This document provides an overview of different art forms throughout history and regions, as well as principles of art evaluation. It discusses various contemporary art forms that challenge traditional boundaries and definitions. Contemporary art is described as a dynamic combination of materials, methods, concepts, and subjects. The document also outlines steps for critiquing artwork, including description, analysis, interpretation, and judgement, and discusses principles of design such as harmony, variety, rhythm, proportion, movement, balance, emphasis, and subordination.
This document provides an overview of different art forms throughout history and regions, as well as principles of art evaluation. It discusses various contemporary art forms that challenge traditional boundaries and definitions. Contemporary art is described as a dynamic combination of materials, methods, concepts, and subjects. The document also outlines steps for critiquing artwork, including description, analysis, interpretation, and judgement, and discusses principles of design such as harmony, variety, rhythm, proportion, movement, balance, emphasis, and subordination.
This document provides an overview of different art forms throughout history and regions, as well as principles of art evaluation. It discusses various contemporary art forms that challenge traditional boundaries and definitions. Contemporary art is described as a dynamic combination of materials, methods, concepts, and subjects. The document also outlines steps for critiquing artwork, including description, analysis, interpretation, and judgement, and discusses principles of design such as harmony, variety, rhythm, proportion, movement, balance, emphasis, and subordination.
This document provides an overview of different art forms throughout history and regions, as well as principles of art evaluation. It discusses various contemporary art forms that challenge traditional boundaries and definitions. Contemporary art is described as a dynamic combination of materials, methods, concepts, and subjects. The document also outlines steps for critiquing artwork, including description, analysis, interpretation, and judgement, and discusses principles of design such as harmony, variety, rhythm, proportion, movement, balance, emphasis, and subordination.
imagination and/or skill in making aesthetic • Architecture- city planning g parks, objects encounters that can be shared with waterfronts, civic/government other people structures, public works, apartment, residences, offices health and Contemporary Art education, business chalet. • the art of today, produced in the late Japanese period 20th century or in the 21 century. • Painting – War time scene, • Their art is a dynamic combination nationalism, symbolic protest, of materials, methods, concepts, and aspiration for peace subjects that challenge traditional • Sculpture- propaganda, indigenizing boundaries and defy easy definition. and orientalising work, • Architecture- Public works HISTORICAL OVERVIEW : Post war Republic • Philippine Art • Painting- Modern, Conservative, Pre- conquest abstract, experimental, public art • Painting • Architecture- Real estate, housing, ➢ Potter, Body Adornment squatters, commercial business • Sculpture 70’s Contemporary ➢ Pottery, Carving, woodwork and • Painting Figurative, non Figurative, metal work Art for art sake • Architecture • Architecture- Real estate, housing, ➢ Dweling’s, houses, shelters, worship squatters, commercial business, areas, official residences, mosques, convention arch, condos, malls. masjid, state edifeces ART Spanish Period FINE OR AESTHETIC • Painting- Religious ( Icon and Major Arts Ecclesiastical)Secular Portraiture Fine art or Aesthetic • Sculpture- Santos, furniture, reliefs • Primarily for aesthetic enjoyment altar pieces, jewelry, metal work, through the senses, especially the fiesta ornamentation. visual and auditory. • Architecture- Church, Plaza • the changing certain materials or