Performance Task 1 (final) (RIZAL)

Name: KLAUSMENE D. AVERIA

Course: BSCE_
DATE: November 26, 2023

Brief background: November 25 to December 12 of every year was declared as the "18-day Campaign
to End VAW" in the Philippines. Republic Act No. 10398 - Declaring November 25 of Every Year as the
“National Consciousness Day for the Elimination of Violence Against Women and Children". In relation to
the said campaign, answer the following questions.

1. Describe Rizal’s view or perspective about women in the Novel

Noli Me Tangere and El Filibusterismo in 2-3 pages

2. Give at least five (5) women involve in his Novel

 Rizal’s view or perspective about women in the Novel Noli Me
Tangere and El Filibusterismo
Jose Rizal, a visionary Filipino nationalist and intellectual, embedded his progressive
views on gender roles and women's empowerment within the pages of his novels, "Noli Me
Tangere" and "El Filibusterismo." In the context of the campaign "National Consciousness Day
for the Elimination of Violence Against Women and Children," exploring Rizal's perspective on
women provides valuable insights into historical gender dynamics and resonates with the
ongoing efforts to address violence against women in the Philippines.
In his novels "Noli Me Tangere" and "El Filibusterismo," he portrayed women in diverse
roles, reflecting his progressive views on gender and his nuanced understanding of the societal
roles, challenges, and potential of women in the Philippines during the late 19th century. These
novels serve as a mirror to the prevailing gender dynamics, and Rizal's portrayal of female
characters that sheds light on his progressive views.
In "Noli Me Tangere," Rizal introduces a spectrum of female characters, each
representing different facets of women's roles and challenges in 19th-century Filipino society. At
the forefront is María Clara, a symbol of the idealized Filipina burdened by societal expectations.
Rizal subtly critiques the limitations imposed on women by Spanish colonial norms, setting the
stage for discussions on gender equality.
Then, there is also Doña Consolacion, the abusive wife of the town's head guard, portrays
a negative aspect of women in power. Her character highlights the potential for abuse and
violence even within positions of authority. Doña Consolacion's character serves as a cautionary
example, emphasizing the importance of addressing violence not only in marginalized
communities but also within positions of influence. This aligns with the campaign's goal of
eliminating violence in all its forms.
Donya Victorina de los Reyes de Espadana, another character in his novel, is portrayed as
a complex and satirical character, representing certain aspects of the society of the time. Dona
Victorina is a Filipino woman who aspires to assimilate into the European (specifically, Spanish)
colonial culture, reflecting the prevalent colonial mentality among some members of the Filipino
elite during that period. She adopts Spanish customs, insists on being addressed in Spanish, and
uses European products to the point of absurdity. Rizal uses her character to satirize the extreme
lengths to which some individuals would go to conform to the perceived superiority of the
colonial culture. In relation to the Campaign Against Violence: Dona Victorina's character, while
not directly addressing violence, can be interpreted within the context of the campaign against
violence, especially concerning the psychological and cultural aspects. Her relentless pursuit of
assimilation reflects the societal pressure and violence inflicted upon individuals who felt
compelled to conform to colonial norms, even at the expense of their own cultural identity.
 Sinang, on the other hand, is portrayed as a character with positive qualities, particularly
known for her kindness and compassion. Sinang is one of Maria Clara’s friends in San Diego,
and she is depicted as a nurturing and caring individual within the context of her family and
community. While Rizal does not provide an extensive and detailed description of Sinang in the
novel, her actions and interactions with other characters reveal her character traits. She
represents the nurturing aspect of women, providing emotional support and care to those around
her. In Relation to the Campaign: Sinang's character highlights the positive influence women can
have in fostering empathy and compassion. In the context of the campaign, she symbolizes the
importance of cultivating a society that values care and kindness, essential elements in the fight
against violence.
Concurrently, the character of Sisa illuminates the difficulty of marginalized women.
Sisa's tragic narrative unveils the harsh realities faced by those on the bounds of society,
emphasizing the vulnerability of women to various forms of violence. Through Sisa, Rizal
indirectly calls attention to the urgent need for societal reform and the elimination of violence
against women and children.
Rizal continues his exploration of women's roles in "El Filibusterismo," introducing
characters that further reinforce his progressive views. Paulita Gómez emerges as a symbol of
