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ChatGenePT Reconstruction As Resurrection
ChatGenePT Reconstruction As Resurrection
ChatGenePT Reconstruction As Resurrection
ChatGenePT: Reconstruction as
Resurrection
The Jurassic Park movies have drifted from science fiction toward fantasy
(they are arguably the best franchise about fantastic beasts) but they began
with a basis in fact: scientists really are looking for ways to bring extinct
species back to life.
Not all efforts to restore extinct species involve locating old DNA fragments
and stitching them back together—for instance, one de-extinction project in
Europe is selectively "back breeding" very burly cows to recreate a wild
"supercow", the auroch, that hunters drove into extinction in the 1600s. If
they succeed in spawning new aurochs just like those in cave art and the
fossil record, would we consider them no longer extinct? Should efforts be
made to back-breed tiny horses, or giant flightless birds, or Neanderthals?
From ChatGPT:
Society's interest in new versions of old people and old things can be attributed to
several factors:
5. Cyclical trends and cycles of fashion: Trends tend to be cyclical, with styles
and ideas from the past resurfacing and gaining popularity again. This can be
seen in fashion, music, design, and various other aspects of culture. The
cyclical nature of trends often leads to a constant search for new iterations of
old people or things, driven by the desire to capitalize on nostalgia and the
appeal of vintage aesthetics.
It's important to note that not everyone is constantly seeking new versions of old
people or things, and individual motivations can vary. However, the factors
mentioned above offer some insights into why society, as a collective, often
exhibits this inclination.
If you want a selfie with the Pope, you can wait in line at the Vatican and
then not get a selfie with the Pope, or you can pay $25 to visit the
Dreamland Wax Museum in Boston. Discuss with your team: what makes
wax museums different than traditional sculpture collections? Would they
still be considered museums if they featured statues of past celebrities and
historical figures slightly modified from their real-life versions—say, Mother
If you want to talk with the Pope—any past pope—you can skip the wax
museum in favor of the nearest Internet connection; the ChatGPT-like
service Character.AI allows you to chat with historical figures. It's okay if
they're dead. Explore the service to assess the value of conversing with
these simulated personalities online. Should celebrities and other figures
need to agree to have their "chat voices" outlive them—or do they surrender
that right the moment they enter the public eye? Do the dead have any
ownership over their voices, or can someone speak for them—and, if the
latter, would it be better to ask permission from their descendants, or from
the simulation of them? And should people have access to chatbot
simulations, built from texts, emails, journals, TikToks, and other records, of
their own deceased loved ones? Discuss with your team: what could
possibly go wrong—and what could possibly go right?
From ChatGPT:
Despite the potential risks, there are also some potential positive outcomes: