Effect List

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 Content
DYN·························································1
Boost····································································1
Noise Gate··························································3
FREQ·······················································3
Acoustic·······························································3
Filter·····································································3
Envelope Filter··················································5
Auto Filter···························································5
Pitch·····································································7
Special······························································· 10
Vocal·································································· 10
WAH······················································11
DRV·······················································13
Overdrive··························································13
Fuzz····································································17
Distortion·························································17
Bass··································································· 19
AMP·······················································20
Clean································································· 20
Drive·································································· 26
Hi Gain······························································ 31
Bass··································································· 35
Power Amp····················································· 36
PRE AMP···············································37
Clean································································· 37
Drive·································································· 43
Hi Gain······························································ 49
Bass··································································· 52
Acoustic···························································· 53
CAB························································54
Guitar Cab S···················································· 54
Guitar Cab L···················································· 56
Bass Cab·························································· 58
IR·························································· 58
Acoustic IR······················································· 58
Celestion® IR·················································· 59
EQ························································· 60
MOD······················································63
Chorus······························································ 63
Flanger······························································ 65
Vibrato······························································ 66
Phaser······························································ 67
Tremolo···························································· 70
Rotary······························································· 70
Expanding························································ 71
Slow Attack····················································· 71
DLY························································72
RVB·······················································82
FX SND··················································85
FX RTN··················································85
FX LOOP················································85
VOL······················································· 86
 FX Title Description
DYN
Compressor
The Holy Grail of compressor pedals is
here.
Comprosso is based on the legendary
Ross™ Compressor* pedal, which
Comprosso
is unarguably the compressor of
(Mono I/O)
compressors. We carefully recreated the
sonic character to get the same colorful,
bouncy, natural compression as the
original pedal.
The wonderful aroma of compression.
Comparoma Based on the famous Keeley® C4 4-knob
4 compressor* pedal, the Comparoma
(Mono I/O) 4 delivers a silky, bouncy, studio grade
compression sound.
The Blue Sustainer is based on the
Blue legendary 3-knob compressor/sustainer
Sustainer pedal, which produces warm, natural
(Mono I/O) compression with long sustain and some
gentle clipping.
A compressor effect reduces the dynamic
range of your signal and makes your
Squeezer sound much stronger. The Squeezer is a
(Mono I/O) fully-functional compressor with lots of
tonal flexibility. A Tone knob is specially
designed for further tone shaping.
Boost
Parameters & Ranges
Sustain: Controls the compression amount
Output: Controls the effect output
Sustain: Controls the compression amount
Attack: Controls how soon the compressor
starts to process the signal
Output: Controls the effect output
Clipping: Controls the input sensitivity
Sustain: Controls the compression amount
Attack: Controls how soon the compressor
starts to process the signal
Output: Controls the effect output
Threshold: Controls the compression trigger
level
Ratio: Controls the amount of compression
when the compressor is triggered
Output: Controls the output volume/makeup
amount
Attack: Controls how soon the compressor
starts to process the signal
Release: Controls how soon the compressor
starts to release the signal level back to
normal after the level drops below the
threshold
Tone: Controls the effect tone
Blend: Controls the wet/dry signal ratio

The Affinity Boost pumps up that sweet

sound you've found in your amp. Based
on the famous Xotic® AC Booster* Gain: Controls the gain amount
Affinity Boost pedal, it serves up a wide ranged sound Volume: Controls the effect output
(Mono I/O) character with power and sensitivity. Bass/Treble: 2-band EQ that controls the
Or use it as an overdrive to get a sweet, effect tone
classic tube-like drive with a "wide open"
feel.

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

1
 FX Title Description Parameters & Ranges
If you're going to have a steak, you
want it big and juicy. The Beefy Boost is
based on the classic Xotic® BB Preamp*
Gain: Controls the distortion amount
pedal. It serves up a wide ranged
Beefy Boost Volume: Controls the effect output
sound character, giving you a boost of
(Mono I/O) Bass/Treble: 2-band EQ that controls the
encouraging lows and inspiring highs.
effect tone
Or use it as an overdrive to get a thick,
juicy "overdriven steak" with a little
compression.
The Pristine Boost features a unique
"no character" character. Based on the
famous Xotic® RC Booster* pedal, it Gain: Controls the gain amount
Pristine
offers a super transparent clean boost Volume: Controls the effect output
Boost
and a powerful active 2-band EQ so you Bass/Treble: 2-band EQ that controls the
(Mono I/O)
can maintain your original tonal flavor. effect tone
Simply put it in your pedal chain, tune up,
and leave it on!
The Forest Boost is based on the Fortin®
Grind* booster pedal, providing a max.
Forest Boost Gain: Controls the effect output/boost
+20dB boost amount. It helps tighten up
(Mono I/O) amount
your tone while adding some aggressive
edges.
This model is based on one of the world's
most iconic effect units: the Dallas
Rangemaster™* Treble Booster. Born in
1965, the unit was intended to work as
Treble Ranger
a preamp to get the guitarist more gain Gain: Controls the gain amount
(Mono I/O)
and treble. Connect it to a dark UK-style
amp, plug in an LP-style guitar, and you
get the magical tone the 1960s UK guitar
heroes depended on.
Our Gated Boost is designed for modern
Dentlemen and metalheads who need
Boost: Controls the boost amount
Gated Boost huge gain buy not noisy artifacts. A built-
Gate: Controls the noise gate threshold
(Mono I/O) in noise gate reduces hum and keeps
Low Cut: Cuts the low frequency signal
your palm muting tight. Use the Low Cut
knob to get your tone where you want it.
The Micro Boost is based on the
legendary MXR® M133 Micro Amp*
Micro Boost
pedal. Providing up to 20dB of gain, the Gain: Controls the gain amount
(Mono I/O)
Micro Boost elevates your amp sound
without changing its tonal character.
This is a special tone simulator that
simulates the legendary "Woman Tone"
Creamy created by Eric Clapton during his Cream
Gain: Controls the thickness
(Mono I/O) years. The tone is thick, sustaining,
kazoo-like but maintaining note definition
and enough attack.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

