present cup is the
sixth known.

The Musée d’Orsay recently acquired Duron’s lapis lazuli bowl from the fair
(sold Christie’s, London, 24 June 2003, lot 160). The other extant pieces
are: an agate ewer at the British Museum, a lapis ewer at the Hermitage,
an agate bowl at the Carnegie Museum of Art (illustrated here, along
with the present example, in a catalogue from the 1867 fair), and an onyx
amphora at the Kunstgewerbemuseum, Berlin.

The present cup, the only rock crystal example in the group, shares with
the other examples a distinctive gold openwork foot, each enameled with
white and pink opaque foliage with translucent green detail. The black-
and-white ropetwist border appears on all six pieces and seems to be a
signature element of Duron.

Like the other great goldsmith-jeweler in Paris in this period, Jean-Valentin

Morel, Duron was inspired by the French Royal jewels that had been
installed in the Louvre’s Galerie d’Apollon in 1862. Duron’s interpretations
of these mounted hardstones from the 16th and 17th centuries won him
both critical acclaim and major patronage; his clients included the most
notable collectors of the period, including Alfred Morrison, the Marquess of
Hertford, the duc de Luynes, Edward Fould, and the Rothschild family.

For further discussion of Duron’s success at the Paris exhibition, see Olivier
Gabet, “Kunstkammer Objects in the Age of the World’s Fairs: Charles
Duron in 1867,” The Burlington Magazine, June 2007, pp. 393-399 and
Daniel Alcouffe, Les Gemmes de la Couronne, 2001, pp. 26-27.
Three gold-mounted hardstone vessels by Charles Duron at the Paris
Exposition of 1867; the ewer is in the British Museum, the agate cup is
now at the Carnegie Museum of Art; the present cup is that on the right
Attributed to Charles Duron, French, 1814-1872, Untitled, c. 1867
watercolor with gouache and pencil, H: 25 5/8 in. x W: 22 1/8 in.
Carnegie Museum of Art, Pittsburgh: Gift of H. Blairman & Sons Ltd in
honor of Richard Armstrong, 2008.89

40
AN IMPORTANT FRENCH GOLD AND ENAMEL MOUNTED ROCK-
CRYSTAL CUP FOR THE PARIS EXPOSITION OF 1867
BY CHARLES DURON, PARIS, CIRCA 1867
The cup with faring octagonally futed sides, each fute with copper-
wheel intaglio decoration, the lower body, stem and cover carved
with lobes; the gold borders fnely enameled in translucent green
and opaque white, pink, and blue enamel, the putto-form fnial
with chased gold hair standing on a star-strewn blue enamel base,
apparently unmarked
9¬ in. (24.3 cm.) high

$150,000-250,000
EXHIBITED:
Exposition universelle d’art et d’industrie de Paris, 1867
LITERATURE:
Olivier Gabet, “Kunstkammer Objects in the Age of the World’s
Fairs: Charles Duron in 1867,” The Burlington Magazine, June 2007,
pp. 393-399.
Jason T. Busch and Catherine L. Futter, Inventing the Modern World:
Decorative Arts at the World’s Fairs 1851-1939, 2012, p. 69, fg. 25.

F.A. Brockhaus, Illustrierter Katalog des Pariser Industrie-Ausstellung von

1867, Leipzig 1868, p. 230

26
27
 43
41

42

PROPERTY FROM A DESCENDANT OF 42 43

THOMAS FORTUNE RYAN
41
A PAIR OF AMERICAN GOLD BEAKERS AND
A GOLD WAITER
MARK OF TIFFANY & CO., NEW YORK, THE
BEAKERS 1915-47, THE WAITER 1922-47
The beakers 14k, each of inverted bell form
on a circular base, the waiter 18k, of square
form with canted corners and a molded rim,
each marked on reverse, the beakers also marked
18992, the waiter also marked 20121/13614
The beakers 2Ω in. (6.3 cm.) high, the waiter
5æ in. (14.6 cm.) long; 14 oz. (446 gr.) (3)
AN AMERICAN GOLD FLASK
MARK OF TIFFANY & CO., NEW YORK, 1922-47
18k, of typical form, with curved back, with
hinged and screw-on cap with attached
cork, the front engraved with the monogram
J.J.R., marked under base, also marked
20142/11846 and 1 PINT
7 in. (17.8 cm.) long; 16 oz. 10 dwt. (525
gr.) gross weight
$12,000-18,000
A SET OF FOUR GOLD BEAKERS
MARK OF CARTIER, 20TH CENTURY
20k, each of tapered cylindrical form with
everted rim, marked under base, also marked
88-2
5Ω in. (13.9 cm.) high; 40 oz. 10 dwt.
(1,263 gr.) (4)
$35,000-45,000

$10,000-15,000

28

45
44
AN AMERICAN GOLD SALVER
MARK OF TIFFANY & CO., NEW YORK, 1927-47
18k, rectangular with rounded corners,
marked on reverse, also marked 21168/11238
11æ in. (29.8 cm.) long; 32 oz. 10 dwt.
(1,017 gr.)
$25,000-35,000
44
46
45
A SET OF SIX AMERICAN GOLD COCKTAIL
CUPS
MARK OF TIFFANY & CO., NEW YORK, 1947-55
14k, each on a stepped circular base, with
baluster-form stem and circular tapered cup,
marked under base, also marked 20631
4 in. (10 cm.) high; 22 oz. 10 dwt. (712 gr.)(6)
$12,000-18,000
46
A GOLD COCKTAIL SHAKER
MARK OF CARTIER, 20TH CENTURY
14k, tapering cylindrical, the domed cover
with ftted sieve and detachable cap, marked
under base, also marked 14k under cover and
under cap
8º in. (21 cm.) high; 12 oz. (380 gr.)
$6,000-9,000
29
 PROPERTY FROM AN ATLANTA ESTATE
47
AN AMERICAN SILVER-GILT FLATWARE
SERVICE
MARK OF TIFFANY & CO., NEW YORK, 20TH
CENTURY
Chrysanthemum pattern, comprising:
Eight dinner forks
Twenty lunch forks
Eight dessert forks
Four table spoons
Eight soup spoons
Eight dessert spoons
Twenty teaspoons
Twenty iced-tea spoons
Eight dinner knives, with stainless steel
blades
Twenty lunch knives, with stainless steel
blades
Twenty steak knives, with stainless steel
blades
47
Eight butter knives, with stainless steel blades
Four large butter knives, with stainless steel
blades
Two large serving spoons
A serving fork and spoon
A serving fork
A sauce ladle
A pair of sugar tongs
A tomato server
Two jelly spoons, in sizes
232 oz. (7,216 gr.) weighable silver (166)

$12,000-18,000

ANOTHER PROPERTY
48
A PAIR OF AMERICAN SILVER
CANDLESTICKS
MARK OF TIFFANY & CO., NEW YORK, 1895-1902
Chrysanthemum pattern, each on lobed
circular base with applied chrysanthemums,
the baluster-form stem and socket with
foliage and chrysanthemums, the shaped
circular nozzle with conforming decoration,
marked under base, also marked 12576/2240
9Ω in. (24.1 cm.) high; 28 oz. 10 dwt. (900
gr.) (2)
48
$5,000-8,000

30
PROPERTY FROM A DESCENDANT OF THOMAS FORTUNE RYAN
49
AN AMERICAN SILVER FLATWARE SERVICE
MARK OF TIFFANY & CO., NEW YORK, 20TH CENTURY
Chrysanthemum pattern, engraved with monogram TFR,
comprising:
Twenty cream soup spoons Two serving spoons
Twenty gilt ice cream spoons Two seafood forks
Eighteen gilt coffee spoons Thirty-three dinner knives
Thirty-two gilt ice cream forks Thirty-eight lunch knives
Thirty-two dinner forks Thirty-seven fsh knives, with silver blades
Eight gilt lunch forks Twenty gilt fruit knives, with serrated silver blades
Thirty-eight lunch forks Eight gilt dessert knives, with silver blades
Thirty-four fsh forks 404 oz. (12,596 gf.) weighable silver (362)
Twenty gilt fruit forks
$20,000-30,000

31
PROPERTY OF A NEW YORK LADY
50
A GROUP OF AMERICAN SILVER OBJECTS
VARIOUS MAKERS, 20TH CENTURY
Comprising a water pitcher, circular salver
and shaped-oblong bread tray, Tiffany &
Co., New York, 1951-56; a shell-shaped dish,
Gorham Mfg. Co., Providence, 1952; a circular
salver in the Jensen taste, Woodside Sterling
Co., New York; a pair of shaped oval serving
dishes, Durham Silver Co., New York, each
marked on reverse
The largest 14 in. (35.5 cm.) diameter; 146
oz. 10 dwt. (4,560 gr.) (7)

$4,000-6,000

50

PROPERTY FROM A SOUTHWEST PRIVATE

COLLECTION
•51
AN AMERICAN SILVER WATER PITCHER
MARK OF TIFFANY & CO., NEW YORK, 1902-07
Baluster form, on four scroll and foliate feet,
chased under spout with vines, fowers and
scrolls, the scroll handle with foliage and
fowers and foliate joins, the body engraved
with a monogram KC, marked under base, also
marked 11349/2676
10 in. (25.4 cm.) high; 32 oz. 10 dwt. (1,026
gr.)

$2,000-3,000

51

32
THE ESTATE OF LUCIA E. UIHLEIN, LAKE BLUFF ILLINOIS
52
AN AMERICAN SILVER DINNER SERVICE
MARK OF GRAFF, WASHBOURNE AND DUNN, NEW YORK, CIRCA 1909
Each with pierced border decorated with fowers and bellfower and
A cake plate
chased with foliate decoration, comprising:
A serving platter with compartments
Four candlesticks, weighted
Six salt cellars
An oval footed basket
Six pepper casters
A large vase, with gilt metal grill
A milk jug
Four smaller vases
A cream jug
A pair of large tazza
A covered sugar bowl
A water pitcher
A smaller open sugar bowl
A covered vegetable dish
A waste bowl
An oval serving dish
The serving tray 23 in. (57.5 cm.) long; 605 oz. (18,827 gr.)
Two oval serving platters, in sizes
weighable silver (39)
A shaped rectangular serving platter
A serving tray $15,000-25,000

33
 53

PROPERTY FROM AN ATLANTA ESTATE

53
AN AMERICAN SILVER FLATWARE SERVICE
MARK OF TIFFANY & CO., NEW YORK, 20TH CENTURY
Richelieu pattern, each handle engraved with script initial F,
comprising:
Twelve table spoons Twelve lunch knives, with stainless steel blades
Twelve soup spoons Twelve dessert knives, with stainless steel blades
Twelve teaspoons Twelve butter knives
Twelve citrus spoons Two serving forks
Twelve coffee spoons Two serving spoons
Twelve dinner forks Two smaller serving spoons
Twelve lunch forks A cold meat fork
Twelve salad forks A tomato server
Twelve dessert forks A sauce ladle
Six terrapin forks A large butter knife
Twelve dinner knives, with stainless steel blades A jam spoon
226 oz. (7.029 gr.) weighable silver (173)

$10,000-15,000

34
VARIOUS PROPERTIES
54
AN AMERICAN SILVER-MOUNTED CUT-GLASS
LOVING CUP
MARK OF TIFFANY & CO., NEW YORK, CIRCA 1890
Baluster form with three cut-glass faceted
handles, the cut-glass body with S-scrolls and
fower sprays at intervals, the silver-mounted
everted rim applied with trailing grapevine,
marked on mount
9 in. (22.9 cm.) high

$4,000-6,000
Another example sold in these Rooms, 18 June 1998,
lot 52.

54
55
AN AMERICAN SILVER PUNCH LADLE
MARK OF GORHAM MFG. CO., PROVIDENCE,
CIRCA 1885
Narragansett pattern, the handle with
realistically cast and chased with encrusted
shells, seaweed and fsh, the bowl interior
gilt, marked on reverse of handle
14 in. (35.5 cm.) long; 8 oz. (263 gr.)

$10,000-15,000
Another Narragansett-pattern punch ladle sold in
these Rooms, 20-21 January 2005, lot 77.

55

35
 56
A PAIR OF AMERICAN SILVER MARTELE
CANDLESTICKS
MARK OF GORHAM MFG. CO., PROVIDENCE,
1919
Each baluster form on shaped circular domed
base, the base, stem and campana-form
socket chased with fowers and vines, with
shaped circular nozzle, marked under base and
nozzle, also marked PUW
12 in. (30.5 cm.) high; 41 oz. (1,282 gr.) (2)

$15,000-25,000

56

57
AN AMERICAN SILVER MARTELE BOWL
MARK OF GORHAM MFG. CO., PROVIDENCE,
CIRCA 1900
Shaped circular, on four lobed feet, the rim
chased with fowers, scrolls and shells, with
chased monogram in script, marked under base
14 in. (35.5 cm.) diameter; 35 oz. 10 dwt.
(1,137 gr.)

$6,000-9,000

57

36
58
AN AMERICAN SILVER CENTERPIECE
MARK OF GORHAM MFG. CO., PROVIDENCE, 1881
On cruciform base, on four bracket feet with dentil borders and
applied rosettes, the sides with cast classical friezes against a matted
ground, the frame supporting fve square bowls in three sizes, marked
under base and under bowls
19Ω in. (48.8 cm.) long; 232 oz. 10 dwt. (7,247 gr.)
$20,000-30,000
This centerpiece forms part of a distinguished group of neo-classical
silver designed by Gorham in the 1870s and 1880s. Typifed by an overall
restraint in design, these pieces feature plain surfaces adorned with classical
friezes and a preference for square and rectangular forms. They illustrate
the enduring popularity of classical design and are in stark contrast to the
highly decorated pieces produced by Gorham during the same period.
A number of pieces in this style were manufactured for the extraordinary
service ordered by Colonel Henry Furber in the 1870s. When completed,
the hollowware and fatware service numbered over 740 pieces. The Furber
centerpiece, exhibited at the Centennial Exhibition in Philadelphia in 1876,
is illustrated in Charles Venable’s Silver in America, p. 158, and a pair
of three-foot high candelabra produced in 1879, is illustrated in Charles
Carpenter’s Gorham Silver, 1982, p. 75.
A centerpiece, probably the present example, is illustrated in Carpenter’s
Gorham Silver, p. 84. A punch bowl of this design sold at Sotheby’s New
York, 15 June 1998, lot 1587 and a fve-piece dinner service sold in these
Rooms, 21 January 2000, lot 296
37
PROPERTY OF A NEW ENGLAND FAMILY
59
AN AMERICAN SILVER, COPPER AND NIELLO BLACK COFFEE
SERVICE FROM THE PARIS EXPOSITION OF 1900
MARK OF TIFFANY & CO., NEW YORK, CIRCA 1891
Comprising a black coffee pot, covered sugar bowl and a pair of
sugar tongs; the coffee pot faring cylindrical on a spreading circular
foot, the body inlaid with niello and copper arabesques and stylized
fowers, with pierced ogee-shaped rim, the hinged domed cover,
handle and spout with conforming niello and copper decoration, the
handle with carved cow horn insulators, the cover with cow horn
fnial, the sugar bowl circular on a circular foot, with two knopped
handles and an everted pierced and ogee-shaped rim, the interior
silver-gilt, the domed cover with conforming niello and copper
decoration and cow horn fnial, the sugar tongs also with conforming
inlaid decoration and silver-gilt tips, the coffee pot and sugar bowl marked
under bases, the tongs marked inside, the coffee pot marked 9930/7200, the
sugar bowl marked 9930/3950, the tongs marked 850, the coffee pot 1888-91,
the sugar bowl and tongs 1891-1900, each also with Paris 1900 exposition
stamp
The coffee pot 9Ω in. (24.1 cm.) high; 31 oz. (979 gr.) gross weight (3)
$10,000-15,000
EXHIBITED:
Exposition Universelle, Paris 1900

38
PROPERTY FROM A PRIVATE COLLECTION
60
AN AMERICAN SILVER AND MIXED-METAL BOWL
MARK OF TIFFANY & CO., NEW YORK, CIRCA 1880
Circular on a circular foot, with undulating rim, the hand-hammered surface applied with a
copper crawfsh, butterfy with copper body and wings, a copper and gold beetle, vines and
leaves, marked under base, also marked 5826/1493
11Ω in. (29.2 cm.) diameter; 59 oz. (1,847 gr.) gross weight

$15,000-25,000

39
 ANOTHER PROPERTY
61
AN AMERICAN PARCEL-GILT SILVER COFFEE POT
MARK OF TIFFANY & CO., NEW YORK, CIRCA 1880
Tapered cylindrical, the body and handle spot-hammered and applied with fsh, crabs and
insects, the body also with grass and seaweed, the domed cover with ball fnial, the handle
with wood insulators, marked under base, also marked 4755/4208
7 in. (17.8 cm.) high; 10 oz. 10 dwt. (338 gr.) gross weight

$8,000-12,000
A very similar mixed-metal coffee pot sold in these Rooms, 19 January 2012, lot 71.

