[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT

1. Earliest form of human settlement. 6. A megalith consisting of two or more

a. Lean-to large upright stones supporting a
b. Rock caves horizontal stone slab.
c. Lascaux cave a. Megalith
d. Huts b. Obelisk
2. A traditional limestone dwelling in c. Menhir
southern Italy, in which square d. Trilithon
chambers are roofed with conical 7. Horizontal slab on top of a dolmen.
vaulted roofs. It uses a prehistoric a. Pyramidion
building technique of mortar-less stone b. Capstone
construction still in use in this region. C. Finial
a. Clochan d. Spire
b. Wigwam 8. A variation of the dolmen consisting of
c. Tholos of Atreus three standing stones, two on the sides
d. Trullo and one at the back.
3. An American Indian dwelling, usually of a. Trabeated
round or oval shape, formed of poles b. Trilithon
overlaid with bark, rush mats, or animal c. Kilclooney
skins. d. Cove
a. Clochan 9. A circular arrangement of megaliths
b. Wigwam enclosing a dolmen or burial mound.
c. Hogan a. Trilithon
d. Trullo b. Tumulus
4. A Navaho Indian dwelling constructed c. Stupa
usually of earth and logs and covered d. Cromlech
with mud and sod. An energy efficient 10. An artificial mound of earth or stone,
structure, this house is kept cool in especially over an ancient grave.
summer by the packed mud on the roof, a. Trilithon
and during winter, the fireplace kept the b. Tumulus
inside warm for a long period of time c. Stupa
and well into the night. d. Cromlech
a. Clochan 11. One of the world's oldest continually-
b. Wigwam inhabited city located on a hilltop.
c. Hogan a. Acropolis
d. Trullo b. Jericho
5. A prehistoric monument consisting of an C. Catal huyuk
upright stone, usually standing alone but d. Persepolis
sometimes aligned with others in 12. One of the earliest Neolithic village built
parallel rows. according to a preconceived plan.
a. Megalith a. Khirokitia
b. Obelisk b. Jericho
c. Menhir C. Goindol
d. Dolmen d. Catal Huyuk

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c. Stela
13. Considered as the largest and most d. Seraglio
well-preserved Neolithic village, it 18. The private chamber in an Assyrian
provides important evidence of the palace.
transition from settled villages to urban a. Seraglio
agglomeration, which was maintained in b. Lamin
the same location for over 2,000 years. C. Khan
It features a unique street-less d. Haram
settlement of houses clustered back to 19. The service chamber in an Assyrian
back with roof access into the buildings. palace.
a. Khirokitia a. Serdab
b. Jericho b. Haram
c. Goindol C. Khan
d. Catal Huyul< d. Stela
14. Stepped pyramid-like structures of 20. Founded by Darius I in 518 B.C., this
successively receding levels built in capital city of the Persians is considered
ancient Mesopotamia, constructed with by UNESCO as one of the world's
outside staircases and a temple or greatest archaeological sites. On this
shrine at the top for worshipping the site rises a series of architecturally
gods. stunning palatial buildings, among them
a. Hanging Gardens the massive Apadana palace and the
b. Temple of Hatshepsut Throne Hall ("Hundred-Column Hall") .
c. Pyramid of Zoser a. Polis
d. Ziggurat b. Acropolis
15. The ziggurat's _____ are oriented c. Perse olis
towards the cardinal points. d. Khorsabad
a. Sides 21. An Egyptian, non-royal tomb, made of
b. Corners mud brick, rectangular in plan with a flat
c. Staircases roof and sloping sides, from which a
d. Altar shaft leads to underground burial and
16. A palace-city which was considered as offering chambers.
the Assyrian capital during the time of a. Temple
Sargon II. It has a parallelogram layout, b. Barrow
walled in on all sides, with the corners of c. Dromos
these walls pointing to the cardinal d. Mastaba
points. 22. The tombstone in a mastaba; where the
a. Alhambra ka is located.
b. Palace at Knossos a. Mortuary temple
c. Dur Sharrukin b. Stela
d. Palace of Rameses II c. Serdab
17. The palace proper in an Assyrian d. Seraglio
palace. 23. A temple type for offerings and worship
a. Apdana of a deceased person, usually a deified
b. Khan king .