2
FX Title Description
Based on the legendary FET-based belt
clip preamp, this FET boost is a clean
volume machine. Use this pedal to get
FET Boost a huge amount of gain without any
(Mono I/O) distortion, tone sculpt with the flexible
2-band EQ. Onboard you'll also find a
handy low cut filter for tone shaping and
eliminating low frequency feedback.
The Enhancer is based on the Xotic®
EP Booster* pedal. This pure booster is
the key to unlocking MASTER sounds.
Enhancer
With expanded frequency response and
(Mono I/O)
increased dynamic range, this pedal
enhances the vitality of everything you
run into it.
Noise Gate
This model is based on the famous ISP®
Decimator™* noise gate pedal. Like the
AI Gate
original, the extremely easy-to-use noise
(Mono I/O)
gate gets you smooth, ripple-free noise
tracking and keeps your signal pristine.
This is a 2-mode noise gate with fast
Fast Gate
response, which is great for modern
(Mono I/O)
Djentlemen and metalheads.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
3
Parameters & Ranges
Volume: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
Low Cut: Switches the low cut filter (-6dB/
oct @200Hz) on/off
Gain: Controls the effect output/boost
amount
+3dB: Selects the minimum boost amount
from 0dB (off) to +3dB (on)
Bright: Selects the sound character from
vintage (Bright off) to flat (Bright on)
Threshold: Controls the gate trigger level
Side Chain: Selects side chain key input
source; please set this parameter carefully
to match the actual input you're using, or the
device may be MUTED:
-Input L/R: Input jacks
-FX RTN L/R: FX Loop return jack
-Prev FX: Output signal of previous effect
slot; if you select this, we recommend you to
place the gate before amp/drive effects
-USB OUT 3-8: USB output 3-8; when
reamping, set up according to the USB
output channel you're using
Threshold: Controls the gate trigger level
Mode: Selects from two modes: I (responds
faster)/II (responds smoother)
Side Chain: Selects side chain key input
source; please set this parameter carefully
to match the actual input you're using, or the
device may be MUTED:
-Input L/R: Input jacks
-FX RTN L/R: FX Loop return jack
-Prev FX: Output signal of previous effect
slot; if you select this, we recommend you to
place the gate before amp/drive effects
-USB OUT 3-8: USB output 3-8; when
reamping, set up according to the USB
output channel you're using
 FX Title Description Parameters & Ranges
Threshold: Controls the gate trigger level
Attack: Controls how soon the gate starts to
process the signal
Release: Controls the noise fade-out
duration time after the level drops below the
threshold
Side Chain: Selects side chain key input
This is a fully-functional noise gate with source; please set this parameter carefully
Custom Gate detailed control. The individual Attack to match the actual input you're using, or the
(Mono I/O) and Release controls play nice with amps device may be MUTED:
and other pedals. -Input L/R: Input jacks
-FX RTN L/R: FX Loop return jack
-Prev FX: Output signal of previous effect
slot; if you select this, we recommend you to
place the gate before amp/drive effects
-USB OUT 3-8: USB output 3-8; when
reamping, set up according to the USB
output channel you're using
FREQ
Acoustic
Enjoy acoustic refinement: This one-knob
tool enhances all that is good in acoustic
Acoustic
guitars. It gives a more natural, "woody"
Refiner Shape: Controls the detailed effect character
tone to your plugged-in acoustic sound,
(Mono I/O)
doing wonders for piezo pickups! One
knob makes it simple.
Body: Controls the "body resonance" (low
frequency response)
Top: Controls the upper harmonics (high
frequency response)
Volume: Controls the effect output level
Mode: Selects from 4 different sound
This is an acoustic simulator designed
characters:
for electric guitars that provides an
AC Sim -Standard: Simulates the tonal
adjustable range wide enough to give
(Mono I/O) characteristics of a standard acoustic guitar
an ordinary electric guitar a variety of
-Jumbo: Simulates the tonal characteristics
natural and realistic acoustic tones.
of a jumbo acoustic guitar
-Enhanced: Simulates the tonal
characteristics of an acoustic guitar with
enhanced attack
-Piezo: Simulates the sound of a piezo
pickup
Filter
Gain: Controls the filter gain by ±12dB
Low Pass This is a low pass filter that lets the lows Freq: Controls the filter center frequency
(Mono I/O) go and attenuates the highs. Q: Controls the filter Q
Level: Controls the effect output
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

3
 FX Title Description Parameters & Ranges
Gain: Controls the filter gain by ±12dB
This is a band pass filter that lets
Band Pass Freq: Controls the filter center frequency
a selected frequency range go and
(Mono I/O) Q: Controls the filter Q
attenuates others.
Level: Controls the effect output
Gain: Controls the filter gain by ±12dB
High Pass This is a high pass filter that lets the Freq: Controls the filter center frequency
(Mono I/O) highs go and attenuates lows. Q: Controls the filter Q
Level: Controls the effect output
This is a notch filter that boosts/cuts
Gain: Controls the filter gain by ±12dB
selected frequency range. The filter
Notch Freq: Controls the filter center frequency
shape is very narrow so you can use it to
(Mono I/O) Q: Controls the filter Q
accurately eliminate unwanted feedback
Level: Controls the effect output
or fine tune your tone.
This is a peak filter that boosts/cuts a Gain: Controls the filter gain by ±12dB
Peak certain frequency range. Like a frequency Freq: Controls the filter center frequency
(Mono I/O) band on a parametric EQ, this model is Q: Controls the filter Q
great tool for tone shaping. Level: Controls the effect output
This is a low shelf filter that boosts/cuts Gain: Controls the filter gain by ±12dB
Low Shelf signal below a set frequency which is Freq: Controls the filter center frequency
(Mono I/O) great for effectively boosting/eliminating Q: Controls the filter Q
low ends. Level: Controls the effect output
This is a high shelf filter that boosts/cuts Gain: Controls the filter gain by ±12dB
High Shelf signal above a set frequency which is Freq: Controls the filter center frequency
(Mono I/O) great for effectively boosting/eliminating Q: Controls the filter Q
low ends. Level: Controls the effect output
This is a tilt filter, a quick tool for tone Gain: Controls the filter gain by ±12dB
Tilt EQ sculpting. Like a seesaw, it boosts the Freq: Controls the filter center frequency
(Mono I/O) signal above a set frequency and cuts the Q: Controls the filter Q
signal below it, or vice versa. Level: Controls the effect output
This is a low pass filter that lets the lows
go and attenuates the highs. Inspired by
Cutoff: Controls the cutoff frequency
Moo VCF LP the legendary Moog® VCF, it gives you a
Reso: Controls the filter resonance
(Mono I/O) lot of fun to use with synths, and it's also
Level: Controls the effect output
great on guitar/bass to create something
synth-y.
This is a band pass filter that lets
a selected frequency range go and
attenuates others. Inspired by the Freq: Controls the filter center frequency
Moo VCF BP
legendary Moog® VCF, it gives you a lot Reso: Controls the filter resonance
(Mono I/O)
of fun to use with synths, and it's also Level: Controls the effect output
great on guitar/bass to create something
synth-y.
This is a high pass filter that lets the
highs go and attenuates the lows.
Cutoff: Controls the cutoff frequency
Moo VCF HP Inspired by the legendary Moog® VCF, it
Reso: Controls the filter resonance
(Mono I/O) gives you a lot of fun to use with synths,
Level: Controls the effect output
and it's also great on guitar/bass to
create something synth-y.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

