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Personality Psychology Understanding Yourself and Others 2Nd Edition Full Chapter
Personality Psychology Understanding Yourself and Others 2Nd Edition Full Chapter
Personality Psychology Understanding Yourself and Others 2Nd Edition Full Chapter
Understanding
Yourself and Others
Jean M. Twenge W. Keith Campbell
Contents vii
Adler, Horney, and Object Relations Theory 171 Concluding Thoughts 205
Alfred Adler 171
Karen Horney 172 8 How Learning Shapes
Object Relations Theory 173 Behavior 208
Concluding Thoughts 175
Operant Conditioning: How to Get People
(and Pets) to Do What You Want 210
Four Ways of Modifying Behavior 211
7 Motivation 178 Reinforcement Schedules 215
Timeline: A Brief and Selected History Socialization and Reciprocal Determinism 217
of Theory and Research on Motivation 180 Behavior Modification: Operant Conditioning
Approach and Avoidance Motivation 181 in Action 219
Questionnaire 7.1: Approach Versus How Behavior Modification Works 219
Avoidance Temperament Scale 182 Using Behavior Modification on Yourself 221
Maslow’s Hierarchy of Needs 185 How Far Can Behavior Modification Go? 222
The Major Needs 186 Expectancies and Locus of Control 223
Self-Actualization and Humanistic Questionnaire 8.1: Nowicki Locus
Psychology 187 of Control Scale 224
Implicit Motives 188 Classical Conditioning: How to Get People
Three Major Implicit Motives 189 (and Pets) to Drool 225
How Do Implicit and Explicit Motives Classical Conditioning and Fear 226
Affect Behavior? 192 Personality’s Past: The Scandal
Personality’s Past: Achievement Motivation of John B. Watson 228
in Children’s Books 193 Habituation 229
The Implicit Motives of Presidents and Eras 193 Sleep Conditioning: How Did You Sleep
Self-Determination Theory 194 Last Night? 230
Questionnaire 7.2: Balanced Measure Phobias and Their Cure 231
of Psychological Needs 195 Concluding Thoughts 232
viii Contents
W
hy do people do what they do? Most Questions such as these are front and center
people jump at the opportunity to in students’ lives—and these are the topics stu-
learn about their personality and the dents are motivated to address and understand.
personality of their romantic partners, friends, To us, this is what personality psychology is
family, coworkers, and even enemies. More all about.
than any other subfield in psychology, personal- In this book, we strive to deliver not only
ity tells us what makes people tick. Our passion what students need to know but also what they
for understanding personality—and sharing want to know—and to do it in a way that is engag-
that knowledge with students—compelled us to ing and accessible to undergraduates today. This
write this book. We’ve dedicated our lives to the approach is essential because today’s college stu-
study of people and their personalities, and we’re dents are different: They are enmeshed in online
excited to share what we’ve learned. networks, fascinated by their own personalities,
more comfortable with short passages of text, and
A Modern, Empirical Approach crave an interactive—not passive—experience
with a textbook program.
Research in personality psychology is enjoying a
The second edition of Personality Psychol-
renaissance, exploring topics such as the Big Five
ogy: Understanding Yourself and Others satisfies
traits, neuroimaging and brain chemistry, and
the needs of today’s students with a concise,
the influence of personality on everything from
conversational style; vivid, relatable examples;
workplace relationships to mental disorders. Al-
and an abundance of research-based personality
though such research is the basis for advancing
questionnaires to help students learn about them-
our understanding of personality, it doesn’t need
selves. We also include interactive features allow-
to be dry, boring, or difficult to understand. Per-
ing students to express and share their opinions,
sonality should be the most interesting and rel-
and self-assessments so they can gauge how well
evant subfield in psychology for undergraduate
they’re learning the material as they go.
students, who often want to learn as much as they
can about themselves and their life paths.
Organizational Strategy
• How can I get ahead in my studies and in my career? We used our simple, two-part rule—what stu-
• How am I perceived on social media? dents need to know and what they want to know—
• How can I live a longer, happier life? to organize this product, which breaks from the
• How has my cultural background influenced my standard conventions of our predecessors. Most
personality? personality courses adhere to a theories-based
approach, covering all approaches to personality
• Which job is the best fit for my personality?
equally. While there’s certainly still a need to un-
• What’s the best way to get my children to behave derstand the foundational theories of personality
better? psychology, there’s also a need to move beyond
• Why do I keep falling in love with jerks? them to focus on modern personality psychology
xi
xii Preface
and its applications to the lives of students. We intrinsic and extrinsic motives, and approach
let the research of today dictate what receives the versus avoidance.
