-1-

www.nestorzadoff.com.ar

Coral

Arreglo coral: Néstor Zadoff (2000) Astor Piazzolla




Con melancolía
1 Tiempo libre

Soprano        


           
     
 

Alto

Tenor                

Bajo
              



6
 
                 
 

                          
   

     
           
  

  
                 
 -2-
10 
              
       


          

        

 

                       

                


ritard...
Tempo giusto


15 Cantabile y expresivo

                 


     
              
 
                       

 
                   
 

20

    

    


          
       
 
        
           
 -3-
24

    

    

      
     
3
       

   
         
  

28 algo retenido A tempo

    
 3 3

            
    
 
   
   
3

           
3

  
             

32


       

 3
              

  
             
 
 
            
    
 -4-
36
  cresc.

     
3

        
 
3

        
3

       
  3       
       
3



              
 

  

 3   
40

           
3

    
         

           
 
       
            

   
      
         
 



44
cresc.

                 

                 
   

 
  
        

       
            
    
 -5-


ritard...
 
 
48

              

 
                

    
          

  expr.
              
  


      
52

                     

 
               

   
   

  
     
      

       
            

 
            
56

         

           

              

                
 -6-

        
un poco más
     
60

     

 
            


            
        


          
    

64 
        

           
        

                    

  
                  


68
 
                 
 

                          
   

     
           
  

  
                 
 -7-
72  
              
       
 

          

        

 

                       

                

 
retenido
77

       
             
A Nico

Marzo 2000

       
             
  
                

                   Copia: Flavio Hualpa