4
 FX Title Description Parameters & Ranges
Envelope Filter
Toucher G is an envelope filter designed
Sense: Controls the effect sensitivity
for guitars, offering you a wide range of
Toucher G Range: Controls the filter frequency range
tonal variety. Set the Sense, Range, and
(Mono I/O) Q: Controls the filter sharpness
Q parameters to fit your instrument and
Level: Controls the output level
playing style.
Toucher B is an envelope filter designed
Sense: Controls the effect sensitivity
for basses, offering you a wide range of
Toucher B Range: Controls the filter frequency range
tonal variety. Set the Sense, Range, and
(Mono I/O) Q: Controls the filter sharpness
Q parameters to fit your instrument and
Level: Controls the output level
playing style.
Sense: Controls the sensitivity
This is an envelope filter inspired by the Mode: Controls the filter mode
Moo VCF Env legendary Moog® VCF. This is a lot of fun Freq: Controls the filter center frequency
(Mono I/O) to use with synths, and it's also great on Q: Controls the filter Q
guitar/bass to create something synth-y. Dry Level: Controls the dry signal amount
Level: Controls the effect output
Sweep: Selects filter sweeping direction
Sense: Controls the sensitivity
Spread: Controls the filter stereo separation
This is a highly customable envelope
Mode: Controls the filter mode
filter. Fine tune the knobs onboard to
Envelope Range: Controls the filter frequency range
make your creations: Funky wah, synth-y
(Mono I/O) Freq: Controls the filter frequency range
vibe, robot talk, cyber voice sweep – You
midpoint
decide!
Q: Controls the filter Q
Dry Level: Controls the dry signal amount
Level: Controls the effect output
Auto Filter

The Crier G is a controllable band pass

filter which delivers a variety of auto-
wah effects. Designed for guitars, this
model has many parameters for shaping Wave Shape: Selects the LFO modulation
the tone of your wah sound. Start with waveform applied to the filter
the frequency range adjustment to Rate: Controls the effect speed
Crier G
decide the basic flavor of your wah- Range: Controls the filter frequency range
(Mono I/O)
wah. You can use Tap Tempo function to Level: Controls the output level
control the effect speed by turning on Q: Controls the sharpness of the filter
the Sync switch. When the Sync switch Sync: Switches Tap Tempo sync on/off
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

5
 FX Title Description
The Crier B is a controllable band pass
filter which delivers a variety of auto-
wah effects. Designed for basses, this
model has many parameters for shaping
the tone of your wah sound. Start with
the frequency range adjustment to
Crier B
decide the basic flavor of your wah-
(Mono I/O)
wah. You can use Tap Tempo function to
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).
Note: This effect features stereo I/O
configuration. This is a highly customable
LFO-based auto filter. Fine tune the
knobs onboard to make your creations.
LFO Filter You can use Tap Tempo function to
(Stereo I/O) control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).
Note: This effect features mono (L) in,
stereo out configuration. This is a highly
customable special auto filter providing
a human-like tone with two voices.
Vocal Filter Fine tune the knobs onboard to make
(Mono in, your creations.You can use Tap Tempo
stereo out) function to control the effect speed by
turning on the Sync switch. When the
Sync switch is on, turn the Rate knob to
set a proper tap divide value. The default
value is 1/4 (no division).
Parameters & Ranges
Wave Shape: Selects the LFO modulation
waveform applied to the filter
Rate: Controls the effect speed
Range: Controls the filter frequency range
Level: Controls the output level
Q: Controls the sharpness of the filter
Sync: Switches Tap Tempo sync on/off
Wave Shape: Selects the LFO modulation
waveform applied to the filter
Phase: Controls the LFO modulation L/R
phase offset
Rate: Controls the LFO speed (effect speed)
Mode: Controls the filter mode
Range: Controls the filter frequency range
Freq: Controls the filter frequency range
midpoint
Q: Controls the filter Q
Dry Level: Controls the dry signal amount
Level: Controls the effect output
Sync: Switches Tap Tempo sync on/off
Wave Shape: Selects the LFO modulation
waveform applied to the filter
Vowel 1/2: Selects the filter type (vowel)
Phase: Controls the LFO modulation L/R
phase offset
Depth: Controls the effect depth
Rate: Controls the LFO speed (effect speed)
Level: Controls the effect output
Sync: Switches Tap Tempo sync on/off

This model is a 4-step filter machine for

creating synth-like sounds. Each step
features an individual frequency control,
and a rate control sets the sequencing
Path Filter 4 speed. You can use Tap Tempo function Step 1-4: Controls the filter center frequency
(Mono I/O) to control the effect speed by turning on of each step
the Sync switch. When the Sync switch Rate: Controls the sequencing speed
is on, turn the Rate knob to set a proper Sync: Switches Tap Tempo sync on/off
tap divide value. The default value is 1/4
(no division).

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

6
 FX Title Description Parameters & Ranges
This model is a 8-step filter machine for
creating synth-like sounds. Each step
features an individual frequency control,
and a rate control sets the sequencing Step 1-8: Controls the filter center frequency
Path Filter 8 speed. You can use Tap Tempo function of each step
(Mono I/O) to control the effect speed by turning on Rate: Controls the sequencing speed
the Sync switch. When the Sync switch Sync: Switches Tap Tempo sync on/off
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).
This model is a pattern filter machine for
creating synth-like sounds. It provides Step: Selects the numbers of steps
max. 8 steps and 8 different patterns. A Patten: Selects from 8 different sequencing
rate control sets the sequencing speed. patterns
Pattern Filter You can use Tap Tempo function to Rate: Controls the sequencing speed
(Mono I/O) control the effect speed by turning on Shape: Controls the filter width
the Sync switch. When the Sync switch Reso: Controls the filter resonance
is on, turn the Rate knob to set a proper Level: Controls the effect output
tap divide value. The default value is 1/4 Sync: Switches Tap Tempo sync on/off
(no division).
Pitch
This model is a monophonic octaver that
Oct 1: Controls the volume of lower octave
creates notes one octave lower and two
Analog Octa (1 oct down)
octaves lower. Single note processing and
1 Oct 2: Controls the volume of higher octave
individual wet/dry signal control recreate
(Mono I/O) (1 oct up)
the vintage "dirty" analog octave pedal
Dry: Controls the dry signal level
sounds.

This model is a monophonic octaver that

Oct 1: Controls the volume of lower octave
creates notes one octave lower and two
Analog Octa (1 oct down)
octaves lower. Single note processing and
2 Oct 2: Controls the volume of higher octave
individual wet/dry signal control recreate
(Mono I/O) (1 oct up)
the vintage "dirty" analog octave pedal
Dry: Controls the dry signal level
sounds.

Note: This effect features mono (L) in,
stereo out configuration. This model is
a polyphonic octaver that creates notes
Digital Octa one octave higher and one octave lower.
(Mono in, Individual octave voice control and dry
stereo out) signal control can bring you lots of fun,
and polyphonic processing support
means playing chords is absolutely no
problem.
Hi Level: Controls the volume of higher
octave (1 oct up)
Low Level: Controls the volume of lower
octave (1 oct down)
Hi/Lo Pan: Controls the higher/lower octave
signal L/R panning
Tone: Controls the effect tone
Mix: Controls the wet/dry signal ratio
Output: Controls the overall output