most coverage, conveying these findings in the We also feature the history of certain areas of
real-world contexts that will shape our students’ research in timelines, giving students a concise
lives long after they finish the course. overview of classic theories and theorists. Like-
The chapters are divided into three parts. wise, most chapters spotlight a critical moment in
Part I introduces the basic concepts of personal- the history of personality psychology in the fea-
ity psychology and the methods for studying it. ture Personality’s Past. For example, in Chapter 2
Part II presents the foundational approaches to there’s a feature discussing the genesis of person-
personality. Finally, Part III explores personality ality questionnaires; in Chapter 3, we cover the
in applied contexts, such as choosing a career, development of the lexical method of discovering
developing personal relationships, and physical personality traits; Chapter 7 presents the classic
health. With an emphasis on the Big Five and the study of tracing achievement motivation in chil-
very latest research, we are able to address the dren’s books; and Chapter 10 recalls the ground-
most pressing questions in students’ lives: How breaking work of Maccoby and Jacklin in The
different are women and men? Can people really Psychology of Sex Differences.
change? Is it possible to get away with lying on
my job application? We address questions such What’s New in the Second
as these and many more: How can I become a
better friend? What are the warning signs of
Edition
a bad relationship? How can I finally stick to This second edition features extensive cover-
my diet? . . . age of new studies and citations highlighting the
most recent and relevant research in the field with
a focus on an updated, streamlined presentation
Remembering Our Roots
of material. Numerous new interactive activities
Some personality textbooks focus exclusively on in Revel provide students with an enhanced op-
theories, leaving out the modern empirical re- portunity to engage with material as they read
search. Others include both classic thought and to enhance their learning experience. In addi-
recent research. We take this latter approach, tion, students can take more than 25 personality
but with a twist: We focus primarily on modern questionnaires—the same personality measures
empirical research but include classic theories used in the research literature—and see how their
if they (1) inform modern research, (2) continue score compares to others’ on a normal curve. New
to echo through the culture and our lives, and/ for the second edition, the norms will be continu-
or (3) attempt to explain phenomena difficult to ally updated, with students able to compare their
capture with empirical methods. For example, a scores with those of personality psychology stu-
personality course would not be complete with- dents across the country.
out the ideas of Freud, Jung, Adler, and the object New material in the second edition includes:
relations theorists, whose theories fully satisfy the
last two conditions. Research on learning and be-
haviorism continues to shape behavior modifica- Chapter 1
tion programs. And classic models of motivation, • Enhanced coverage of the history of person-
like those of Maslow and Murray, still resonate ality psychology including new interactive
in society and are included in the text along with Figure 1.1 showing the different branches of
current models such as self-determination theory, the history “tree”
Preface xiii
Chapter 2 Chapter 6
• Expanded coverage of ethics and sound scien- • New chapter opener illustrating how the
tific practice, including open science and the popular children’s book Where the Wild Things
replication crisis Are represents psychodynamic concepts
• New interactive Table 2.2 reinforcing the • Reorganization of material on Freud for b
etter
different types of validity flow
• Enhanced interactive coverage of correlation, • New coverage of priming with an interactive
normal distribution, and triangulation example
Chapter 3 Chapter 7
• New material on how the Big Five relates to • Coverage of new research on mindfulness
digital communication
• Updated coverage of U.S. presidents’ motives
• An enhanced chapter organization placing the
• New video on the concept of flow
development of the Big Five earlier
• New interactive Table 3.3 highlighting emoji
associated with the Big Five traits Chapter 8
• New video on how the Big Five relate to per- • Enhanced coverage of socialization and recip-
sonality traits rocal determinism including new interactive
• Maps showing prevalence of each of the Big Figure 8.1
Five traits throughout the United States are • New videos illustrating negative reinforce-
now interactive ment, observational learning, and shaping
positive behavior with rewards
Chapter 4
• Updated coverage of epigenetics and gene Chapter 9
expression • Coverage of new longitudinal studies on
• New material on sociosexuality, evolution and personality development across the lifespan
same sex attraction, and testosterone exposure
effects • Expanded coverage of how significant life
events impact personality
• Enhanced interactives highlighting personal-
ity in the brain • A more chronological placement of coverage
on birth order and personality
• Revised Table 9.1 provides examples of child
Chapter 5 temperament constructs related to adult per-
• New coverage of the Self-Evaluation Mainte- sonality traits and is now interactive
nance (SEM) model • Revised Table 9.2 links Erikson’s life stages
• New video on self-compassion with common personality developments
xiv Preface
• Test Bank (ISBN: 0135200458): Each chapter A separate Art and Figure version (ISBN:
contains multiple choice, short-answer, and 013520058X) of these presentations contains all
essay questions. It is available for download art from the textbook for which Pearson has
on the Instructor’s Resource Center at www. been granted electronic permissions. It is avail-
pearsonhighered.com/irc. able for download on the Instructor’s Resource
• MyTest Test Bank (ISBN: 0135200466): A Center at www.pearsonhighered.com/irc.
powerful assessment-generation program Accessing All Resources: For access to all
that helps instructors easily create and print instructor supplements for Personality Psychol-
quizzes and exams. Questions and tests can be ogy: Understanding Yourself and Others, go to www.
authored online, allowing instructors ultimate pearsonhighered.com/irc and follow the direc-
flexibility and the ability to efficiently manage tions to register (or log in if you already have a
assessments any time, anywhere! Instructors Pearson user name and password). Once you
can easily access existing questions and edit, have registered and your status as an instructor is
create, and store them using simple drag- verified, you will be e-mailed a log-in name and
and-drop techniques and Microsoft Word– password. Use your log-in name and password to
like controls. Data on each question provide access the catalog.