complex, TownPlanning, media for aesthetic pleasure Fortification,civic buildings and installation, private residences, commercial structures, cemeteries UTILITARIAN OR PRACTICAL and bridges. Minor arts American Period • Arts are intended for practical • Painting- Landscape, portraiture, use or utility. It is the changing genre, interior of raw materials for utilitarian purposes. • must possess ornaments or • This refer to agronomy (Crop artistic qualities to make them Production) Horticulture(Garden or useful and beautiful. Orchard cultivation) Husbandry ( Animal production) and farming. ART FORMS Industrial Art Business Art • the changing of raw materials into • This includes merchandising, some significant product for human accounting, bookkeeping, type consumption writing, stenography, salesmanship, Examples: Shell Craft, Bamboo Craft, Shoe and business administration. making, Pottery, Sheet- Metalwork, manufacture of automobiles, home Fishery Art appliances, and television sets • It includes shallow and deep see fishing, refrigeration, and culture, net Applied or Household chart weaving. • This refers to mostly household art such as flower arrangement, interior Medical and Clinical Art decorations, dress making, home- • It includes first Aid, treatments, making, embroidery, cooking and medicinal manufacturing, surgery, others medical operations, rehabilitation and others. Civic Art • This includes city or town planning, ART EVALUATION maintenance and beautification of Steps on Critiquing an Artwork parks, plazas, roads, bridges, and 1. DESCRIPTION farms. I • civic planning and beautification in Think Facts order to improve the standards of 1. What is the title of the art work living. 2. Who is the Artist? 3. when and where was it created? Commercial Art 4. What media was used? • It involves business propaganda in 5. Is there a primary subject in the piece? the form of advertisement in news 6. What specific elements of art can you paper and magazines, signs painting, find in this piece. billboards, announcement, leaflets, Elements of Arts display, poster, designing, movie SPACE illustration and many more. • In Visual arts, it can be defined as Graphic art void, an emptiness which can either be positive or negative • Is anything Printed from raised or sunken relief and plane surfaces • In other form it can be referred to interval or pause. Agricultural Art LINE • assortment or diversity of a work of • Line is the extension of a point a art long mark drawn or carve on a RHYTHM surface • the regular, repeated pattern in the SHAPE & FORM elements of art. • Shape can be described as figure • It is a flow, or feeling of movement separation from surrounding area and PROPORTION can either be geometric or organic • Elements in an artwork or • Form is slightly similar to shape masterpiece that have a relationship except the fact that a form is 3 with one onother dimensional MOVEMENT COLOR • refers to a way in conveying • It is a sensation created by visible feelings and emotions wavelength of light caught in prism BALANCE • creates a mood and tone • refers to the distribution of weight. VALUE • It is the principles that deals with • degree of lightness and darkness of a equality color There 2 types: Symmetrical and TEXTURE Asymmetrical • the surface of artwork. EMPHASIS & SUBORDINATION • A texture can be actual or • Emphasis is the principles that gives tactile,meaning, it can be really felt importance or dominance to a unit by touch or it can be simulated or or an area while illusory, which means it can only be • subordination gives less importance seen, not felt. to a unit or area. 2. ANALYSIS • Be 100% objective 3. INTERPRETATION • How do elements of art interacts • It is subjective and requires through with each other on your part. • what specific element stand out? • What is the artist are trying to • What principles of design can you communicate to us? find • what thoughts or feelings come up when you see the piece? PRINCIPLES OF DESIGN • Express your opinions but always HARMONY back it up with evidence. • refers to the wholeness of the design the pleasing arrangement of parts, 4. JUDGEMENT and agreement between parts of a • Combination of steps 1,2,3 composition, resulting in a united whole VARIETY Various Contemporary Art forms from the different Regions Combined Contemporary Art Forms ◦ In our present time, various it is a composition of layout of any art contemporary art forms are those art elements. Its purpose is not only to amuse pieces that are something “outside the audience, but also to let them enjoy its the box” function as a product of art ◦ Purpose Plus contemporary Characteristics of Contemporary art forms: ◦ Traditional Plus contemporary • Conceptual ◦ Mixed contemporary art forms • Innovative • expressive • experimental CPAR WEEK 4 ◦ It allows the viewers to participate in IN EVERY WORK OF ART, THE ARTIST then experience and is urged to HIMSELF IS PRESENT (CHRISTIAN validate/ his /her own belief and MOGENSTERN) feelings. ◦ it evokes more intense emotions ARTIST- one who professes and practices from its spectators. an imaginative art. In the past, the artist’s role was well The Salient Features of Contemporary defined- and that is to create something that Art Forms is uplifted the spirit, something aesthetically ◦ Most of the art forms are based on pleasing and entertaining. The Filipino abstract expression. Artists ◦ It leaves a mark of the curator who makes them. In the kind of art that we have today, the ◦ The means of instrument to make the Filipino role is four fold; works are changing and new • The Personal - expresses what technologies are used day by day. he/she feels ◦ It emphasize the expression of the • The Social- expresses what he/she self, emotions, and social issues. sees around him/her ◦ It can incorporate other forms of • The Physical- artist finds a need to arts, blending different media and create something not only pleasing to techniques which pave way to the so look but something called INTEGRATIVE ART. • The Immaterial- artist gives form to INTEGRATIVE ART. the immaterial, the hidden truth of It refers to inter disciplinary art, art study, the universe, and the spiritual force development, production display, or creative that inhabits the world. creation of the work that makes full use of The Role of the Filipino Contemporary two or more discipline of art to produce Artist work for a particular public. The idea always outside the box. ◦ The Filipino artists gives his NATIONAL ARTIST OF THE opinion about the culture of his PHILIPPINES time. ◦ Order of National Artists- it has been ◦ The Filipino artist is a crusader established by the virtue of attempting to sway the viewer to Presidential Proclamation No. 1001’s his or her side. 1972. ◦ The Filipino artist become a social ◦ The order of National Artists is the critic. highest award conferred by the ◦ The Filipino artist has also become Philippine president to the nation’s an advocates for what she/he artists. believes in. ◦ The Filipino artist is versatile. Criteria for the Order of National Artists 1. Living artists who are Filipino The Filipina Artist- Before Contemporary citizen at the time of nomination, as Era well as those who died after the ❖ Anita Magsaysay –Ho- Painter establishment of the award in 1972 ❖ Nena Saguil- Painter but were Filipino Citizen at the time ❖ Purita Kalaw-Ledesma- Founder of of their death; Art Association of The Philippines 2. Artists who, through the content and form of their works, have contributed DURING in building a Filipino sense of ◦ Imelda Cajipe-Endaya nationhood; • Print maker, Painter, installation 3. Artist who have pioneered in a mode artist, Curator of creative expression or style, thus • Art Project Organizer earning distinction and making an • Author of books of arts impact on succeeding generation of • Co- Founder of kasibulan (Group of artists; artists) 4. Artist who have created a substantial • Advocates Feminism and significant body of work and/ or consistently