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Joe isn't especially comfortable with this set up, but what else is a broke and jobless man to do?
Worse still, when women reach a “certain age” in Hollywood, they are often brushed aside,
regardless of how much talent they bring to the table. Another example of a great filmmaker using
tango to set a scene for the bizarre, the ridiculous, the off-key. Wilder was, well, the wilder of the
two, often bawdy and crass, while Brackett was genteel. It takes special talent - the kind possessed
by Wilder, Swanson and others - to tackle those themes in this particular way. She mostly seems
worthy of pity - perhaps with a side of mild scorn - and this is never more apparent than after her
suicide attempt, which brings the reluctant Joe rushing back to her side. Tango is the wacky
ingredient, the backdrop for the unfolding melodrama of unrequited love, of robotic obedience and
willful rejection. The story follows her childhood as the daughter of Norwegian immigrants
struggling to make ends meet. Maybe one might as well wish for the moon as pine for the days
when we’ll see many more performances like the one Judi Dench, a literate performer with a theater
background, gives in Skyfall, the best-written entry so far in the reimagined James Bond franchise,
and hope for a time when moviegoers, critics, and studio execs will cherish an actress’s impeccable
recital of “Ulysses” as a mark of a fine performer. As she puts it to Joe, in a famous scene, “I am big,
it’s the pictures that got small.” She doesn’t look too closely at the return addresses or postmarks on
the envelopes, and, during her nostalgia-fueled visit to a studio lot where DeMille is shooting a
movie, doesn’t overhear DeMille’s pitiless comment about the “awful” screenplay she wants him to
adapt. Ahead of its time in its dark content, nonlinear structure, and critical inside view of
Hollywood, this is a movie to show anyone resisting black and white fare and anything older than
themselves. And yet those familiar beats butt right up against an oddball theme in that context - the
potentially poisonous nature of fame and stardom. When Hitler came to power, Wilder fled to Paris
and came to Hollywood in 1934. Or, you might simply be curious about the lives of some of your
favorite wordsmiths. So viewers will watch from the comfort of their homes as the story of vanity
and vengeance unfolds. Billy Wilder wasn nominated for twenty-one Academy Awards and won six
Oscars. For added meta-truthfulness, Wilder wanted to have that film's lead actress, Hedy Lamarr,
be there too, so that DeMille could ask her to let Norma sit in her chair (you know, those behind-the-
scenes chairs that have the star's name on them). Keep in mind that anyone can view public
collections—they may also appear in recommendations and other places. Gloria Swanson
undoubtedly must have sympathized with the part, herself a silent movie star whose career came to
a screeching halt at age 35 during the early days of talkies. On December 22, Curve, the Leicester,
U.K.-based theater company, began streaming a filmed version of Andrew Lloyd Webber’s musical
adaptation of the movie. Norma believes that this project is the very thing she needs for a comeback
return to the spotlight she desperately craves. Norma Desmond is as fascinating a character as we
have come across in this series, a tragic and highly idiosyncratic figure, who with her odds-and-ends
staff of enablers and her recently deceased pet chimpanzee, conjures up a late-in-life Michael
Jackson. Its original Academy Ratio upheld (which yields black side bars in this 16:9 format), the
film looks great with a spotless element. It's a little disappointing that the BD debut of a film of this
stature only elicits 86 seconds of unseen extras, but that newly unearthed deleted scene is the cherry
on top of this otherwise terrific treat you're certain to enjoy and never tire of. An insert promotes the
Delta sweepstakes honoring Paramount's centennial. Here is a time to reflect on the continuing
relevance of the 1950 film, in which William Holden and Gloria Swanson play, respectively, the
broke screenwriter manque on the lam from two men who want to repossess his car and the middle-
aged former silent film star on whose property he hides out. As she is escorted out of the house by
the police, the news cameras are rolling, she makes her exit as a grotesque caricature of an old star.