information on difficulty level and skill level All of these elements are dedicated to
of corresponding text discussion. In addition, enriching students’ learning experience and
each question maps to the text’s major section helping them engage with and understand the
and learning objective. For more information, material. In sum, we hope all of our efforts have
go to www.PearsonMyTest.com. worked to achieve our primary goals in writing
• Enhanced Lecture PowerPoint Slides with this book: to teach students about personality
Embedded Videos (ISBN: 0135200563): The psychology, but also to teach them about life. We
enhanced Lecture PowerPoints offer detailed welcome your reactions to the second edition
outlines of key points for each chapter sup- of Personality Psychology: Understanding Yourself
ported by selected visuals from the textbook, and Others. Please send comments to Jean M.
and include videos featured in the text. Stand- Twenge at jtwenge@mail.sdsu.edu or to W. Keith
ard Lecture PowerPoints without embedded Campbell at wkc@uga.edu. We look forward to
videos (ISBN: 0135198410) are also available. hearing from you.
Acknowledgments
M
any, many people have helped make University of Minnesota; David Nelson, Sam
this book better. The editors and man- Houston State University; Randall Osbourne,
agers at Pearson played a crucial role Texas State University; Bernardo Carducci, Indi-
in shepherding this book into existence, includ- ana University, Southeast; Peg Racek, Minne-
ing Kelli Strieby, Becky Pascal, Debi Henion, and sota State University; Stephanie Sogg, Harvard
Chris Brown. Extension School; Lyra Stein, Rutgers University;
My (J. M. T.) PSY 351: Psychology of Per- Suzan Tessier, Rochester Institute of Technology;
sonality students at San Diego State University Sandra Tobin, Clackamas Community College;
provided extensive, thoughtful, and refreshing and Jennifer Wartella, Virginia Commonwealth
feedback on the book. Thanks for both your enthu- University.
siastic praise and your constructive criticism. It We owe a special thanks to Joshua Miller
was immensely helpful to hear what you liked (University of Georgia), who played a role in
and didn’t like. Hearing so many of you say that writing Chapter 3 on the Big Five in the first edi-
the book was easy to read and made you laugh, tion. Another special thanks to David G. Myers
or that the material helped you in your own life, (Hope College), my (J. M. T.) mentor and hero in
made it all worthwhile. textbook writing, for the encouragement and for
The faculty reviewers of this book provided several specific suggestions.
many useful suggestions as well. We thank all Other colleagues also provided suggestions,
of them for their help: Sarah Angulo, Texas State encouragement, materials, ideas, and support,
University; John Bickford, University of Massa- including (but not limited to) Roy Baumeister,
chusetts, Amherst; Claudia Brumbaugh, Queens Florida State University; Christopher Bryan, Uni-
College; Bernardo Carducci, Indiana University, versity of Chicago; Bryan Caplan, George Mason
Southeast; Tammy Crow, Southeastern Okla- University; Nathan Carter, University of Georgia;
homa State University; Dana Dunn, Moravian Jody Davis, Virginia Commonwealth University;
College; Michael Faber, Woodbury University; Mark Davis, Eckerd College; Nathan DeWall,
William Fry, Youngstown State University; Jen- University of Kentucky; Alice Eagly, North-
nifer Gibson, Tarleton State University; Susan western University; Andrew Elliot, University
Goldstein, California; Rachael Grazioplene, Uni- of Rochester; Julie Exline, Case Western Reserve
versity of Minnesota; Paul Griffin, Pace Univer- University; Eli Finkel, Northwestern Univer-
sity; James Hall, Montgomery College; Chelsea sity; Craig Foster, U.S. Air Force Academy; R.
Hansen, Upper Iowa University; Robert Harvey, Chris Fraley, University of Illinois; Brittany Gen-
Virginia Tech; Kathryn Holcomb, Indiana Uni- tile, ICON; Jeff Green, Virginia Commonwealth
versity, Kokomo; Selena Kohel, Cottey College; University; Patricia Greenfield, University of
John Kurtz, Villanova University; Christopher California, Los Angeles; Chris Harris, University
Leone, University of North Florida; Peter Lifton, of California, San Diego; Martie Haselton, Uni-
Northeastern University; Eric Lindsey, Penn- versity of California, Los Angeles; Brian Hoff-
sylvania State University, Berks; Martha Low, man, University of Georgia; Rick Hoyle, Duke
Winston Salem State University; Steven Ludeke, University; Janet Hyde, University of Wisconsin;
xvii
xviii Acknowledgments
Oliver John, University of California at Berkeley; children occupied as I wrote the first edition of
Thomas Joiner, Florida State University; Tim this book but was my sounding board for the
Kasser, Knox College; Heejung Kim, Univer- mind of an undergraduate. My friends Amy and
sity of California, Santa Barbara; Laura King, Paul Tobia listened to many a textbook story.