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a. Serdab b. Mortuary temple

b. Valley temple c. Pylon temple
c. Cult temple d. Mammisi
d. Mortuary temple 30. A room or building in which the image of
24. A temple type or the worship of a deity. the Pharaoh or deity was revered.
a. Serdab a. Mortuary temple
b. Valley temple b. Serdab
c. Cult temple c. Barque Tempie
d. Mortuary temple d. Valley temple
25. An Egyptian monolithic four-sided 31 . A tomb hewn out of native rock,
standing stone, tapering to a pyramidal presenting only an architectural front
cap, often inscribed with hieroglyphs with dark interior chambers.
and erected as a monument. These a. Mastaba
were usually found in pairs fronting the b. Rock-cut tomb
entrances of temples. c. Tumulus
a. Pyramid d. Pyramid
b. Pylon 32. The facade, carved directly into the
C. Obelisk' sandstone cliff, takes the form of a pylon
d. Propylaea and is dominated by four colossal
26. A monumental gateway of an Egyptian seated figures of Ramses II.
temple consisting of two tapering towers a. Temple of Queen Hatshepsut
which enclosed the entrance between b. Temple of Luxor
them. c. Temple of Amun Karnak
a. Avenue of Sphinx d. Temple of Abu-Simbel
b. Temenos 33. Used in ancient Egypt as a tomb to
c. Pylon contain the burial chamber and the
d. Propylaea mummy of the pharaoh. A massive
27. A large hall in an Egyptian temple masonry structure having a rectangular
having many columns in rows base and four sloping sides meeting at
supporting a flat roof, and sometimes a an apex.
clerestory. a. Pyramid
a. Kiosk b. Mastaba
b. Hypostyle Hall c. Mortuary temple
c. Apdana d. Sarcophagus
d. Hypaethral court 34. The first architect recorded in history.
28. A court wholly or partly open to the sky. a. lmhotep
a. Mammisi b. Sneferu
b. Kiosk c. lctinus
C. Hypostyle Hall d. Hippodamus
d. Hypaethral court 35. An Egyptian pyramid-type whose sides
29. A small Egyptian side temple, kiosk or are stepped with tiers.
tent shrine to celebrate the place where a. Ziggurat
the god of the main temple was born. b. Bent Pyramid
a. Valley temple c. False Pyramid

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d. Ste1wed Pyramid sophisticated optical corrections for

36. A pyramid-type in which each triangular perspective.
planar surface changes direction as it a. Roman
approaches the top. b. Greek
a. Bent Pyramid c. Renaissance
b. True Pyramid d. Classical Revival
c. Sloped Pyramid 43. Large stones without mortar on clay
d. Stepped Pyramid bedding; utilized during the Aegean
37. Prime example of a bent pyramid. Period in Greece.
a. Pyramid of Zoser a. Battered walls
b. Pyramid of Cheops b. Tapered walls
c. PY.ramid of Sneferu c. C clopean Walls
d. Pyramid of Dahshur d. Opus walling
38. Connected to a mortuary temple via a 44. A typical, single-storey Greek dwelling
causeway; it is where the mummification with a central room and porticoed
of the pharaoh's body takes place. entrance.
a. Birth temple a. Domus
b. ValleY. temple b. Megaron
c. Mortuary temple c. Prostas
d. Kiosk d. Pastas
39. Considered as the earliest example of a 45. An entrance corridor or ceremonial
true pyramid. passageway leading to a domed Greek
a. Pyramid of Khufu tomb.
b. Pyramid of Mykerinos a. Tholes
c. Pyramid of Sneferu b. Pronaos
d. Pyramid of Dahshur c. Dromos
40. A covered ceremonial route or corridor d. Atreus
leading from a valley temple to a 46. Entrance gate to the citadel palace of
mortuary temple at the foot of a King Agamemnon; a massive entrance
pyramid. characterized by cyclopean walls and a
a. Hypostyle Hall corbelled arch.
b. Hypaethral court a. Ishtar Gate
c. Ramp b. The Lion's Gate
d. Pyramid causeway c. Pylon
41. An unfortified Minoan Palace which d. Propylaea
contained residences, ceremonial 47. The slight vertical convex curvature in
rooms, workshops, and sanctuaries. the length of a column shaft to give it the
a. Persepolis appearance of straightness under load.
b. Dar-Sharrukin a. Trabeation
c. Palace of Knossos b. Entasis
d. Palace of Sargon c. Trompe l'oeil
42. Their architecture is characterized by d. Bending
construction systems based on 48. The final phase of Greek architecture
mathematical ratios completed with characterized by the diversion from