40
PROPERTY FROM A CONNECTICUT COLLECTION
62
AN AMERICAN PARCEL-GILT SILVER WATER PITCHER
MARK OF TIFFANY & CO., NEW YORK, CIRCA 1880
Globular, the spot-hammered surface with silver-gilt grass, reeds and fowers, the curved
handle also spot-hammered, the base with monogram EHCE, marked under base, also marked
3077/3387
7º in. (18.4 cm.) high; 27 oz. 10 dwt. (858 gr.)

$12,000-18,000
A similar water pitcher by Tiffany & Co. sold in these Rooms, 11 January 2011, lot 57.

41
 PROPERTY FROM A PRIVATE COLLECTION
63
AN AMERICAN SILVER AND MIXED-METAL TRAY
MARK OF TIFFANY & CO., NEW YORK, CIRCA 1880
Shaped rectangular, on four scroll cloud feet, the feld hand-hammered and applied with a
gold and copper dragonfy and maple leaves, marked on reverse, also marked 5546/685
11æ in. (29.8 cm.) long; 21 oz. 10 dwt. (677 gr.) gross weight

$30,000-50,000
PROVENANCE:
Christie’s, New York, 15 January 2004, lot 116
A similar silver and mixed-metal tray by Tiffany & Co. sold in these Rooms, 17 May 2012, lot 201.

42
PROPERTY FROM A FRENCH COLLECTION
64
AN AMERICAN SILVER AND MIXED-METAL WATER PITCHER
MARK OF TIFFANY & CO., NEW YORK, CIRCA 1880
The hammered surface applied with gold vines and copper leaves, mokume and sentoku gourds,
also applied with a dragonfy, butterfy and moth, marked under base, also numbered 3859/9592
8 in. (20 cm.) high; 27 oz. 10 dwt. (865 gr.) gross weight

$40,000-60,000

43
ANOTHER PROPERTY
65
AN AMERICAN SILVER FOOTED SALVER
MARK OF JOHN CONEY, BOSTON, CIRCA 1700
Circular, on a circular foot, with gadrooning
on rim and foot, engraved underneath with
monogram ED, marked on feld with Kane
mark B
9º in. (23.5 cm.) diameter; 10 oz. (320 gr.)
$7,000-10,000
Other footed salvers by Coney are in the
collections of the Museum of Fine Arts,
Boston, the Metropolitan Museum of Art, the
Minneapolis Institute of Arts, and the Hood
Museum of Art at Dartmouth College. The
present example is previously unrecorded.
44
THE PROPERTY OF A GENTLEMAN
66
AN AMERICAN SILVER QUART CANN
MARK OF PAUL REVERE, BOSTON, 1787
Baluster-form, on a molded circular foot, the
double-scroll handle with acanthus grip, the
body engraved with monogram TJL within a
neoclassical cartouche, marked under base and
on rim with Kane mark B
6¿ in. (15.5 cm.) high; 17 oz. 10 dwt.
(550 gr.)
$60,000-90,000
PROVENANCE:
Thomas Lee (d. 1787), thence by descent to
Jane (Miller) Lee, his wife
Benjamin Lee (d. 1828), brother of Thomas
Thomas Lee (1801-66), nephew
The monogram TJL is that of Thomas and Jane
Lee of Cambridge.
“English Thomas” Lee emigrated to the Colonies
as a young man and made his fortune as leading
merchant in Boston. After the Revolution, Lee
was granted a large loyalist estate in Cambridge,
in recognition of the use of his shipping vessels
during the War.
This cann, whose whereabouts had been
previously unknown, is the mate to a cann in
the Museum of Fine Arts, Boston illustrated in
Kathryn Buhler, American Silver 1655-1825 in
the Museum of Fine Arts Boston, 1972, no. 380,
p. 429.
The pair of canns is recorded in Revere’s
Daybooks in June 1787:
...to Thomas Lee...
to pr Wine Qt. Canns wt 36-6 at 7/ 12-14-
To Making 4- 16-
To Engraving Cyphers 16-
Lee’s additional orders from Revere included a
set of nine large tablespoons in 1784 and a slop
bowl, circa 1785. One cann and the slop bowl
entered the MFA collection in 1935, given by
Pauline Revere Thayer.
45
 PROPERTY FROM A DESCENDANT OF
THOMAS FORTUNE RYAN
67
AN AMERICAN SILVER TANKARD,
DESCENDED FROM COMMODORE BARRY
MARK OF JOHN AITKIN, PHILADELPHIA, CIRCA
1785
Of heavy weight, tapering cylindrical, with
reeded bands, the cover with concentric
reeded bands, and crenelated lip, the handle
with pierced thumbpiece with initial B,
marked twice under base
6æ in. (16.9 cm.) high; 53 oz. (1,648 gr.)

$8,000-12,000
PROVENANCE:
Commodore John Barry (1745-1803),
thence by descent to
Sarah Barry, widow
Patrick Hayes, nephew
P. Barry Hayes, son
Elizabeth Barry Hepburn, daughter, sold
American Art Association, 21 Janaury 1939,
lot 70
John Barry, along with John Paul Jones, is
67 credited as the father of the American Navy.
Barry served as an offcer in Continental Navy,
and after the Revolution became the frst
commissioned offcer in 1797, with the rank of
Commodore.

PROPERTY FROM A PRIVATE COLLECTION

68
AN AMERICAN SILVER CREAM JUG
MARK OF PAUL REVERE, JR., BOSTON, 1795-1800
Urn-form, on a canted rectangular foot, the
body faceted and with strap handle, engraved
under spout with monogram HM in script,
also later engraved Agnes McKean, marked on
foot with Kane mark D
6¡ in. (16.2 cm.) high; 7 oz. 10 dwt. (241
gr.)

$12,000-18,000
PROVENANCE:
Christie’s, New York, 25 June 1991, lot 31
LITERATURE:
Patricia E. Kane, Colonial Massachusetts
Silversmiths and Jewelers, 1998, p. 814
A nearly identical cream jug by Revere, now
in the collection of the Museum of Fine Arts,
Boston, is illustrated in Kathryn C. Buhler,
American Silver: 1655-1825 in the Museum of
Fine Arts, Boston, 1972, v. II, no. 410, p. 461.
68

46
PROPERTY FROM THE ESTATE OF ERIC MARTIN WUNSCH
69
A SET OF TWELVE AMERICAN SILVER DESSERT SPOONS
MARK OF PAUL REVERE, JR., BOSTON, CIRCA 1780
Each with oval bowl and downturned handle, engraved on front with fowers and monogram
JSR within a bright-cut cartouche, marked on reverse with Kane mark G
6Ω in. (16.5 cm.) long; 9 oz. (289 gr.) (12)

$20,000-30,000

47
 70

PROPERTY FROM A PRIVATE COLLECTION

70
TWO PAIRS OF FRENCH SILVER SALT CELLARS
MARK OF ODIOT, PARIS, TWO CIRCA 1840, TWO CIRCA 1906
Two on rectangular bases with four scroll feet, two on shaped oval bases with four shell feet,
the rectangular bases with borders of foliage and fowers, the shaped oval bases with borders of
shells and foliage, each with double bowls modeled as shells and supported on the tails of two
dolphins, the interiors of the shells gilt, the two rectangular bases engraved with coats-of-arms,
marked under bases, on dolphins and under shell bowls; the two rectangular cellars 1838-94, the
oval cellars one 1894-1906, one 1906-56
6Ω in. (16.5 cm.) long; 42 oz. (1,313 gr.) (4)

$8,000-12,000

ANOTHER PROPERTY
71
A PAIR OF FRENCH SILVER-MOUNTED
GLASS CLARET JUGS
MARK OF BOIN TABURET, PARIS, CIRCA 1900
Each baluster form, the silver collar and
hinged cover futed, the cover and fnial with
gadrooned border, the double-scroll handle
faceted with trefd join, marked on necks and
one cover
10Ω in. (26.7 cm.) high (2)

$3,000-5,000
71

48
PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION
72
A FRENCH SILVER TABLE SERVICE
PARIS, CIRCA 1890, MAKER’S MARK LD HEART BETWEEN AND LAPPARRA
The handle with arabesques, stiff leaves and a winged torch, engraved
with the monogram MR, in a ftted mahogany chest, comprising:
Eighteen table spoons Two silver-gilt dessert serving spoons
Eighteen silver-gilt dessert spoons Two silver-gilt dessert serving forks
Eighteen coffee spoons Eighteen table knives with silver blades and mother-of-pearl handles
Eighteen table forks Eighteen dessert knives with silver-gilt blades and mother-of-pearl
Eighteen silver-gilt dessert forks handles
Eighteen fsh forks 290 oz. (9,025 gr.) weighable silver (171)
Eighteen fsh knives with silver blades
A soup ladle $25,000-35,000
Two fsh serving forks
PROVENANCE:
Two fsh serving knives with silver blades
Christie’s, New York, 17 October 1996, lot 124

49
73
73
A GERMAN SILVER TABLE SERVICE
CIRCA 1920

With laurel-leaf borders, initialed F, Twenty-four knife rests with inverted shield- Four sauce ladles
comprising: shaped ends Four butter knives (steel blades)
Twenty-four champagne swizzle sticks Twenty-four table knives (steel blades) Four serving spoons
Twenty-four sorbet spoons Twenty-four teaspoons Four smaller cold meat forks
Twenty-four cake forks Six salt cellars Two olive spoons
Twenty-four coffee spoons Six salt spoons Four small forks
Twenty-four fruit knives (gilt-metal blades) Two soup ladles of different shapes One two-cracker
Twenty-four fruit forks Two pairs of salad servers A pair of grape scissors
Twenty-four oyster forks (gilt-metal tines) Four tart servers Two pairs of sugar tongs
Twenty-four table/soup spoons Two basting spoons Two asparagus servers with ribbed oblong bowls,
Twenty-four fsh knives Two cold meat forks in ftted wooden canteen
Twenty-four fsh forks Two fsh slices 430 oz. 10 dwt. (13,396 gr.) weighable silver (448)
Twenty-four dessert forks Six other serving pieces
Twenty-four cheese knives (steel blades) A tea-strainer $10,000-15,000
Twenty-four table forks A sifter spoon PROVENANCE:
Christie’s, London, 1 February 2010, lot 220

74

50
PROPERTY FROM A PENNSYLVANIA
COLLECTION
74
A DUTCH SILVER TEA TRAY
MARK OF WILLEM VAN DEN GOORBERG, LEIDEN,
1814
Rectangular with canted corners, on four
bracket feet, the beaded gallery pierced with
futing and swags, the handles with stylized
scroll joins, the feld engraved with an
English crest and motto, marked on reverse and
on one handle, also with later Dutch control mark
22º in. (56.5 cm.) long over handles; 72 oz.
10 dwt. (2,265 gr.)

$3,000-5,000

VARIOUS PROPERTIES
75
A PAIR OF BELGIAN SILVER CANDLESTICKS
MARK OF JEAN-MELCHIOR DARTOIS, LIEGE,
1764-71
Each on a shaped circular base, the base,
baluster-form stem, socket and nozzle with
spiral futing, marked on bases and on one
nozzle, the other nozzle apparently unmarked
9º in. (23.5 cm.) high; 28 oz. 10 dwt.
75
(899 gr.) (2)

$4,000-6,000

76
A JOSEPH II AUSTRIAN SILVER COFFEE POT
MARK OF JOSEPH FERDINAND EWERTH, VIENNA,
1778
Baluster form on three coffee branch feet
and coffee leaf and berry joins, the wooden
handle with foliate join, the spout futed on
matted ground, the domed cover with coffee
branch fnial and thumbpiece, marked under
base
11Ω in. (29.2 cm.) high; 36 oz. (1,134 gr.)
gross weight

$3,000-5,000

76

51
PROPERTY FROM A PRIVATE COLLECTION
77
A SPANISH SILVER INKSTAND
MARK OF CRISTÓBAL SçNCHEZ SOTO, CÓRDOBA, 1789
Shaped lozenge form, on four leaf feet with fowerhead joins, the
feld set with fve pots for ink, quills, wafers and pounce, the center
one with a candlesocket, marked on feld, pots, candlesocket, and the two
larger pot covers; with assay master’s mark of Mateo Martínez Moreno
10æ in. (27.3 cm.) long; 46 oz. 10 dwt. (1,459 gr.) (5)
$4,000-6,000
52
78
A SPANISH OR SPANISH COLONIAL SILVER-GILT AND ENAMEL
CIBORIUM
FIRST HALF OF 17TH CENTURY
The circular base with repoussé and chased strapwork, the stem
formed of spool, vase, and column decoration applied with futes and
brackets, the cover, stem and base with stippled foliate motifs and set
throughout with oval bosses of blue translucent basse taille enameled
strapwork, the domed cover with cruciform fnial, the base rim set
with four tabs pierced for mounting, apparently unmarked
13¡ in. (34 cm.) high; 51 oz. 10 dwt. (1,609 gr.) gross weight
$15,000-25,000
53
 VARIOUS PROPERTIES
79
A GERMAN SILVER-GILT TANKARD
POSSIBLY LÜNEBURG, CIRCA 1650, MAKER’S
MARK DG
Cylindrical, on a circular foot, the body
chased with decoration in the auricular
style, the domed cover with comforming
decoration, with scroll thumb-piece and
baluster-form fnial, the scroll handle also
with auricular decoration, marked under base
and on cover
6º in. (15.8 cm.) high; 18 oz. 10 dwt.
(588 gr.)

$5,000-8,000

79

80
A GERMAN PARCEL-GILT SILVER TANKARD
MARK OF SIGMUND BIERFREUND, NUREMBERG,
CIRCA 1680
Cylindrical on three ball-and-claw feet,
the body lobed, the tubular scroll handle
applied with fowerheads at the hinge, the
lobed hinged cover chased and repoussé with
similar decoration, with scroll thumbpiece
and surmounted by a ball fnial, engraved
under base with monogram S.S., marked on
body and cover rim
7Ω in. (19 cm.) high; 19 oz. 12 dwt. (610
gr.)

$3,000-5,000
A similar tankard by Sigmund Bierfreund sold
Christie’s, New York, 17 May 2011, lot 127.

80

54
81
A GERMAN SILVER TOILET EWER AND BASIN
MARK OF CHRISTIAN WINTER, AUGSBURG, CIRCA 1720
The basin oval with neck-notch, the border gadrooned with beading and strapwork on a
matted ground, the ewer baluster form, on a circular foot with beading and gadrooning, the
body with conforming decoration, the scroll handle with shell join, each engraved with a
count’s coat-of-arms in a cartouche, the basin marked underneath, the ewer marked on body near
handle and on foot
The basin 14º in. (36.2 cm.) long, the ewer 8º in. (21 cm.) high; 38 oz. 10 dwt. (1,198 gr.)

$15,000-20,000
The arms are those of Toerring-Seefeld (Bavaria)

55
82
A RARE CONTINENTAL SILVER-GILT MOUNTED JASPER CUP FROM
THE GOLDSCHMIDT-ROTHSCHILD COLLECTION
THE CUP SECOND HALF 15TH CENTURY, THE MOUNTS POSSIBLY LATER
Of yellow-red jasper; the bowl with carved spiral futing, the faring
stem octagonally futed; the silver-gilt mounts at the rim and footrim
probably later, the mounts at the bowl join possibly original; the
underside with black enamel inventory number G-R. 732; apparently
unmarked
7 in. (17.8 cm.) high

$70,000-100,000
PROVENANCE:
Collection of Baron Maximilian von Goldschmidt-Rothschild
(c.1843 - d.1940), Frankfurt am Main;
Confscated from the above by the German authorities, after 1938,
and transferred to the city of Frankfurt;
Restituted to the heirs of Maximilian von Goldschmidt-Rothschild
by the city of Frankfurt, 29 February, 1949.
LITERATURE:
Liste der von der Stadt/Frankfurt/Main zurDckgegebenen
Gegenstände aus der Sammlung des Freiherrn Max von
Goldschmidt-Rothschild, 29 Februar 1949, The Rothschild Archive,
London (ref: RAL 000/941)
Listed as: LFD nr. 839/ Verkaufsliste Nr. 732; Gegenstand 1 Ren.-
Steinpokal, vergoldet; Kisten Nr. 75
Mounted hardstone vessels were an essential component of the princely
schatzkammer, showcasing the natural beauty of the highly-prized stones,
as well as the skill of the lapidary and goldsmith. A number of these
collections included carved spiral-futed jasper, agate or rock crystal cups,
which were set on faceted bases and embellished with silver, gold or gilt-
metal mounts (see: Hans R. Hahnloser and Susanne Brugger-Koch, Corpus
der Hartsteinschliffee des 12.-15 Jahrhunderts, 1985, no. 387-88 and 394-
99 ). Over the centuries, many of these 15th-century hardstone cups have
been remounted.

Four jasper vessels relate closely to the current example, and remain in
“princely” collections today. A 15th-century spiral-futed covered cup,
set on a seven-sided faceted foot with contemporaneous gothic mounts,
is the nearest in design to the present cup. Illustrated here, this cup is
in the collection of the Green Vaults, Dresden and published in Joachim
Menzhausen, The Green Vaults, 1970, no. 9, pp. 70-71.