University of Missouri; Sonja Lyubomirsky, Thanks to my husband, Craig, for his support
University of California, Riverside; Roy P. and encouragement. Thanks to my daughters,
Martin, University of Georgia; Jessica McCain, Kate, Elizabeth, and Julia, for their love and
University of Georgia; Beth Morling, University fascinating personalities—I hope you like your
of Delaware; Julie Norem, Wellesley College; starring role here!
Stephen Nowicki, Emory University; Constan- For W. K. C: I am lucky to be able to hang
tine Sedikides, University of Southampton; Ken out with so many fun and interesting people. In
Sheldon, University of Missouri; Ryne Sherman, particular, Josh Miller has played a major role
Hogan Assessment Systems; Judith Siegel, Uni- in shaping how I think about personality. Love
versity of California, Los Angeles; Mark Snyder, and thanks to my wife, Stacy, for both support-
University of Minnesota; Harry Triandis, Univer- ing me through another long book project and
sity of Illinois; Michelle vanDellen, University of for providing some great feedback on the project
Georgia; Kathleen Vohs, University of Minnesota; when wearing her Dr. Stacy Campbell hat. And
and David G. Winter, University of Michigan. finally thanks to my daughters, McKinley and
We would also like to thank our families Charlotte—when you are old enough to read this
and friends. For J. M. T.: My endless gratitude text, you will realize why Daddy drank so much
to Brandelyn Jarrett, who not only kept my coffee when you were young.
About the Authors
Jean M. Twenge, Ph.D., Professor of Psychol- W. Keith Campbell, Ph.D., Professor of Psychol-
ogy at San Diego State University, is the author ogy at the University of Georgia, is the author
of more than 140 scientific publications and of more than 100 scientific publications and the
the books iGen: Why Today’s Super-Connected books, When You Love a Man Who Loves Himself:
Kids Are Growing Up Less Rebellious, More Toler- How to Deal with a One-Way Relationship; The Nar-
ant, Less Happy—and Completely Unprepared for cissism Epidemic: Living in the Age of Entitlement
Adulthood, Generation Me: Why Today’s Young (with Jean Twenge); and The Handbook of Narcis-
Americans Are More Confident, Assertive, Entitled— sism and Narcissistic Personality Disorder: Theoreti-
and More Miserable Than Ever Before, The Narcissism cal Approaches, Empirical Findings, and Treatments
Epidemic: Living in the Age of Entitlement (with (with Josh Miller). His work on narcissism has
W. Keith Campbell), and Social Psychology (13th appeared in USA Today, Time, and The New York
edition, with David G. Myers). She frequently Times, and he has made numerous radio and tele-
gives talks and seminars on iGen based on a data- vision appearances, including The Today Show,
set of 11 million young people. Her research has NPR’s All Things Considered, and The Glenn Beck
been covered in Time, Newsweek, The New York Show. Dr. Campbell speaks to organizations
Times, USA Today, U.S. News and World Report, and around the globe on the topics of narcissism, gen-
The Washington Post, and she has been featured on erations, and cultural change.
Today, Good Morning America, CBS This Morning,
Fox and Friends, NBC Nightly News, Dateline NBC,
and National Public Radio.
xix
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Part I
Defining Personality and
Methods of Assessment
Who are you? You might answer with your name, or where you’re from, or with
your gender or ethnicity. But when you really think about who you are as a per-
son, you’ll probably focus on your personality: Are you outgoing or shy? Relaxed
or tense? Neat or messy? Forceful or laid-back?
This book—and the personality questionnaires that come with it—will give
you the chance to find out. In Chapter 1, you learn how psychologists define that
elusive thing known as personality. What is it, and where can we observe it? How
can we understand others better by identifying their personality traits? We also
consider the interplay between people and their environments—after all, even
people with consistent personalities don’t act the same in class as they would at
a party (at least we hope they don’t!).
Chapter 2 covers how personality can be measured. How is it possible to
describe someone’s personality—such a large and unwieldy thing—with a series
of numbers? And how do we know that a personality measure is any good? You
might have already taken a personality questionnaire or two online, and won-
dered if it was accurate. Did it really capture who you are? That’s an important
question, and you learn how researchers make personality measures as valid
and reliable as possible. You also peek behind the scenes to see how personality
studies are actually done.
Welcome to personality psychology! It’s going to be a fun ride.
1
Chapter 1
Understanding
Yourself and Others
Thomas Barwick/Taxi/Getty Images
Learning Objectives
LO 1.1 Define personality and describe its history and scope.
LO 1.2 Describe various contexts in which personality might appear.
LO 1.3 Describe the two sides of the person–situation debate, how the
debate was resolved, and the conditions under which personality
can best predict behavior.
LO 1.4 Discuss some of the major topics in personality psychology.
2
Understanding Yourself and Others 3
Steve Jobs was about to get fired. In the years after cofounding Apple, Jobs had
alienated many people with his argumentative, emotional personality. Before one
meeting in the mid-1980s, Apple CEO John Sculley begged Jobs to be nice. But
as soon as everyone sat down, Jobs said, “You guys don’t have any clue what
you’re doing.” And that was the end of the meeting. “I’m sorry—I just couldn’t
help myself,” Jobs explained.
