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The Prague Post: I’ve read in a number of interviews that the decision to write in French led you to
your “literary voice.” Did it also lead to a greater fluency in your native tongue. TPP: A few of your
earlier books in French have yet to be translated into English. Generally speaking, my experiences
with the world of cinema have been disappointing. Following Barthes’s death in 1980, she focused
on writing novels. NH: I just hope for the best, but I’m always glad when translators have a few
questions for me. TPP: About translations of your work in other languages, such as the recent Czech
translation of Fault Lines, are you in contact with your various translators, or do you just hope for
the best. They write new content and verify and edit content received from contributors. The Editors
of Encyclopaedia Britannica This article was most recently revised and updated by Amy Tikkanen.
The author of nine novels and numerous works of nonfiction, she has won the Prix Goncourt des
Lyceens, the Prix du Livre-Inter, the Prix Elle, the Governor General’s Award for Fiction in French
and the 2006 Prix Femina. The ease with which Huston moved between French and English
characterized much of her career, and in 1993 she was awarded the Governor General’s Award for
best French-language novel for Cantique des plaines (1993). Adopting French, she published her first
novel, Les variations Goldberg, in 1981, and quickly found acclaim. Have you any future plans to
bring these out in English. As she has been globe-hopping promoting the book, I e-mailed her a few
questions about her work. The studied aloofness — the French were the last to acknowledge
Shakespeare, while Anglophones have never fully appreciated Hugo, the one Frenchman who loved
Shakespeare— has, of course, been balanced with influential borrowings (we’ll trade you our Poe for
your Rimbaud). It forces you to weigh your words, to listen to the way they sound, to wonder
whether you really need them or not. Her first novel, Les Variations Goldberg (1981; The Goldberg
Variations ), was short-listed for the Prix Femina. Let us know if you have suggestions to improve
this article (requires login). Occasionally, writers native in one language will make the decision to
write in the other, though interestingly, considering how English has overtaken French as the globe’s
lingua franca, more noted English-speakers have adopted French, Samuel Beckett and Julien Green
being the most famous examples. You’ll want to check out these fascinating documentaries about
some of the world’s greatest works of art. Added to this list is Nancy Huston, a native Albertan,
born and raised in Calgary, who found herself in France as a university student (she wrote her
master’s thesis under Roland Barthes’ supervision), and stayed. From The Significance Of The Table
For Jewish Culture If you are unfamiliar with Jewish culture, it might be that you are unaware of just
how significant the table is. Writing in a foreign language, many people have said before me, is at
least as much an advantage as it is a handicap. Did you ever have the opportunity to meet Beckett or
Julien Green. TPP: Do you feel any special kinship with other English speakers who have chosen to
write in French. As a screenwriter, I’ve been working with screenwriter Marcel Beaulieu on a film
adaptation of Plainsong over the past five years, under the auspices of Zingaro films in Montreal, and
still don’t know whether or not we’ll ever get the financing to shoot. Let us know if you have
suggestions to improve this article (requires login). Huston is in Prague this week to promote the
Czech translation of Fault Lines. NH: I’m not very enthusiastic about contemporary French
literature; on the other hand, I have often discovered English-language writers through the
enthusiasm of my French friends. TPP: I know that many of your older books were originally written
in French, while some of the latest were first written in English. TPP: After your writing and acting
work in the film Emporte-moi, have you any desires to explore cinema further.