The Louvre possesses two spiral-futed jasper beakers. One 15th-century

example was embellished with gold and enamel mounts, circa 1630, and
was frst documented in an inventory of collections of the Grand Dauphin
in 1689. The second beaker has been incorporated into a holy water
bucket with silver-gilt mounts from the frst half of the 16th century. The
fourth covered beaker, with German 17th-century silver-gilt mounts, is in
the Munich Schatzkammer. The Paris and Munich pieces are illustrated in
Daniel Alcouffe, Les Gemmes de la Couronne, 2001, no. 44 and fg. 44 a
and b, pp. 142-44.

The present lot was part of Baron Maximilian von Goldschmidt-Rothschild’s

Mounted jasper cup, 1450-1500, in the Green Vaults, Dresden.
Grünes Gewölbe, Staatliche Kunstsammlungen Dresden
Photo: Jürgen Karpinski
extensive collection of mounted hardstone vessels, which was confscated
by German authorities and returned to his heirs by the city of Frankfurt
in 1949. Many pieces from the collection were subsequently sold by
Rosenberg & Stiebel, dealers of New York, around 1950. Robert Lehman
acquired a number of Baron Goldschmidt-Rothschild’s more ornate
mounted hardstones, many of which were embellished or entirely fashioned
in the 19th century and are now in the collection of Metropolitan Museum,
New York (see: Wolfram Koeppe, Decorative Arts in The Robert Lehman
Collection, 2012, no. 57-58, 63-65 and 69). Interestingly, this cup, which
is characterized by the simplicity and elegance of the futed jasper and
silver-gilt mounts, runs counter to many of highly embellished objects in the
Goldschmidt-Rothschild collection.

56
 83

83 THE ESTATE OF LUCIA E. UIHLEIN, LAKE BLUFF, ILLINOIS

AN EDWARD VII SILVER WARWICK VASE
MARK OF GOLDSMITHS & SILVERSMITHS CO. LTD., LONDON, 1904
Of typical form on square base, with pedestal stem and acanthus at
base of bowl, the sides applied with classical heads and lion pelts, with
two entwined vine handles and an ovolo dart and beaded rim, marked
on body, the base also stamped GOLDSMITHS & SILVERSMITHS
CO LTD 112 REGENT ST.
15Ω in. (39.4 cm.) long over handles; 117 oz. 10 dwt. (3,665 gr.)
$8,000-12,000
•84
A PAIR OF GEORGE V SILVER SHELL-FORM BASKETS
MARK OF LIONEL ALFRED CRICHTON, LONDON, 1916/1923
Each shell form, on three dolphin feet, the scalloped bodies pierced
with scrolls and crosses, with gadroon rim and caryatid handle, marked
underneath, one stamped CHRICHTON BROS. LONDON NEW
YORK & CHICAGO, the other stamped CHRICHTON CO. LTD.,
MADE IN ENGLAND
5¿ in. (13 cm.) wide; 20 oz. (626 gr.) (2)
$800-1,200

84

58
PROPERTY OF THE DULANEY ESTATE
85
A PAIR OF VICTORIAN SILVER THIRTEEN-LIGHT CANDELABRA
MARK OF J.B. CARRINGTON, LONDON, 1894
Each on shaped circular base on three scroll and mask feet, applied with scrolling foliage and
ogee and wheat border, the baluster-form stem set with three herms, supporting two branches
of six and seven lights, each arm with scrolling foliage and strapwork, the campana-form
socket with applied putti, fower and foliage, the wax pans shaped circular with foliage, marked
on each base, each branch bezel, sockets and wax pans, one wax pan apparently unmarked
33 in. (82.5 cm.) high; 804 oz. (25,036 gr.) (2)

$60,000-90,000

59
 PROPERTY FROM A FAMILY COLLECTION
86
86
A PAIR OF VICTORIAN SILVER SAUCEBOATS
MARK OF SMITH & NICHOLSON, LONDON, 1859
Each shell-form, shaped oval on shaped circular foot, the body and
foot rims scalloped, with scrolling shell and foliate handles, the body
engraved with a coat-of-arms and motto, marked on body under spout
7æ in. (19.7 cm.) long; 28 oz. 10 dwt. (891 gr.) (2)

$4,000-6,000

VARIOUS PROPERTIES
86A
A PAIR OF GEORGE IV SILVER-GILT
COLUMBINE CUPS
MARK OF BENJAMIN SMITH III, LONDON, 1828
Each modeled after a German columbine
cup, the hexafoil body on a stepped trefoil
foot, the body with fowers, foliage, shells
and pods on a matted ground, the lobed
rims with alternating masks and balls on
foral wreaths, the baluster-form stem with
alternating ram’s-head masks and balls, the
upper foot with gadroon and guilloche
border, marked on bodies
8¿ in. (20.6 cm.) high; 34 oz. 10 dwt.
(1,081 gr.) (2)

$4,000-6,000
A similar silver-gilt columbine cup by Benjamin
Smith is illustrated in Vanessa Brett, The
Sotheby’s Dictionary of Silver 1600-1940, 1986,
86A
p. 275, illus. no. 1267.

60

87
87
A VICTORIAN SILVER ASKOS-FORM JUG
MARK OF JOHN HUNT & ROBERT ROSKELL, LONDON, 1870
Of askos form, on oval foot, the matted body applied with vines, the
rim with two Bacchic goats, the futed handle with foliate and scroll
joins centering a winged putto, the handle engraved with a crest and
a monogram, engraved under base with the date JANY 1ST 1871,
marked under spout, also stamped 5648 HUNT & ROSKELL LATE
STORR & MORTIMER on foot
8Ω in. (21.6 cm) high; 33 oz. 10 dwt. (1,047 gr.)
$7,000-10,000
88
88
A VICTORIAN SILVER SCULPTURAL GROUP ON A LATER MARBLE
BASE
MARK OF ROBERT GARRARD II, LONDON, CIRCA 1850
The sculptural fragment in the style of George Catlin’s scenes of
native American life, the realistically-modeled sculptural group
representing two hunters on horseback in pursuit of a buffalo, one
hunter with a bow and the other with a spear, all later mounted on
a green marble base, the base applied with an engraved plaque, each
fgure with maker’s mark, standard mark and duty mark, the horses each
marked on hoof, the buffalo marked on horn
The marble base 20 in. (50.8 cm.) long, the largest fgure 9 in. (22.9
cm.) high; 94 oz. (2,933 gr.) weighable silver
$5,000-8,000
The plaque mounted on base reads:
Solid silver sculpture depicting
a buffalo hunt Made by Robert
Garrard, Royal Silversmith,
London, C.1852, after a painting
by George Catlin renowned for
his Western American Subjects
American artist George Catlin (1796-1872) traveled extensively in the
American West in the 1830s, and was the frst artist to depict the Native
Americans of the region from his own experiences. His work was especially
popular in London after 1840, when an exhibition of his work opened
in the Egyptian Hall, Piccadilly. While there is no direct model for this
sculptural group in Catlin’s work, the fgures closely resemble the artist’s
style and refect the European interest in the “unspoiled” American West in
the mid-19th century.
These fgures relate to those on the Queen’s Cup, Ascot, 1861 (mark of
Robert Garrard II, London, 1848), the design attributed to Edmund Cotterill
(1795-1860). The cup sold in these Rooms, 19 May 2010, lot 123, and is
illustrated in The Glory of the Goldsmith: Magnifcent Gold and Silver from
the Al-Tajir Collection, 1989, illus. pp. 224-25.
61
 89
A VICTORIAN SILVER-GILT DINING TABLE GARNITURE
MARK OF HANCOCKS & CO., LONDON, 1872-1884
Comprising a pair of fve-light candelabra and a centerpiece, the candelabra on lobed base
applied with strapwork and hounds’ heads, the baluster stem with strapwork surmoutned
by stags and does, the four scroll branches and central light with strapwork-clad sockets and
gadrooned waxpans, with detachable nozzles, one base 1872, one base 1876, the nozzles 1883,
marked on each base, applied strapwork, sockets, nozzles and waxpans; the centerpiece, 1884, with
conforming base and baluster stem supporting two shell bowls with stag’s head between,
surmounted by a fgure of Diana with her hounds and attendant, the base engraved with a
crest, marked under base and shell, strapwork, textured ground, attendant and Diana’s bow; each base
also stamped HANCOCKS & CO.
The candelabra 24Ω in. (61.3 cm.) high; the centerpiece 27 in. (67.5 cm.) high; 602 oz.
(18,730 gr.) (3)

$40,000-60,000
ENGRAVED:
The candelabra engraved: Presented BY THE TENANTS OF THE POWIS CASTLE
ESTATES TO Mr. George Charles Herbert ON HIS MARRIAGE AUGUST 21 1890
George Charles Herbert, 4th Earl of Powis (1862-1952), succeeded his uncle in 1891. A year earlier he
married Violet Ida Evelyn Lane-Fox, daughter of Sackville Lane-Fox, 15th Baron Darcy de Knayth. Upon
his death Lord Powis bequeathed his family seat, Powis Castle near Welshpool, to the National Trust.

62
63
90
THE GOOD SHIP SAINT ANDREW: AN IMPORTANT GEORGE V
SILVER-GILT NEF
MARK OF OMAR RAMSDEN, LONDON, 1928
Modeled as a 15th-century three-masted merchant ship, the sides
chased with panels of fruit and foliage, with standing and running
rigging and set sails, with planked hull, chased with coats-of-arms
of Spain, Castile, Seville, Leon, Barcelona, Portugal, Oporto,
Lisbon, Genoa, Venice, Pisa, England, St. George, Bristol, Kent,
Plymouth, Devon, London, Whitby, Holland, Amsterdam and
Rotterdam, the sails chased with a fag of Persia, the port towns of
Bosreh, Mahammarah, Bagdad and Karachi, the coats-of-arms of
cities of London and Glasgow and Allan Glen’s School Club, the
bowsprit surmounted by the fgure of St. Andrew, supported on an
oblong walnut base, modeled as waves, with applied silver plaque
with presentation inscripition, fully marked and engraved on the side
‘OMAR RAMSDEN ME FECIT’, the underside of walnut base with
paper exhibition label.
25 in. (63.6 cm.) long; 173 oz. 10 dwt. (5,410 gr.) weighable silver
$100,000-150,000
PROVENANCE:
James Alexander Jameson, CBE (1885-1961)
EXHIBITED:
Walker Art Gallery, Liverpool
ENGRAVED:
I WAS WROUGHT FOR PRESENTATION TO JAMES A. JAMESON, C.B.E.
BY DESIRE OF THE STAFF OF THE ANGLO-PERSIAN OIL CO. LTD. IN
PERSIA AND IRAQ AS A TOKEN OF THE REGARD WITH WHICH HE WAS
HELD AND AS A MEMENTO OF HIS LONG AND DISTINGUISED SERVICE
IN PERSIA.
The paper label inscribed:
Walker Art Gallery, Liverpool
Title: “The Good Ship St. Andrew” on carved walnut base/Ship
hand wrought & chiselled silver-gilt./Exhibited by kind permission of
James A. Jameson Esq. C.B.E.
Artist: Omar Ramsden R.M.S.
To be returned to: Omar Ramsden R.M.S/St. Dunstan’s/Seymour
Place/London
64
Omar Ramsden (1873-1939), the most successful silversmith of the English
Arts & Crafts movement, created only three nefs in his prolifc 40-year
career. Considered the most important of his secular commissions, these
spectacular objects took their inspiration from silver ship models used in
medieval times as symbols of rank at the banqueting table.
Ramsden’s Workshop Books, now in the library of Goldsmiths’ Hall, indicate
that the frst nef was commissioned by Henry Ford in 1922, requiring over
1,100 hours of labor. Ramsden made the second nef for presentation by
British merchants to Sir Percy Cox, diplomat in the Middle East, in 1923.
Both these nefs survive and have been well published in recent years.
Ford’s nef sold Christie’s, New York, 27 October 1992, lot 157 and Cox’s
nef sold Christie’s, London, 20 April 2005, lot 36.
The last and ‘lost’ Ramsden nef, recently discovered, was commissioned
by the Anglo-Persian Oil Company (later British Petroleum) in 1928 and
presented to James A. Jameson, a valued employee of the frm, in 1929.
The nef appears in Ramsden’s Workshop book as Order 2862 priced at
£315-0-0. Ramsden completed additional orders for the Anglo-Persian Oil
Co. from 1927-32 including a miniature nef, two caskets, an “Argentine”
dish and a mazer which was sold to James Jameson.
The extraordinary workmanship of this nef was recognized at the time.
Silversmith Leslie Durbin had seen it during his apprenticeship to Ramsden,
writing that he was “staggered by the way in which the sails were chased-
they were really works of art in themselves.”
Glasgow-born James Alexander Jameson went to Persia in 1909, as an
assistant engineer for the Anglo-Persian Oil Company. He remained there
for eighteen years, becoming general manager of felds and refneries.
In 1927 he returned to London as general manager of the Anglo-Iranian
Production Department. He was awarded a CBE for his many contributions
to the feld of petroleum exploration and production; he was made an
Offcer of the Legion of Honour upon the opening of the Iraq pipeline in
1935 and became a director of the Anglo-Iranian Oil Company Limited
in 1939.
 PROPERTY OF A SOUTHERN GENTLEMAN
91
A GEORGE IV SILVER COFFEE POT
MARK OF EDWARD FARRELL, LONDON, 1829
After Teniers, gourd-form, on four lion’s-mask
and paw feet, the body decorated overall with
village scenes, the curved bird’s-mask spout with
foliate and mask join, the hinged and domed
cover with conforming decoration and border
of foliage, fowers and shells, the associated
fnial modeled as a Turkish fgure reclining on a
coffee plant, with wood scroll handle, the body
engraved underneath with a coat-of-arms and
the monogram R.H. AD 1829, marked under
base, cover, on fgure and nut, the calyx apparently
unmarked
9Ω in. (24.1 cm.) high; 38 oz. 10 dwt. (1,211
gr.) gross weight

$2,000-3,000
PROVENANCE:
Rowland Hunt (1784-1835) of Boreatton Park,
Shropshire
91
The arms are those of Hunt for Rowland Hunt (1784-
1835) of Boreatton, Shropshire. He married in 1823
Mary, daughter of Thomas Lloyd, of Shrewsbury,
Shropshire and Glangwnna, Caernarvonshire.

PROPERTY FROM THE ESTATE OF MARY GRIGGS BURKE

92
A REGENCY SILVER INKSTAND
MARK OF PAUL STORR, LONDON, 1812
Oblong, on four rosette and foliate feet, with scrolling foliate handles, the gadrooned border
with shells and foliage at intervals, ftted for three bottles, each with a cut-glass bottle with
silver mount and cover, the domed covers with shell fnials, marked on base, frame, mounts and
covers, the inkpot holders also marked 1, 2 and 3
13 in. (33 gr.) long over handles; 30 oz. (941 gr.) gross weight

$4,000-6,000
A similar silver inkstand by Paul Storr sold Christie’s, London, 29 November 2007, lot 529.

92

66
PROPERTY OF A DISTINGUISHED LADY
93
A PAIR OF GEORGE IV/WILLIAM IV SILVER FOUR-LIGHT CANDELABRA
ONE MARK OF PAUL STORR, 1835, ONE MARK OF ROBERT GARRARD II, LONDON, 1824
Each on shaped triangular base, the base, baluster-form stem and socket with fowers, foliage
and quilting, a central basket of fowers supporting three acanthus-clad branches and central
socket, with petal form drip pans and wax pans, marked on each base, branch bezel, socket, drip pan
and wax pan, one also stamped on base Garrards Panton Street London, the other also stamped on
base Storr & Mortimer
19 in. (47.5 cm.) high; 256 oz. (7,980 gr.) (2)

$60,000-90,000

67
 THE PROPERTY OF A LADY
94
A GEORGE IV SILVER SALVER
MARK OF WILLIAM ELEY II, LONDON, 1824
Circular, on four scroll feet, the pierced border with scrolls, shells and fowers on a matted
ground, the feld divided into ten segments and engraved with conforming decoration, the
center engraved with a coat-of-arms, marked on reverse
23º in. (59 cm.) diameter; 179 oz. (5,572 gr.)