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

7
 FX Title Description
Note: This effect features mono (L) in,
stereo out configuration. This model is a
Dual Pitch
polyphonic 2-voice pitch shifter with max.
(Mono in,
2 octaves pitch shifting range. Detailed
stereo out)
pitch shifting settings can bring you lots
of fun.
Note: This effect features mono (L) in,
stereo out configuration. This model is
Quad Pitch
a polyphonic 4-voice pitch shifter with
(Mono in,
max. 2 octaves pitch shifting range.
stereo out)
Detailed pitch shifting settings can bring
you lots of fun.
This model is a monophonic pitch shifter
with max. 2 octaves pitch shifting range,
simulating the classic Whammy® tone.
Classic PS
Assign the Position parameter to your
(Mono I/O)
expression pedal, turn the expression
pedal on, and you can bend the pitch by
moving the pedal back and forth.
This model is a polyphonic pitch shifter
with max. 2 octaves pitch shifting range.
Individual mix/max pitch range settings
Pitch Shift can bring you lots of fun. Assign the
(Mono I/O) Position parameter to your expression
pedal, turn the expression pedal on, and
you can bend the pitch by moving the
pedal back and forth.
Note: This effect features mono (L) in,
stereo out configuration. This is a detune
Detune model which combines a slightly pitch
(Mono in, shifted signal with the original signal,
stereo out) producing a lush, chorus-like sound.
Use the Dry, Wet and Detune knobs to
expand your sonic dimensions.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
Parameters & Ranges
Pitch 1/2: Controls the voice 1/2 pitch
shifting range by ±24 semitones
Detune 1/2: Fine tunes the pitch correction
by ±50 cents
Delay 1/2: Controls the time between dry
and wet signals
Pan 1/2: Controls the wet signal L/R panning
Tone: Controls the effect tone
Mix: Controls the overall dry/wet signal ratio
Level 1/2: Controls the effect output
Output: Controls the overall output
Pitch 1-4: Controls the voice 1-4 pitch
shifting range by ±24 semitones
Detune 1-4: Fine tunes the pitch correction
by ±50 cents
Delay 1-4: Controls the time between dry
and wet signals
Pan 1-4: Controls the wet signal L/R panning
Tone: Controls the effect tone
Mix: Controls the overall dry/wet signal ratio
Level 1-4: Controls the effect output
Output: Controls the overall output
Range: Selecs the pitch shifting range
Position: Controls the pedal position (min=0,
max=100)
Mix: Controls the dry/wet signal ratio
Level: Controls the effect output
Min/Max Pitch: Controls the low/high pitch
shifting range by ±24 semitones
Position: Controls the pedal position (min=0,
max=100)
Tone: Controls the effect tone
Level: Controls the effect output
Dry/Wet: Controls the dry/wet signal level
Detune: Controls the detune amount by ±50
cents
8
 FX Title Description Parameters & Ranges
Detune 1/2: Controls the detune amount by
Note: This effect features mono (L) in, ±50 cents
stereo out configuration. This is a dual- Delay 1/2: Controls the time between dry
Dual Detune voice detune effect combines two slightly and wet signals
(Mono in, pitch shifted voices with the original Pan 1/2: Controls the wet signal L/R panning
stereo out) signal, producing a lush, chorus-like Tone: Controls the effect tone
sound. Use the control knobs to expand Mix: Controls the overall dry/wet signal ratio
your sonic dimensions. Level 1/2: Controls the effect output
Output: Controls the overall output
Detune 1-4: Controls the detune amount by
Note: This effect features mono (L) in, ±50 cents
stereo out configuration. This is a quad- Delay 1-4: Controls the time between dry
Quad Detune voice detune effect combines four slightly and wet signals
(Mono in, pitch shifted voices with the original Pan 1-4: Controls the wet signal L/R panning
stereo out) signal, producing a lush, chorus-like Tone: Controls the effect tone
sound. Use the control knobs to expand Mix: Controls the overall dry/wet signal ratio
your sonic dimensions. Level 1-4: Controls the effect output
Output: Controls the overall output
This is a detune effect simulates the
80s Detune detune effect coming from THAT
Mode: Selects from two detuning modes
(Mono I/O) legendary 1980s red pitch bend pedal.
Great for producing 1980s tone.
Shift: Controls the pitch shifting range by
This model is a polyphonic pitch shifter. ±12 semitones
String Shifter
You can use it as a virtual capo, or use it Detune: Fine tunes the pitch correction by
(Mono I/O)
to simulate down tunings on your guitar. ±50 cents
Volume: Controls the effect output
Mix: Controls the wet/dry signal ratio of the
effect
Key: Selects the chord key according to your
This model is a monophonic single voice
music
automatic harmonizer with max. one
Harmonizer 1 Mode: Selects the scale mode according to
octave pitch shifting range. Detailed Key,
(Mono I/O) your music
Scale and Interval settings can bring you
Interval: Selects the interval between wet
lots of fun.
and dry signal
Smooth Mode: Switch on to get a smooth
note transition

Mix: Controls the wet/dry signal ratio of the

effect
Key: Selects the chord key according to your
This model is a monophonic dual voice
music
automatic harmonizer with max. one
Harmonizer 2 Mode: Selects the scale mode according to
octave pitch shifting range. Detailed Key,
(Mono I/O) your music
Scale and Interval settings can bring you
Interval 1/2: Selects the interval between
lots of fun.
wet and dry signal
Smooth Mode: Switch on to get a smooth
note transition

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

9
 FX Title Description Parameters & Ranges
Special
Note: This effect features mono (L) in,
12-Stringer stereo out configuration. This model
(Mono in, makes an ordinary guitar play like a Output: Controls the effect output
stereo out) 12-string guitar. One knob makes it easy
to use.
Mix: Controls the wet/dry signal ratio of the
This model is a sweet-sounding effect
bitcrusher/sample rate reducer with Krush: Controls the sample rate of the effect
Bit Krusher full control over the bit resolution and Bit: Controls the bit resolution of the effect
(Mono I/O) sample rate. Use the low pass filter and Hi Cut: Controls the cutoff frequency of the
high pass filter onboard to get your own high cut filter
sound variations. Lo Cut: Controls the cutoff frequency of the
low cut filter
This is a ring modulator which produces Mix: Controls the wet/dry signal ratio
interesting inharmonic frequency spectra. Freq: Controls the overall modulation
Ring Mod The Freq, Tone and Mix controls are frequency
(Mono I/O) tweak up unique bell and chime effects, Fine: Fine tune the modulation frequency by
and a Fine knob gives you extra control +/- 50Hz
over the frequency. Tone: Controls the effect tone
This special filter makes you sound like
Telephone Noise: Controls the background noise
you're playing over an old phone. Tweak
Line amount
the Noise and Shake knobs to get a
(Mono I/O) Shake: Controls the sound vibration
seriously iffy connection.
Can't get no satisfaction! This model is a
Saturation: Controls the effect gain
tape saturation simulator that simulates
Mix: Controls the effect wet/dry signal ratio
Satisfaction the sound character of a vintage reel-
Output: Controls the effect output volume
(Mono I/O) to-reel tape recorder, bringing you
High Cut: Cuts the effect high frequency
unbeatable analog warmth and natural
signal
distortion.
This filter is a vintage microphone
simulator that makes you sound like Mic Type: Selects from three different sound
Mic Lab
you're rocking through a pre-war characters
(Mono I/O)
microphone. Use the Mic Type knob to Gain: Controls the output level
pick the sound you like best.
Vocal
Pitch Correction is a simple and easy-
to-use automatic vocal pitch correction
Pitch effect. If your voice frequency is between
Correction: Controls the amplitude of pitch
Correction ±50 cents of any note in the 12-equal
correction
(Mono I/O) temperament (A=440Hz), this effect can
automatically bring your voice closer to
the standard frequency of that note.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