That, it turned out, was Jobs being nice—many other days, he screamed at
employees or began crying when things went wrong. In May 1985, Jobs was
forced to leave the company he had founded.
By 1997, Apple was struggling to survive, and Jobs returned as CEO. He was
still blunt, argumentative, and stubbornly opinionated, but he had mellowed
somewhat—or at least learned from failure. A self-described “humanities person,”
fascinated with new experiences and ideas, he believed that technology had to
consider the experience of the person using it. That philosophy led to incredible
success: During Jobs’s second stint as CEO, Apple introduced the iMac, the iPod,
the iPhone, and the iPad and debuted the Apple Stores. When Jobs died of cancer
at age 56 in October 2011, the world mourned him as a lost genius.
Yet much of the fascination with Jobs centers on his odd personality. He exper-
imented with drugs and extreme vegan diets, often walked around barefoot, and
sometimes refused to shower. If he didn’t like something, he would tell people it
sucked. He was confident in himself and dismissive of others. “People don’t know
what they want until you show it to them,” he famously said. He had such a loose
relationship with the truth that friends joked he had a “reality distortion field.”
The central question in Walter Issacson’s bestselling biography Steve Jobs (2011) is
whether Jobs succeeded because of his personality—or in spite of it.
Are all computer magnates like Jobs—emotional, perfectionistic, outgoing,
and open to new ideas? Not really. Bill Gates, the cofounder of Microsoft, is also
known for being somewhat odd—but in a very different way from Jobs. He rocks
back and forth as he speaks and continually multitasks. A programmer by train-
ing, he shows little curiosity about other people or their personal lives and rarely
displays much emotion. His father recalls that Gates lacked confidence in social
situations as a teen—he worried for 2 weeks about asking a girl to the prom and
then got turned down. While heading Microsoft in the 1990s, Gates rarely called
anyone, instead preferring to send more than 100 emails a day (Isaacson, 1997).
After scaling back his role at Microsoft in 2006, Gates and his wife, Melinda,
turned their attention to philanthropy, much of it toward promoting the health
and well-being of poor children.
On the surface, Steve Jobs and Bill Gates have a lot in common. Both founded
computer companies. Both were born in 1955. Both became multibillionaires. Both
were extraordinarily brilliant and driven, and both were famously blunt: Gates’s
version of “You guys don’t have any clue what you’re doing” is “That’s the stu-
pidest thing I’ve ever heard.”
Yet their personalities are strikingly different—and so are the companies
they founded. Gates is detail oriented and mathematical, and his company
4 Chapter 1
Images
Images
What Is Personality?
LO 1.1 Define personality and describe its history and scope.
Personality shapes our lives in many ways: It determines whether you think sky-
diving or reading a book is more fun and predicts whether you usually arrive
5 minutes early or 15 minutes late. Personality can forecast who—at least on aver-
age—lives a long life and who doesn’t, who is successful at work and who isn’t,
and who has a happy marriage and who doesn’t (Ozer & Benet-Martinez, 2006;
Roberts et al., 2007). It can suggest that certain careers might be a good fit or that
certain romantic partners might not be.
personality
Defining Personality
someone’s usual So what exactly is personality—that elusive and ineffable entity that is never-
pattern of behav-
ior, feelings, and
theless so important? Personality describes someone’s usual pattern of behav-
thoughts ior, feelings, and thoughts. By usual, we mean how someone acts, think, or feels
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A pretty good thing, and I suppose there’s nursemaids and
governesses for all the children, too, hey?
Maxwell
Why, as a matter of fact there are—but not exactly in the way
you mean. You see, they run a sort of a boarding school, too, the
people that run this model tenement do, and they take care of all the
children there—keep ’em night and day, feed ’em and dress ’em and
teach ’em trades and all that sort of thing. They let them come to see
you on Sunday, but you’re relieved of all responsibility and your wife
of all the trouble.
Ryan
I see. But what’s to become of my job when I’m going off to this
here model tenement to sleep nights? Don’t you know that a janitor
has to sleep in the building he’s taking care of?
Maxwell
Well, you’re not in love with your job, are you? You’d be willing to
do some other work where there was a chance of advancement and
better pay, wouldn’t you?
Ryan
Sure I would. Where am I going to get it?
Maxwell
Why, as to that, I guess Mr. Morris or I could get you a job
somewhere. You’re a big husky fellow and pretty steady, I know. I
could get you a job in the shipping department of a factory I am
interested in, if you wanted it.
Ryan
What would the hours be?
Maxwell (laughing)
Why, you’re going pretty fast, Ryan. I don’t know just what the
hours would be yet, but I suppose they’d be from half past eight to
six or something like that. That’s easier than your hours now, isn’t it?
Ryan
Much easier. Now, what has all this got to do with my wife having
too many children?
Maxwell
Why, these people think that Mrs. Ryan has had too many
children. Some of these people are doctors, and they say it’s bad for
a woman’s health to have so many children.
Ryan
I see. Well, what would you like to have me do about it?
Maxwell
About the model tenement?
Ryan
No, about my wife having any more children.