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religious building types and construction b. Pronaos

of civic structures. c. Opisthodomos
a. Minoan d. Naos
b. Aegean 55. The three major parts of a Greek temple
C. Hellenic are the
d. Hellenistic a. Pronaos, naos, and cella
49. Generally, in reference to the birth of b. Naos, epinaos, and P.ronaos
their gods, Greek temples were made to c. Cella, Posticum, and Epinaos
face - - - d. Pronaos, naos,and
a. North opisthodomos
b. South 56. A temple with two columns at the front in
c. East between two anta
d. West a. Distyle Prostyle
50. A Greek city stronghold or fortress b. Distyle In-antis
constructed on higher ground than c. Double-anta Distyle
surrounding urban fabric. In Athens, it is d. Distyle Amphi-antis
where the Parthenon and other notable 57. A temple with its inner columns attached
temples are found. to the naos wall, the outer freestanding,
a. Citadel and has nine columns at the front.
b. Polis a. Dodecastyle Peripteral
c. AcroRolis b. Dodecastyle Pseudo-dipteral
d. Persepolis c. Enneastyle peripteral
51. The sacred area or enclosure d. Enneastyle Pseudo-dipteral
surrounding a classical Greek temple. 58. A temple with seven columns at the
a. Stoa front and rear porticoes
b. Agora a. Hexastyle Prostyle
C. Citadel b. Hexastyle Amphi-antis
d. Temenos c. Heptasyle Amphiprostyle
52. A Greek monumental gateway to a d. Heptastyle Porticoes
sacred enclosure, fortification, town or 59. Refer to Figure 1. Identify the part.
square. a. Acroterion
a. Pylon b. Tympanum
b. Propylaea C. Finial
c. Temenos d. Antefix
d. Pronaos 60. Refer to Figure 1. Identify the part.
53. One of the architects of Parthenon. a. Typanum
a. Senmut b. Frieze
b. Phidias c. Architrave
C. lctinus d. Pediment
d. Theodorus 61. Refer to Figure 1. Identify the part.
54. An enclosed room or open space at the a. Typanum
rear of a Greek temple, often used as a b. Frieze
treasury. c. Architrave
a. Cella d. Pediment

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62. Refer to Figure 1. Identify the part. c. Pteron

a. Stereobate d. Portico
b. Stylobate 67. The systematic spacing of columns in
c. Crepidoma classical Greek architecture expressed
d. Podium as multiples of column diameters.
59 a. Peristyle
60 b. lntercolumniation
c. Colonnades
61 d. Columnar arrangement
68. The spacing of rowed columns in
classical architecture at a distance of
62 two and a quarter column diameters.
a. Pycnostyle
b. Eustyle
C. Systyle
d. Diastyle
69. Pycnostyle is the spacing of rowed
columns at a distance of column
diameters.
a. 1.00
63. The columns at the corners of the b. 1.25
Parthenon angle_____ and are C. 1.50
_____ than the others. d. 2.25
a. inwards - thicker
b. outwards - thinner
c. outwards - thicker
d. inwards - thinner
64. The column flutes of the Parthenon
_ _ _ _ toward the top.
a. widen
b. become smaller
c. deepen
d. become bigger
65. A carved statuesque column of a draped
female carrying a basket or with a 7+--~__i;;;;i = ~=--~
basket on her head.
a. Kore 7
b. Caryatid
c. Cane hora
d. Telamon
66. A colonnade running along the long side
of a Greek peristyle temple.
a. Anta
b. Pteroma

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70. Refer to Figure 2. Identify the part. b. 8

