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NICOLAS RIMSKY-KORSAKOFF
SYMPHONY
(Third Movement)
ANTARTHE ARRANGER
YYornonF. Leia is curently Profesor of Music at Calloria Stole Univers Los
An goles where no has been presaniod tho. "Oulsoncang Protersor AWOrG?
leaching, sehlorip. research. an professional odvancemer, He" previous
erence incices teaching rtumenior music inthe secondary schoo ote
Cv oF Ls Angeles, where hi dernacraielooching prneipies aarnad hima Cert
ale of Meri fom the Union Sater Deparment of le,
Br, Leila holds @ BA. degree tom Santa Barbara Slate, MS. ond MM, degrees
{tom he Univeray of Southern Catfonia. an @ Pn, fom the Unwetly of Feta,
\Wellsnown Throughout the United soles os @ canlelon, adjudicalr, anc con
‘uci of more than ity Roncr crchetas, Dr, Laaig has puotshed Many Musee
‘education malarial, nclucing college fox books and magazne aficles, os well
‘os numerous crtangements fr school an commuly crchesas and Bonds
INSTRUMENTATION
(SET B)
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rae : vePROGRAM NOTES
The Russian composer Nicholos Risky Korsakot wrote hs second symphony
Amor" then Ne was only twenty year od (1868). The symphony is based on
the legendary arabsan ove of Aor The est mover (Largo) desenbes he sir
‘Antat, 0 recluse ving Inthe desert, saves 0 gazelle fom an atlacking
‘ic ot roy. Fling osloen, Ana dieams ne sna splendid palace sur
rounded by servants singing fo hin. The palace Ist nore the fry
‘Gusen who is octusly fhe gatole Anior hos rescued. n greltude the
‘Gusen promsce anor ihe nee areatoys of! vengeance. power.and
lve, ‘vnen he scons he‘ Ihe vilon Goppear. nd Aa
The second, hi and fouth movements ef the symphony each describes the
respective oil
‘hiscrangement othe thie! mavement opens wih a statement of "Anta There"
{tom Ine frst movemen)) The tes! of he atangemant exarostos the excitement
{hat comes wih power, symbolized he Humana march home, “Antar’s Theme"
|S hoard again near ha Goneluson of the dramate ending.
i eyq ANTAR SYMPHONY
rd. Movement)
-acred by Vernonsony
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