defiance against traditional gender norms. Her pursuit of education challenges societal
expectations, aligning with Rizal's vision for women's rights and empowerment. Paulita becomes
a contemporary symbol for the campaign, emphasizing the role of education and empowerment
in combatting violence against women. Her character underscores the importance of breaking
away from traditional norms to achieve true equality.
Additionally, Juli, Simoun's steadfast companion, symbolizes the resilience of Filipino
women in the face of adversity. Her character underscores Rizal's belief in the strength and
capability of women to contribute meaningfully to societal change. In portraying women as
complex individuals with agency and principles, Rizal indirectly contributes to the call for
gender equality and the elimination of violence against women.
Rizal's nuanced portrayal of women in both novels serves as a bridge between historical
struggles and contemporary advocacy. The campaign against violence aligns with the very
essence of Rizal's narrative, urging society to acknowledge, confront, and eliminate violence
against women and children. The characters, once confined to the pages of literature, now echo
the call for societal reform and the protection of women. Rizal indirectly contributes to the call
for gender equality, resonating with the Philippines' efforts to end violence against women and
children during the "18-day Campaign."
In conclusion, Rizal's view of women in "Noli Me Tangere" and "El Filibusterismo"
transcends the boundaries of time. As the campaign against violence takes center stage, all the
characters portrayed urge us to learn from history and work collectively towards a society free
from the shackles of violence and inequality. Rizal's literary legacy serves as a timeless guide,
reminding us that the journey towards a violence-free world is one that requires a deep
understanding of our past and an unwavering commitment to shaping a just and equitable future.
Give at least five (5) women involve in his Novel
Noli Me Tangere
1) María Clara de los Santos y Alba or more commonly known as "María Clara",
was the fiancée of Crisostomo Ibarra and the female heroine of Noli Me Tangere. She
was a sweet and kindhearted young woman, raised with affection and she was well-
loved by everyone around her. Her character embodies the societal expectations and
values placed upon women at that time. She represents the image of a virtuous,
demure, and submissive Filipina woman, adhering to the traditional gender roles and
expectations of the era.
2) Doña Consolacion- Wife of the Alférez, was a former laundrywoman who passes
herself as a Peninsular; best remembered for her abusive treatment of Sisa. She
pretends not to know Tagalog and often uses Spanish words even if she does not
know the meaning of it. She’s someone who symbolizes the Filipinos in our society
who are ashamed of their own race and nationality.
3) Doña Victorina de los Reyes de Espadaña is the one who pretended to be a meztisa
(a Spaniard born in the Philippines) and always dreamed of finding a Spanish
husband, in which she married Don Tiburcio. She was feared by everyone in the town
because of her odd appearance, her ruthless personality, and her fierce rivalry against
Donya Consolacion. But then, it actually came to pass that she did not like Don
Tiburcio. She merely forced herself to marry him despite having fallen in love with
Kapitan Tiago.
4) Narcisa is married to the man named Pedro and the mother of Basilio and Crispín.
She was a caring but submissive woman. She depicts how Filipino mothers love their
children unquestionably. Sisa went from one traumatic event to another, causing her
to eventually lose her sanity due to the mental burden. This insanity manifested in her
wandering around San Diego, calling out her children's names, and singing songs out
of nowhere.
5) Juli or Juliana de Dios represents the purity and innocence of Rizal's time's lower-
class women. She would rather make a sacrifce than give up her ideals. She
represents the Philippines, which would rather suffer with pride and honor than suffer
in silence. She is also the girlfriend of Basilio, and the youngest daughter of Kabesang
Tales.
 El Filibusterismo

1) Paulita Gomez is the girlfriend of Isagani and the niece of Dona Victorina, who is a Peninsular
and a wife of the quack doctor Tiburcio de Espadaña. In the end, she and Isagani part ways,
Paulita believing she will have no future if she marries him. She eventually marries Juanito
Peláez.
2) Hermana Penchang the one among the "rich folks" of Tiani who lent Juli money to ransom
Kabesang Tales from the bandits. In return, Juli will serve as her maid until the money was paid
off. She is described as a pious woman who speaks Spanish; however, her piety was clouded over
by the virtues taught by the friars.
3) Hermana Báli – Juli's mother-figure and counselor. She accompanied Juli in her efforts to secure
Kabesang Tales' ransom and later on Basilio's release.
4) Cabesa Andang- mother of Placido Penitente
5) Pepay – pretty dancer and mistress of Don Custodio. She is always agitated of her "boyfriend’s
plans. She seems to be a close friend of Macaraig.