10
 FX Title Description Parameters & Ranges
Humanize: Controls the naturalness of the
pitch correction effect
AT-Tune is a powerful automatic pitch
Shift: Controls the voice 1/2 pitch shifting
correction/shift effect for vocals, with a
range by ±12 semitones
wide adjustment range. It can be used
Key: Selects the target key according to
AT-Tune not only to adjust and correct the pitch
your music. If you select None, the pitch will
(Mono I/O) of vocals, but also to create a robotic-
be automatically corrected to the standard
like sound sound through deliberate
frequency of the nearest note, and the Scale
exaggerated pitch correction and large
option will have no effect.
pitch shifts.
Scale: Selects the target scale mode
according to your music
WAH

This model is based on the legendary

vintage VOX® Clyde McCoy®* wah pedal,
reproducing the voice-y expressive wah
Clay Wah tone. Assign the Position parameter
(Mono I/O) to your expression pedal, turn the
expression pedal on, and you'll hear the
difference by moving the pedal back and
forth.
Range: Controls the wah filter frequency
range
Q: Controls the wah resonance (filter Q)
Volume: Controls the effect output
Position: Controls the wah pedal position
(min=fully heel, max=fully toe)

This model is based on the VOX® V845*

wah pedal, bringing you the heart and
the soul of the golden wah-wah tone.
Voxy Wah
Assign the Position parameter to your
(Mono I/O)
expression pedal, turn the expression
pedal on, and you'll hear the difference
by moving the pedal back and forth.
This model is based on the vintage VOX®
V846* wah pedal, bringing you the heart
and the soul of the golden wah-wah
Voxy Wah+ tone. Assign the Position parameter
(Mono I/O) to your expression pedal, turn the
expression pedal on, and you'll hear the
difference by moving the pedal back and
forth.
This model is based on the vintage
Colorsound® Wah-Wah* pedal, bringing
you the heart and the soul of a golden
Color Wah British wah-wah tone. Assign the
(Mono I/O) Position parameter to your expression
pedal, turn the expression pedal on, and
you'll hear the difference by moving the
pedal back and forth.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
Range: Controls the wah filter frequency
range
Q: Controls the wah resonance (filter Q)
Volume: Controls the effect output
Position: Controls the wah pedal position
(min=fully heel, max=fully toe)
Range: Controls the wah filter frequency
range
Q: Controls the wah resonance (filter Q)
Volume: Controls the effect output
Position: Controls the wah pedal position
(min=fully heel, max=fully toe)
Range: Controls the wah filter frequency
range
Q: Controls the wah resonance (filter Q)
Volume: Controls the effect output
Position: Controls the wah pedal position
(min=fully heel, max=fully toe)

11
 FX Title Description Parameters & Ranges
This model is inspired by the legendary
Range: Controls the wah filter frequency
"Shaft" sound, which is great for funky
range
music. Assign the Position parameter
Funky Wah Q: Controls the wah resonance (filter Q)
to your expression pedal, turn the
(Mono I/O) Volume: Controls the effect output
expression pedal on, and you'll hear the
Position: Controls the wah pedal position
difference by moving the pedal back and
(min=fully heel, max=fully toe)
forth.

This model is based on the Morley®

Power Wah*, bringing you the iconic
Morley®* wah tone that was popular
Magic Wah since 1970s. Assign the Position
(Mono I/O) parameter to your expression pedal, turn
the expression pedal on, and you'll hear
the difference by moving the pedal back
and forth.
Range: Controls the wah filter frequency
range
Q: Controls the wah resonance (filter Q)
Volume: Controls the effect output
Position: Controls the wah pedal position
(min=fully heel, max=fully toe)

This model is based on the WAH mode

Range: Controls the wah filter frequency
of our best-selling 3 in 1 mini pedal: Soul
range
Press.Assign the Position parameter
Soul Press Q: Controls the wah resonance (filter Q)
to your expression pedal, turn the
(Mono I/O) Volume: Controls the effect output
expression pedal on, and you'll hear the
Position: Controls the wah pedal position
difference by moving the pedal back and
(min=fully heel, max=fully toe)
forth.
This model is a bass wah that based on
Range: Controls the wah filter frequency
the WAH mode of our best-selling 3 in
range
1 pedal: Bass Press.Assign the Position
Bass Press Q: Controls the wah resonance (filter Q)
parameter to your expression pedal, turn
(Mono I/O) Volume: Controls the effect output
the expression pedal on, and you'll hear
Position: Controls the wah pedal position
the difference by moving the pedal back
(min=fully heel, max=fully toe)
and forth.
This model is based on the legendary
Range: Controls the wah filter frequency
Dunlop® CryBaby®* wah pedal, bringing
range
you the iconic deep, rich tonal sweep.
Cry Wah Q: Controls the wah resonance (filter Q)
Assign the Position parameter to your
(Mono I/O) Volume: Controls the effect output
expression pedal, turn the expression
Position: Controls the wah pedal position
pedal on, and you'll hear the difference
(min=fully heel, max=fully toe)
by moving the pedal back and forth.
Range: Selects from 6 wah filter frequency
This model is based on the legendary
ranges
Dunlop® CryBaby® 535Q* wah pedal, a
Q: Controls the wah resonance (filter Q)
versatile wah with detailed tone control.
Cry Wah+ Volume: Controls the effect output
Assign the Position parameter to your
(Mono I/O) Position: Controls the wah pedal position
expression pedal, turn the expression
(min=fully heel, max=fully toe)
pedal on, and you'll hear the difference
Boost: Switches internal boost circuit on/off
by moving the pedal back and forth.
Boost Range: Controls the boost amount
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

12
 FX Title Description Parameters & Ranges
This model is based on the Dunlop® JP95
Range: Controls the wah filter frequency
John Petrucci CryBaby®* wah pedal that
range
customized on John Petrucci's demands.
Q: Controls the wah resonance (filter Q)
Petrus Wah The built-in EQ is fixed to default.
Volume: Controls the effect output
(Mono I/O) Assign the Position parameter to your
Position: Controls the wah pedal position
expression pedal, turn the expression
(min=fully heel, max=fully toe)
pedal on, and you'll hear the difference
EQ: Switches built-in EQ on/off
by moving the pedal back and forth.
This model is based on the Dunlop®
KH95 Kirk Hammett CryBaby®* wah Range: Controls the wah filter frequency
pedal that customized on Kirk Hammett's range
Sandman
demands. Assign the Position parameter Q: Controls the wah resonance (filter Q)
Wah
to your expression pedal, turn the Volume: Controls the effect output
(Mono I/O)
expression pedal on, and you'll hear the Position: Controls the wah pedal position
difference by moving the pedal back and (min=fully heel, max=fully toe)
forth.

Range: Controls the wah filter frequency

This model is based on the Ibanez®
range
WH-10* wah pedal, producing a creamy
Q: Controls the wah resonance (filter Q)
80's wah tone that beloved by RHCP's
Volume: Controls the effect output
Chili Wah John Frusciante. Assign the Position
Position: Controls the wah pedal position
(Mono I/O) parameter to your expression pedal, turn
(min=fully heel, max=fully toe)
the expression pedal on, and you'll hear
Mode: Switches between guitar and bass
the difference by moving the pedal back
modes
and forth.
Depth: Controls the wah filter intensity

DRV
Overdrive
This model is based on the legendary
Ibanez® TS-808 Tube Screamer®*.
Gain: Controls the overdrive amount
Green Drive Featuring a warm, juicy overdriven sound,
Tone: Controls the effect tone
(Mono I/O) this Green Drive is the incomparable
Volume: Controls the effect output
vintage overdrive model you've always
been hoping to find.