Maxwell
Well, you know—you see I’m not—what they think is— Oh,
damn it, I don’t know about this part of the thing, Ryan. It’s out of my
line. I’m not a philanthropist. I’m just talking for these people
because they know I know you. About that question you’ll have to
talk to Mrs. Dannenberg or Mr. Morris.
Ryan
Mr. Morris—he’s the little guy that was standing on a chair when
I came in to-night, ain’t he?
Maxwell
Yes.
Ryan
Is he a doctor?
Maxwell
No, I don’t think he is.
Ryan
He came into my place the other day selling some sort of a little
doctor book.
Maxwell
I know; he does that because he’s a philanthropist.
Ryan
Do people make a living by being philanthropists?
Maxwell
No—well, as a matter of fact, many people do make a pretty fat
living out of it, but Mr. Morris doesn’t. He’s a sculptor—a man that
makes statues, you know.
Ryan
Oh, I know what a sculptor is, all right. What statues did Mr.
Morris make?
Maxwell
Why, he made that statue over in the corner, for one thing.
(Ryan goes over and examines the purple statue.)
Ryan
Do you like this statue, Mr. Johnson?
Maxwell (laughing)
I’m not a judge of such things, Ryan. But people who know about
art say that it’s very good indeed.
Ryan
Is it a good likeness?
Maxwell
It’s not supposed to be a portrait; it’s a sort of a fancy statue. It
represents the “Emancipation of Woman”—woman freed, you know.
Ryan
Freed from what?
Maxwell
Why, from overwork, and excessive child-bearing and all that
sort of thing, you know.
Ryan
Well, that lady’s freed from child-bearing, all right. She’s perfectly
safe on that score. (He goes back to his chair and pours out another
drink.) But now let’s get back to your friends’ proposition. I’m to get a
day job and come home nights—is that right?
Maxwell
That’s right.
Ryan
The children are taken off my wife’s hands, and she doesn’t have
to do any more cooking or washing or anything, hey?
Maxwell
That’s it, Ryan.
Ryan
And the place we’d live would be pretty much like this apartment,
would it?
Maxwell
Just as comfortable, at any rate.
Ryan
My wife would have no work to do; I’d work in the daytime and
come home nights—there’d be no kids to take care of—it would be
pretty much like the life that you and your wife have, wouldn’t it, Mr.
Johnson?
Maxwell
Ah—why, yes, Ryan, pretty much the same. What do you think of
the proposition?
Ryan
Well, I’ll tell you. Of course I wouldn’t like to have the children go
away—though they are a lot of trouble—but I suppose they’d be
better taken care of than we could do, so, if that was all there was to
it, I’d say go ahead. And it’d be all right for me, too, if I was a
bachelor. But it’s on account of my wife that I feel I’ve got to say,
“Excuse me!”
Maxwell
Why, you don’t begrudge your wife a little rest, do you, Ryan?
Ryan
Would I begrudge the old woman a little rest? Yes, by God, I
would, if a little rest meant having nothing to do all day except sit
around and talk to her friends and run around town. It’s just on that
account that I say nix to your whole proposition. Now you think I’m a
slave driver, I suppose. Well, I ain’t, Mr. Johnson, but I’ve lived with a
woman thirteen years, and what I’m telling you I didn’t get out of no
books—it’s facts!
Listen, Mr. Johnson. What you want us to do is to live just the
sort of life that you and your wife live—no children to take care of, no
washing nor cooking nor nothing. Well, what I say is, excuse me!
That may be all right for you and your wife—she don’t need no
housework nor children nor nothing to keep her busy. Her time is full
of all sorts of useful things—I know that. (Maxwell stirs uneasily and
looks at the floor.) But with Annie, my wife, it’s a different proposition
altogether. She’s one of them women—and there’s a lot more of
them than you think—that can’t stand living in a nice regular
apartment with nothing to do. I know because we tried it when we
was first married. It’s like what the old fellow said: “Satan finds some
mischief still for idle hands to do”!
Maxwell
True enough! And—
Ryan
Listen, Mr. Johnson. When we was first married, Annie was one
of these here idle hands they tell of. She was an idle hand for three
years, and Satan, as the old fellow said, certainly found some
mischief for her to do. Not anything real bad—there’s no real harm in
Annie—but it was mischief all right. For the first three years we was
living in a nice apartment in Brooklyn. I wasn’t a janitor, then; I was
driving a truck. I was out all day and I got home every night at six or
seven o’clock. All Annie has to do is to get my breakfast and supper
and keep the place clean. Does she do it? Sure she does, for the
first four or five weeks! Then she gets to making friends with other
women in the building and going out to matinees and vaudeville and
all that sort of thing. That’s all right—I can afford it—I don’t care if
she has a good time; but then what does she do? I give her two
dollars in the morning to go out and buy a good supper for me when
I come home. I come home and she ain’t in yet, and the lady in the
next flat gives me the groceries that she’s sent home. And what is
they? A little chipped beef and a box of Saratoga chips and some
baker’s bread. About fifty-cent’s worth. When she gets home I ask
her where she’s been. Why, Mrs. Eindorfer has took her to a
spiritualist meeting, and she’s spent the rest of that money to look
into a glass ball or have her fortune told or some such foolishness.