$8,000-12,000

68
THE PROPERTY OF THE LATE 9TH MARQUESS OF LONDONDERRY
SOLD BY ORDER OF THE EXECUTORS
95
A GEORGE III SILVER-GILT TWO-HANDLED MONTEITH AND
GEORGE II LADLE
THE MONTEITH MARK OF PATRICK ROBINSON, EDINBURGH, 1782, BOTH
REDECORATED AND ADAPTED IN THE WORKSHOP OF EDWARD FARRELL,
LONDON, CIRCA 1820
Circular, on a circular foot, the foot chased with vines, scrolls and This massive monteith bowl is decorated in the distinctive historicist style of
foliage on a matted ground, the body with later applied decoration, Edward Farrell, silversmith, who worked under the direction of antiquarian
and retailer Kensington Lewis. Together they made a group of magnifcent
including Bacchanalian scenes with putti drinking, riding animals, silver-gilt objects for their profigate patron, Frederick, Duke of York,
and playing instruments, the cast scroll handles with female masks second son of George III. Indeed, this monteith relates to the example
and foliage, the rim attached with metal rivets, with scrolls, shells commissioned by the Duke of York, now in the Gilbert Collection at the
and lion’s masks at intervals, together with a silver-gilt punch ladle, Victoria & Albert Museum. The Duke of York also commissioned two
London, 1728, the bowl later chased with fowers, the handle with ewers, companions to the monteith, that were, like the present example,
re-fashioned by Farrell from earlier hallmarked examples (see A. Phillips and
fowers and foliage on a matted ground and terminating with cast J. Sloane, Antiquity Revisited: English and French Silver from the Collection
fgures of Venus and Cupid, marked under base, the ladle marked inside of Audrey Love, 1997, pp. 62-80; The ewers bear hallmarks for 1807 and
bowl were decorated by Farrell for the Duke of York in 1823).
11¡ in. (28.9 cm.) high, 21Ω in. (54.6 cm.) wide over handles;
222 oz. (6,914 gr.) (2)

$25,000-35,000
69
VARIOUS PROPERTIES
96
A GEORGE IV SILVER-GILT INKSTAND
MARK OF PHILIP RUNDELL, LONDON, 1822
Modeled as a rectangular plinth, the molded base with band of palm
leaves and hinged laurel handles, the detachable cover formed as a
Roman-style couch with sleeping cherub, the interior with three
compartments, two with rectangular covers with pod fnials and later
associated central circular cover, marked under base, on cover and interior
covers
5 in. (12.7 cm.) long; 24 oz. (754 gr.)

$8,000-12,000
An identical inkstand by John Bridge, London, 1825 sold Christie’s, London,
28 March 1973, lot 88.

Another example by Philip Rundell, London, 1821 was exhibited by Brand

Inglis Ltd. in A Loan Exhibition of Silver, Christie’s, London, July 5-15 1978.
The original design for this sculpture, the enfant dormi, was modelled in
several versions by the French sculptor François du Quesnoy in the 1640s.

William Beckford (1760-1844) by George Romney

© National Trust Images/John Hammond

70
97
A PAIR OF REGENCY SILVER-GILT
CANDLESTICKS FROM THE BECKFORD
PLATE
MARK OF BENJAMIN SMITH II AND BENJAMIN
SMITH III, LONDON, 1817
Each on a circular base, the border with
beading and stiff leaves on a matted ground,
the baluster-form stem and socket with
beading, gadrooning and stiff leaves, the
detachable nozzle circular with beaded
border, the stem and nozzle engraved with
the Beckford crest, each marked on base and
nozzle bezel
7 1/2 in. (19 cm.) high; 42 oz. 10 dwt.
(1,325 gr.)
$20,000-30,000
PROVENANCE: commissions and refect his lifelong passion
William Thomas Beckford (1760-1844) for neoclassicism. Beckford frst commissioned
Susan Euphemia Beckford, later Duchess of candlesticks of this model in 1781 and added
to the set at intervals until 1817, the year the
Hamilton, daughter
present pair was hallmarked. At least eighteen
William, 11th Duke of Hamilton and 8th of these candlesticks survive, although the total
Duke of Brandon, by descent to number in Beckford’s collection is unknown.
Angus Alan Douglas, 15th Duke of
Another pair of silver candlesticks of this
Hamilton and 12th Duke of Brandon, sold
design by John Scofeld of 1791 are now in the
Sotheby’s, London, 24 June 1980, lot 258
Beckford Collection, Brodick Castle, National
LITERATURE: Trust for Scotland. They are illustrated in Derek
E. Ostergard, ed., William Beckford 1760-1844:
Michael Snodin and Malcom Baker,
An Eye for the Magnifcent, 2001, p. 306.
“William Beckford’s Silver II,” The
Burlington Magazine, Vol. 122 No. 933 (Dec.
1980), p. 825
(2)
Based on designs by Robert Adam from the
1760s, these candlesticks formed part of a set
associated with William Beckford’s earliest silver
71
 98

PROPERTY OF A LADY
98
A GEORGE III SILVER SOUP TUREEN
MARK OF THOMAS ROBINS, LONDON, 1810
Oval, on four lion’s-mask and paw feet, the gadrooned rim with shells at intervals, the handles
with shells, scrolls, and foliate joins, the body applied on each side with a coat-of-arms within
a cartouche, the domed cover with conforming decoration and gadrooned, scroll and shell
handle, engraved on each side with two crests, the Sheffeld-plated liner with shell handles,
stamped no 2, marked under base and on cover bezel
15Ω in. (39.4 cm.) long over handles; 153 oz. (4,761 gr.) weighable silver

$7,000-10,000

PROPERTY OF A SOUTHERN GENTLEMAN

99
A PAIR OF GEORGE III SILVER ENTREE
DISHES AND COVERS
LONDON, 1804, MAKER’S MARK WB, PROBABLY
FOR WILLIAM BENNETT
Each oblong with gadrooned border, the
domed cover also with gadrooning and
leaf-capped reeded loop handle, the cover
engraved with a baron’s coat-of-arms, the
dish engraved on the side with a crest below
a baron’s coronet, marked on sides of dishes and
covers, the fnials apparently unmarked
10º in. (26 cm.) wide; 96 oz. (2,993 gr.) (2)

$2,500-3,500
PROVENANCE:
99
Christie’s, London, 20 January 2009, lot 584
The arms are those of FitzHerbert for Alleyne
FitzHerbert, 1st Baron St. Helens (1753-1839).

72
 100

PROPERTY FROM A FAMILY COLLECTION

100 101
A GEORGE III SILVER TEA TRAY A PAIR OF REGENCY SILVER ENTREE DISHES AND COVERS
MARK OF THOMAS HANNAM & JOHN CROUCH, LONDON, 1807 MARK OF WILLIAM BENNETT, LONDON, 1815

Shaped oval, on four shell and scroll feet, the border gadrooned
with shells, scrolls and vines at intervals, the conforming handles
with lion’s masks, the feld engraved with a coat-of-arms within a
cartouche, marked on reverse
26Ω in. (67.3 cm.) long over handles; 141 oz. 10 dwt. (4,415 gr.)
$5,000-8,000
Each oblong, with gadrooning on body and rim, the gadrooned
bands on covers with shells and scrolls at corners, the detachable
foliate and scroll handle with bayonet mount, the cover engraved
on one side with a coat-of-arms and a crest and motto on the other,
marked under bases, covers and handles, also stamped with inventory numbers
3 and 4
12º in. (31 cm.) long; 122 oz. (3,808 gr.) (2)

$3,000-5,000

101

73
 THE ESTATE OF BETTY BARTON EVANS
102
A GEORGE III SILVER COFFEE POT, SALVER AND
TWO SUGAR BASKETS
MARK OF HESTER BATEMAN, LONDON, 1783, 1791,
1786 AND 1787
The coffee pot baluster form, with beaded
borders, urn fnial, and wood handle, the body
engraved with a crest and motto; the circular
salver with beaded border, the feld with vacant
circular cartouche; both sugar baskets oval, with
serpentine rim, with pierced and bright-cut sides,
one engraved with a crest, one with blue glass
liner, marked on body, cover, reverse of salver and
102 under bases of baskets
The coffee pot 12Ω in. (31.2 cm.) high; the
salver 13Ω in. (33.8 cm.) diameter; the baskets 6
in. (15 cm.) long; 79 oz. (2,457 gr.) (4)

$5,000-8,000

PROPERTY OF A SOUTHERN GENTLEMAN

103
A GEORGE III SILVER TEAPOT
MARK OF RICHARD GARDNER, LONDON, 1775
Drum form, with an angular spout and carved
wood handle, the fat cover with silver-mounted
wood baluster fnial, the body engraved on one
side with a coat-of-arms and a crest on the other,
the cover engraved with the word BOHEA,
103 marked under base and on cover bezel
9 in. (22.9 cm.) long over handle; 15 oz. 10 dwt.
(482 gr.) gross weight

$2,000-3,000
The arms are those of Henry Frederick Stephenson
(1790-1858), illegitimate son of Charles Howard,
11th Duke of Norfolk

PROPERTY OF A FLORIDA GENTLEMAN

104
A GEORGE IV SILVER TROPHY CUP
MARK OF WILLIAM BATEMAN, LONDON, 1821
Baluster form, on a circular foot, the foot chased
with stiff leaves on a matted ground, the lower
body chased with acanthus, the upper body with
band of vines and grapes on a matted ground,
with angular handles, marked on body
11 in. (27.9 cm.) high over handles; 48 oz. 10
dwt. (1,518 gr.)

$5,000-8,000

104

74
 105
ANOTHER PROPERTY
105
A GEORGE III SILVER TEA AND COFFEE SERVICE
MARK OF PETER AND ANN BATEMAN, LONDON, 1795
Comprising a coffee jug and stand, teapot and stand, cream jug,
sugar bowl, waste bowl and salver; each in the neo-classical style, the
coffee jug, cream jug and bowls of vase form, each on a circular foot,
the teapot oval, the stands and salver circular, each engraved with
stylized reeding, futing and garland borders, also later engraved with
monogram IEG, the handles and wooden insulators on coffee jug and
teapot are replaced, the covers with ball fnials, marked under bases, the
replaced handles with mark of John Edward Terrey, London
The salver 14 in. (35.5 cm.) diameter, the hot water jug 13 in. (33
cm.) high; 119 oz. 10 dwt. (3,731 gr.) gross weight (8)
$8,000-12,000
106
THE ESTATE OF BETTY BARTON EVANS
106
A GROUP OF GEORGE III SILVER ITEMS
MARK OF HESTER BATEMAN, LONDON, 1774-1789
Comprising four salt cellars, each pierced oval, with cobalt blue glass
liner; the sauce boat oval on three pad feet, with scroll handle; an
urn form cream jug, engraved with crest; an urn form sugar basket
and tongs, with beaded borders, the tongs lacking date letter; a waiter,
circular with beaded border, on three ball-and-claw feet, with bright-
cut decoration; four egg cups of urn form with pierced bright-cut
decoration; a jockey-cap form caddy spoon, circa 1785; a shell-form
caddy spoon, 1788; a nutmeg grater, circa 1780, engraved with a crest,
marked with maker’s mark only; an apple corer, circa 1785; a travelling
fask, 1785, circular with cylindrical cap, 1785; a patch box, 1788,
navette form, each marked on body or base
The sauce boat 6º in. (15.6 cm.) long; 40 oz. 10 dwt (1,267 gr.) (19)
$4,000-6,000
75
 107
THE PROPERTY OF A LADY
107
A GEORGE III SILVER SOUP TUREEN
MARK OF JOHN WAKELIN AND WILLIAM TAYLOR, LONDON, 1782
Vase form on a pedestal foot, with reeded handles and border, the
body engraved below reeded border with decorative neoclassical
band, also engraved on each side with a crest within a neoclassical
cartouche, the cover with conforming engraved decoration and a
vase-form fnial, marked under base and under cover, also engraved under
base with inventory no. 2 and scratch weight 73 4, inside body with inventory
no. 2 and twice under cover with inventory no. 2
15Ω in. (39.4 cm.) long over handles; 68 oz. 10 dwt. (2,130 gr.)
$5,000-8,000
108
76
PROPERTY FROM THE WESTERVELT COMPANY
•108
A SET OF FOUR GEORGE III SILVER SAUCE TUREENS
MARK OF ROBERT MAKEPEACE AND RICHARD CARTER, LONDON, 1777
Each of oval form with reeded rims and bright-cut foliate border and
urn fnial, together with two pairs of American silver sauce ladles
variously engraved, the tureens marked under bases and on cover bezels
9º in. (23.5 cm.) long over handles; 69 oz. 10 dwt. (2,173 gr.) (4)
$4,000-6,000
PROVENANCE:
Sotheby’s, New York, 23 June 1994, lot 170
THE PROPERTY OF A LADY
109
A SET OF FOUR GEORGE III SILVER CANDLESTICKS IN THE FRENCH
TASTE
PROBABLY LONDON, LATE 18TH CENTURY; THE NOZZLES MARK OF ROBERT
GARRARD II, LONDON, 1845
In Louis XVI taste, each on shaped circular base, with egg-and-dart
and reeded ribbon-tied borders and gadrooned band, the knopped
stem with bell fower swags and ram’s heads corners, the socket with
leaf calyx and ovolo border, the circular wax pans with ovolo border,
engraved under bases No. 1 37=12, No. 2 36=6, No. 3 37=2, No. 4
37=15, marked on each nozzle, the candlesticks apparently unmarked
11Ω in. (28.8 cm.) high; 150 oz. (4,665 gr.) (4)
$25,000-35,000
These candlesticks are likely cast from 18th-century French models. Robert
Garrard’s predecessors, Parker and Wakelin, made numerous copies
of French neoclassical silver in the late 18th century. For example, the
2nd Earl Harcourt commissioned many pieces of silver following French
examples in his family collection; Parker and Wakelin contributed a set of
four dish covers in 1768, one of which was unmarked, and a pair of ice
pails of 1777 (marked by Wakelin and Taylor), both in Louis XVI taste (see
The Harcourt Collection, Sotheby’s, London, 10 June 1993, lots 66-68).
Additionally, the scratchweights on the present lot resemble those found
on Parker and Wakelin’s output. Later, Robert Garrard himself made objects
in French historical styles; see a set of four candlesticks in the French
Régence taste of 1846, sold Christie’s, New York, 18 October 1989, lot
26, and another set of four, 1851-56, sold Sotheby’s, New York, 16-17
December 1982, lot 519.
77
 PROPERTY FROM A PENNSYLVANIA COLLECTION
110
A GEORGE II SILVER SALVER
MARK OF THOMAS HEMING, LONDON, 1746
Shaped circular, on four claw and ball feet, the feld fat
chased with scrolls, shells, and fowers, the center with
coat-of-arms within a cartouche, the cast border with
shells, vines and foliage, marked on reverse, also with scratch
weight 85=1
20 in. (50.8 cm.) diameter; 84 oz. (2,612 gr.)

$5,000-7,000

PROPERTY OF A SOUTHERN GENTLEMAN

110
THE PROPERTY OF A GENTLEMAN
111
A PAIR OF GEORGE II SILVER CANDLESTICKS
MARK OF WILLIAM CAFE, LONDON, 1757
Each with a shaped square molded base with scroll and shell corners,
with knopped stem and spool-shaped socket, with a conforming
detachable nozzle, the base engraved with a crest, marked under bases,
on sockets and underneath one nozzle, the other nozzle apparently unmarked
10 in. (25.4 cm.) high; 41 oz. 10 dwt. (1,290 gr.)
112
A GEORGE III SILVER COFFEE POT
LONDON, 1774, MAKER’S MARK EC (GRIMWADE NO. 3538)
Baluster form, on a gadrooned circular foot, the body
chased with fowers, foliage, shells and scrolls, the domed
cover with conforming decoration and a pinecone fnial,
with raffa-clad handle, the body engraved with a coat-
of-arms on one side and a crest on the other, marked
under base and on cover bezel
11 in. (27.9 cm.) high; 23 oz. (721 gr.) gross weight
$1,500-2,500
(2)

$3,000-5,000

111
112

78
PROPERTY FROM A PENNSYLVANIA COLLECTION
113
A FINE PAIR OF GEORGE III SILVER WINE COOLERS
MARK OF JOHN WAKELIN AND WILLIAM TAYLOR, LONDON, 1786
Each cylindrical, with futed lower body, gadrooned rim, with lion’s-mask ring handles, each
engraved with a crest beneath an earl’s coronet, each marked under base, also marked No. 3 34=3
and No. 4 35=2
6æ in. (17.2 cm.) high; 68 oz. 10 dwt. (2,145 gr.) (2)

$25,000-35,000
PROVENANCE:
The Downshire Heirlooms, The Property of The Most Hon. The Marquess of Downshire,
sold Christie’s, London, 14 March 1945, lot 92 (set of 4)
The matching pair of wine coolers from the original set of four sold in these Rooms, 17 May 2011,
lot 175.