When he tries to walk out on Norma, she fires the fatal shots and the picture comes full cycle. From
the moment it hit theaters in 1950, the film was a hit with audiences and critics alike.
Norma Desmond is one of Hollywood’s great, conflicted characters. Joe Gillis sums up his writing
career as: “The last one I wrote was about Okies in the dust bowl. Most of the legends who would
feature in a discussion of cinema's greatest masters are celebrated for one type of movie: epics
(David Lean), romantic comedies (Woody Allen), samurai movies (Akira Kurosawa), westerns (John
Ford), thrillers (Alfred Hitchcock), and so on. But trophies or not, Sunset Boulevard has stayed near
the top of the list of great movies about moviemaking. A dead narrator going back and explaining
how he got to be dead is about as Film Noir as it gets. But she learns the crucial lesson of writing
about the things she knows instead of telling lofty tales. Yet the focus remains on Norma’s
decadently and deadly fascinating love-hate relationship with the wisecracking writer. But as
commentator Steve Sailer points out, more than one contemporary source mentions it as an
inspiration. The performance could not have been what it was if it did not communicate truths not
just about Garland’s tragic life but about Hollywood then and now. The aim of Sunset Boulevard is
clear, if a little bit surprising. Billy Wilder collaborated on the screenplay with the very able Charles
Brackett, and with D. M. Marshman Jr., who later joined the team. Showing how far gone Norma’s
mind is, the movie wraps up with a tragic conclusion made for Hollywood. She and Joe collaborate
on the one idea of his in which she sees potential. It's kind of sweet, actually. 5. THE OPENING
SCENE HAD TO BE SCRAPPED BECAUSE THE AUDIENCE FOUND IT TOO FUNNY. Joe is
a young, broke screenwriter with a few credits to his name and a few ideas in his head, but none of
interest to any studios. The Palace Theatre is not a small space, and yet, when Close starts singing,
you feel as if she’s only addresses you. Filled with mementos of her career, the house is Norma
Desmond, still statuesque and impressive from a distance but on closer look, it’s cracked, faded, and
wrinkled. UY TIN NH?T xs vietlott 88 SOI C?U SIEU CHU?N SoiCauViet lo d?p hom nay vip ket
qua so xo hom nay kqxsmb 30 ngay d. Why It's Essential Quarantine Viewing: Billy Wilder's
masterpiece of social satire, Sunset Boulevard is a Gothic horror meets film noir that is crafted like a
whodunnit, but the question is less about the culprit of a crime than it is about the ruthless
Hollywood system that would drive an aging diva to madness. It's tough to imagine more sharpness
or detail being uncovered in 1080p. Billy Wilder wasn nominated for twenty-one Academy Awards
and won six Oscars. There probably ought to be an option to watch the shots edited together and set
to score, but that would probably seem a tad random and it's good as is. The piece turns our attention
to Wilder, his principal cast, and costume designer Edith Head. But so many decades later, it can be
reinterpreted as a statement that Hollywood is finally ready for some meaningful self-reflection and
contrary action in response to decades of enabling a culture that permitted sexual assault, sexism, and
ageism to run amok. When he tries to walk out on Norma, she fires the fatal shots and the picture
comes full cycle. Though both of the engaged senses won the film an Oscar, the visuals are more
striking than the sound and the Blu-ray maintains that relationship. The film “Sunset Boulevard”
premiered almost 68 years ago, but it might as well have come out today. Though given no special
moniker, rest assured that this disc comes with the many bells and whistles you hope and expect.
Norma Desmond never got her close-up, but Hollywood is getting one of its own, whether it’s ready
or not.