displayed excellence in ❖ Brenda Fajardo- the practice of their art form thus • Doctor in Philippine Studies enriching artistic expression or style; • Professor • Multi awarded artist 5. Artist who enjoy broad acceptance • Cultural worker through: • Prestigious national and/or ❖ Ofelia Gelvezon-Tequi international recognition such as • Finishes Degree in Fine Arts Gawad CCP Para sa Sining, CCP • Literature and Visual Arts Thirteen Artist Award and • Pamana ng Pilipino award NCCA Alab ng Haraya. • Critical acclaim and/ or review of their works; and • Respect and esteem from peers. ◦ Painter ◦ Sample Works ( Dalagang Bukid) ◦ Date Conferred as NA:1972 A MEMBER OF THE ORDER OF THE Carlos “Botong” Francisco( 1912-1969) NATIONAL ARTISTS ARE GRANTED ◦ Painter THE FOLLOWING HONORS AND ◦ Sample Works ( Portait of Purita, PRIVELEDGE The invation of Limahong) 1. The rank title of national artist, as ◦ Date Conferred as NA:1973 proclaimed by the President of the Guillermo E. Tolentino( 1890-1976) Philippines; ◦ Sculptor 2. The insignia of a national artist and a ◦ Sample Works ( Bonifacio citation; Monument, Oblation) 3. A lifetime emolument and material ◦ Date Conferred as NA:1973 and physical benefits comparable in Napoleon V. Abueva( 1930) value to those receives by the highest ◦ Sculptor officers of the land such as; ◦ Sample Works ( Kaganapan, Kiss of Judas) ◦ Date Conferred as NA:1976 A MEMBER OF THE ORDER OF THE Victorio C. Edades( 1895-1985) NATIONAL ARTISTS ARE GRANTED ◦ Painter THE FOLLOWING HONORS AND ◦ Sample Works ( The Sketch, The PRIVELEDGE artist and the Model ◦ Cash award of One Hundred ◦ Date Conferred as NA:1976 Thousand Pesos (P100,000.00) net of Hernando Ocampo( 1911-1978) taxes for Living Awardees; ◦ Painter ◦ A cash award of seventy five ◦ Sample Works ( Genesis, Ina ng thousand pesos (P75,000.00) net Balon) taxes for posthumous awardees, ◦ Date Conferred as NA:1991 payable to legal heir/s; Cesar Legaspi( 1917- 1994) ◦ A monthly life pension, medical and ◦ Painter hospitalization benefits; ◦ Sample Works ( Diggers, Idols of the ◦ Life insurance coverage for awardees Third Eye who are still un insurable; ◦ Date Conferred as NA:1990 ◦ A state funeral and burial at the Arturo Luz( 1926-2021) libingan ng mga bayani; and ◦ Painter/Sculptor ◦ A place of honor, in line with ◦ Sample Works ( Bagong taon, protocular precedence at national Vendador de Flores state functions, and recognition at ◦ Date Conferred as NA:1997 cultural events. J. Elizalde Navarro ( 1924-1999) ◦ Painter ◦ Sample Works ( I'm sorry Jesus, I National Artist Visual Arts cant attend Christmas this year Fernando Amorsolo ( 1892-1972) ◦ Date Conferred as NA:1999 Ang Kiukok ( 1931-2005) ◦ Date Conferred as NA:1976 ◦ Painter Ramon Obusan (1938-2006) ◦ Sample Works ( Geometric ◦ Choreographer landscape, Pieta) ◦ Sample Works: (Vamos, A ◦ Date Conferred as NA:2001 Belen!Series, Noon po sa Amin. Benedicto Cabrera( 1942) ◦ Date Conferred as NA:2006 ◦ Painter Lucrecia Reyes- Urtula (1929-1999) ◦ Sample Works ( Madonna with ◦ Choreographer object, studies of sabel) ◦ Sample Works: (Vinta Tagabili.) ◦ Date Conferred as NA:2006 ◦ Date Conferred as NA:1988 Abdulmari Asia Imao(1936-2014) Alice Reyes 1942 ◦ Painter/Sculptor ◦ Dancer ◦ Sample Works ( Industry Brass ◦ Sample Works: (Amada, at a Mural, Mural Relief on film making) Maranao Gathering ◦ Date Conferred as NA:2006 ◦ Date Conferred as NA:2014 Federico Aguilar Alcuaz(1932) Francisco Arcellana (1916-2002) ◦ Painter ◦ Writer ◦ Sample Works ( Roadside Squaters, ◦ Sample Works: (Through a glass Manila 1968) Darkly) ◦ Date Conferred as NA:2009 ◦ Date Conferred as NA:1990 Francisco Conching (1919-1998) N.V.M Gonzales (1916-2002) ◦ Illustrator ◦ Essayist ◦ Sample Works ( Pusakal, Talipandas ◦ Sample Works: (The wind of april, ◦ Date Conferred as NA:2014 Seven hills away Jose T. Joya (193-1995) ◦ Date Conferred as NA:1997 ◦ Painter Nick Joaquin (1917-2004) ◦ Sample Works ( Hills of Nikko, ◦ Writer Abstraction, Dimention of Fear ◦ Sample