79
 114
PROPERTY FROM A CONNECTICUT PRIVATE COLLECTION
114
A SET OF FOUR GEORGE II SILVER CANDLESTICKS
MARK OF JOHN CAFE, LONDON, 1755
Each with shaped square base with scroll and shell corners, with
knopped stem and a spool-shaped socket, with conforming
detachable nozzle, the bases and nozzles engraved with a crest, marked
under bases and on sockets, the nozzles apparently unmarked
9æ in. (24.7 cm.) high; 79 oz. 10 dwt. (2,475 gr.) (4)
$7,000-10,000
115
80
ANOTHER PROPERTY
115
A GEORGE II SILVER CRUET AND A REGENCY SILVER INKSTAND
THE CRUET MARK OF SAMUEL WOOD, LONDON, 1755, THE INKSTAND
MARK OF SOLOMON HOUGHAM, LONDON, 1813
The cruet on four scroll and shell feet, the scroll handle surmounted
by female mask, the opposite side with applied vacant cartouche,
the two cut-glass bottles with silver-mounted covers and scroll
handles; the inkstand shaped oblong, on four scroll and acanthus
feet, the gadrooned rim with acanthus and shells at intervals, set with
two cut-glass bottles with silver mounts, the center with mounted
chamberstick, engraved with a coat-of-arms, the chamberstick
engraved with a crest, the cruet marked under base, the bottle mounts
apparently unmarked, the inkstand marked under base, central pot holders,
covers and chamberstick
The cruet 6æ in. (17.1 cm.) long, the inkstand 12Ω in. (31.7 cm.)
long; 51 oz. (1.592 gr.) weighable silver (2)
$3,000-5,000
 116

PROPERTY FROM A FLORIDA COLLECTION

116
A PAIR OF GEORGE II SILVER SAUCEBOATS
MARK OF BENJAMIN GODFREY, LONDON, 1740
Each oval on a shaped oval foot, the double-scroll handle with
acanthus thumbpiece, the body with scrolls, shells and fowers on
a matted ground, the foot with conforming decoration, the body
engraved with a coat-of-arms on one side and a heraldic badge on
the other, marked under foot, also engraved under foot with scratch weights
14”16 and 14”4
7æ in. (19.7 cm.) long; 27 oz. 10 dwt. (866 gr.) (2)

$8,000-12,000
The arms are those of Spring (Cockfeld, Suffolk).

PROPERTY FROM THE ESTATE OF LUCIA E. UIHLEIN, LAKE BLUFF,

ILLINOIS
•117
A GROUP OF GEORGE III IRISH AND SCOTTISH SILVER TEA AND
COFFEE WARES
THE COFFEE POT, DUBLIN, CIRCA 1790 MARK OF I.W; THE CREAM JUG
DUBLIN, CIRCA 1740; THE SUGAR BOWL DUBLIN, CIRCA 1750; THE SUGAR
BOWL MARK OF PATRICK ROBERTSON, EDINBURGH, 1786
The coffee pot baluster form with wood handle, the body engraved
with a coat-of-arms; the cream jug, mark of M?, helmet-form on three
tab feet, the futed sugar bowl circular on three shell and tab feet,
engraved with a crest; the vase-form Scottish sugar bowl with bright-
cut decoration and engraved with a crest, the coffee pot marked on neck
and cover bezel, the cream jug marked on body, the Irish sugar bowl marked
under base, the Scottish sugar bowl marked on foot
The coffee pot 12º in. (31.1 cm.) high; 49 oz. 10 dwt. (1,549 gr.)
gross weight (4)

$4,000-6,000

117 (part)

81
 •118
A SCOTTISH GEORGE IV SILVER TABLE SERVICE
MARK OF JAMES MCKAY, EDINBURGH, 1823
Fiddle and shell patttern, engraved with crest and motto, comprising:
Twelve table spoons
Twelve dessert spoons
Eight teaspoons
Two sauce ladles
Twelve table forks
Twelve dessert forks
Twelve table knives, with second crest, stainless steel blades, mark WA
Twelve dessert knives, with second crest, stainless steel blades, mark
WA
108 oz. 10 dwt. (3,377 gr.) weighable silver (82)

$3,000-5,000
118

•119
A GEORGE II SCOTTISH SILVER WARWICK CRUET AND A SET OF
FOUR SILVER SALT CELLARS
THE CRUET MARK OF LOTHIAN & ROBERTSON, EDINBURGH, 1758; THE
SALT CELLARS TWO MARK OF KER & DEMSTER, TWO WILLIAM DEMSTER,
EDINBURGH, 1756/66
The cruet cinquefoil, on four scroll and shell legs, with central handle
and scroll handle, the applied cartouche engraved with a coat-of-
arms, the attached frame ftted with fve cut-glass bottles, each with
detachable silver cover, two covers pierced, one with false piercing,
the two circular covers each engraved with a crest and motto; the salts
each circular, on four scroll and pad feet, with putto mask joins, the
rim scalloped, the body engraved with a crest, the cruet and salts marked
under bases, the bottle covers apparently unmarked
The cruet 10 in. (25.4 cm.) high, the salts 2Ω in. (6.3 cm.) diameter;
43 oz. 10 dwt. (1,354 gr.) weighable silver (5)

$2,500-3,500

119

82
 120

•120
A PAIR OF GEORGE III SCOTTISH SILVER SAUCE BOATS
MARK OF ROBERT GORDON, EDINBURGH, 1762
Each ovoid, on an oval foot, the foot and rim gadrooned, the double
scroll handle with acanthus thumbpiece, the body engraved with a
coat-of-arms, marked under foot
8º in. (21 cm.) long; 19 oz. (595 gr.) (2)
$2,500-3,500
PROVENANCE:
Sotheby’s, London, 31 March 1966, lot 126
121
A PAIR OF GEORGE II AND A PAIR OF GEORGE III SCOTTISH SILVER
CHAMBERSTICKS
THE FIRST MARK OF JOHN KINCAID, EDINBURGH, 1746; THE SECOND MARK
OF PATRICK ROBERTSON, EDINBURGH, 1789
Each of typical form, the frst pair with circular bases, spool-form
sockets, and detachable circular nozzles, with scroll handles, the
bases engraved with a cypher monogram and an earl’s coronet;
the second pair with circular bases, vase-form sockets, detachable
circular nozzles, conical snuffers and wick trimmers, the bases and
thumbpieces with bright-cut engraved decoration, the bases, snuffers
and wick trimmers engraved with a crest, marked under bases, the
nozzles and snuffers apparently unmarked, the wick trimmers marked inside
with mark of George McHattie, Edinburgh, 1811
The larger 6º in. (15.8 cm.) long over handle; 40 oz. (1,258 gr.) (4)

$4,000-6,000

121

83
 122

•122
A GEORGE I/II SCOTTISH SILVER TEAPOT AND SUGAR BOWL
THE TEAPOT MARK OF JOHAN GOTLIEFF-BILSINDS, GLASGOW, CIRCA 1725;
THE BOWL MARK OF ROBERT LUKE, GLASGOW, CIRCA 1730
The apple-form teapot with carved wooden handle, the hinged cover
with baluster form fnial, engraved with a crest, the circular bowl on
four bifurcated scroll feet with putti mask joins, the upper body with
masks and shells at intervals, with crenelated rim, marked under bases
The teapot 5æ in. (14.6 cm.) high, the bowl 4¬ in. (11.7 cm.)
diameter; 20 oz. 10 dwt. (648 gr.) gross weight (2)

$1,500-2,500
PROVENANCE:
The sugar bowl, Christie’s, London, 12 April 1967, lot 44

123

84
•123
A GEORGE II SCOTTISH SILVER WARWICK
CRUET AND A SET OF FOUR GEORGE III SILVER
SALT CELLARS
THE CRUET MARK OF EDWARD LOTHIAN,
EDINBURGH, 1748; THE SALT CELLARS MARK OF KER
& DEMPSTER, EDINBURGH, 1763
The cruet cinquefoil, on four scroll and shell
legs, with central handle, the applied cartouche
engraved with a coat-of-arms, the handle and
three casters engraved with a crest and motto,
the attached frame ftted with two silver casters
and three cut-glass bottles, one cut-glass bottle
with associated pierced silver cover; the salts each
circular, on three tab feet, the rim scalloped, the
body engraved with a crest and motto, the cruet
marked on base, the silver casters marked under bases,
124
the associated bottle cover marked on bezel for Hester
Bateman, London, the salts marked underneath
Th cruet 9Ω in. (24.1 cm.) high; the salts 2¡
in. (6 cm.) diameter; 74 oz. 10 dwt. (2,322 gr.)
weighable silver (5)

$2,500-3,500
PROVENANCE:
The cruet, Sotheby’s, London, 26 August 1972,
lot 78

124
A PAIR OF GEORGE II SCOTTISH SILVER
CANDLESTICKS
MARK OF JAMES KER, EDINBURGH, 1735
Each on a circular base, with baluster-form stem
and spool-form socket, the base engraved with a
crest, motto and coronet, marked under bases
8Ω in. (21.6 cm.) high; 31 oz. (977 gr.) (2)

$4,000-6,000
The crest and motto are those of Hamilton of
Broomhill.

•125
A GEORGE II SCOTTISH SILVER BEER JUG
MARK OF JAMES KER, EDINBURGH, 1729
Of baluster form on a circular foot, with double-
scroll handle, marked under base
10 in. (25.4 cm.) high; 31 oz. 10 dwt. (990 gr.)

$3,000-5,000
125

85

•126
A GROUP OF SCOTTISH AND ENGLISH SILVER OBJECTS
VARIOUS MAKERS AND DATES
Comprising: a Scottish silver teapot, mark of James Mitchellsone,
Edinburgh, 1722, engraved under base with the initial E; a Scottish
silver sugar bowl, mark of William Ayoun, Edinburgh, 1731, engraved
with a crest and motto; a larger Scottish silver bowl, mark of J. McKay,
Edinburgh, 1844,engraved with a coat-of-arms; and a George II silver
tea caddy, Newcastle, maker’s mark CC, circa 1721, each marked under
base
The larger bowl 6æ in. (17.1 cm.) diameter; 46 oz. 10 dwt. (1,459
gr.) gross weight
$2,500-3,500
127
86
126 (part)
127
AN ASSEMBLED GEORGE II SCOTTISH
SILVER TEA SERVICE AND SALVER
THE KETTLE MARK OF JOHN MAIN,
EDINBURGH, 1731; THE SUGAR BOWL
AND CREAM JUG MARK OF ROBERT HOPE,
EDINBURGH, 1743; THE SALVER MARK OF
WILLIAM AYTOUN, EDINBURGH, 1744
The kettle-on-stand bullet form, on
three scroll and hoof feet, with central
hanging burner; the sugar bowl circular,
on a circular foot, the cream jug ovoid
(4) on three scroll and paw feet, each with
shaped border engraved with shells,
scrolls and fowers, also engraved on
bodies with a crest and motto; the salver
circular, on four tab feet, the border
with shells and scrolls, the feld engraved
with a later coat-of-arms, also engraved
under base with scratch weight 34=6,
each marked
The salver 13 in. (33 cm.) diameter, the
kettle 13Ω in. (34.3 cm.) high; 100 oz.
(3,111 gr.) (4)
$4,000-6,000
•128
A PAIR OF GEORGE I SCOTTISH SILVER
MUGS
MARK OF ARCHIBALD URE, EDINBURGH, 1718
Each circular, with molded base and scroll
handle, the body engraved with monograms
W.R./A.F., marked under bases, with scratch
weights 6 10
3¿ in. (7.9 cm.) high; 12 oz. 10 dwt.
(397 gr.) (2)

$2,000-3,000
PROVENANCE:
Christie’s, London, 22 June 1960, lot 100
S.J. Shrubsole, New York
128

•129
A PAIR OF QUEEN ANNE SCOTTISH SILVER
CASTERS
MARK OF COLIN MCKENZIE, EDINBURGH, 1708
The tapering cylindrical casters with slip-
on covers and acorn fnials, marked under
bases, together with a baluster-form caster,
mark of James Tait, Edinburgh, 1712; a pair of
silver beakers, mark of W. & P. Cunningham,
Edinburgh, 1802; and a silver muffneer, mark
of Daniel Ker, Edinburgh, 1771, marked on
bases
The largest caster 7Ω in. (19 cm.) high; 40
oz. 10 dwt. (1,261 gr.) (6)

$3,500-4,500
PROVENANCE:
The McKenzie casters, Sotheby’s London,
24 February 1966, lot 36

129 (part)

87
 130
131

•130 •131
A NEAR PAIR OF GEORGE I SCOTTISH SILVER TAZZE A GEORGE I SCOTTISH SILVER BOWL
MARK OF JOHN SEATOUN, EDINBURGH, 1712/1717 MARK OF COLIN CAMPBELL, EDINBURGH, 1718
Each circular, on a domed circular foot, the frst engraved on reverse Circular, on a circular foot, the body engraved with a coat-of-arms,
with the initial A, also with scratch weight 8-13 under foot, the marked under base
second engraved underneath with monogram C/AM, marked on felds 7Ω in. (19 cm.) diameter; 20 oz. 10 dwt. (640 gr.)
The larger 6Ω in. (16.5 cm.) diameter; 17 oz. (532 gr.) (2)
$2,000-3,000
$2,000-3,000
PROVENANCE:
Sotheby’s London, July 1968, lot 159

133
132

•132 •133
A WILLIAM AND MARY SCOTTISH SILVER TUMBLER CUP AND A A PAIR OF QUEEN ANNE SCOTTISH SILVER THISTLE CUPS
QUEEN ANNE SCOTTISH SILVER TUMBLER CUP MARK OF COLIN MCKENZIE, EDINBURGH, 1701
THE FIRST MARK OF ANDREW LAW II, EDINBURGH, 1696, THE SECOND
MARK OF COLIN MCKENZIE, EDINBURGH, 1705
Each of typical form, with scroll handle, engraved under base with
monogram IL/EH, marked under bases
Each of typical form, the frst engraved with monogram B/BM, the 3º in. (8.2 cm.) high; 11 oz. (350 gr.) (2)
second engraved with a crest and scratch weight 3=15, marked under
bases $3,000-5,000
Each 2º in. (5.7 cm.) high; 6 oz. (201 gr.) (2)
PROVENANCE:

$2,000-3,000 Sotheby’s, Gleneagles, 28 August 1975

88
PROPERTY OF A GENTLEMAN
134
A GEORGE II SILVER BRAZIER AND A RUSSIAN SILVER WARMING
PAN ENSUITE
THE BRAZIER MARK OF JOHN HUGH LE SAGE, LONDON, 1746; THE PAN
MARK OF ND, PROBABLY FOR NIKOLAY DOHM, ST. PETERSBURG, CIRCA
1746
Of inverted bell form, the lower body pierced with lozenges and
ovals, with removable central three-wick burner and cover, the body
supported on three scroll legs with wooden ball feet, with hinged
dish supports above, the scroll handles with turned wooden grips, the
body engraved with Royal arms within the Garter motto, together
with a silver covered dish, circular with turned wooden handle, the
cover with hinged handle with turned wooden grip, the dish and
cover engraved with a crest and Earl’s coronet, the brazier marked
underneath and under burner, the dish marked on body and cover bezel
10º in. (26 cm.) diameter; 121 oz. 10 dwt. (3,779 gr.) gross weight(2)

$6,000-9,000
The crest is that of John Carmichael, 3rd Earl of Hyndford (1701-1767).
A noted diplomat, Lord Hyndford served as ambassador to Prussia from
1741-42, to Russia from 1744-49, and to Vienna from 1752-64. He likely
acquired the present Russian warming pan, which bears the maker’s mark
of St. Petersburg silversmith Nikolay Dohm, during his time in the city.
Dohm was regarded as the leading Russian silversmith at the time, and John Carmichael, 3rd Earl of Hyndford (1701-1767)
worked extensively for the Imperial Court. The British Royal arms engraved by Jonathan Richardson the elder, 1726
on the brazier attest to its belonging to an ambassadorial issue of plate. Scottish National Portrait Gallery

89
 THE PROPERTY OF A GENTLEMAN
135
A GEORGE I SILVER TEAPOT ON STAND
THE TEAPOT MARK OF RICHARD BAYLEY, LONDON, 1719; THE STAND MARK
OF LEWIS METTAYER, LONDON, 1723
Octagonal, the teapot with hinged domed cover with baluster fnial,
wood scroll handle and faceted spout, the conforming stand with
central circular burner below octagonal teapot mount, supported by
three cast double-scroll feet, the burner with hinged wick cover, the
teapot marked under base and on cover bezel, the stand marked under burner
and under burner cover
8Ω in. (21.6 cm.) high; 29 oz. (905 gr.) gross weight

$3,000-5,000

135

ANOTHER PROPERTY
136
A QUEEN ANNE SILVER CHOCOLATE POT
MARK OF JOHN BODINGTON, LONDON, 1705
Tapering cylindrical, with applied mid band, with hinged spout and
wood side handle, the hinged domed cover with removable cap, the
base engraved ER/MM and with scratch weight 20=15, marked on
body and cover
10º in. (25.6 cm.) high; 23 oz. (719 gr.) gross weight

$5,000-8,000

136

90
THE PROPERTY OF A CONNECTICUT FAMILY
137
A SET OF FOUR WILLIAM AND MARY SILVER CANDLESTICKS
LONDON, CIRCA 1690, MAKER’S MARK IL CORONET ABOVE
(JACKSON,1989, P. 135, LINE 19)
Each on stepped octagonal base with gadrooned band, the baluster PROVENANCE:

stem with gadrooned knops, terminating in spool-shaped socket, each
marked under base and struck four times with maker’s mark only
7º in. (18.4 cm.) high; 78 oz. (2, 434 gr.) gross weight (4)
$15,000-25,000
With J.H. Bourdon-Smith, London, 1966
A similar pair of candlesticks by the same maker, also marked under base
with maker’s mark only, sold Mount Congreve: The London sale, Christie’s,
London, 23 May 2013, lot 54.