a. Regula C. 9
b. Mutule d. 10
c. Gutta 78. Inspired from a boblet of acanthus
d. Taenia leaves, he is believed to develop the
71. Refer to Figure 2. Identify the part. Corinthian capital.
a. Regula a. Phidias
b. Mutule b. Callimachus
c. Gutta c. lctinus
d. Taenia d. Callicrates
72. Refer to Figure 2. Identify the part. 79. The first attempt to use the Corinthian
a. Frieze order can be seen in the:
b. Entablature a. Temple of Athena Nike
c. Lintel b. Erechtheion
d. Architrave c. Tem P.le of Apollo Epicurius
73. The Greek entablature is composed of: d. Temple of Olympian Zeus
a. Frieze, architrave and cornice 80. Square tapered column capped with the
b. Architrave and cornice carved head.
c. Frieze, architrave and pediment a. Pedestal
d. Architrave and pediment b. Kore
7 4. This makes the upper and lower c. Herm
mouldings of a classical Attic base used d. Androsphinx
in the Ionic and Corinthian Orders. 81 . Both the Ionic and Corinthian Orders
a. Scotia used a decoration of this moulding on its
b. Torus architrave
c. Dentil a. Dentils
d. Egg and Dart b. Egg and dart
75. One of a series of plain or carved c. Three fascia
rectangular panels lining a Doric frieze, d. Scotia
separated by triglyphs. 82. An aisle between the lower and upper
a. Mutule tiers of seats in an ancient Greek
b. Metopes theatre.
c. Regula a. Parascenium
d. Glyph b. Orchestra
76. Surface decoration of longitudinal c. Cavea
concave grooves for classical columns. d. Diazoma
a. Arris 83. An open or roofed track or arena for
b. Fluting chariot and horse racing in ancient
c. Dentils Greece.
d. Triglyphs a. Amphitheatre
77. The height of an Ionic Order column b. Stadium
shaft is times the column base c. Circus
diameter. d. Hippodrome
a. 7

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84. A structure facing the audience in an c. Curia

ancient Greek theatre, forming the d. Thermae
background before which performances 90. Long U-shaped or enclosed arena for
were given. chariot and horse racing of the Romans.
a. Episcenium a. Circus
b. Skene b. Hippodrome
c. Parascenium c. Gymnasion
d. Orchestra d. Palaestra
85. Architectural style which placed an 91 . Shop in a Roman house.
emphasis on monumental public a. Oecus
buildings; the invention and b. Triclinium
development of concrete led to a system c. Cubicula
of vaulting, which demonstrated their d. Taberna
sophisticated engineering skills. 92. A simplified version of the Doric Order
a. Modern Architecture with smooth-shafted columns, a simple
b. Byzantine capital, base, and entablature.
c. Roman a. Composite
d. Romanesque b. Ionic
86. Senate house; a public town hall for the c. Tuscan
citizens of ancient Greece. d. Doric
a. Curia 93. He wrote De architectura (On
b. Agora Architecture) , known today as the "Ten
c. Bouleuterion Books on Architecture."
d. Prytaneion a. da Vignola
87. Council chamber in classical Greek b. Alberti
architecture; characterized by rows of C. Palladio
stepped benches surrounding a central d. Vitruvius
platform. 94. A bridge or other structure designed to
a. Curia convey fresh water.
b. Agora a. Cloaca Maxima
c. Bouleuterion b. Pons
d. Prytaneion c. Fontana
88. Classical Order with a capital having d. Agueduct
both volutes and acanthus leaves, a 95. Dry sweating room in a Roman bath.
base and an entablature with dentils. a. Laconicum
a. Tuscan b. Sudatorium
b. Ionic c. Balneum
c. Corinthian d. Apodyterium
d. Composite 96. System of flues on the floor or walls of
89. Roman building type used as a meeting Roman baths that provided central
place, courthouse, marketplace, and heating.
lecture hall. a. Exedrae
a. Forum b. Taberna
b. Basilica c. Hypocaust

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d. Xystus forming arched diagonal arrises called

97. Roman open space, rectangular in groins.
shape, enclosed by different institutional a. Wagon
and public buildings, serving as the b. Conical
city's marketplace and centre of public c. Barrel
business. d. Cross
a. Agora 103. Early Christian basilica faced
b. Forum Romanum
c. Imperial Forum a. North
d. Roman Court b. South
98. A classical arena for gladiatorial c. East
contests. d. West
a. Theatre 104. An architectural style where the
b. Palaestra Roman basilica form was adopted as
c. Amphitheater the ground plan for most churches,
d. Hippodrome characterized by a rectangular plan and
99. A Roman masonry and concrete walling a nave with two side aisles.
system using baked triangular bricks, a. Early Christian
with its rectangular side exposed, and b. Romanesque
which is kept together in place by c. Byzantine
concrete mortar. d. Gothic
a. Opus reticulatum 105. An early Christian church,
b. 0 RUS testaceum characterized by a long, rectangular
c. Opus incertum plan, and a high colonnaded nave lit by
d. Opus spicatum a clerestory.
100. An ancient Roman walling a. House-church
technique characterized by irregulary b. Basilica
shaped and randomly placed uncut c. Cathedral
stones inserted in a core of concrete. d. Temple
a. Opus reticulatum 106. A portico or vestibule before the
b. Opus testaceum nave of a basilica; area for the
c. Opus incertum penitents.
d. Opus spicatum a. Ambulatory
101. The wedge-shaped, often b. Atrium
embellished voussoir at the crown of an c. Cantharus
arch, serving to lock the other voussoirs d. Narthex
in place. 107. An ornamental canopy of or
a. Springer representing fabric over a Christian
b. Boss altar.
c. Keystone a. Ambo
d. Corbel b. Cancelli
102. A compound vault formed by the c. Baldacchino
perpendicular intersection of two vaults, d. Dosseret

