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Final Portfolio-Metacognitive
Final Portfolio-Metacognitive
Kanav Arora
Writing 2
writing traditionally plays a supporting role—I held a sceptical view of the relevance of
writing for me beyond the technical documentation and code comments. This scepticism,
however, was promptly challenged as the course moved on, slowly revealing the profound
integration of writing with critical thinking, effective communication, and the broader range
of sharing knowledge across disciplines. Through a long exploration into the details of
writing processes, genres, and rhetorical strategies, I discovered how writing can be a
dynamic tool for articulation and communication. As I navigated through lessons, readings,
and revisions, I came to recognize the transformation of my own writing practices, from
initial apprehension and nervousness to an appreciation for writing. This reflection aims to
trace the arc of my growth as a writer over the quarter, examining how my engagement with
writing evolved and highlighting the emergence of a personal writing style informed by
conscious choices and iterative refinement. Thus, Writing 2 served as a pivotal chapter not
only this quarter in UCSB but in my academic journey, one that significantly altered my
approach to thinking, reading, and writing, and equipped me with a robust set of skills and
writing with a sense of detachment, under the impression that excelling in writing wasn't
necessary for my major. This belief was rooted in the misconception that writing talent was
an innate talent rather than a skill that could be cultivated. However, as the course progressed,
sculpting, where each choice significantly shapes the outcome.1 This analogy deepened my
deliberation in writing to communicate and engage effectively. Not only writing but my
preconceived notions about genres and writing conventions also underwent significant
genres as dynamic, evolving forms of communication that adapt to specific contexts.2 This
categorization. Not only genres, but learning about multiple important topics also came from
varied sources and practical experiences throughout the course. Works like "How to Read
Like a Writer" by Mike Bunn and "Literary Genre Translations" by Cirocco Dunlap served
not just as readings but as foundational pillars that shaped my approach to writing3. These
resources, coupled with engaging lecture materials on numerous topics such as thesis
craft. Not only that but , learning about citations like Chicago style and the iterative process
of draft revision were pivotal in honing my technical writing skills. Regularly attending office
hours and seeking feedback from the instructor and classmates was also instrumental in
1
Jessie Szalay, "Decisions, Decisions," in Open English @ SLCC, 2016,
https://pressbooks.pub/openenglishatslcc/chapter/making-choices-in-writing/.
2
Lisa Bickmore, “GENRE in the WILD: Understanding Genre Within Rhetorical
(Eco)Systems,” Pressbooks, August 1, 2016,
https://pressbooks.pub/openenglishatslcc/chapter/genre-in-the-wild-understanding-genre-with
in-rhetorical -ecosystems/.
3
Mike Bunn, "How to Read Like a Writer," in Writing Spaces: Readings on Writing, Volume
2, ed. Charles Lowe and Pavel Zemliansky (Parlor Press, 2011),
http://writingspaces.org/essays.
3
transforming my writing, reinforcing the idea that writing is not merely a talent but a skill
This exploration into writing's depths sets the stage for reflecting on the creation of
my two essays, each harnessing distinct genres: a formal scientific paper and an engaging
meme format. These endeavours highlighted the unique power of genre to shape message and
and conciseness, aims to communicate ideas directly and effectively, ensuring accessibility
and clarity for diverse audiences. The process behind these essays began with brainstorming
to capture initial thoughts, later refined through critical review to distil the most coherent and
logical points. This approach, while systematic, also embraced flexibility, allowing for
iterative revisions driven by feedback and self-reflection. Such revisions were not arbitrary
but targeted, aimed at enhancing clarity and depth without compromising the essence of my
message. In crafting these essays, I consciously chose to embody a writing style that balances
simplicity with analytical depth, reflecting my belief in the power of clear and direct
Talking about writing styles, one of the main strengths of my writing style, I believe,
is rooted in my revision process and the meticulous method I follow—a practice that was
portfolio, the revisions across these projects were not merely about correcting errors but were
deeply tied to enhancing the clarity, coherence, and depth of my essays. While I believed that
my essay structure was concise and easy to follow, I recognized an issue in some of my
paragraphs: the lack of sufficient backing for my arguments. This realisation led me to focus
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on bolstering my claims with more substantial evidence and examples, striving to ensure that
each point was not only clearly presented but also thoroughly supported. This approach
Project 1, feedback from peers and instructors was instrumental in addressing several key
areas for improvement. Notably, issues with citation formatting were corrected by adopting
the precise Chicago style, enhancing the essay's scholarly integrity. Moreover, a significant
revision in the writing involved working on the content of a few of the paragraphs itself . For
the five-argument technique we learned in class. This adjustment went beyond mere addition
the discussion with clearer arguments. Such a deliberate choice not only made the essay more
informative but also more compelling. Additionally, refining the transitions between
paragraphs also enhanced the narrative's flow and cohesion. This improvement made the
essay not only more readable but also ensured that its argumentation was seamless.
For Writing Project 2, the focus was on honing argumentative clarity and engaging a
broader audience through the creative use of memes. Revisions included the insertion of
specific meme examples right after discussing universal conventions. This was a strategic
choice to provide clear, illustrative examples of how memes function within their
conventions, thereby demonstrating the theory in practice. The revision process also involved
refining the summary and the intro to emphasise the transformative power of genre
translation for knowledge sharing and public engagement, providing a stronger conclusion
that underscored the broader implications of the work.Significant, too, was the incorporation
of more examples and arguments to back my claims, guided by techniques learnt in class for
effective revision. Reflective writing, as introduced by Giles, became a critical tool, allowing
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me to evaluate my intentions and choices throughout the revision process carefully.4 This
enhanced the essay's overall quality. I've learned the importance of backing arguments with
specific examples and authoritative sources, a practice that not only strengthens the essay’s
thoughtful, purpose-driven change. This iterative approach not only refined my essays but
reflections on the cumulative learning throughout this course which I talk about in much
approach to writing and thinking. This portfolio is a testament to that evolution, showcasing a
significant leap in my ability to critically analyse, revise, and articulate my thoughts. The
strongest aspect of my writing now lies in the power of revision and iteration—a skill that has
enhanced the clarity and persuasiveness of my essays. Looking forward, I am excited to apply
the insights gained from this course to future academic endeavours, confident that the skills
acquired will be invaluable in crafting research papers and engaging in scholarly discourse.
Despite the challenges, including the nuanced task of translating scientific papers into
memes, the course reinforced the importance of persistence, curiosity, and the willingness to
seek guidance. These experiences have not only enriched my writing but have also prepared
me for the diverse challenges of academic and professional communication, underscoring the
4
Sandra L. Giles, "Reflective Writing and the Revision Process: What Were You Thinking?"
in Writing Spaces: Readings on Writing, Volume 1, eds. Charles Lowe and Pavel Zemliansky
(Parlor Press, 2010), http://writingspaces.org/essays.
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Reference List
https://https://pressbooks.pub/openenglishatslcc/chapter/making-choices-in-writing.
Bickmore, Lisa. "Genre in the Wild: Understanding Genre Within Rhetorical (Eco)Systems."
https://pressbooks.pub/openenglishatslcc/chapter/genre-in-the-wild-understanding
-genre-within-rhetorical-ecosystems/.
Bunn, Mike. "How to Read Like a Writer." In Writing Spaces: Readings on Writing, Volume
http://writingspaces.org/essays.
Giles, Sandra L. "Reflective Writing and the Revision Process: What Were You Thinking?"
In Writing Spaces: Readings on Writing, Volume 1, edited by Charles Lowe and Pavel