Works: (May day Eve) ◦ Date Conferred as NA:2003 ◦ Date Conferred as NA:1976 Vicente Manansala (1910-1981) F. Sionil Jose(1924) ◦ Painter ◦ Poet ◦ Sample Works ( A Cluster of Nipa ◦ Sample Works:Po-On, Tree, My hut, San Francisco Del Monte Brother My Executioner, MASA ◦ Date Conferred as NA:1981 ◦ Date Conferred as NA:2001 Francisca Reyes Aquino (1899-1983) Alejandro Roces (1924-2011 ◦ Folk Dancer ◦ Poet ◦ Sample Works ( Philippine Natiobal ◦ Sample Of cocks and Kites, My Dances, (1946)Gymnastic for girls brother Pecular Chicken ◦ Date Conferred as NA:1973 ◦ Date Conferred as NA:2003 Leonor Orosa Goquingco (1917-2005) Edith L. Tiempo (1919-2011) ◦ Ballet ◦ Poet ◦ Sample Works ( TREND: Return to ◦ Sample Works: (Bonsai) native , In a Javanese Garden) ◦ Date Conferred as NA:1999 Amado Hernandez(1903-1970) ◦ Biographer ◦ Poet ◦ Sample Works: Old Manila, The ◦ Sample Works: (Luha ng Buwaya, Great Malayan, Lives of Philippine Mga Ibong Mandaragit) Presidents ◦ Date Conferred as NA:1973 ◦ Date Conferred as NA:1997 Carlos P. Romulo (1899-1985) Ramon Valera(1910-1999) ◦ Educator ◦ Date Conferred as NA:2006 ◦ Sample Works: (I Walked with ◦ Sample Works: Heroes) Salvador Bernal (1945- 2011) ◦ Date Conferred as NA:1973 ◦ Date Conferred as NA:2006 Rolando S. Tinio (1937-1997) ◦ Sample Works: ◦ Playwrite Daisy Avellana(1917-2013) ◦ Sample Works: (Ang Trahedya ni ◦ Date Conferred as NA:1999 Romeo at Julieta, Hamlet ng san ◦ Sample Works: Diego) Honorata ‘Atang” dela Rama (1902-1991) ◦ Date Conferred as NA:199 Kundiman Singer Virgilio Almario (1944) ◦ Date Conferred as NA:1987 ◦ Poet ◦ Sample Works: ◦ Sample Works: Ibong Adarna, Ang Lamberto V. Avellana (1915-1991) pagong at ang Matsing, Panitikang Ballet pambata ◦ Date Conferred as NA:1987 ◦ Date Conferred as NA:2003 ◦ Sample Works: Bienvenido Lumbera (1932) Wilfrido Ma. Guerrero (1910-1995) ◦ Poet Theater Artist ◦ Sample Works: Sa sariling ◦ Date Conferred as NA:1997 Bayan,Likhang Diwa ◦ Sample Works: ◦ Date Conferred as NA:2006 Severino Montano (1910-1995) Cirilo F. Bautista (1941) Playwrite ◦ Poet ◦ Date Conferred as NA:2001 ◦ Sample Works: Words and ◦ Sample Works: Battlefields Ryan Cayabyab ◦ Date Conferred as NA:2014 ◦ (Natonal Artist for Music 2018) Lazaro Francisco (1898-1890) Lino Brocka ◦ Writer ◦ (Natonal Artist for Film and ◦ Sample Works: Sugat ng alaala, Broadcast 1997) Maganda pa ang Daigdig ◦ Date Conferred as NA:2009 CPAR F2F Jose Garcia Villa (1908-1997) ◦ Poet 1. True 6. False ◦ Sample Works: The Anchored angel, 2. False 7. True Footnote to the youth 3. True 8. True ◦ Date Conferred as NA:1973 4. False 9. False Carlos Quirino (1910-1999) 5. True 10. True ________ 1. Digital application comes with • “bare bones” augmented reality technology and 2. Cubism transforms Filipino digital artworks into • revolutionary style of modern art immersive experiences developed by Pablo Picasso and Georges Braques (BraK) ________ 2. In a large scale art, artists produce works that play with geometric • evolved at begonning of 20th shapes. century
________ 3. .Cubism was the first style of
abstract art which evolved at the beginning of the 20th century in response to a world that was changing with unprecedented speed. ________ 4. In classical art, the term "found object" is used to describe an object, found by an artist, which - with minimal modification ________ 5. Social Realism is the realistic depiction in art of contemporary life, as a means of social or political comment. ________ 6. Minimalism is one of the most important and influential art styles of the 1970s. ________ 7. Eastern Visayas is the widest abaca supplier. ________ 8. Coir is the fibrous material surrounding the fruit of the coconut tree. ________ 9. Tikog belongs to land grasses. ________ 10. Rattan belongs to the palm family. TECHNIQUES AND PERFORMANCE PRACTICES 1. Minimalism • most important and influential art styles of the 1960s • comprised of geometric shapes in simple arrangements and lacking any decorative or dynamic flourishes