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108. It was common practice for Early a. Basilica di San Vitale

Christian churches to be built over the b. San Clemente
burial place of a c. Saint Mark's Basilica
a. Bishop d. Hagia Sophia
b. Priest 114. A curved segmental surface or
c. King construction for joining the round base
d. Saint of a masonry dome or opening to a
109. A semicircular or polygonal square structure beneath.
projection of a building, usually vaulted a. Squinch
and used especially at the sanctuary or b. Voussoir
east end of a church . c. Pendentive
a. Altar d. Keystone
b. Baldachino 115. Interiors of Byzantine churches
c. Ase are extensively decorated with
d. Berna a. Stained glass
110. A transverse open space b. Sgraffito
separating the nave and the apse of an c. Mosaics
Early Christian church, developing into d. Sculptural details
the transept of later cruciform churches. 116. Another notable example of
a. Garth Byzantine architecture, this church is
b. Apse composed of a central structure
c. Berna surrounded by eight side churches. Its
d. Narthex most prominent features are the details
111 . Architecture characterized by on its fac;:ade and the bulbous domical
circular or polygonal plans for churches; roofs. Nothing similar can be found in
domes carried on pendentives, and the the entire millennium of the Byzantine
extensive use of rich frescoes, and period.
colored glass mosaics. a. Hagia Sophia
a. Early Christian b. Basilica di San Vitale
b. Romanesque c. St. Basil's Cathedral
c. Byzantine d. St. Mark's Basilica
d. Gothic 117. Architecture characterized by
112. A thickened abacus or heavy articulated masonry construction
supplementary capital set above a with narrow openings, round arches,
column capital to receive the thrust of an barrel vaults, and sparse ornament;
arch. churches gradually changed to cross-
a. Dosseret block shaped plans.
b. Springer a. Early Christian
C. Capital b. Romanesque
d. Herma c. Byzantine
113. Byzantine Church with a Greek d. Gothic
cross plan; also known as the "Church 118. A distinct medieval church for
of Gold" for its numerous gold plated having apses at both the east and west
ornamental features. ends.

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a. Worms 124. A tertiary rib in a Gothic ribbed

b. Salisbury vault often used decoratively rather than
c. Durham for structural purposes.
d. Worcester a. Tierceron
119. One of the primary destinations b. Diagonal rib
of religious pilgrimages during the c. Boss
Medieval times, this church houses the d. Lierne
relics of St. Peter and exemplifies the 125. A phase in English Gothic
marriage of Romanesque and Baroque characterized by use of a lacework of
influences. vertical glazing bars, fine intricate
a. Amiens Cathedral stonework, and elaborate fan vaults.
b. Notre Dame de Paris a. Early English
c. Santiago de Compostela b. Rayonnant
d. Chartres Cathedral c. Perpendicular
120. Architecture characterized by a d. Decorated
progressive lightening and heightening 126. A phase in French Gothic
of structures; use of the flying buttress, characterized by pointed arches and
pointed arch and ribbed vault; richly geometric traceried windows.
decorated fenestrations. a. Perpendicular
a. Modern Architecture b. A lancette
b. Renaissance c. Curvilinear
c. Byzantine d. Rayonnant
d. Gothic 127. Architecture which developed
121. A stone support designed to take during the rebirth of classical art and
the lateral thrust of a roof, vault, or wall. learning in Europe; initially characterized
a. Pinnacle by the use of the classical orders, round
b. Flying buttress arches, and symmetrical proportions.
c. Buttress pier a. Modern Architecture
d. Abutment b. Renaissance
122. A horizontal rib marking the c. Byzantine
crown of a vaulting compartment. d. Gothic
a. Lierne 128. Renaissance architect who wrote
b. Diagonal rib "The Four Books of Architecture."
C. Ridge rib a. da Vignola
d. Tierceron b. Vitruvius
123. An ornamental, knob-like C. Alberti
projection at the intersection of ogives in d. Palladio
a Gothic ribbed vault. 129. He designed the dome of the
a. Keystone Florence cathedral. He also formulated
b. Boss the pictorial device of linear perspective.
C. Antefix a. Bernini
d. Moulding b. Michelangelo
c. Brunelleschi
d. Alberti

