HUM Questionnaire

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University of Cebu – Main Campus

Sanciangko St. Cebu City 6000 Cebu City, Philippines

Name:_________________________Course&Year:____________________Seat
No.____________
Subject, Day & Time:________________________Name of
Instructor:_______________________

Test I. Multiple Choice. (Write the correct letter on the space provided before the number)

____1. It is when our indigenous ancestors inhabited the Philippines and the time before the
coming of our first colonizers.
A. Islamic Period B. Pre-colonial Period
C. Spanish colonial Period D. American colonial Period

____2. Were a prominent part of pre-colonial societies, and art and crafts became essential in
creating sacred objects and symbols.
A. Religious Ceremonies B. Pre-colonial civilization
C. Angono petrolyphs D. Pre-colonial communities

____3. Engaged in trade with neighboring regions, and arts and crafts served as valuable
commodities.
A. Religious Ceremonies B. Pre-colonial civilization
C. Angono petrolyphs D. Pre-colonial communities

____4. In the absence of a written language, ancient civilizations used symbols and visual
representations on cave walls, rock carvings, and clay tablets to convey information about
their history, traditions, and values.
A. Religious Ceremonies B. Pre-colonial civilization
C. Angono petrolyphs D. Pre-colonial communities

____5. Historical narratives were carved onto stone tablets, pottery was painted to depict
significant victories in battles, and jewelry was crafted to celebrate milestones and mark
social status.
A. Religious Ceremonies B. Pre-colonial civilization
C. Angono petrolyphs D. Pre-colonial communities

____6. Was the backbone of pre-colonial societies, and arts and crafts were heavily employed in
farming activities.
A. Arts and crafts B. Agriculture C. Pre-colonial civilization D. Religious Ceremonies

____7. From intricate architectural designs to ornate carvings and sculptures adorning buildings,
the visual arts were employed to beautify and enhance the functionality of public spaces.
A. Arts and crafts B. Agriculture C. Pre-colonial civilization D. Religious Ceremonies

____8. Even before the coming of Spanish colonizers, this period was already well-entrenched in
Southern Philippines, where it continues to be dominant and strong.
A. Islamic Period B. Pre-colonial Period
C. Spanish colonial Period D. American colonial Period

____9. Indigenous arts and crafts provided a means for expressing religious devotion and
spirituality.
A. Religious expression B. Ceremonial and ritual significance
C. Cultural identity D. Agriculture

____10. Many indigenous arts and crafts were closely tied to ceremonies, rituals, and
celebrations within Islamic communities.
A. Religious expression B. Ceremonial and ritual significance
C. Cultural identity D. Agriculture

____11. Indigenous arts and crafts became a powerful tool for communities to express their
unique cultural identity.
A. Religious expression B. Ceremonial and ritual significance
C. Cultural identity D. Agriculture

____12. Is a type of traditional fabric that originates from the Ilocos region in the Philippines.
A. Ikat B. Inabel C. Sinamay D. Piña

____13. This traditional textile is made from the fibers of the pineapple plant, specifically
cultivated in the Philippines for centuries.
A. Ikat B. Inabel C. Sinamay D. Piña

____14. It is often worn during special occasions like weddings, festivals, and social gatherings.
A. Ikat B. Inabel C. Sinamay D. Piña

____15. The process involves tying and dyeing the threads before weaving them into fabrics,
creating unique and vibrant patterns.
A. Ikat B. Inabel C. Sinamay D. Piña

____16. The weaving process involves skillfully intertwining natural fibers, such as piña and
abaca, to create delicate and exquisite garments.
A. Hablon B. Inaul C. Yakan D. Tepiña

____17. The process starts with the gathering of natural fibers from local plants, which are then
carefully cleaned, dyed, and spun into threads.
A. Hablon B. Inaul C. Yakan D. Tepiña

____18. This intricate process involves the hands-on creation of traditional Muslim fabrics,
which are characterized by vibrant colors and intricate patterns.
A. Hablon B. Inaul C. Yakan D. Tepiña

____19. The intricate skill of this art form involves the creation of beautiful fabrics made from
natural fibers, such as cotton or abaca.
A. Hablon B. Inaul C. Yakan D. Tepiña

____20. Is known for its rich reddish-brown color and durability. It's often used in furniture
making, cabinetry, and decorative items.
A. Acasia B. Narra C. Mahogany D. Molave

____21. Known for its strength and durability, is used in heavy construction, furniture making,
and boat building. It has a light texture, smooth surface, and dark color.
A. Acasia B. Narra C. Mahogany D. Molave

____22. Is a popular choice for furniture making and construction due to its straight grain and
medium texture.
A. Acasia B. Narra C. Mahogany D. Molave

____23. Is known for its strength, durability, and versatility, making it a popular choice for
various woodworking applications.
A. Acasia B. Narra C. Mahogany D. Molave

____24. Is valued for its attractive appearance, durability, and sustainability, making it a popular
choice for furniture making and various woodworking projects.
A. Acasia B. Narra C. Santol D. Mango

____25. is commonly used in furniture making, particularly for items like tables, chairs, cabinets,
and shelves. Its moderate hardness and attractive grain make it suitable for both structural
and decorative pieces.
A. Acasia B. Narra C. Santol D. Mango

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