Now this goes on for nearly three years. It ain’t all spiritualists’
meetings; it’s all sorts of things. She makes all sorts of friends,
women and men, too; I had to beat a couple of ’em up. The flat
wasn’t kept up; I run into debt; my meals wasn’t cooked right or on
time, and Annie was half sick all the time just from running around
entertaining herself. I ain’t blaming her. She wasn’t to blame. And
what was to blame? The apartment house was to blame. When
Peter was born, after we’d been married three years, and I gave up
trucking and moved out of that apartment house and got a job as
janitor, everything was all right. And everything’s been all right ever
since.
Maxwell (thoughtfully)
And the apartment house was to blame?
Ryan
Believe me, Mr. Johnson, the only part of an apartment house to
live in is the basement, where you can have a regular home. I been
a janitor for ten years, and I seen these apartment houses do queer
things to families. They don’t seem to have no children when they
live in apartment houses, that’s one thing. And there ain’t no coal to
bring up and the washing goes out, and there ain’t nothing for them
to do but just make fools of themselves. And sometimes there’s a
good many divorces been caused by these here apartment houses.
And there’d be a good many more divorces if a lot of husbands knew
what went on when they was downtown at business.
Understand me, Mr. Johnson. I don’t mean you and your wife at
all. You ain’t that sort of people, but what I do say is for my wife, and
for a lot of women with more education and more money than she’s
got, the only sort of life is doing housework and taking care of
children all day long. So Annie and me will stay down in the
basement, much obliged to you, unless we go out of New York to live
in a little house in the country sometime. And Annie’ll have just as
much work to do there. She’s one of them women that wasn’t meant
to be idle. And now I guess I’ll go downstairs.
(He rises and goes toward the door. Maxwell sits silent for a
moment and then rises a little unsteadily. He holds out his hand to
Ryan for a second and then drops it and starts.)
Maxwell
Ryan, I—er—why, I guess you’re right, after all. I’ll tell my friends
what you said.
Ryan
All right. No hard feelings, I hope.
Maxwell
Not at all; that’s all right. Good night, Ryan.
Ryan
Good night, Mr. Johnson.
(He goes out.)
Maxwell
There’s a man that’s master in his own home, at any rate. (He
lights a cigar and walks around the room with his hands in his
trousers pockets, coming to a halt in front of the purple statue. He
looks at it reflectively.) Satan finds some mischief still—(A pause)—
for idle hands to do. For idle hands to do. For idle hands to do. For
idle hands—
(The doorbell is rung violently. Maxwell starts and runs out into
the hall. He returns with Helen, who is very much out of breath. As
she runs into the room the combs drop from her hair, which falls over
her face and shoulders. She throws herself on the chaise-longue.
Maxwell sits beside her and tries to push her hair back from her
face.)
Nellie! What’s the matter?
(Helen sobs without answering.)
Helen
It’s those nasty Martins and that nasty policeman and that nasty
Lionel Morris.
(The bell rings again. Maxwell goes to the door and admits
Lionel.)
Lionel
Oh, I’m awfully glad you got back all right, Miss White. I jumped
into a taxi as soon as that brute of a policeman came, and then I met
all the rest of the crowd at the studio and everybody said, “Where’s
Miss White?” So I came right up here to find out if you’d got home.
Maxwell
For God’s sake, will somebody tell me what’s happened?
Helen
Be still. You see, Max, we were all at the Mortons’ studio, and
Adrian Wolfe made a speech about those nasty striking miners in
California or wherever it is that everybody is wearing mourning for
and parading and all that and this—and Mr. Morris said: “Let’s walk
up to Union Square and hold an open air meeting to protest.” So we
went up there and I made a speech and there was a crowd and I
saw a policeman there, but I thought it would be all right, and then
Mr. Morris made a speech and he said something about trampling on
a bloodstained flag, and the policeman told him to stop, and he
called the policeman a myrmidon, and some more policemen came
and broke up the meeting, and he ran away and wouldn’t help me;
and I ran down into the subway, and I don’t see how he dares show
his face in here!
Maxwell
I’ll talk to him presently, but quiet down a little. You’d better go in
your room and fix up your hair.
(Helen rises to go out. She stops in the doorway and turns to
Maxwell.)
Helen
I won’t go to that nasty Amaranth this summer, Maxwell.
Maxwell
No, you won’t go to Amaranth.
Helen
Then will you get an automobile?
Maxwell
No, I won’t get an automobile.
Helen
Then what—
Maxwell
I am going to take that two thousand dollars and buy, with the
assistance of the building and loan association, a small house in a
city called Joplin, in the State of Missouri. It will not be a large house,
but I think that you will not find the time hanging heavy on your
hands. My brother has a wholesale grocery there, and I dare say he
will take me into the business, especially as I have a little money to
invest. And I’ll come home to luncheon every day. Missouri is a fertile
State. My brother has six children.
Lionel
But, Miss White—Mr. Johnson!
(Helen goes down the hall to her room. Maxwell walks up to
Lionel.)
Maxwell
My wife’s name is not Miss White but Mrs. Johnson—Mrs.