Those are delicate topics even in 2018, but they were virtually untouched in popular culture back in
1950. The older man ends up mentoring Wallace and teaching him how to write. Although it is
Norma's intention that the tango dance release Joe's passion for her, after the dance he rejects her
and she ends up fleeing to her room. When Hitler came to power, Wilder fled to Paris and came to
Hollywood in 1934. Indeed, at once bitter and satirucal, the film provides a fascinating look at the
Hollywood film industry at a crucial time of its history. The film’s star, Gloria Swanson, plays down-
on-her-luck silent film star Norma Desmond, whose comeback ambitions are met with constant
resistance by an industry driven by ageism and sexism. This is one of the best films to ever lose the
Best Picture Oscar. In one high-profile case, actress Junie Hoang sued IMDb for revealing her age on
its website, information that she claimed led to producers firing her from a movie, with all the
attendant emotional distress and loss of revenue one could expect. (In the end, IMDb won.). Also,
the house didn't have a pool, so Paramount paid to have one installed on the condition that if Mrs.
Getty didn't like it, they'd remove it after filming was over. (She liked it.) 8. WILLIAM HOLDEN'S
WIFE DIDN'T APPRECIATE THAT KISS. Brackett was a New York-born novelist and
screenwriter, head of the Screen Actors Guild in the late 1930s, and president of the Academy of
Motion Picture Arts and Sciences from 1949 to 1955 (during which time he won two screenwriting
Oscars—good news for conspiracy theorists). Joe isn't especially comfortable with this set up, but
what else is a broke and jobless man to do? The story follows her childhood as the daughter of
Norwegian immigrants struggling to make ends meet. The thrice-divorced diva uses her considerable
wealth to shower gifts on her new houseguest, from fancy clothes to pricey accessories. This
compensation may impact how and where products appear on this site (including, for example, the
order in which they appear). This facsimile edition of Sunset Boulevard makes it possible to get as
much pleasure from reading the highly intelligent screenplay as from seeing the film. And yet those
familiar beats butt right up against an oddball theme in that context - the potentially poisonous nature
of fame and stardom. Wilder's version is the one they went with (he was the director, after all), but
the argument marked a turning point for him, and he decided never to work with Brackett again. His
screen-specific 2002 commentary is full of information, not only on Wilder, but this film, and the
careers of its cast members. Just last year, “Orange Is the New Black” actress Jamie Denbo revealed
she was the victim of ageism when she was told that she couldn’t be cast alongside a male love
interest who, in real life, is 14 years her senior. Shortly thereafter, she learns that Joe is secretly
meeting Betty in the deserted studio at night to work on a screenplay and that the girl, though
engaged to Artie, has fallen in love with Joe. We know where all this is going, of course, and
Holden's ongoing voiceover keeps that Noir-ish current running through to a very dark conclusion.
When two more test audiences reacted the same way, Wilder cut the scene and the movie was saved.
6. THE UNDERWATER SHOT WAS NOT FILMED UNDERWATER. A narrator provides some
film facts (including Oscar tallies) and a bit of national history. The public picked the former
(leaving the latter to be reworked and colorized for the rear cover). That, by itself, is not very
interesting thematically. What makes this film such a standout is its methods. The film reaches a
climactic point during Norma's New Year's Eve party.an orquestra plays waltzes and tangos, while
the Butler oversees the buffet.for all of the 2 guests who are invited.Norma and Joe. She prods and
pulls her unenthusiastic partner onto the dance floor into an awkward tango.she, completely
delusional, he, completely detached (and a little disgusted). It is incredibly easy to recommend this
excellent disc. So viewers will watch from the comfort of their homes as the story of vanity and
vengeance unfolds.