91
 PROPERTY OF A SOUTHERN GENTLEMAN
138
A JAMES I SILVER-GILT STEEPLE CUP
LONDON, 1616, MAKER’S MARK TC WITH A CINQUEFOIL BELOW
The faring circular foot decorated with band of gadrooning below
a rim of stylized guilloche, rising to a knopped baluster stem applied
with three scroll brackets, the foot, body and cover chased with shells,
foliage and strapwork, the detachable domed cover with steeple raised
on four scroll brackets, supporting a fnial formed as warrior with
spear and shield on four scroll brackets, marked on body and cover
18æ in. (47.6 cm.) high; 23 oz. (729 gr.)

$30,000-50,000
In his comprehensive survey of steeple cups, published in 1959-60 in the
magazine Apollo, Norman Penzer recorded 148 examples of this distinctly
English form dating from 1599 to 1646. While the present example is
apparently unrecorded, its form and decoration closely resemble the
so-called Richard Chester covered cup (mark of Thomas Flynt, London,
1625). Now in the collection of the Victoria & Albert Museum (V&A:
M.244-1924), the Chester cup is illustrated in Olga Dmitrieva and Tessa
Murdoch, eds., Treasures of the Royal Courts: Tudors, Stuarts & the Russian
Tsars, 2013, p. 100, illus. 118. Another steeple cup of similar form, also
marked London, 1616 and with maker’s mark T.C. between pellets, sold
Sotheby’s, London, 12 November 1946, lot 166. Three additional examples
with the same maker’s mark are recorded in Jackson, 3rd ed., p. 107,
line 14. It seems likely that the mark on the present lot, TC in a cinquefoil
below, is a variation of the mark T.C. between pellets, a known maker of
steeple cups.

92
 Index

A F L T
Aguilar, Hector, 16A Farrell, Edward, 91 Lapparra, 72 TC with a Cinquefoil
Aitkin, John, 67 G Le Sage, John Hugh, 134 below, 138
B Gardner, Richard, 103 Lothian & Robertson, 119 Tiffany & Co., 41, 42, 44,
Bateman, Hester, 102, 106 Garrard, Robert II, 88, 109 Lothian, Edward, 123 45, 47, 48, 49, 50, 51, 53, 54,
Bateman, Peter & Ann, 105 Godfrey, Benjamin, 116 M 59, 60, 61, 62, 63, 64
Bateman,William, 104 Goldsmiths & Silversmiths Main, John, 127 U
Bayley, Richard, 135 Co. Ltd., 83 Makepeace, Robert and Ure, Archibald, 128
Bennett,William, 97, 100 Gordon, Robert, 120 Richard Carter, 108 V
Bierfreund, Sigmund, 80 Gorham Mfg. Co., 55, 56, McKay, James, 118 Van den Goorberg,Willem,
Bodington, John, 136 57, 58 McKenzie, Colin, 129, 132, 74
Boin-Taburet, 71 Gotlieff-Bilsinds, Johan, 133 W
Braganti Antonio, 17, 18 122 O Wakelin & Taylor, 113
Buccellati, 19, 20, 21, 22, Graff,Washbourne and Odiot, 70 Winter, Christian, 81
23, 24, 25, 26, 27, 28, 29, 30, Dunn, 52 P Wood, Samuel, 115
31, 32 H Puiforcat, Jean E., 15
C Hancocks & Co., 89 R
Cafe, John, 114 Hannam & Crouch, 101 Ramsden, Omar, 90
Cafe,William, 111 Heming,Thomas, 110 Revere, Paul Jr., 66, 68, 69
Campbell, Colin, 131 Hermès, 14 Robins,Thomas, 99
Carrington, J. B., 85 Hunt & Roskell, 87 Robinson, Patrick, 95
Cartier, 43, 46 I Rundell, Philip, 96
Coney, John, 65 IL with Coronet Above, S
Crichton, Lionel Alfred, 84 137 San Lorenzo, 16
D J Seatoun, John, 130
Dartois, Jean-Melchior, 75 Jensen, Georg, 1, 2, 3, 4, 5, Smith & Nicholson, 86
Ducrollay, Jean, 39 6, 7, 8, 9, 10, 11, 12, 13 Smith, Benjamin II & III,
E K 98
Eley,William II, 94 Ker, James, 124, 125 Smith, Benjamin III, 86A
Ewerth, Jos. Ferdinand, 76 Kinkaid, John, 121 Storr, Paul, 92
Storr, Paul; Robert Garrard
II, 93

94
Silver, Ceramics, Portrait Miniatures and Gold Boxes

Silver European Ceramics Miniatures &

& Glass Gold Boxes

INTERNATIONAL CONSULTANT INTERNATIONAL HEAD OF DEPARTMENT INTERNATIONAL CONSULTANT

Anthony Phillips Jody Wilkie Anthony Phillips
Tel: +44 (0)20 7389 2663 Tel: +1 212 636 2215 Tel: +44 (0)20 7389 2663

INTERNATIONAL HEADS OF DEPARTMENT LONDON (KING STREET) LONDON (KING STREET)

Jeanne Sloane
Harry Williams-Bulkeley
LONDON (KING STREET)
Harry Williams-Bulkeley
(Head of Department)
Kate Flitcroft
Isabelle Cartier-Stone (Consultant)
Herman Meulendijks (Consultant)
Tel: +44 (0)20 7389 2666
Moshe Brown (International Consultant
Judaica)
Tel: +31(0)20 643 0249
LONDON (SOUTH KENSINGTON)
Michael Prevezer (Head of Department)
Kate McKenzie
Tel: +44 (0)20 7752 3262
NEW YORK
Jeanne Sloane (Deputy Chairman)
Jennifer Pitman (Head of Department)
Adam Brandow
Tel: +1 212 636 2250
PARIS
Marine de Cenival
Tel: +33 (0)1 40 76 86 24
Rodney Woolley (Head of Department)
Dominic Simpson (Head of Single-owner
Collection Sales)
Louise Phelps (Head of Sale)
Louise Newman (Consultant)
Anton Gabszewicz (Consultant)
Tel: + 44 (0)20 7752 3026
LONDON (SOUTH KENSINGTON)
Emma Rainbird
Mary O’Connell
Tel: +44 (0)20 7752 3244
NEW YORK
Jody Wilkie (Head of Department)
Melissa J. Bennie (Senior Specialist)
Carleigh Queenth
Becky MacGuire (Chinese Export Art)
Tel: +1 212 636 2215
PARIS
Hervé de La Verrie (Head of Department)
Béatrice Halotier
Tel: +33 (0) 1 40 76 86 02
Jo Langston (Head of Department)
Tel: +44 (0)20 7389 2347
Alexandra Muir (Consultant)
LONDON DIRECTOR
Robert Jenrick
Tel: +44 (0)20 7389 2966
NEW YORK DIRECTOR
Stefan Kist (Silver and Ceramics)
Tel: +1 212 636 2250
BUSINESS MANAGERS
LONDON (Interior Sales)
Claudia Dilley
Tel: +44 (0)20 7752 3112
FRANCE
Virginie Aubert (Silver and Ceramics)
Tel: +33 (0)1 40 76 85 93
15/04/14

95
 Important Notices and Explanation of
Cataloguing Practice
IMPORTANT NOTICES
CHRISTIE’S INTEREST IN PROPERTY
CONSIGNED FOR AUCTION
From time to time, Christie’s may offer a lot
which it owns in whole or in part. Such property is
identified in the catalogue with the symbol ∆ next
to its lot number.
On occasion, Christie’s has a direct financial
interest in lots consigned for sale, which may
include guaranteeing a minimum price or making
an advance to the consignor that is secured solely
by consigned property. Such property is identified
in the catalogue with the symbol º next to the lot
number. This symbol will be used both in cases
where Christie’s holds the financial interest on its
own, and in cases where Christie’s has financed all
or part of such interest through third parties. When
a third party agrees to finance all or part of Christie’s
interest in a lot, it takes on all or part of the risk of
the lot not being sold, and will be remunerated in
exchange for accepting this risk. The third party
may also bid for the lot. Where it does so, and is the
successful bidder, the remuneration may be netted
against the final purchase price. If the lot is not sold,
the third party may incur a loss. Where Christie’s
has an ownership or financial interest in every lot in
the catalogue, Christie’s will not designate each lot
with a symbol, but will state its interest at the front
of the catalogue.
In this catalogue, if property has u next to the lot
º
number, Christie’s guarantee of a minimum price
has been financed through third parties.
ALL DIMENSIONS ARE APPROXIMATE
CONDITION REPORTS
Christie’s catalogues include references to condition
only in descriptions of multiple works (such as
prints, books and wine). Please contact the Specialist
Department for a condition report on a particular lot.
Condition reports are provided as a service to
interested clients. Prospective buyers should note
that descriptions of property are not warranties and
that each lot is sold “as is.”
96
PROPERTY INCORPORATING MATERIALS
FROM ENDANGERED AND OTHER
PROTECTED SPECIES
Property made of or incorporating (irrespective
of percentage) endangered and other protected
species of wildlife are marked with the symbol ~
in the catalogue. Such material includes, among
other things, ivory, tortoiseshell, crocodile skin,
rhinoceros horn, whale bone and certain species of
coral, together with Brazilian rosewood. Prospective
purchasers are advised that several countries prohibit
altogether the importation of property containing
such materials, and that other countries require a
permit (e.g., a CITES permit) from the relevant
regulatory agencies in the countries of exportation
as well as importation. Accordingly, clients should
familiarize themselves with the relevant customs laws
and regulations prior to bidding on any property
with wildlife material if they intend to import the
property into another country.
Please note that it is the client’s responsibility
to determine and satisfy the requirements of
any applicable laws or regulations applying to
the export or import of property containing
endangered and other protected wildlife
material. The inability of a client to export
or import property containing endangered
and other protected wildlife material is not
a basis for cancellation or rescission of the
sale. Please note also that lots containing
potentially regulated wildlife material are
marked as a convenience to our clients,
but Christie’s does not accept liability for
errors or for failing to mark lots containing
protected or regulated species.
EXPLANATION OF
CATALOGUING PRACTICE
FOR SILVER
A GEORGE II SILVER CUP AND COVER
Mark of Paul de Lamerie,
London, 1735
In Christie’s opinion either made in the workshop of
the master or struck with his sponsor’s mark prior to
retailing and hallmarked at the London Assay Office
between May 29, 1735, and May 29, 1736. The date
letter has usually, but not always, changed since the
early 18th century on, or around, May 29. Prior to
the 18th century, the date letter changed on various
dates ranging from May 8 to August 3. Since 1975, the
date letter has run from January 2 to January 1 of the
subsequent year.
Other countries and English, Irish and Scottish provin-
cial offices have varying dating systems.
A GEORGE II SILVER CUP AND COVER
circa 1735
In Christie’s opinion made during the specified
monarch’s reign and unmarked or struck with illegible
marks.
A GEORGE II SILVER CUP AND COVER
Bearing transposed marks for London, 1735, with the
mark of Paul De Lamerie
In Christie’s opinion made during the specified mon-
arch’s reign and, in all probability, in the workshop
of, or sponsored by, the maker cited, but with marks
transposed from a previously hallmarked object. In
some instances the catalogue may note that these
transposed hallmarks have been cancelled to bring
them into conformity with modern English hallmark-
ing laws.
Please note that the ounce weights given in this cata-
logue are troy ounces.
11/03/14
Buying at Christie’s
CONDITIONS OF SALE
Christie’s Conditions of Sale and Limited Warranty
are set out later in this catalogue. Bidders are
strongly encouraged to read these as they set out the
terms on which property is bought at auction.
ESTIMATES
Estimates are based upon prices recently paid at
auction for comparable property, condition, rarity,
quality and provenance. Estimates are subject to
revision. Buyers should not rely upon estimates as a
representation or prediction of actual selling prices.
Estimates do not include the buyer’s premium
or VAT. Where “Estimate on Request” appears,
please contact the Specialist Department for further
information.
RESERVES
The reserve is the confidential minimum price the
consignor will accept and will not exceed the low
pre-sale estimate. Lots that are not subject to a reserve
are identified by the symbol x next to the lot number.
BUYER’S PREMIUM
Christie’s charges a premium to the buyer on the
final bid price of each lot sold at the following rates:
25% of the final bid price of each lot up to and
including $100,000, 20% of the excess of the
hammer price above $100,000 and up to and
including $2,000,000 and 12% of the excess of the
hammer price above $2,000,000.
Exceptions:
Wine: 22.5% of the final bid price of each lot sold.
For all lots, taxes are payable on the premium at the
applicable rate.
PRE-AUCTION VIEWING
Pre-auction viewings are open to the public free
of charge. Christie’s specialists are available to give
advice and condition reports at viewings or by
appointment.
BIDDER REGISTRATION
Prospective buyers who have not previously bid or
consigned with Christie’s should bring:
x Individuals: government-issued photo
identification (such as a driving license, national
identity card, or passport) and, if not shown on the
ID document, proof of current address, for example
a utility bill or bank statement.
x Corporate clients: a certificate of incorporation.
x For other business structures such as trusts,
offshore companies or partnerships, please contact
Christie’s Credit Department at +1 212 636 2490
for advice on the information you should supply.
x A financial reference in the form of a recent bank
statement or letter of reference from your bank is
required. A deposit may be required at Christie’s
discretion dependent upon your financial reference,
payment history or other factors.
x Persons registering to bid on behalf of someone
who has not previously bid or consigned with
Christie’s should bring identification documents not
only for themselves but also for the party on whose
behalf they are bidding, together with a signed letter
of authorization from that party.
To allow sufficient time to process the information,
new clients are encouraged to register at least 48
hours in advance of a sale.
Prospective buyers should register for a numbered
bidding paddle at least 30 minutes before the sale.
Clients who have not made a purchase from any
Christie’s office within the last year and those wishing
to spend more than on previous occasions, will be
asked to supply a new bank reference to register.
For assistance with references, please contact
Christie’s Credit Department at +1 212 636 2490 or
by fax at +1 212 636 4943.
REGISTERING TO BID ON
SOMEONE ELSE’S BEHALF
Persons bidding on behalf of an existing client
should bring a signed letter from the client
authorizing the bidder to act on the client’s behalf.
Please note that Christie’s does not accept payments
from third parties. Christie’s can only accept
payment from the client, and not from the person
bidding on their behalf.
BIDDING
The auctioneer accepts bids from those present
in the saleroom, from telephone bidders, or by
absentee written bids left with Christie’s in advance
of the auction. The auctioneer may also execute
bids on behalf of the seller up to the amount of the
reserve. The auctioneer will not specifically identify
bids placed on behalf of the seller. Under no
circumstances will the auctioneer place any bid on
behalf of the seller at or above the reserve. Bid steps
are shown on the Absentee Bid Form at the back of
this catalogue.
ABSENTEE BIDS
Christie’s staff will attempt to execute an absentee
bid at the lowest possible price, taking into account
the reserve price. Absentee bids submitted on “no
reserve” lots will, in the absence of a higher bid, be
executed at approximately 50% of the low pre sale
estimate or at the amount of the bid if it is less than
50% of the low pre-sale estimate. The auctioneer
may execute absentee bids directly from the
rostrum, clearly identifying these as “absentee bids,”
“book bids,” “order bids” or “commission bids.”
Absentee Bids Forms are available in this catalogue,
at any Christie’s location or online at christies.com.
TELEPHONE BIDS
Telephone bids will be accepted for lots with low-
end estimates of $1,500 and above, no later than 24
hours prior to the sale and only if the capacity of our
pool of staff phone bidders allows. Arrangements to
bid in languages other than English must be made
well in advance of the sale date.
Telephone bids may be recorded. By bidding on
the telephone, prospective purchasers consent to the
recording of their conversations.
Christie’s offers all absentee and telephone bidding
services as a convenience to our clients, but will not
be responsible for errors or failures to execute bids.
SUCCESSFUL BIDS
While invoices are sent out by mail after the
auction, we do not accept responsibility for
notifying you of the result of your bids. Buyers are
requested to contact us by telephone or in person
as soon as possible after the sale to obtain details
of the outcome of their bids to avoid incurring
unnecessary storage charges. Successful bidders will
pay the price of the final bid plus premium plus any
applicable taxes.
PAYMENT
Buyers are expected to make payment for purchases
immediately after the auction. To avoid delivery
delays, prospective buyers are encouraged to supply
bank or other suitable references before the auction.
Please note that Christie’s will not accept payments
for purchased Lots from any party other than the
registered buyer.
Lots purchased in New York may be paid for in
the following ways: wire transfer, credit card (up
to $50,000), bank checks, checks and cash, money
orders or travellers checks (up to $7,500 combined
total, subject to conditions)
Wire transfer: JPMorgan Chase Bank, N.A. 270
Park Avenue New York, NY 10017 ABA#
021000021 FBO: Christie’s Inc. Account #
957-107978, for international transfers, SWIFT:
CHASUS33.
Credit cards: Visa, MasterCard, American Express
and China UnionPay a limit of $50,000 for credit
card payment will apply. This limit is inclusive
of the buyer’s premium and any applicable taxes.
Credit card payments at the NY sale site will only
be accepted for NY sales. Christie’s will not accept
credit card payments for purchases in any other
sale site.
The fax number to send completed CNP (Card
Member not Present) authorization forms to is
+1 212 636 4939. Alternatively, clients can mail the
authorization form to the address below.
Cash, Money Orders or Travellers Checks is limited
to $7,500 (subject to conditions).
Bank Checks should be made payable to Christie’s
(subject to conditions).
Checks should be made payable to Christie’s.
Checks must be drawn on a US bank and payable
in US dollars. In order to process your payment
efficiently, please quote sale number, invoice
number and client number with all transactions.
All mailed payments should be sent to:
Christie’s Inc. Cashiers’ Department, 20 Rockefeller
Center, New York, NY 10020.
Please direct all inquiries to the Cashiers’ Office Tel:
+1 212 636 2495 Fax +1 212 636 4939
Please note that Christie’s will not accept
payments for purchased Lots from any party
other than the registered buyer.
Payment in full must be received in good, cleared
funds before the property will be released.
SALES TAX
Purchases picked up in New York or delivered
to locations in California, Florida, Illinois,
Massachusetts, New York, Pennsylvania,
Rhode Island or Texas may be subject to sales or
compensating use tax of such jurisdiction.
It is the buyer’s responsibility to ascertain and pay all
taxes due. Buyers claiming exemption from sales tax
must have the appropriate documentation on file
with Christie’s prior to the release of the property.
For more information, please contact Purchaser
Payments at +1 212 636 2496.
COLLECTION OF PURCHASED LOTS
Buyers are expected to remove their property within
7 calendar days of the auction. Please consult the
Lot Collection Notice for collection information
for purchased lots. This sheet is available from the
Bidder Registration staff, Purchaser Payments or the
Packing Desk.
SHIPPING
A shipping form is enclosed with each invoice. It
is the buyer’s responsibility to pick up purchases or
make all shipping arrangements. After payment has
been made in full, Christie’s can arrange property
packing and shipping at the buyer’s request and
expense. Where Christie’s arranges and bills for such
services via invoice or credit card, an administration
charge will apply. We recommend that buyers
request an estimate for any large items or property
of high value that require professional packing. For
more information please contact the Art Transport
Department at +1 212 636 2480.
We regret that Christie’s staff will not accommodate
requests to roll canvases sold on stretchers.
EXPORT/IMPORT PERMITS
Property sold at auction may be subject to laws
governing export from the US and import
restrictions of foreign countries. Buyers should
always check whether an export license is required
before exporting. It is the buyer’s sole responsibility
to obtain any relevant export or import license.
The denial of any license or any delay in obtaining
licenses shall neither justify the rescission of any sale
nor any delay in making full payment for the lot.
Upon request, Christie’s will assist the buyer in
submitting applications to obtain the appropriate
licenses. However, Christie’s cannot ensure that a
license will be obtained. Local laws may prohibit
the import of some property and/or may prohibit
the resale of some property in the country of
importation, no such restriction shall justify the
rescission of any sale or delay in making full
payment for the lot. If a license is obtained on a
buyer’s behalf, a minimum fee of $150 per item will
be charged. For more information, please contact
the Art Transport Department at +1 212 636 2480.
09/08/13 97
 Handling and Collection