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130. A late Renaissance architect, he c. Garden Cities

authored "The Five Orders of d. City Beautiful Movement
Architecture." Notable works include the 136. Considered as the world's first
Gesu Church. skyscraper.
a. da Vignol a. Heacock Building
b. Vitruvius b. Home Insurance Building
c. Alberti c. Sullivan Center
d. Palladio d. Picache Building
131. He wrote the book, "De Re 137. His greatest contribution to the
Aedificatoria." skyscraper was the organizing of its
a. da Vignola identical, stacked floors to express a
b. Vitruvius strong visual identity.
C. Alberti a. Mies van der Rohe
d. Palladio b. Philip Johnson
132. He designed what is considered c. Louis Sullivan
as the first High Renaissance building in d. Richard Rogers
Rome, the Tempietto of San Pietro. 138. Promotes harmony between
a. Bramante human habitation and the natural world;
b. Brunelleschi materials, motifs, and basic ordering
C. Alberti principles based on nature.
d. Palladio a. Green Architecture
133. His primary contributions to the b. Art Nouveau
construction of St. Peter's Basilica are c. Romanticism
the designs of the colonnades inclosing d. Organic Architecture
the piazza and the baldachino. 139. Architecture based on geometric
a. Raphael motifs, streamlined and curvilinear
b. Bernini forms, and sharply defined outlines.
c. Maderna a. Art Deco
d. Da Vignola b. Style Ogivale
134. It was the most lavish out of all c. Art Nouveau
the styles of Renaissance; it attempted d. Stile Liberty
to make art more life-like and sensual; it 140. Architect, Chrysler Building in
was also considered as a reaction New York.
against Mannerism. a. William Le Baron Jenney
a. Churriguresque b. Louis Sullivan
b. Rococo c. William van Alen
c. Barogue d. Victor Horta
d. Baroco 141 . Art Nouveau in Austria.
135. An approach to urban planning a. Jugendstil
characterized by monumentally placed b. Sezession
buildings, grand promenades, spacious c. Modernismo
plazas, and classical sculpture. d. Style Moderne
a. Broadacre City 142. Architectural style characterized
b. Forum Romanum by the use of black and white with the

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primary colors rectangular forms, and 149. Architectural style which is

asymmetry. characterized by the synthesis of
a. Style Moderne technology, craft, and design aesthetics,
b. The Style and emphasis on functional design.
c. Cubism a. Arts and Crafts Movement
d. Expressionism b. International Style
143. "Architectural form should reflect c. Bauhaus
a building's social purpose." d. De Stijl
a. Eero Saarinen 150. Architectural style based on the
b. Louis Kahn return to craftsmanship and the
c. Alvar Aalto integration of art, design, and
d. Mies van der Rohe architecture; characterized by fluid,
144. "Less is a bore." undulating motifs, often derived from
a. Louis Sullivan natural forms.
b. Louis Kahn a. Arts Deco
c. Robert Venturi b. Art Nouveau
d. Mies van der Rohe c. Bauhaus
145. Used to describe massive d. De Stijl
modern architecture built of reinforced 151. A Buddhist memorial mound to
concrete, with the concrete's rough, enshrine a relic of Buddha.
abrasive surfaces left exposed. a. Stupa
a. International Style b. Vedika
b. Postmodern c. Chattri
c. Brutalism d. Gompa
d. Deconstructive 152. Buddhist shrine carved out of
146. His architecture often has a solid rock on a hillside; form of an aisled
childlike, cartoonish quality, shown to basilica with a stupa at one end.
exaggerated effect. a. Vihara
a. James Stirling b. Gompa
b. Michael Graves C. Chaitya
c. Richard Meier d. Wat
d. Antoni Gaudi 153. Railing enclosing a stupa.
147. Architect of the Millennium Dome a. Vedika
in London. b. Dagoba
a. Richard Rogers c. Gompa
b. Renzo Piano d. Chaitya
c. Norman Foster 154. Elaborately carved, ceremonial
d. Daniel Libeskind gateway in Indian Buddhist and Hindu
148. Architect of the tallest skyscraper architecture with two or three lintels
in the western hemisphere. between two posts.
a. Richard Rogers a. Torii
b. Renzo Piano b. Dagoba
c. Norman Foster c. Pailou
d. Daniel Libeskind d. Torana