As a screenwriter, I’ve been working with screenwriter Marcel Beaulieu on a film adaptation of
Plainsong over the past five years, under the auspices of Zingaro films in Montreal, and still don’t
know whether or not we’ll ever get the financing to shoot. As a child, Huston lived in Canada,
Germany, and the United States. Huston is in Prague this week to promote the Czech translation of
Fault Lines. The Prague Post: I’ve read in a number of interviews that the decision to write in French
led you to your “literary voice.” Did it also lead to a greater fluency in your native tongue. TPP: Do
you feel any special kinship with other English speakers who have chosen to write in French. The
studied aloofness — the French were the last to acknowledge Shakespeare, while Anglophones have
never fully appreciated Hugo, the one Frenchman who loved Shakespeare— has, of course, been
balanced with influential borrowings (we’ll trade you our Poe for your Rimbaud). TPP: I know that
many of your older books were originally written in French, while some of the latest were first
written in English. Let us know if you have suggestions to improve this article (requires login). As
she has been globe-hopping promoting the book, I e-mailed her a few questions about her work. The
Editors of Encyclopaedia Britannica This article was most recently revised and updated by Amy
Tikkanen. Have you any future plans to bring these out in English. Writing in French also gave
English a 17-year rest, so that when I came back to it in 1990 to write my novel Plainsong, it had
almost become a foreign language to me. From The Significance Of The Table For Jewish Culture If
you are unfamiliar with Jewish culture, it might be that you are unaware of just how significant the
table is. NH: I just hope for the best, but I’m always glad when translators have a few questions for
me. Not only does the shofar serve as 5 Fascinating Documentaries About The Isleworth Mona Lisa
And Other Great Works Of Art Do you love art. They write new content and verify and edit content
received from contributors. You’ll want to check out these fascinating documentaries about some of
the world’s greatest works of art. Alternatively, are there any writers in English who the French
haven’t been properly introduced to, in your opinion. Nancy Huston: I don’t think the goal of writing
is to feel a “greater fluency.” In fact, I would say almost the opposite: that one should always write
as if one were writing in a foreign language, as if one weren’t quite sure of what words meant or
how to use them, as if nothing about the whole issue of language and meaning were self-evident.
Though originally writing in French and then translating her own work into English, Huston penned
her past few novels in English first, which she then rendered into French. TPP: After your writing
and acting work in the film Emporte-moi, have you any desires to explore cinema further. It forces
you to weigh your words, to listen to the way they sound, to wonder whether you really need them
or not. Generally speaking, my experiences with the world of cinema have been disappointing. The
ease with which Huston moved between French and English characterized much of her career, and in
1993 she was awarded the Governor General’s Award for best French-language novel for Cantique
des plaines (1993). However, her receipt of the award drew some criticism owing to Huston having
composed the novel in English, under the title Plainsong, before translating it into French. NH: I
definitely feel kinship with Beckett, though I never got the chance to meet him. TPP: A few of your
earlier books in French have yet to be translated into English. NH: I’m not very enthusiastic about
contemporary French literature; on the other hand, I have often discovered English-language writers
through the enthusiasm of my French friends. Her first novel, Les Variations Goldberg (1981; The
Goldberg Variations ), was short-listed for the Prix Femina.
Let us know if you have suggestions to improve this article (requires login). NH: I’m not very
enthusiastic about contemporary French literature; on the other hand, I have often discovered
English-language writers through the enthusiasm of my French friends. Writing in a foreign
language, many people have said before me, is at least as much an advantage as it is a handicap.
Added to this list is Nancy Huston, a native Albertan, born and raised in Calgary, who found herself
in France as a university student (she wrote her master’s thesis under Roland Barthes’ supervision),
and stayed. She left Sarah Lawrence College in Bronxville, N.Y., to attend the Ecole des Hautes
Etudes in Paris, where she studied linguistics and semiotics with the French philosopher and critic
Roland Barthes. I’d say it’s one of those questions whose answer I need not know. As a child,
Huston lived in Canada, Germany, and the United States. Adopting French, she published her first
novel, Les variations Goldberg, in 1981, and quickly found acclaim. The ease with which Huston
moved between French and English characterized much of her career, and in 1993 she was awarded
the Governor General’s Award for best French-language novel for Cantique des plaines (1993).
Writing in French also gave English a 17-year rest, so that when I came back to it in 1990 to write
my novel Plainsong, it had almost become a foreign language to me. As she has been globe-hopping
promoting the book, I e-mailed her a few questions about her work. Let us know if you have
suggestions to improve this article (requires login). TPP: About translations of your work in other
languages, such as the recent Czech translation of Fault Lines, are you in contact with your various
translators, or do you just hope for the best. Following Barthes’s death in 1980, she focused on
writing novels. She was active in the women’s movement in the 1970s and taught at Columbia
University’s Institute for Feminist Studies in Paris in the 1980s. The Editors of Encyclopaedia
Britannica This article was most recently revised and updated by Amy Tikkanen. As a screenwriter,
I’ve been working with screenwriter Marcel Beaulieu on a film adaptation of Plainsong over the past
five years, under the auspices of Zingaro films in Montreal, and still don’t know whether or not we’ll
ever get the financing to shoot. NH: The only criterion is the language spoken by my characters.
