Professional Documents
Culture Documents
14 Kapampangan Artists
14 Kapampangan Artists
14 Kapampangan Artists
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1. IRINEO MIRANDA
The Dean of Philippine Illustrators, Irineo Miranda (b.
1896/d.1964), was an early graduate of the University of
the Philippines’ College of Fine Arts, finishing in 1916.
He honed his craft under Fernando Amorsolo, and soon,
he was earning illustration commissions from Pacific
Commercial Company, doing product labels and
advertisements. So good was he, that in 1918, he was
appointed to the faculty of U.P. where he taught his forte
—cartooning--along with decorative painting and
commercial design. He would stay on for over 40 years in
the academe. He continued to get project, illustrating
covers for Graphic, Liwayway and El Debate magazines. In his time, he was also a top-notch water-
colorist and a political caricaturist.
2. JUAN C. FLORES
Pampanga’s legendary sculptor and carver, Juan C.
Flores (b. 24 Jun. 1900/d. 14 Sep. 1992) of Sta. Ursula,
Betis, grew up in a fishing community. Not wanting to
be a fisherman, he went to Manila to seek his fortune
and found work in the santo shops of Quiapo. He
became an apprentice of Maximo Vicente, worked with
the Tampingcos, and honed his carving skills to
perfection. But just as he was making a name in the city,
he returned to Betis in 1922 to start his own ‘taller’. He
m ade religious statuaries, furniture, decorative wooden
items, church fixtures famed for their details and high
quality. On the side, he mentored young artists like
painters Vicente Manansala, Antonio Dumlao and Allan Cosio. First Lady Imelda Marcos gave him
commissions to do the decorative woodworks in Malacañang. He was rewarded in 1971 with a
Washington D.C. trip as the country’s representative in an art competition which he topped. Flores’
winning piece was a bust of the U.S. Pres. Richard Nixon. At the ripe age of 77, he was given the
Panday Pira Award. His most cherished award was being awarded as one of the “Most Distinguished
Sons of Pampanga” in 1982. His work is continued today by his son Daniel Flores.
3. ELIAS LAXA
Guagua’s master painter of Philippine vignettes
(b.1904/d.1990), was born in Banka, a fishing village.
At 16, he left for Manila, but it was only at the advance
age of 25 that he enrolled at the U.P. College of Fine
Arts, graduating in 1933. Laxa took on odd jobs,
including sign painting in Escolta. He went into serious
painting only after the War, supporting himself by
giving art lessons. His signature works are his color-
splashed seascapes, inspired by his humble
background. But he could also paint other subjects—
calesas on narrow alleys, market women, old colonial
churches, --done in colorful, swift-strokes. In 1952,
Laxa held his first one man show at the Miguel Galvez gallery. It was through his art that he managed to
support his 9 children, who earned degrees in engineering, architecture and education. In 1964, he flew
to Hawaii where he found artistic success.
Laxa’s family would join him there, in the
island state that embraced him and his art.
He passed away in 1990.
5. VICENTE S. MANANSALA
National Artist Vicente “ Enteng” Manansala (b. 22
Jan. 1910/d. 22 Aug. 1981) was born in Macabebe,
and already had artistic inclinations as a boy
growing up in Intramuros where his family
relocated. At age 15, he painted his first oil—a head
of a cow coped fom a milk can. He entered U.P.
Fine Arts in 1926, and left home after graduation.
He worked as a billboard painter, art director and
finally won his first national award in 1941, for his
work “Pounding Rice”. He would be included as a
member of the “13 Moderns” and the “Neo-Realist
Group”. Manansala earned scholarships in Canada
(Ecole de Beaux Arts in Banff) and France (Ecole
de Beaux Arts of the University of Paris). He devised his own technique called “transparent cubism”.
His prized paintings are in various private and corporate collections here and abroad. Holy Angel
University has a section of its museum called The Vicente Manansala Collection, holding most of the
sketches, studies and drawings from the artist’s estate. Mananala was named National Artist for
painting in 1981.
8. LIBORIO T. GATBONTON
Liborio “Gat” Gatbonton (b. 23 Jun. 1914/.5 May
1976) was a Filipino cartoonist and caricaturist
during the 1940s and 1950s who created the
popular series "Jappy Days," a comic book that
satirized the Japanese rule in the Philippines. He
was also the chief cartoonist of the comics section
of the now-defunct Evening Chronicle. The
Candaba native went to Pampanga High School
and took a correspondence course in cartooning.
He took formal art lessons at the University of the
Philippines, and, in 1935, joined T.V.T.
Publications as a staff artist. He became a
cartoonist for the Manila Chronicle and was the
first Filipino artist to have his work published on
The New York Times.
9. SALVADOR CABRERA
Salvador Cabrera (b.1930/d.1986) was BenCab’s big
brother, older by some 12 years. He was often referred
to as a ’quick-draw’ artist who could finish as many as
10 paintings in a day. His trademark works showed
youngsters with large, gazing, soulful eyes, inspired by
artist Margaret Keane. Salvador, who maintained an
Ermita studio, had a successful career as an editorial
cartoonist of Daily Mirror, where his comic strip
featuring a character named Bindoy, ran for 10 years.
In his heyday, he built a large clientele, who paid
Php500 for his portraits, a hefty sum at that time—and
he could finish 5 a day. He managed to provide a
luxurious life for his family, but in the troubled ‘80s,
when patrons ceased coming, he had to rely on
BenCab’s help as his health began to fail. Salvador
Cabrera was also a skilled watercolorist, illustrator and a lay-out artist, and his works were once carried
by Angeles galleries, He died of heart attack in 1986.
SOURCES;
Salvador Cabrera: lex Castro Collection
BenCab: photo: wikipedia
Allan Cosio: http://www.philstar.com/arts-and-culture/2014/11/24/1394631/allan-cosio-cid-reyes-
ricco-renzo
Juan Flores:Singsig,Magazine
Mars Galang: Portrait by BenCab, Art Manila Newspaper, Vol. 2 Series 7, 2001
Liboro Gatbonton: Mobilways
Elias Laxa: Sunday Times Magazine 1963.
Vicente Manansala: Vicente Manansala Collection, Holy Angel University
Irineo Miranda: Leon Gallery
Galo Ocampo: Positively Filipino
Cid Reyes: Cuadro Filipino, photo by Joey Ibay.
Claude Tayag: Scred Heart Seminary Annual
Norman Tiotuico: Saatchi-Art, iorbitnews
All others: Kayumanggi, Biographes of Philippine Visual Artists, Peso Book Foundation 2000.