She does this physical thing over and over, with her mouth clenched, her jaw jutting out, and her
teeth grinding that crystallizes the sadness and the lurking, tightly coiled violence perfectly. This
facsimile edition of Sunset Boulevard makes it possible to get as much pleasure from reading the
highly intelligent screenplay as from seeing the film. This dynamic served them well for years, each
man's extreme tendencies being balanced by the other's, but during Sunset Boulevard it finally
became unworkable. Sunset Boulevard now begins with police cars racing to Norma Desmond's
house, where a dead body is floating in the pool. This is one of the best films to ever lose the Best
Picture Oscar. It is a fictional composite inspired by several women, not a thinly disguised portrait
of one particular star. Unlike today's filmmakers (Allen excluded), he also prized productivity. She is
also a homeschooling mom, family coach, and speaker for the Charlotte Mason method, an
educational philosophy that places great emphasis on classic literature and the masterpieces in art and
music. Gillis’s response to Desmond’s cry that “the pictures got small” is a muttered reply, “I knew
something was wrong with them.” Wilder often varies the structure, with Desmond taking Gillis’s
comments seriously. Joe does manage to sneak out at night to meet with Betty Schaefer (Nancy
Olson), a young third generation of a filmmaking family who is looking to break out of Paramount's
script reading department and into screenwriting. Shortly thereafter, she learns that Joe is secretly
meeting Betty in the deserted studio at night to work on a screenplay and that the girl, though
engaged to Artie, has fallen in love with Joe. The New Year’s Eve scene in Sunset Boulevard is
doubly poignant, reminding us as it does of the huge face-to-face gatherings and festivities in which
we cannot indulge in the midst of the current epidemic as well as of the contrast between whatever
gaiety we might have enjoyed last year and might still enjoy next year, and the quiet despair of
former stars who feel used and spat out by the studio system. While some may sneer at the
hypersensitivity that stars are known to feel about their age and public image, to them the issue isn’t
funny. But it slices through the artifice for a dark, haunting, atmospheric tale involving figures of
opposite experience each seeking fame on one side of the camera. Billy Wilder's outstanding drama
holds up remarkably well as one of the finest films ever made. FILM REVIEW:: Sunset Boulevard
(1950, Billy Wilder). This immediately develops into an unusual arrangement, which for Norma is
romantic in nature. When two more test audiences reacted the same way, Wilder cut the scene and
the movie was saved. 6. THE UNDERWATER SHOT WAS NOT FILMED UNDERWATER. It is
incomprehensible to her why some can not appreciate her obvious greatness. Though she’s clearly
egotistical and more than a bit pathological, the realities of the industry are what they are. It's tough
to imagine more sharpness or detail being uncovered in 1080p. Much of the film’s wit is delivered
through Desmond’s deadpan comments, which are often followed by sarcastic retorts from Gillis. If
anything, its observations on the greedy machinations of Tinseltown are truer now than they were in
1950. (Norma Desmond would be quick to point out that, thanks to computers and iPads, the
pictures have gotten even smaller.) It came out the same year as another behind-the-scenes showbiz
classic, All About Eve, which took most of the Oscars. The disc supports bookmarks, but does not
resume playback after your player powers down. When Hitler came to power, Wilder fled to Paris
and came to Hollywood in 1934. The exterior shots were of a house located not on Sunset but Irving
Boulevard, near the corner of Wilshire, owned by the J. Or, forget about Hollywood, have we gotten
any better about how we treat our elders in general. Norma Desmond is as fascinating a character as
we have come across in this series, a tragic and highly idiosyncratic figure, who with her odds-and-
ends staff of enablers and her recently deceased pet chimpanzee, conjures up a late-in-life Michael
Jackson. Norma Desmond never got her close-up, but Hollywood is getting one of its own, whether
it’s ready or not. Their screenplay demolishes the accepted notion of the film business as a dream
factory, exposing the seedy reality of short memories and stardom's fleeting nature.