HANDLING AND COLLECTION ADMINISTRATION AND HANDLING CHARGES

All lots will be handled free of charge for 35 days from the auction
date at Christie’s Rockefeller Center or Redstone handling facility.
Operation hours for collection from either location are from
9.30 am to 5.00 pm, Monday-Friday. (Lots may not be collected
during the day of their move to Christie’s Redstone in Long Island
City.) Please consult the Lot Collection Notice for collection
information. This sheet is available from the Bidder Registration
staff, Purchaser Payments or the Packing Desk and will be sent
with your invoice.
Failure to collect your property within 35 calendar days of the
auction date from any Christie’s location, will result in handling
and administration charges plus any applicable sales taxes.
Lots will not be released until all outstanding charges due to
Christie’s are paid in full. Please contact Christie’s Client Service
Center on +1 212 636 2000.

Charges All Property

Administration (per lot, due on Day 36) $150.00

Handling (per lot/day, beginning Day 36) $12.00

Property can be transferred to Christie’s Fine Art Storage Services (CFASS) New York
at any time for environmentally controlled long term storage, per client request.
CFASS is a separate subsidiary of Christie’s and clients enjoy complete confidentiality.
Contact CFASS New York for details: Tel: + 1 212 974 4570, newyork@cfass.com

STREET MAP OF CHRISTIE’S NEW YORK LOCATIONS

Christie’s Rockefeller Center Christie’s Redstone

20 Rockefeller Plaza, New York 10020 Post-Sale
Tel: +1 212 636 2000 32-23 48th Avenue
nycollections@christies.com Long Island City, NY 11101
Main Entrance on 49th Street Tel: +1 212 974 4500
Receiving/Shipping Entrance nycollections@christies.com
on 48th Street Main Entrance on 48th Avenue
Hours: 9.30 am - 5.00 pm Receiving/Shipping Entrance
Monday-Friday except Public Holidays on 48th Avenue
Hours: 9.30 am - 5.00 pm
Monday-Friday except Public Holidays

98
Conditions of Sale
These Conditions of Sale and the Important Notices
and Explanation of Cataloguing Practice contain all
the terms on which Christie’s and the seller contract
with the buyer. They may be amended by posted
notices or oral announcements made during the
sale. By bidding at auction you agree to be bound
by these terms.
1. CHRISTIE’S AS AGENT
Except as otherwise stated Christie’s acts as agent for
the seller. The contract for the sale of the property is
therefore made between the seller and the buyer.
2. BEFORE THE SALE
(a) Examination of property
Prospective buyers are strongly advised to examine
personally any property in which they are interested,
before the auction takes place. Condition reports
are usually available on request. Neither Christie’s
nor the seller provides any guarantee in relation to
the nature of the property apart from the Limited
Warranty in paragraph 6 below. The property is
otherwise sold “as is.”
Our cataloguing practice is explained in the
Important Notices and Explanation of Cataloguing
Practice after the catalogue entries. All statements
by us in the catalogue entry for the property or in
the condition report, or made orally or in writing
elsewhere, are statements of opinion and are not to
be relied on as statements of fact. Such statements
do not constitute a representation, warranty or
assumption of liability by us of any kind. References
in the catalogue entry or the condition report to
damage or restoration are for guidance only and
should be evaluated by personal inspection by the
bidder or a knowledgeable representative. The
absence of such a reference does not imply that an
item is free from defects or restoration, nor does
a reference to particular defects imply the absence
of any others. Estimates of the selling price should
not be relied on as a statement that this is the price
at which the item will sell or its value for any other
purpose. Except as set forth in paragraph 6 below,
neither Christie’s nor the seller is responsible in any
way for errors and omissions in the catalogue or any
supplemental material.
(c) Buyer’s responsibility
Except as stated in the Limited Warranty in
paragraph 6 below, all property is sold “as is”
without any representation or warranty of any kind
by Christie’s or the seller. Buyers are responsible
for satisfying themselves concerning the condition
of the property and the matters referred to in the
catalogue entry.
3. AT THE SALE
(a) Refusal of admission
Christie’s has the right, at our complete discretion,
to refuse admission to the premises or participation
in any auction and to reject any bid.
(b) Registration before bidding
Prospective buyers who wish to bid in the saleroom
can register online in advance of the sale, or can
come to the saleroom on the day of the sale,
approximately 30 minutes before the start of the
sale to register in person. A prospective buyer must
complete and sign a registration form and provide
identification before bidding. We may require the
production of bank or other financial references.
(c) Bidding as principal
When making a bid, a bidder is accepting personal
liability to pay the purchase price, including the
buyer’s premium and all applicable taxes, plus
all other applicable charges, unless it has been
explicitly agreed in writing with Christie’s before
the commencement of the sale that the bidder is
acting as agent on behalf of an identified third party
acceptable to Christie’s, and that Christie’s will only
look to the principal for payment.
(d) Absentee bids
We will use reasonable efforts to carry out written
bids delivered to us prior to the sale for the
convenience of clients who are not present at the
auction in person, by an agent or by telephone. Bids
must be placed in the currency of the place of the
sale. Please refer to the catalogue for the Absentee
Bids Form. If we receive written bids on a particular
lot for identical amounts, and at the auction these
are the highest bids on the lot, it will be sold to
the person whose written bid was received and
accepted first. Execution of written bids is a free
service undertaken subject to other commitments
at the time of the sale and we do not accept liability
for failing to execute a written bid or for errors and
omissions in connection with it.
(e) Telephone bids
Telephone bids will be accepted for lots with low-
end estimates of $1,500 and above, no later than 24
hours prior to the sale and only if the capacity of our
pool of staff phone bidders allows. Arrangements to
bid in languages other than English must be made
well in advance of the sale date.
Telephone bids may be recorded. By bidding on
the telephone, prospective purchasers consent to the
recording of their conversations.
Christie’s offers all absentee and telephone bidding
services as a convenience to our clients, but will not
be responsible for errors or failures to execute bids.
(f) Currency converter
At some auctions a currency converter may be
operated. Errors may occur in the operation of the
currency converter and we do not accept liability to
bidders who follow the currency converter rather
than the actual bidding in the saleroom.
(g) Video or digital images
At some auctions there may be a video or digital
screen. Errors may occur in its operation and in the
quality of the image and we do not accept liability
for such errors.
(h) Reserves
Unless otherwise indicated, all lots are offered
subject to a reserve, which is the confidential
minimum price below which the lot will not be
sold. The reserve will not exceed the low estimate
printed in the catalogue. If any lots are not subject
to a reserve, they will be identified with the symbol
x next to the lot number. The auctioneer may
open the bidding on any lot below the reserve by
placing a bid on behalf of the seller. The auctioneer
may continue to bid on behalf of the seller up
to the amount of the reserve, either by placing
consecutive bids or by placing bids in response to
other bidders. With respect to lots that are offered
without reserve, unless there are already competing
bids, the auctioneer, in his or her discretion, will
generally open the bidding at 50% of the low pre-
sale estimate for the lot. In the absence of a bid at
that level, the auctioneer will proceed backwards at
his or her discretion until a bid is recognized, and
then continue up from that amount. Absentee bids
will, in the absence of a higher bid, be executed at
approximately 50% of the low pre-sale estimate or at
the amount of the bid if it is less than 50% of the low
pre-sale estimate. In the event that there is no bid on
a lot, the auctioneer may deem such lot unsold.
(i) Auctioneer’s discretion
The auctioneer has the right at his absolute and sole
discretion to refuse any bid, to advance the bidding
in such a manner as he may decide, to withdraw or
divide any lot, to combine any two or more lots and,
in the case of error or dispute, and whether during
or after the sale, to determine the successful bidder,
to continue the bidding, to cancel the sale or to
reoffer and resell the item in dispute. If any dispute
arises after the sale, our sale record is conclusive.
(j) Successful bid and passing of risk
Subject to the auctioneer’s discretion, the highest
bidder accepted by the auctioneer will be the buyer
and the striking of his hammer marks the acceptance
of the highest bid and the conclusion of a contract
for sale between the seller and the buyer. Risk and
responsibility for the lot (including frames or glass
where relevant) passes to the buyer at the expiration
of seven calendar days from the date of the sale or on
collection by the buyer if earlier.
4. AFTER THE SALE
(a) Buyer’s premium
In addition to the hammer price, the buyer agrees
to pay to us the buyer’s premium together with any
applicable value added tax, sales or compensating
use tax or equivalent tax in the place of sale. The
buyer’s premium is 25% of the final bid price of each
lot up to and including $100,000, 20% of the excess
of the hammer price above $100,000 and up to and
including $2,000,000 and 12% of the excess of the
hammer price above $2,000,000.
(b) Payment and passing of title
Immediately following the sale, the buyer must
provide us with his or her name and permanent
address and, if so requested, details of the bank from
which payment will be made. The buyer must pay
the full amount due (comprising the hammer price,
buyer’s premium and any applicable taxes) not later
than 4.30pm on the seventh calendar day following
the sale. This applies even if the buyer wishes to
export the lot and an export license is, or may be,
required. The buyer will not acquire title to the
lot until all amounts due to us from the buyer have
been received by us in good cleared funds even in
circumstances where we have released the lot to the
buyer.
(c) Collection of purchases
We shall be entitled to retain items sold until all
amounts due to us, or to Christie’s International
plc, or to any of its affiliates, subsidiaries or parent
companies worldwide, have been received in full in
good cleared funds or until the buyer has satisfied
such other terms as we, in our sole discretion, shall
require, including, for the avoidance of doubt,
completing any anti-money laundering or anti-
terrorism financing checks we may require to our
satisfaction. In the event a buyer fails to complete
any anti-money laundering or anti-terrorism
financing checks to our satisfaction, Christie’s
shall be entitled to cancel the sale and to take any
other actions that are required or permitted under
applicable law. Subject to this, the buyer shall collect
purchased lots within seven calendar days from the
date of the sale unless otherwise agreed between us
and the buyer.
(d) Packing, handling and shipping
Although we shall use reasonable efforts to take care
when handling, packing and shipping a purchased
lot, we are not responsible for the acts or omissions
99
 of third parties whom we might retain for these
purposes. Similarly, where we may suggest other
handlers, packers or carriers if so requested, we do
not accept responsibility or liability for their acts or
omissions.
(e) Export licence
Unless otherwise agreed by us in writing, the
fact that the buyer wishes to apply for an export
license does not affect his or her obligation to make
payment within seven days nor our right to charge
interest or storage charges on late payment. If the
buyer requests us to apply for an export license on
his or her behalf, we shall be entitled to make a
charge for this service. We shall not be obliged to
rescind a sale nor to refund any interest or other
expenses incurred by the buyer where payment is
made by the buyer in circumstances where an export
license is required.
(f) Remedies for non payment
If the buyer fails to make payment in full in good
cleared funds within the time required by paragraph
4(b) above, we shall be entitled at our absolute
discretion to exercise one or more of the following
rights or remedies (in addition to asserting any other
rights or remedies available to us by law):
(i) to charge interest at such rate as we shall
reasonably decide;
(ii) to hold the defaulting buyer liable for the
total amount due and to commence legal
proceedings for its recovery together with
interest, legal fees and costs to the fullest
extent permitted under applicable law;
(iii) to cancel the sale;
(iv) to resell the property publicly or privately on
such terms as we shall think fit;
(v) to pay the seller an amount up to the net
proceeds payable in respect of the amount bid
by the defaulting buyer;
(vi) to set off against any amounts which we,
or Christie’s International plc, or any of its
affiliates, subsidiaries or parent companies
worldwide, may owe the buyer in any
other transactions, the outstanding amount
remaining unpaid by the buyer;
(vii) where several amounts are owed by the buyer
to us, or to Christie’s International plc, or
to any of its affiliates, subsidiaries or parent
companies worldwide, in respect of different
transactions, to apply any amount paid to
discharge any amount owed in respect of any
particular transaction, whether or not the
buyer so directs;
(viii) to reject at any future auction any bids made
by or on behalf of the buyer or to obtain a
deposit from the buyer before accepting any
bids;
(ix) to exercise all the rights and remedies of a
person holding security over any property in
our possession owned by the buyer, whether
by way of pledge, security interest or in any
other way, to the fullest extent permitted by
the law of the place where such property is
located. The buyer will be deemed to have
granted such security to us and we may retain
such property as collateral security for such
buyer’s obligations to us;
(x) to take such other action as we deem necessary
or appropriate.
If we resell the property under paragraph (iv) above,
the defaulting buyer shall be liable for payment of
any deficiency between the total amount originally
due to us and the price obtained upon resale as
100
well as for all costs, expenses, damages, legal fees
and commissions and premiums of whatever kind
associated with both sales or otherwise arising from
the default. If we pay any amount to the seller under
paragraph (v) above, the buyer acknowledges that
Christie’s shall have all of the rights of the seller,
however arising, to pursue the buyer for such
amount.
(g) Failure to collect purchases
Where purchases are not collected within 35
calendar days from the date of the sale, whether or
not payment has been made, we shall be permitted
to transfer the property to our Long Island City
facility at the buyer’s expense, and only release
the items after payment in full has been made of
transportation, administration, handling, insurance
and any other costs incurred, together with payment
of all other amounts due to us or our affiliates.
(h) Selling Property at Christie’s
In addition to expenses such as transport and
insurance, all consignors pay a commission
according to a fixed scale of charges based upon
the value of the property sold by the consignor
at Christie’s in a calendar year. Commissions are
charged on a sale by sale basis.
5. EXTENT OF CHRISTIE’S LIABILITY
We agree to refund the purchase price in the
circumstances of the Limited Warranty set out in
paragraph 6 below. Apart from that, neither the
seller nor we, nor any of our officers, employees
or agents, are responsible for the correctness of any
statement of whatever kind concerning any lot,
whether written or oral, nor for any other errors or
omissions in description or for any faults or defects
in any lot. Except as stated in paragraph 6 below,
neither the seller, ourselves, our officers, employees
or agents, give any representation, warranty or
guarantee or assume any liability of any kind in
respect of any lot with regard to merchantability,
fitness for a particular purpose, description, size,
quality, condition, attribution, authenticity, rarity,
importance, medium, provenance, exhibition
history, literature or historical relevance. Except
as required by local law any warranty of any kind
whatsoever is excluded by this paragraph.
6. LIMITED WARRANTY
Subject to the terms and conditions of this
paragraph, Christie’s warrants for a period of five
years from the date of the sale that any property
described in headings printed in UPPER CASE
TYPE (i.e. headings having all capital-letter type) in
this catalogue (as such description may be amended
by any saleroom notice or announcement) which
is stated without qualification to be the work of a
named author or authorship, is authentic and not a
forgery. The term “author” or “authorship” refers
to the creator of the property or to the period,
culture, source or origin, as the case may be, with
which the creation of such property is identified in
the UPPER CASE description of the property in
this catalogue. Only UPPER CASE TYPE headings
of lots in this catalogue indicate what is being
warranted by Christie’s. Christie’s warranty does
not apply to supplemental material which appears
below the UPPER CASE TYPE headings of each
lot and Christie’s is not responsible for any errors or
omissions in such material. The terms used in the
headings are further explained in Important Notices
and Explanation of Cataloguing Practice. The
warranty does not apply to any heading which is
stated to represent a qualified opinion. The warranty
is subject to the following:
(i) It does not apply where (a) the catalogue
description or saleroom notice corresponded
to the generally accepted opinion of scholars
or experts at the date of the sale or fairly
indicated that there was a conflict of opinions;
or (b) correct identification of a lot can be
demonstrated only by means of either a
scientific process not generally accepted for
use until after publication of the catalogue or
a process which at the date of publication of
the catalogue was unreasonably expensive or
impractical or likely to have caused damage to
the property.
(ii) The benefits of the warranty are not assignable
and shall apply only to the original buyer of
the lot as shown on the invoice originally
issued by Christie’s when the lot was sold at
auction.
(iii) The original buyer must have remained the
owner of the lot without disposing of any
interest in it to any third party.
(iv) The buyer’s sole and exclusive remedy against
Christie’s and the seller, in place of any
other remedy which might be available, is
the cancellation of the sale and the refund of
the original purchase price paid for the lot.
Neither Christie’s nor the seller will be liable
for any special, incidental or consequential
damages including, without limitation, loss of
profits nor for interest.
(v) The buyer must give written notice of claim
to us within five years from the date of the
auction. It is Christie’s general policy, and
Christie’s shall have the right, to require the
buyer to obtain the written opinions of two
recognized experts in the field, mutually
acceptable to Christie’s and the buyer, before
Christie’s decides whether or not to cancel the
sale under the warranty.
(vi) The buyer must return the lot to the Christie’s
saleroom at which it was purchased in the
same condition as at the time of the sale.
7. COPYRIGHT
The copyright in all images, illustrations and written
material produced by or for Christie’s relating to a
lot including the contents of this catalogue, is and
shall remain at all times the property of Christie’s
and shall not be used by the buyer, nor by anyone
else, without our prior written consent. Christie’s
and the seller make no representation or warranty
that the buyer of a property will acquire any
copyright or other reproduction rights in it.
8. SEVERABILITY
If any part of these Conditions of Sale is found by
any court to be invalid, illegal or unenforceable,
that part shall be discounted and the rest of the
conditions shall continue to be valid to the fullest
extent permitted by law.
9. LAW AND JURISDICTION
The rights and obligations of the parties with respect
to these Conditions of Sale, the conduct of the
auction and any matters connected with any of the
foregoing shall be governed and interpreted by the
laws of the jurisdiction in which the auction is held.
By bidding at auction, whether present in person or
by agent, by written bid, telephone or other means,
the buyer shall be deemed to have submitted, for the
benefit of Christie’s, to the exclusive jurisdiction of
the courts of that country, state, county or province,
and (if applicable) of the federal courts sitting in
such state.
15/02/13
 Worldwide Salerooms and American Offices