This model is based on the legendary

Ibanez® TS-9 Tube Screamer®*, which
was originally designed to simulate the
Gain: Controls the overdrive amount
Green 9 sound of a vintage tube amplifier. Like
Tone: Controls the effect tone
(Mono I/O) the original, the Green 9 model has a rich,
Volume: Controls the effect output
smooth and natural overdriven sound,
and it won't lose any detail of your
playing.

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

13
 FX Title Description Parameters & Ranges
Based on pretty much the first overdrive
pedal the world ever saw, Yellow Drive
brings you the iconic beefy, cream-
Yellow Drive Gain: Controls the overdrive amount
like overdriven sound with pronounced
(Mono I/O) Volume: Controls the effect output
details and a wide dynamic response
range. NO TONE CONTROL – YOU WON'T
NEED IT!

Based on the Providence® SOV-2

Stampede OD* pedal, this model delivers
the natural overdrive tone without Gain: Controls the overdrive amount
Swarm Drive
affecting the inherent sound character of Tone: Controls the effect tone
(Mono I/O)
your guitar. No matter what you need – Volume: Controls the effect output
from crunchy rhythms to singing solos,
the Swarm Drive will never let you down.

This Super Drive is based on a classic,

widely used overdrive which features a
unique asymmetric overdrive circuitry. Gain: Controls the overdrive amount
Super Drive
Delivering a rich, authentic-sounding Tone: Controls the effect tone
(Mono I/O)
tube-driven overdrive effect with wide Volume: Controls the effect output
tonal range, it's one of a must-have
overdrive model in your effect chain.

The Screamood model is a classic

Gain: Controls the overdrive amount
overdrive inspired by the evergreen TS-
Volume: Controls the effect output
Screamood style overdrive served with its most
Tone: Controls the effect tone
(Mono I/O) enduring modification. Use the two
Fat: Switches extra resonance on/off
onboard switches to find your favorite
Air: Switches extra presence on/off
screaming mood.
Based on the widely used blues overdrive
(and the famous PHAT-modified version),
Dr. Blues is a roadmap of classic bluesy
textures to take you from sweet Gain: Controls the distortion amount
Dr. Blues
Tennessee to screaming Texas. Turn up Tone: Controls the effect tone
(Mono I/O)
the GAIN knob to get a warm distortion Volume: Controls the effect output
with tons of sensitivity and a wide
frequency response.
It works great on bass too!
Gain: Controls the distortion amount
Based on the legendary Fulltone®
Tone: Controls the effect tone
OCD®* overdrive pedal, this model
Volume: Controls the effect output
Force Drive gives you that great amp-like flavor of a
Mode: Selects from two different sound
(Mono I/O) cranked up vintage amp. Get wild with
characters: HP (High Peak mode with more
this responsive, super powerful overdrive
bottom end and distortion), LP (Low Peak
monster!
mode without changing your original tone)
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

14
 FX Title Description Parameters & Ranges
The Tube Clipper is based on the
legendary B. K. Butler® Tube Driver®*, Gain: Controls the distortion amount
Tube Clipper the REAL TUBE overdrive with a 12AX7 Volume: Controls the effect output
(Mono I/O) tube inside. Famous for the violin-like Bass/Treble: 2-band EQ that controls the
"Cliffs of Dover" tone, it sits atop many a effect tone
studio pro and live musician's wish list.
This Blues Butter overdrive model
recreates the magic of the classic
Bluesbreaker®* sound for you. Based on
Gain: Controls the gain amount
Blues Butter the Marshall® Bluesbreaker®* overdrive
Tone: Controls the effect tone
(Mono I/O) pedal, this low-mid-gain overdrive will
Volume: Controls the effect output
add sweetness (and a little wildness) to
your guitar sound. You can use it as a
clean boost too!

Based on the legendary Marshall® Drive

Master* overdrive pedal, the Grand Driver
Gain: Controls the gain amount
model offers a 3-band tone control. It
Grand Driver Volume: Controls the effect output
is like adding an extra amp with classic
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
British overdrive tone to your set up. This
the effect tone
will push your performance to an even
higher level!

This model is a touch-sensitive overdrive

with wide-ranged dynamics. Based on
Gain: Controls the overdrive amount
the legendary Hermida® Zendrive®*, the
Tone: Controls the effect tone
Zen Garden Zen Garden delivers an overdriven tone
Volume: Controls the effect output
(Mono I/O) associated with some of the finest, most
Voice: Controls the upper harmonics
costly amplifiers on the market. With the
character
four knobs onboard, you can easily touch
the soul of ZEN ！
Direct Touch is based on the famous
Barber® Direct Drive* overdrive pedal. Gain: Controls the distortion amount
Direct Touch Delivering sparking tube style overdrive Tone: Controls the effect tone
(Mono I/O) with great clarity, you'll hear every note Volume: Controls the effect output
singing with pride and joy – just like a Harmonics: Switches extra harmonics on/off
real vintage tube amp does!
Based on the legendary Klon® Centaur*,
this overdrive model gives you an
Gain: Controls the gain amount
Faun Drive authentic amp-in-a-box feel with full,
Tone: Controls the effect tone
(Mono I/O) rich sound character that is not harsh or
Volume: Controls the effect output
boomy at all. Turn Gain knob to minimum
you get a superb clean boost.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

15
 FX Title Description Parameters & Ranges
This model is based on the famous
Lovepedal® Eternity* overdrive pedal, a
Screamer-inspired overdrive that goes
beyond the green machine. Same as Gain: Controls the distortion amount
Amore Eterno
original, the unique Glass control makes Tone: Controls the effect tone
(Mono I/O)
it work great as both overdrive and clean Volume: Controls the effect output
boost. Jump in to that eternal sound
beloved by Police's Andy Summers and
GNR's Richard Fortus.
Precise Attack is a modern booster/
overdrive model based on the famous
Horizon Devices® Precision Drive*.
Gain: Controls the overdrive amount
Designed by Misha Mansoor, this pedal
Tone: Controls the effect tone
is an everything solution for progressive
Precise Volume: Controls the effect output
musicians. Plug in an extended range
Attack Attack: 6-mode selector; dial clockwise for a
guitar, or run into a high gain amp to find
(Mono I/O) tighter, more aggressive sound
the prog magic. Special designed Attack
Gate: Controls the built-in noise gate
control tightens the low ends and makes
threshold
your sound prog-y. A built-in smart noise
gate reduces hum and keeps your palm
muting tight.
Gain: Controls the overdrive amount
Volume: Controls the effect output
Magic T is an overdrive model based on
Bass/Treble: 2-band EQ that controls the
the legendary Paul Cochrane Timmy®*
effect tone (counterclockwise, same as
overdrive (V2) pedal – one of the first
Magic T original)
transparent overdrive pedals. Like the
(Mono I/O) Mode: Selects from three clipping modes:
original, Magic T pushes your amp/guitar
-I: asymmetrical clipping
to the limit while maintaining the original
-II: symmetrical clipping
flavor and dynamics.
-III: symmetrical clipping with more
compression feel
Gain: Controls the gain amount
Prince of Drive is based on the famous
Prince of Tone: Tone: Controls the effect tone
Analog.Man™ Prince of Tone* overdrive
Drive Volume: Controls the effect output
pedal, one of the best transparent
(Mono I/O) Mode: Select from 3 different modes
overdrive pedals.
HF Trim: Controls the effect presence
This model is based on Nobels® ODR-1
Drive: Controls the gain amount
Natrual Overdrive*, a must-have among
Noble Drive Spectrum: Boosts/cuts both bass and treble
countless session musicians like Tom
(Mono I/O) frequency
Bukovac, Jerry Donahue, John Shanks,
Level: Controls the effect output
and more.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

