Download as docx, pdf, or txt
Download as docx, pdf, or txt
You are on page 1of 3

KYAMBOGO UNIVERSITY

FACULTY OF ARTS AND HUMANITIES


DEPARTMENT OF LITERATURE AND FILM STUDIES
YEAR I, SEMESTER II (2023/2024)

COURSE OUTLINE
Course Title: Ugandan Literature
Course Code: ALT 1202
Credit Units: 3 CU
Course Instructor: Elizabeth Asiimwe
Email: easiimwe@kyu.ac.ug
Office Hours: By Appointment
Contact (Mob): 0701336305
Course Description
The course surveys the history of Ugandan Literature, its origins,
development and current status. It discusses its characteristics and
challenges; studies selected writers from different periods; the post-
Independence and contemporary times. This course will also seek to identify
major stylistic and thematic trends in Ugandan prose-fiction, drama and
poetry. The selected texts will be subjected to thorough critical analysis.
Course Objectives
By the end of the course, students should be able to:
I. Explain the history of Ugandan Literature.
II. Discuss the development of Ugandan Literature.
III. Examine the characteristics of Ugandan Literature.
IV. Identify the challenges of Ugandan Literature.
Course Content
1. Background to Ugandan Literature
2. Characteristics/ Features of Ugandan Literature
3. Evolution of Ugandan Literature
4. Prose Fiction
I. Upon this Mountain by Timothy Wangusa
II. The First Daughter by Goretti Kyomuhendo
III. The Invisible Weevil by Mary Karooro Okurut
IV. “Aida” by Austin Ejiet
5. Drama
I. The Bride by Austin Bukenya
II. The Burdens by John Ruganda
III. The Floods by John Ruganda

1
6. Poetry/Verse
I. Song of Lawino and Song of Ocol by Okot p’Bitek
II. Selected Poems

Mode of Delivery
I. Lectures
II. Seminar Presentations
III. Discussions
Assessment
I. Coursework (30%)
II. Examination (70%)

References
Breitinger, Eckhard. Ed. Uganda: The Cultural Landscape. Ed. Eckhard Breit
inger. Kampala: Fountain Publishers, 2000.

Bukenya, Austin. “An Idiom of Blood: Pragmatic Interpretations of Terror an


d Violence in the Ugandan Novel.” Uganda Journal 46.1 (2004): 17-38.

Döring, Tobias. “The Fissures of Fusion: Akiki Nyabongo’s Africa Answers B


ack (1936) and What It May Teach Us.” Fusion of Cultures? Ed. Peter
O. Summer and Christopher Balme. Amsterdam: Rodopi, 1996. 139-1
52.

Gikandi, Simon. “African Subjects and the Colonial Project.” Introduction. U


ganda’s Katikiro in England: Being the Official Account of His Visit to t
he Coronation of His Majesty King Edward VII. By Ham Mukasa. Manc
hester and New York: Manchester University Press, 1998. [1904]

Heron, G. A. The Poetry of Okot p’Bitek. London: Heinemann Educational Bo


oks, 1976.

Killam, G.D. Ed. The Writing of East and Central Africa. Ed. G.D. Killam. Lon
don: Heinemann, 1984.

Kiyimba, Abasi. “The Ghost of Idi Amin in Ugandan Literature.” Research in


African Literatures 29.1 (1998): 124-138.

---. “Male Identity and Female Space in the Fiction of Ugandan Women Write
rs.” Journal of International Women’s Studies 9.3 (2008): 193-222. We
b.

2
Kruger, Marie. Women’s Literature in Kenya and Uganda: The Trouble with M
odernity. Basingstoke: Palgrave Macmillan, 2011.

Maguire, J. R. “The Writer as Historical Translator: Peter Nazareth’s ‘The Ge


neral Is Up’.” The Toronto South Asian Review 1987: 17-23.

Mbembe, Achille. On the Postcolony. Berkeley: University of California Press,


2001.

Nabutanyi, Edgar. “Archives of Troubled Childhoods in Contemporary Africa


n Fiction.” Postamble 7.2 (2012): 1-14.

Ojwang, Dan. Reading Migration and Culture: The World of East African India
n Literature. Basingstoke: Palgrave Macmillan, 2013.

Roscoe, Adrian. Uhuru’s Fire: African Literature East to South. Cambridge: Ca


mbridge University Press, 1977.

Rubadiri, David. “The Development of Writing in East Africa.” In Perspectives on African Li


terature. Ed. Christopher Heywood. London: Heinemann Educational Books, 1971. 1
48-156.

Simatei, Tirop Peter. The Novel and the Politics of Nation Building in East Africa. Bayreuth:
Bayreuth University, 2001.

You might also like