However, her receipt of the award drew some criticism owing to Huston having composed the novel
in English, under the title Plainsong, before translating it into French. From The Significance Of The
Table For Jewish Culture If you are unfamiliar with Jewish culture, it might be that you are unaware
of just how significant the table is. Not only does the shofar serve as 5 Fascinating Documentaries
About The Isleworth Mona Lisa And Other Great Works Of Art Do you love art. Though originally
writing in French and then translating her own work into English, Huston penned her past few novels
in English first, which she then rendered into French. Her first novel, Les Variations Goldberg (1981;
The Goldberg Variations ), was short-listed for the Prix Femina. Have you any future plans to bring
these out in English. The author of nine novels and numerous works of nonfiction, she has won the
Prix Goncourt des Lyceens, the Prix du Livre-Inter, the Prix Elle, the Governor General’s Award for
Fiction in French and the 2006 Prix Femina. TPP: After your writing and acting work in the film
Emporte-moi, have you any desires to explore cinema further. TPP: Do you feel any special kinship
with other English speakers who have chosen to write in French. Alternatively, are there any writers
in English who the French haven’t been properly introduced to, in your opinion. Do you find that one
language lends itself better to particular voices or tones that you’re trying to achieve.
You’ll want to check out these fascinating documentaries about some of the world’s greatest works
of art. Her first novel, Les Variations Goldberg (1981; The Goldberg Variations ), was short-listed
for the Prix Femina. Have you any future plans to bring these out in English. Writing in a foreign
language, many people have said before me, is at least as much an advantage as it is a handicap.
Writing in French also gave English a 17-year rest, so that when I came back to it in 1990 to write my
novel Plainsong, it had almost become a foreign language to me. Nancy Huston: I don’t think the
goal of writing is to feel a “greater fluency.” In fact, I would say almost the opposite: that one should
always write as if one were writing in a foreign language, as if one weren’t quite sure of what words
meant or how to use them, as if nothing about the whole issue of language and meaning were self-
evident. They write new content and verify and edit content received from contributors. The author
of nine novels and numerous works of nonfiction, she has won the Prix Goncourt des Lyceens, the
Prix du Livre-Inter, the Prix Elle, the Governor General’s Award for Fiction in French and the 2006
Prix Femina. Huston is in Prague this week to promote the Czech translation of Fault Lines. Not only
does the shofar serve as 5 Fascinating Documentaries About The Isleworth Mona Lisa And Other
Great Works Of Art Do you love art. Though originally writing in French and then translating her
own work into English, Huston penned her past few novels in English first, which she then rendered
into French. Added to this list is Nancy Huston, a native Albertan, born and raised in Calgary, who
found herself in France as a university student (she wrote her master’s thesis under Roland Barthes’
supervision), and stayed. The Prague Post: I’ve read in a number of interviews that the decision to
write in French led you to your “literary voice.” Did it also lead to a greater fluency in your native
tongue. Did you ever have the opportunity to meet Beckett or Julien Green. Let us know if you have
suggestions to improve this article (requires login). The Editors of Encyclopaedia Britannica This
article was most recently revised and updated by Amy Tikkanen. TPP: Do you feel any special
kinship with other English speakers who have chosen to write in French. Do you find that one
language lends itself better to particular voices or tones that you’re trying to achieve. From The
Significance Of The Table For Jewish Culture If you are unfamiliar with Jewish culture, it might be
that you are unaware of just how significant the table is. NH: The only criterion is the language
spoken by my characters. Alternatively, are there any writers in English who the French haven’t been
properly introduced to, in your opinion. The ease with which Huston moved between French and
English characterized much of her career, and in 1993 she was awarded the Governor General’s
Award for best French-language novel for Cantique des plaines (1993). NH: I’m not very
enthusiastic about contemporary French literature; on the other hand, I have often discovered
English-language writers through the enthusiasm of my French friends. She was active in the
women’s movement in the 1970s and taught at Columbia University’s Institute for Feminist Studies
in Paris in the 1980s. As to why I decide to set some novels in English-speaking and others in
French-speaking countries, I don’t know. Occasionally, writers native in one language will make the
decision to write in the other, though interestingly, considering how English has overtaken French as
the globe’s lingua franca, more noted English-speakers have adopted French, Samuel Beckett and
Julien Green being the most famous examples. NH: I just hope for the best, but I’m always glad
when translators have a few questions for me. Following Barthes’s death in 1980, she focused on
writing novels. TPP: Are there contemporary French authors who you believe should be translated
into English that haven’t. NH: I definitely feel kinship with Beckett, though I never got the chance to
meet him.