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155. The sanctuary of a Hindu temple storey; erected as a memorial or to hold

in which a deity is enshrined. relics.
a. Mandira a. Pagoda
b. Vimana b. Stupa
c. Vihara c. Pailou
d. Rath d. Torii
156. Large, porch-like hall and used 162. Found inside the Forbidden City,
for religious dancing and music in a the residence of the son of heaven and
Hindu Mandira the conceptual center of the empire.
a. Gopuram a. Emperor's Palace
b. Amalaka b. Fogong Pagoda
C. Sikhara c. Palace of Heavenly PuritY,
d. Mandapa d. Hall of Supreme Harmony
157. In a mandira, a tower usually 163. A design principle in Chinese
tapered convexly and capped by an architecture characterized by arranging
amalaka. architectural elements so that they are
a. Chattri in harmony with nature.
b. Gopuram a. Yin Yang
C. Sikhara b. Jian
d. Wat C. Feng Shui
158. Blended traditions from India and d. Dougong
Islam. 164. Style of Shinto shrine
a. Saracenic characterized by rectangular plan raised
b. Mughal on posts, surrounded by a railed
c. Dravidian veranda, with a free-standing post at
d. Pallava each gable end.
159. A platform for a mosque situated a. Naiku
at the end of a walled garden divided by b. Tokonoma
canals. c. Shimmei zukuri
a. Mandala d. Zashikin
b. Rupadhatu 165. Golden Hall in a Japanese
c. Chaharbagh Buddhist temple; sanctuary where the
d. Arupadhatu main image of worship is kept.
160. In Buddhism, it is the geometric a. Kodo
symbol of the universe showing a b. Kondo
combination of a circle (heaven) and c. Chumon
square (earth). d. Sorin
a. Kamadhatu 166. A type of residential Japanese
b. Rupadhatu architecture which features the
c. Mandala proportioning system of using tatami
d. Mandira mats.
161. Buddhist temple in China a. Shoji
characterized by a square or polygonal b. Shimmei zukuri
plan, with roofs projecting from each C. Shoin

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d. Zashiki d. Qiblah
167. Main room in a Japanese house 174. Main central section of an lsneg
for receiving guests. Binuron.
a. Shoji a. Hawong
b. Shimmei zukuri b. Xassaran
C. Shoin c. Tamuyon
d. Zashiki d. Sipi
168. Venue for a Japanese tea 175. Traditional Kalinga house.
ceremony, with an adjacent garden to it. a. Fale
a. Roji b. Ato
b. Zashiki c. Binayon
C. Shoin d. Binangiyan
d. Chashitsu 176. A Badjao boat-house which has
169. "Stalactite" decoration of icicle- outriggers, is roofed, and walled in on all
like elements hanging from the ceiling. sides by wooden boards.
a. Ka'ba a. Dapang
b. Arabesque b. Lepa
c. Muqarnas c. Vinta
d. lwan d. Djenging
170. Pulpit from which the imam 177. An elaborately ornamented altar
delivers his sermons. screen.
a. Minaret a. Sacristia
b. Qibla b. Tribunas
c. Ivan c. Sagrario
d. Mimbar d. Reredo
171. Fountain for washing before 178. Where the priest and his
prayers in a mosque. assistants put on their robes before the
a. Cantharus mass.
b. Fawwara a. Sacristia
c. lwan b. Tribunas
d. Liwanat c. Sagrario
172. A Friday mosque having a sahn d. Reredo
(central courtyard of a mosque) for large 179. First church to be built in Luzon;
congregations. Only structure in lntramuros to survive
a. ldgah WWII.
b. Jami Masjid a. The Church of the Immaculate
C. Musjid Conception of San Agustfn,
d. Madrasa Manil
173. A wall in a mosque in which the b. Sto. Tomas de Villanueva
mihrab (niche or decorative panel) is Church, lloilo
set, oriented to Mecca. c. Church of Nuestra Senora de la
a. Minaret Asuncion, llocos Sur
b. Muezzin d. Church of Sta. Catalina de
C. Ka'ba Alexandria, Cebu