16
 FX Title Description Parameters & Ranges
Fuzz
Many dirt pedals released throughout the
1970s began to blur the lines between
fuzz and distortion. The Big Pie is one
of them. Based on the legendary Big Sustain: Controls the gain amount
Big Pie
Muff Pi®*, this model is a fresh take on Tone: Controls the effect tone
(Mono I/O)
the fuzz tone territory. You get a wide- Volume: Controls the effect output
ranged sound character using the TONE
knob – from creamy overdrive-like sound
to really aggressive fuzzy tone.
This model is based on the legendary
Dallas-Arbiter® Fuzz Face®*. Featuring a
Face Fuzz unique, unmistakable creamy sound with Fuzz: Controls the gain amount
(Mono I/O) incredible dynamics, the pedal remains Volume: Controls the effect output
a favorite among many rock stars –
Hendrix, Gilmour, Townshend and more!
This model is based on the legendary
Sola Sound® Tone Bender Mk II®* fuzz
Bend Fuzz pedal – the legend of the legends. We Fuzz: Controls the gain amount
(Mono I/O) reproduced the smooth, honey-like tone Volume: Controls the effect output
that was beloved by Page and many
more professional musicians.
This model recreates the sound of a
Face Fuzz Ge Dunlop® Fuzz Face®* (with Germanium Fuzz: Controls the gain amount
(Mono I/O) transistors) with advanced modeling Volume: Controls the effect output
methods.

Distortion

This little yellow box has produced lots

of great soundings in countless classic
studio albums. Yeah, we're talking the
legendary MXR® M104 Distortion +*,
Plustortion Gain: Controls the distortion amount
and this M104-based Plustortion. The
(Mono I/O) Volume: Controls the effect output
Plustortion recreated the Germanium-
powered soft clipping distortion, like
what Randy Rhoads and other hard
rockers do!

Based on the famous late-70's distortion

pedal that is a favorite among pro
guitarists and pedal modifiers, the
Gain: Controls the distortion amount
Smooth Dist Smooth Dist is truly a classic distortion
Tone: Controls the effect tone
(Mono I/O) model. It produces a distortion sound
Volume: Controls the effect output
ranging from screaming loud to whisper
soft. Of course, it faithfully reproduces
the dynamics of your playing style.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

17
FX Title Description Parameters & Ranges
Here is another dirt pedal that changed
the rules.
Based on the ProCo™ RAT2* distortion
pedal (early LM308 op-amp version),
Black Tail brings you the real underground
Gain: Controls the distortion amount
rock scene. Sweet overdrives, grinding
Black Tail Filter: Counterclockwise controls the effect
rhythms, roaring solos – Black Tail
(Mono I/O) tone
cashes in with authority and power.
Volume: Controls the effect output
Same as the original, Black Tail features
the legendary FILTER control: Turn it
clockwise to cut off the high end, turn
it counterclockwise to allow the natural
brightness of your instrument through.
Based on the legendary Marshall® The
Guv'Nor* distortion pedal which was Gain: Controls the distortion amount
Governor well known for its high quality and iconic Volume: Controls the effect output
(Mono I/O) British distortion tones, it recreated the Bass/Middle/Treble: 3-band EQ that controls
world-famous drive sound of a classic the effect tone
Marshall® stack at full tilt.
The Shredder is based on the legendary
Gain: Controls the distortion amount
Marshall® Shred Master* distortion
Shredder Volume: Controls the effect output
pedal, the one well known for used by
(Mono I/O) Bass/Contour/Treble: 3-band EQ that
Radiohead's Jonny Greenwood to create
controls the effect tone
his twisted distortion walls.

Based on the MI Audio® Crunch Box®*,

this model brings you high-gain British
amp distortion in a stompbox. Simple and Gain: Controls the distortion amount
Crunchist
straightforward, with just gain, tone, and Tone: Controls the effect tone
(Mono I/O)
volume control, the Crunchist distortion Volume: Controls the effect output
easily recreates the huge crunch of a
British amp.

Metaland Distortion provides an insanely Gain: Controls the distortion amount

heavy distortion with edgy highs,
Metaland powerful mids and heavy lows. Inspired
(Mono I/O) by the world's most popular heavy
metal distortion pedal, the Metaland is
definitely an extreme "dirt wall" creator.
Volume: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Mid Freq: Controls the range of middle
frequency

Gain: Controls the gain amount

Go and get your riot gear! Rebel is
Tone: Controls the effect tone
based on the famous Suhr® Riot
Volume: Controls the effect output
Distortion™* pedal, characterized
Rebel Mode: Selects from three different sound
by massive distortion that maintains
(Mono I/O) characters:
touch sensitivity. Now you've got an
-Natural: Neutral sound
authoritative shredding and riffing
-Modern: A tighter, more aggressive sound
machine just a kick away!
-Vintage: A smoother, warmer sound
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