Cloud-centric business planning and implementation of Nubis Cloud ERP in the. While some may
sneer at the hypersensitivity that stars are known to feel about their age and public image, to them
the issue isn’t funny. Initially, writer-director Wilder envisioned the movie as a straightforward
comedy, and the famously saucy West seemed like a perfect fit. A New Year's Eve party for two
illuminates how this relationship is progressing, with Joe becoming a kind of psychological prisoner
to his unstable, attention-starved 50-year-old financial provider. Billy Wilder wasn nominated for
twenty-one Academy Awards and won six Oscars. FILM REVIEW:: Sunset Boulevard (1950, Billy
Wilder). Joe Gillis sums up his writing career as: “The last one I wrote was about Okies in the dust
bowl. There's also archival footage from a Gloria Swanson interview to dispel characteristics she is
believed to share with Norma Desmond. The influence of Billy Wilder’s 1950 noir masterpiece
makes itself felt around the world. For Swanson, whose career was already being threatened by the
advent of talkies, Queen Kelly was another blow. Wilder penned this with his Ninotchka and Lost
Weekend co-writer Charles Brackett and D.M. Marshman, Jr., a young former Life magazine editor
and Time film critic. The British author's satirical The Loved One was published in 1948, after
Waugh had spent time in Hollywood observing the film industry and, of all things, the funeral
industry. (The book is about a failed screenwriter who works for a cemetery and lives with a
forgotten silent-film star.) Wilder and his co-writers reversed several elements, and there was no
official connection between the movie and Waugh's book. For Desmond to be such a compelling
figure, Swanson has to play her with the precisely right amount of camp. It's probably just as well,
since the darker, more nuanced story that eventually emerged was quite different from West's
wheelhouse anyway. 2. MONTGOMERY CLIFT WAS THE FIRST CHOICE FOR JOE GILLIS.
Also, the house didn't have a pool, so Paramount paid to have one installed on the condition that if
Mrs. Getty didn't like it, they'd remove it after filming was over. (She liked it.) 8. WILLIAM
HOLDEN'S WIFE DIDN'T APPRECIATE THAT KISS. Now, he has to fast-talk the men from the
collection agency (Larry Blake and Charles Dayton) in order to keep his car, and beg his contact
(Fred Clark) at Paramount to get him a third-rate job as script doctor. Nilsson (Herself), H.B. Warner
(Himself), Franklyn Farnum (Undertaker), Ray Evans (Himself), Jay Livingston (Himself), Larry
Blake (1st Finance Man), Charles Dayton (2nd Finance Man). A few years later, Stephen Sondheim
became interested in writing a musical version of his own, working with writer Burt Shevelove (with
whom he ended up writing A Funny Thing Happened on the Way to the Forum ). Gloria Swanson
undoubtedly must have sympathized with the part, herself a silent movie star whose career came to
a screeching halt at age 35 during the early days of talkies. Joe is a young, broke screenwriter with a
few credits to his name and a few ideas in his head, but none of interest to any studios. Although it
is Norma's intention that the tango dance release Joe's passion for her, after the dance he rejects her
and she ends up fleeing to her room. But so many decades later, it can be reinterpreted as a
statement that Hollywood is finally ready for some meaningful self-reflection and contrary action in
response to decades of enabling a culture that permitted sexual assault, sexism, and ageism to run
amok. The information provided is for informational purposes only and should not be considered
financial, tax, or legal advice. His screen-specific 2002 commentary is full of information, not only
on Wilder, but this film, and the careers of its cast members. The public picked the former (leaving
the latter to be reworked and colorized for the rear cover). She lures him, as her script adviser, into
her demented imaginary world of rising back to stardom. But she wanted to rewrite her dialogue (as
was her custom)—a nonstarter for Wilder, who seldom let his actors change their lines even slightly
from what was on the page. The older man ends up mentoring Wallace and teaching him how to
write. While there, he meets an idealistic young would-be writer, Betty Schaefer (Nancy Olson),
who believes in his talent and likes him, but before their relationship can even develop he finds
himself pursued by bill collectors and makes his getaway by hiding on the grounds of a seemingly
abandoned mansion. The aim of Sunset Boulevard is clear, if a little bit surprising.
You’d never know, because when it reached the screen, the whole thing played on a torpedo boat.”