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180. It is the finest surviving example b. Colonial Revival Mission

of 'Fortress Baroque'. c. Neoclassic
a. The Church of the Immaculate d. Tropical Hybrid
Conception of San Agustin, 186. A type of dwelling which
Manila combines tropical features of vernacular
b. Sto. Tomas de Villanueva buildings with hygienic structural
Church, lloilo principles and modern materials.
c. Church of Nuestra Senora de la a. Bahay na bato
Asuncion , llocos Sur b. Bahay kubo
d. Sain Augustine Church, llocos c. Tsalet
Norte d. Rakuh
181. Most outstanding example in the 187. Masonry that is perforated,
Philippines of 'Earthquake Baroque'. pierced, or lattice-like; functioned mainly
a. Saint Augustine Church, llocos as diffusers of light and doubled as
Norte exterior decorative meshes.
b. Sto. Tomas de Villanueva a. Pierced screen
Church, lloilo b. Folded plate
c. Church of Nuestra Senora de la c. Brise soleil
Asuncion, llocos Sur d. Sun breakers
d. The Church of the Immaculate 188. Roof structure that is formed by
Conception of San Agustin, joining flat, thin slabs along their edges.
Manila a. Pierced screen
182. As a seat of colonial b. Folded plate
governance, it housed several c. Brise soleil
administrative offices and archives. d. Sun breakers
a. Municipio 189. Architect of the first skyscraper in
b. Aduana the Philippines.
c. Ayuntamiento a. Juan Nakpil
d. Real Audiencia b. Andres Luna de San Pedro
183. Interior overhanging veranda; C. Angel Nakpil
most immediate room from the stairs. d. Luis Ma. Araneta
a. Galeria volada 190. A nostalgic attempt to recreate a
b. Callado style from the past. "Folk architecture"
C. Caida and the bahay kubo became
d. Entresuelo architectural archetypes.
184. Water cistern in a bahay na bato. a. Regional Tropicalism
a. Balon b. Neo-vernacula~
b. Batalan c. Colonial Revival Mission
C. Aljibe d. Neoclassicism
d. Azotea 191. Architect who designed the first
185. Familiar local architecture icons building to rise along Ortigas Avenue.
from Hispanized colonial structures a. Jose Ma. Zaragoza
overlaid with a neoclassical massing. b. Cesar Cancio
a. Arquitectura Mestiza C. Angel Nakpil

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d. Cresenciano de Castro b. Juan Nakpil

192. He designed the salakot-inspired c. Pablo Antonio
Philippine Pavilion for the 1964 New d. Antonio Toledo
York's Fair. 198. Another National Artist for
a. Leandro Locsin Architecture, this architect was known
b. Otillio Arellano for his use of concrete and interplay of
c. Juan Arellano floating volumes as an abstract
d. Francisco Manosa representation of Filipino culture.
193. Arena-type, 10,000-seat theater a. Cesar Concio
constructed within 77 days; intended b. Froilan Hong
venue for the 1974 Ms. Universe c. Leandro Locsin
Pageant. d. Juan Arellano
a. Tanghalang Francisco Balagtas 199. His first work ever constructed,
b. Tanghalang Pambansa this is known to be the first circular
c. Manila Film Center church in the Philippines and the first to
d. CCP Main Building use a thin-shell concrete dome.
194. Architect of the Manila Film a. Church of the Risen Lord
Center; he studied the proportions used b. Church of St. Andrew
in the Parthenon in the design of its c. Church of the Holy Sacrifice
fac;:ade. d. Quiapo Church
a. Leandro Locsin 200. One of his most notable
b. Francisco Manosa international commissions; Also known
c. Froilan Hong as the Light of Faith Palace, this was the
d. Geronimo Manahan official residence of the Sultan of Brunei,
195. International partner for the and the seat of the Brunei government.
design of the Essensa Towers in a. lstana Nurul Iman
Taguig, Metro Manila. b. Sultan Omar Ali Saifuddien
a. Michael Graves Mosque
b. IM Pei c. Royal Regalia Building
c. SOM d. Plaza Sutera Biru
d. KPF
196. International partner for the
design of the World Trade Exchange in
Binondo, Manila.
a. Michael Graves
b. IM Pei
c. SOM
d. KPF
197. Awarded as the first
National Artist for Architecture in 1973,
he worked largely in the Art Deco style,
combining stylized flora and angular
forms.
a. Juan Arellano

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