Maxwell Johnson, of Joplin, Missouri. Get that? Do you know what
keeps me from dropping you down the elevator shaft?
Lionel
What—what do you mean?
Maxwell
It’s the janitor. Yes, Ryan, the fellow down in the basement with
nine children that you and Mrs. What’s-her-name wanted to
segregate. He told me all about you to-night. You’re nothing but a by-
product! The apartment house is the real devil in this pretty little play
—the apartment house is responsible for Feminism and Socialism
and Anarchism and Eugenics and pups like you. You’re just a sort of
bad substitute for the movies—that’s all you are. The apartment
house breeds the whole bunch of you—the apartment house and its
artificial, lazy, good-for-nothing life.
(Lionel starts toward the door hurriedly, but stops as if shot
when the telephone bell rings close to his ear. He comes back into
the room and Maxwell goes to the telephone.)
Maxwell
Hello!... What’s that?... Yes, this is Mr. Johnson.... No, I don’t
think so. Hold the wire and I’ll see. (With his hand over the
transmitter he looks into the room.) Nellie!
Maxwell
What is your name?
Helen
Why, Helen, of course, stupid.
Maxwell
Helen what?
Helen
Helen Johnson.
Maxwell
Not Miss Helen White?
Helen
No! No! No!
Maxwell (smiling)
Well, that’s all right, then. There’s a cop down-stairs with a
warrant for the arrest of a Miss Helen White and a Mr. Lionel Morris,
charged with making incendiary speeches in Union Square. They
think that Morris’s taxicab stopped at this building, and the policeman
is going through all the apartments. He’ll be here in a minute. (In the
receiver.) All right, Sam, it’s all right. Thanks for tipping me off.
(Maxwell reënters the room and sits on the pianola bench. Helen
reclines, with some dignity, on the chaise-longue. Lionel crouches
behind the purple statue.)
Maxwell (meditatively)
Satan finds some mischief still—
Helen
What are you saying, Max?
Maxwell
Oh, I was just thinking of the janitor. I had quite a talk with him
after you left.
(The doorbell rings, and Maxwell admits a large policeman.)
Policeman
Excuse me, sir; it’s just a matter of form. I’m looking for a couple
of them Anarchist-Suffrage-I. W. W. bugs. It’s just a matter of form.
The man’s name is Lionel Morris and the woman’s name is Helen
White. Are you Lionel Morris?
Maxwell
No; my name is Maxwell Johnson. The janitor knows me, and so
do a lot of people in the building.
Policeman
Thank you, sir. It’s just a matter of form. Now, madam—it’s just a
matter of form—are you Helen White?
Helen
No, I am not Helen White. I am Mrs. Maxwell Johnson.
Policeman
Thank you, madam, thank you; it’s just a matter of form. You see
these parties is incendiaries; they called me a mermaiden. Now, just
two more questions—it’s just a matter of form: Is Miss Helen White
here?
Helen
No, Helen White is not here.
Maxwell
And I’m glad she isn’t here, officer.
Policeman
You may well be that, sir; you may well be that. Now, is Lionel
Morris here?
(There is a pause, during which the purple statue shakes
slightly.)
Maxwell
Well, what do you think about it, officer? Take a look around the
place. Want to look in the dumb waiter or down the kitchen sink?
Policeman
Oh, I know he’s not here, Mr. Johnson, and I’m sorry to have
troubled you. Much obliged to you. Good night, sir.
Maxwell
Have a drink before you go?
Policeman
Well, I hadn’t ought to, but I guess I will, thanks.
(Helen pours the whiskey and Maxwell and the policeman lift
their glasses.)
Policeman
Well, here’s how, sir.
Maxwell
Here’s Joplin!
Helen
Oh, I’ll drink that.
(She takes a sip from Maxwell’s glass.)
Policeman
What’s that, something new?
Maxwell
No, it’s old as Adam and Eve.
Policeman
Well, it’s a new one on me. Thank you, sir. Good night.
Maxwell
Good night. (The policeman goes out. After the door slams shut,
Lionel stands up, but remains behind the purple statue.) Hadn’t you
better go to some other apartment house? The cop’s gone down the
elevator. He’ll be gone by the time you get downstairs. (Lionel goes
out and as he turns he brushes against the purple statue, which
topples on its pedestal. He bangs the door shut after him violently,
and the statue falls to the floor and breaks into several pieces.
Maxwell and Helen look at it for a moment and then turn to each
other and laugh.)
Helen
Oh, look what’s happened to the “Emancipation of Woman”!
CURTAIN
Transcriber’s Notes
Punctuation, hyphenation, and spelling were made
consistent when a predominant preference was found in the
original book; otherwise they were not changed.
Simple typographical errors were corrected; unbalanced
quotation marks were remedied when the change was
obvious, and otherwise left unbalanced.
Illustrations in this eBook have been positioned between
paragraphs and outside quotations. In versions of this eBook
that support hyperlinks, the page references in the List of
Illustrations lead to the corresponding illustrations.
*** END OF THE PROJECT GUTENBERG EBOOK JOYCE KILMER
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