Later on, when Betty says, “I’d always heard that you had some talent,” he quickly replies, “That
was last year. The thrice-divorced diva uses her considerable wealth to shower gifts on her new
houseguest, from fancy clothes to pricey accessories. Why It's Essential Quarantine Viewing: Billy
Wilder's masterpiece of social satire, Sunset Boulevard is a Gothic horror meets film noir that is
crafted like a whodunnit, but the question is less about the culprit of a crime than it is about the
ruthless Hollywood system that would drive an aging diva to madness. Keep in mind that anyone
can view public collections—they may also appear in recommendations and other places. In one
high-profile case, actress Junie Hoang sued IMDb for revealing her age on its website, information
that she claimed led to producers firing her from a movie, with all the attendant emotional distress
and loss of revenue one could expect. (In the end, IMDb won.). Sure, some in the industry may have
taken exception to Sunset 's unforgiving portrayal of the business. Critic Andrew Sarris and Glenn
Close add their voices to the mix, the latter to represent the subsequent Broadway musical in which
she starred. Here is a time to reflect on the continuing relevance of the 1950 film, in which William
Holden and Gloria Swanson play, respectively, the broke screenwriter manque on the lam from two
men who want to repossess his car and the middle-aged former silent film star on whose property he
hides out. A dead narrator going back and explaining how he got to be dead is about as Film Noir as
it gets. The interiors of Norma's decaying mansion were actually a set at Paramount Studios. Indeed,
at once bitter and satirucal, the film provides a fascinating look at the Hollywood film industry at a
crucial time of its history. Swanson's performance as the faded film star Norma Desmond is
spellbinding. The sequence has quite a boring beginning; it starts with the. There's also archival
footage from a Gloria Swanson interview to dispel characteristics she is believed to share with
Norma Desmond. The place to start, it seems to me, is with the very conceit of the film - one that is
able to successfully blend the paint-by-numbers plot of Film Noir with that most navel-gaze-y of
Hollywood tropes, a movie about the movie business. This is one of the best films to ever lose the
Best Picture Oscar. The pages are a fascinating read and in the first, we even get to see six of the
silent surviving shots described. It is incomprehensible to her why some can not appreciate her
obvious greatness. It's a little disappointing that the BD debut of a film of this stature only elicits 86
seconds of unseen extras, but that newly unearthed deleted scene is the cherry on top of this
otherwise terrific treat you're certain to enjoy and never tire of. The British author's satirical The
Loved One was published in 1948, after Waugh had spent time in Hollywood observing the film
industry and, of all things, the funeral industry. (The book is about a failed screenwriter who works
for a cemetery and lives with a forgotten silent-film star.) Wilder and his co-writers reversed several
elements, and there was no official connection between the movie and Waugh's book. This makes her
very dangerous, in addition to being pathetic. So Wilder gave up, and DeMille (who was already
being compensated) gave Norma his own chair. 10. THE SILENT FILM NORMA WATCHES HAD
GREAT BEHIND-THE-SCENES SIGNIFICANCE. I have a feeling that if they didn't, this might
have gotten a slipcover, as it does not here. Norma Desmond never got her close-up, but Hollywood
is getting one of its own, whether it’s ready or not. No film has better captured the poisonous curse
of nostalgia better than Sunset Boulevard and its crumbling Gothic mansion in which Swanson's
faded diva Norma Desmond lives. It co-exists, somehow comfortably, with a character study of the
deluded and desperate Desmond, played by Gloria Swanson. With unofficial permission from
Paramount, she worked for a few years with writer Dickson Hughes and actor Richard Stapley
developing a show called Starring Norma Desmond (later changed to Boulevard). But so many
decades later, it can be reinterpreted as a statement that Hollywood is finally ready for some
meaningful self-reflection and contrary action in response to decades of enabling a culture that
permitted sexual assault, sexism, and ageism to run amok. Now, he has to fast-talk the men from the
collection agency (Larry Blake and Charles Dayton) in order to keep his car, and beg his contact
(Fred Clark) at Paramount to get him a third-rate job as script doctor. Although it is Norma's
intention that the tango dance release Joe's passion for her, after the dance he rejects her and she
ends up fleeing to her room.