ARGENTINA ITALY UNITED STATES

BUENOS AIRES • MILAN BOSTON
Tel: +54 11 43 93 42 22 +39 02 303 2831 +1 617 536 6000
Cristina Carlisle JAPAN
Elizabeth M. Chapin
BERMUDA TOKYO CHICAGO
BERMUDA +81 (0)3 6267 1766 +1 312 787 2765
+1 401 849 9222 Ryutaro Katayama, Lisa Cavanaugh
Betsy Ray Chairman DALLAS
Nobu Nagara +1 214 599 0735
BRAZIL
RIO DE JANEIRO MEXICO Capera Ryan
+5521 2225 6553 MEXICO CITY
HOUSTON
Candida Sodre +52 55 5281 5503 +1 713 802 0191
SÃO PAULO Gabriela Lobo Jessica Phifer
+55 11 3061 2576 THE NETHERLANDS LOS ANGELES
Nathalie Lenci • AMSTERDAM
+1 310 385 2600
+31 (0)20 57 55 255 Andrea Fiuczynski
CANADA
TORONTO PEOPLES REPUBLIC MIAMI
+1 416 960 2063 OF CHINA
• HONG KONG
+1 305 445 1487
Brett Sherlock Jessica Katz
+852 2521 5396
CHILE NEWPORT
SANTIAGO SWITZERLAND
• GENEVA +1 401 849 9222
+56 2 2 2631642 Betsy D. Ray
Denise Ratinoff de Lira +41 (0)22 319 17 66
Eveline de Proyart • NEW YORK
COLOMBIA +1 212 636 2000
• ZURICH
BOGOTA
+57 312 421 1509 +41 (0)44 268 1010 PALM BEACH

Juanita Madrinan Dirk Boll +1 561 833 6952

Maura Smith
UNITED ARAB EMIRATES
FRANCE
• DUBAI PHILADELPHIA
• PARIS
+33 (0)1 40 76 85 85 +971 (0)50 551 4264 +1 610 520 1590
Chaden Khoury Christie Lebano
INDIA
UNITED KINGDOM SAN FRANCISCO
MUMBAI
• LONDON, KING STREET +1 415 982 0982
+91 (22) 2280 7905
Menaka Kumari-Shah +44 (0)20 7839 9060 Ellanor Notides
Sonal Singh • LONDON,
SOUTH KENSINGTON
+44 (0)20 7930 6074

• DENOTES SALEROOM

ENQUIRIES?— Call the Saleroom or Office EMAIL— info@christies.com

For a complete salerooms & offices listing go to christies.com

11/09/2013 101
 Christie’s Specialist Departments and Services

DEPARTMENTS COSTUME, TEXTILES AND OLD MASTER DRAWINGS AUCTION SERVICES CHRISTIE’S
FANS NY: +1 212 636 2120 INTERNATIONAL
AFRICAN AND OCEANIC SK: +44 (0)20 7752 3215 CHRISTIE’S AUCTION REAL ESTATE
ART OLD MASTER PAINTINGS ESTIMATES New York
PAR: +33 (0)140 768 386 ENTERTAINMENT AND 19TH CENTURY Tel: +1 212 492 5485 Tel: +1 212 468 7182
NY: +1 212 484 4898 MEMORABILIA EUROPEAN ART Fax: +1 212 468 7141
Fax: +1 212 636 4930
SK: +44 (0)20 7752 3281 NY: +1 212 636 2120 Email:
www.christies.com
AMERICAN DECORATIVE info@christiesrealestate.com
ARTS FOLK ART PHOTOGRAPHS
CORPORATE
NY: +1 212 636 2230 NY: +1 212 636 2230 NY: +1 212 636 2330 COLLECTIONS London
Tel: +1 212 636 2901 Tel: +44 (0)20 7389 2551
AMERICAN FURNITURE FURNITURE PICTURE FRAMES Fax: +44 (0)20 7389 2168
NY: +1 212 636 2200 SK: +44 (0)20 7389 2763 Fax: +1 212 636 4929
NY: +1 212 636 2230 Email:
Email: celkies@christies.com
info@christiesrealestate.com
AMERICAN ART HOUSE SALES POST WAR AND
SK: +44 (0)20 7752 3260 CONTEMPORARY ART ESTATES AND Hong Kong
NY: +1 212 636 2140 APPRAISALS
NY: +1 212 636 2100 Tel: +852 2978 6788
ANGLO-INDIAN ART ICONS Tel: +1 212 636 2400
Fax: +852 2845 2646
KS: +44 (0)20 7389 2570 SK: +44 (0)20 7752 3261 POSTERS Fax: +1 212 636 2370
Email:
SK: +44 (0)20 7752 3208 Email: info@christies.com info@christiesrealestate.com
ANTIQUITIES IMPRESSIONIST AND
NY: +1 212 636 2245 MODERN ART PRINTS MUSEUM SERVICES CHRISTIE’S FINE ART
NY: +1 212 636 2050 NY: +1 212 636 2290 Tel: +1 212 636 2620 STORAGE SERVICES
ASIAN 20TH CENTURY Fax: +1 212 636 4931 London
AND CONTEMPORARY INDIAN AND SOUTHEAST RUSSIAN Email: awhiting@christies.com
ASIAN ART WORKS OF ART +44 (0)20 7622 0609
ART london@cfass.com
NY: +1 212 468 7133 NY: +1 212 636 2190 NY: +1 212 636 2260 PRIVATE SALES
US: +1 212 636 2557 New York
AUSTRALIAN PICTURES INDIAN CONTEMPORARY SCIENTIFIC INSTRUMENTS Fax: +1 212 636 2035 +1 212 974 4579
KS: +44 (0)20 7389 2040 ART SK: +44 (0)20 7752 3286 Email: vpfeiffer@christies.com newyork@cfass.com
NY: +1 212 636 2190
BOOKS AND KS: +44 (0)20 7389 2700 SCULPTURE Singapore
MANUSCRIPTS KS: +44 (0)20 7389 2331 Tel: +65 6543 5252
NY: +1 212 636 2665 INTERIORS SK: +44 (0)20 7389 2794 Email: singapore@cfass.com
NY: +1 212 636 2032
BRITISH & IRISH ART SK: +44 (0)20 7389 2236 SILVER CHRISTIE’S REDSTONE
KS: +44 (0)20 7389 2682 NY: +1 212 636 2250 OTHER SERVICES Tel: +1 212 974 4500
NY: +1 212 636 2120 ISLAMIC WORKS OF ART
SK: +44 (0)20 7752 3257 KS: +44 (0)20 7389 2370 TOPOGRAPHICAL CHRISTIE’S EDUCATION
SK: +44 (0)20 7752 3239 PICTURES
New York
BRITISH ART ON PAPER KS: +44 (0)20 7389 2040
Tel: +1 212 355 1501
KS: +44 (0)20 7389 2278 JAPANESE ART SK: +44 (0)20 7752 3291 Fax: +1 212 355 7370
SK: +44 (0)20 7752 3293 NY: +1 212 636 2160 Email: christieseducation@
KS: +44 (0)20 7389 2595 TWENTIETH CENTURY christies.edu
NY: +1 212 636 2120 DECORATIVE ART
JEWELLERY AND DESIGN Hong Kong
BRITISH PICTURES
1500-1850 NY: +1 212 636 2300 NY: +1 212 636 2240 Tel: +852 2978 6747
Fax: +852 2525 3856
KS: +44 (0)20 7389 2945 VICTORIAN PICTURES
KOREAN ART Email: hkcourse@christies.com
CARPETS NY: +1 212 636 2165 KS: +44 (0)20 7389 2468
SK: +44 (0)20 7752 3257 London
NY: +1 212 636 2217 Tel: +44 (0)20 7665 4350
LATIN AMERICAN ART
WATCHES Fax: +44 (0)20 7665 4351
CERAMICS AND GLASS NY: +1 212 636 2150
NY: +1 212 636 2320 Email:
NY: +1 212 636 2215 education@christies.com
MINIATURES
CHINESE PAINTINGS NY: +1 212 636 2250 WINE Paris
NY: +1 212 636 2195 NY: +1 212 636 2270 Tel: +33 (0)1 42 25 10 90
MODERN DESIGN
SK: +44 (0)20 7389 2142 Fax: +33 (0)1 42 25 10 91
CHINESE WORKS OF ART Email:
NY: +1 212 636 2180 MUSICAL INSTRUMENTS ChristiesEducationParis@
NY: +1 212 636 2000 christies.com KEY TO ABBREVIATIONS:
CLOCKS
KS: +44 (0)20 7389 2357 KS: London, King Street
NINETEENTH CENTURY
CORKSCREWS
FURNITURE AND NY: New York,
SCULPTURE
SK: +44 (0)20 7752 3263 Rockefeller Plaza
NY: +1 212 707 5910
PAR: Paris
OBJECTS OF VERTU
NY: +1 212 636 2250 SK: London,
South Kensington

102 06/12/13
CONFIDENTIALLY. EFFICIENTLY. SUCCESSFULLY.

Through an unrivalled network of global contacts and

knowledge of the market, Christie’s Private Sales provides a
tailored, personalised service, bringing together buyers and
sellers of great works of Impressionist and Modern art. Every
aspect of a Christie’s Private Sale is handled with the utmost
discretion. If you would like to buy or sell privately, please
contact us for more information.

Americas Europe
Adrien Meyer Liberté Nuti
ameyer@christies.com lnuti@christies.com
+1 212 636 2056 +44 (0) 20 7389 2441 christies.com
The Raglan Collection:
Wellington, Waterloo and The Crimea
and
Works of Art from the Collection
of the Marquesses of Londonderry

Auction Viewing Contact

22 & 23 May 2014 17– 22 May Amelia Walker Adrian Hume-Sayer
London, King Street 8 King Street awalker@christies.com ahume-sayer@christies.com
London SW1Y 6QT +44 (0) 20 7389 2085 +44 (0) 20 7389 2696
 A DUTCH DELFT BOAR’S HEAD TUREEN, COVER AND STAND
CIRCA 1750-1760
The tusked creature naturalistically modeled and painted, the shaped stand with a border of overlapping leaf-tips
15 √ in. (40.3 cm.) long, the stand
$40,000–$60,000

THE CONNOISSEUR’S EYE

INCLUDING CARPETS
New York • 20 May 2014

Viewing Contact christies.com

17–20 May Carleigh Queenth
20 Rockefeller Plaza cqueenth@christies.com
New York, NY 10020 +1 212 636 2215
 THE PROPERTY OF A GENTLEMAN
MARK OF DAVID WILLAUME, LONDON, 1700
A PAIR OF WILLIAM III SILVER WINE-COOLERS

£150,000-250,000

Centuries of Style
London, King Street • 13 June 2014

Viewing Contact christies.com

30 May – 2 June Kate Flitcroft
8 King Street kfitcroft@christies.com
London SW1Y 6QT +44 20 7389 2660
 Absentee Bids Form
Christie’s New York

IMPORTANT SILVER ABSENTEE BIDS MUST BE RECEIVED AT LEAST 24 HOURS BEFORE THE AUCTION BEGINS
WEDNESDAY 21 MAY 2014
AT 10.00 AM CHRISTIE’S WILL CONFIRM ALL BIDS RECEIVED BY FAX BY RETURN FAX. IF YOU HAVE
NOT RECEIVED CONFIRMATION WITHIN ONE BUSINESS DAY, PLEASE CONTACT THE
20 Rockefeller Plaza BID DEPARTMENT.
New York, NY 10020 TEL: +1 212 636 2437 FAX: +1 212 636 4938 ON-LINE WWW.CHRISTIES.COM
CODE NAME: NICHOLAS
SALE NUMBER: 2852 2852
Client Number (if applicable) Sale Number
(Dealers billing name and address must agree
with tax exemption certificate. Invoices cannot Billing Name (please print)
be changed after they have been printed.)
BID ONLINE FOR THIS SALE AT CHRISTIES.COM Address

BIDDING INCREMENTS City State Zone

Bidding generally opens below the low estimate and advances
in increments of up to 10%, subject to the auctioneer’s
discretion. Absentee bids that do not conform to the increments Daytime Telephone Evening Telephone
set below may be lowered to the next bidding interval.
$50 to $1,000 by $50s Fax (Important) E-mail
$1,000 to $2,000 by $100s Please tick if you prefer not to receive information about our upcoming sales by e-mail
$2,000 to $3,000 by $200s
$3,000 to $5,000 by $200, 500, 800
(ie: $4,200, 4,500, 4,800) Signature
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All bids are subject to the terms of the Conditions of Sale and
Limited Warranty printed in each Christie’s catalogue.

09/08/13 107
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108
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º Christie, Manson & Woods Ltd. (2014)
Catalogue photo credits:
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14/04/14
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