18
 FX Title Description
Here's another great 80s lead sound:
Based on the famous Wampler®
Pleximaker
Plexitortion* pedal, this Pleximaker does
(Mono I/O)
exactly what you think: kick it on to get
hot-rodded British lead amp tone.
The Panama Lead is a distortion model
Panama Lead inspired by the legendary "brown sound"
(Mono I/O) amp. This distortion takes your brown
lead all the way from raw to relentless.
This model is based on a famous dirt box
Fryman Dist
recreating the iconic boutique UK-style
(Mono I/O)
hi-gain "Brown Eye" tone with versatility.
Bass
Solid Steel is a flexible drive pedal
designed for bass. We voiced this one
Solid Steel
to deliver a rich driven bass sound. Use
(Mono I/O)
the Mode knob to select from 3 unique
sound characters.
If you're looking for an all-around bass
driver, this is the one. Based on the
Bass OD
widely used yellow bass driver, the Bass
(Mono I/O)
OD gives you a massive bass sound with
super wide tonal flexibility.
The Behemoth M is based on the famous
Darkglass® Microtubes B7K Analog Bass
Behemoth M Preamp* pedal. This pedal can turn your
(Mono I/O) whispering bass into a growling monster,
all while preserving the clarity. Onboard
EQ gives you wide tonal flexibility.
Basshammer is based on the famous
Basshammer Aguilar® Tone Hammer* Bass Preamp*
(Mono I/O) pedal, a great swiss army knife for
modern bassists.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
19
Parameters & Ranges
Gain: Controls the distortion amount
Mode: Selects from two different sound
characters: Vintage/Modern
Volume: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Volume: Controls the effect output
Gain: Controls the distortion amount
Tone: Controls the effect tone
Tight: Controls the low bottom resonance
Gain: Controls the gain amount
Volume: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
Presence: Controls the effect headroom
Tight: Controls the low bottom resonance
Gain: Controls the overdrive amount
Tone: Controls the effect tone
Volume: Controls the effect output
Mode: Selects from 3 different sound
characters: Normal (neutral sound), Scoop
(mid-scooped sound), Edge (edgy sound)
Blend: Controls the wet/dry signal ratio
Gain: Controls the distortion amount
Blend: Controls the wet/dry signal ratio
Volume: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
Gain: Controls the overdrive amount
Blend: Controls the wet/dry signal ratio
Volume: Controls the effect output
Low/Low Mid/High Mid/Treble: 4-band EQ
that controls the effect tone
Attack: Boosts/cuts high frequency amount
Gain: Controls the gain amount
Master: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Mid Freq: Controls the range of middle
frequency
Drive: Turn on for extra gain stage
 FX Title Description Parameters & Ranges
AMP
Clean
The Tweed Chap is an amp simulator
based on the sound characteristics of the
legendary Fender® Tweed Champ* amp Volume: Controls the effect output and gain
Tweed Chap
(5F1 version), an awesome little "practice amount
(Mono I/O)
amp" with huge tone. Crank it up you get Output: Controls the effect output
the sweet "boxy" sound which made it
popular in studios.
The Tweed Lux is an amp simulator
based on the sound characteristics of the
legendary Fender® Tweed Deluxe* amp Volume: Controls the effect output and gain
Tweed Lux (5E3 version, BRIGHT channel). Featuring amount
(Mono I/O) rich, singing clean and juicy, luscious Tone: Controls the effect tone
overdrive, the mysterious DELUXE amp Output: Controls the effect output
with the TWEED cover can be found
everywhere from studios to bedrooms.
The Tweed Prince is an amp simulator
based on one of the legendary studio
combo amps: Fender® Tweed Princeton Volume: Controls the effect output and gain
Tweed Prince Amp* (5F2-A version), another "huge amount
(Mono I/O) tone in a small box" masterpiece which Tone: Controls the effect tone
remains popular among players, builders Output: Controls the effect output
and collectors. A Tone knob makes it
more versatile.
This model is an amp simulator based
on the sound characteristics of the Volume: Controls the effect output and gain
legendary Fender® Bassman®* amp amount
Baseman
(5F6-A version, Normal channel), the Presence: Controls the effect headroom
Norm
American legend with a twangy top and Output: Controls the effect output
(Mono I/O)
fat bottom end. Originally designed for Bass/Middle/Treble: 3-band EQ that controls
bass, it soon became popular among the effect tone
guitar players.

The original clean sound. Volume: Controls the effect output and gain
The Black Twin is based on the legendary amount
Black Twin Fender® '65 Twin Reverb®* amp. It Output: Controls the effect output
(Mono I/O) provides a super clean, crystal-like sound Bass/Middle/Treble: 3-band EQ that controls
with scooped mids, popularly known as the effect tone
the "Blackface Sound". Bright: Switches extra brightness on/off

The Black Deluxe is an amp simulator

Volume: Controls the effect output and gain
based on the legendary Fender®
amount
Black Deluxe Blackface Deluxe Reverb®* amp (Normal
Output: Controls the effect output
(Mono I/O) CH), providing you a more scooped
Bass/Treble: 2-band EQ that controls the
"blackface" sound with chime-y highs.
effect tone
Plus, it's easier to crank up too!
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

20
 FX Title Description
The Black Deluxe+ is an amp simulator
based on the Fender® Blackface Deluxe
Reverb®* amp (Vibrato CH – the most
Black Deluxe+
popular channel among musicians),
(Mono I/O)
providing you a more scooped "blackface"
sound with chime-y highs. Plus, it's
easier to crank up too!
The Black Prince is an amp simulator
based on the Fender® Blackface
Black Prince Princeton®* amp (AA964 version). Push
(Mono I/O) it to the verge of breakup you'll find
the fantastic tone beloved by lots of
musicians.
The Black Super is an amp simulator
based on the Fender® Blackface Super
Black Super Reverb®* amp (AB763 version), a huge
(Mono I/O) sounding amp delivering you the lovely
"blackface" chimes with enhanced treble
and bass.
The Black Vibra is an amp simulator
based on the Fender® Blackface
Black Vibra Vibroverb®* amp (AA763 version), which
(Mono I/O) contributed a lot on SRV's iconic colossal
tone. Plug in a classic ST-type guitar and
you'll feel your Texas blood flooding!
The Brown King Clean is an amp
simulator based on the Fender®
Brown King Brownface Vibro-King®* amp (FAT
Clean switch off), one of Gary Clark Jr.'s favorite.
(Mono I/O) It gives you a beautiful shimmering clean
when turned down, and a serious touch-
sensitive dirt when cranked up.
The Brown Vibra is an amp simulator
based on the Fender® Brownface
Vibrolux®* Amp (6G11 version), giving
Brown Vibra
you a warmer, slightly dirtier Fender®*
(Mono I/O)
tone. It became a rock legend after Mark
Knopfler used it to record the famous
Sultan of the Swing album.
The Brown Concert is an amp simulator
based on the Fender® Brownface
Concert®* Amp (6G12 version, Vibrato
Brown
input), one of the crown jewels of vintage
Concert
amps. The sound is pure, shimmering
(Mono I/O)
with lots of headroom. Of course you
can also push it to the edge to get a mild,
brown-ish overdrive.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
21
Parameters & Ranges
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Bright: Switches extra brightness on/off
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
Bright: Switches extra brightness on/off
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
Volume: Controls the effect output and gain
amount
Presence: Controls the effect headroom
Output: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
 FX Title Description Parameters & Ranges
The Brown Super is an amp simulator Volume: Controls the effect output and gain
based on the Fender® Brownface Super- amount
Brown Super Amp* (6G4 version), one of the first twin- Presence: Controls the effect headroom
(Mono I/O) speaker "professional" amp, delivering a Output: Controls the effect output
touch sensitive, sweet Brownface-era Bass/Treble: 2-band EQ that controls the
tone. effect tone
The Silver Twin is based on a 1970's
Volume: Controls the effect output and gain
Fender® Silverface Twin Reverb®* amp
amount
Silver Twin (AC568 circuit, Vibrato input), giving
Output: Controls the effect output
(Mono I/O) you a different sculpting of the classic
Bass/Middle/Treble: 3-band EQ that controls
"Fender®* Tone" – a crystal-like sound
the effect tone
with scooped mids and great headroom.
The Silver Master is based on
Volume: Controls the effect output and gain
the legendary Fender® Silverface
amount
Bandmaster®* amp (early AB763
Silver Master Output: Controls the effect output
version), which was treated as the
(Mono I/O) Bass/Treble: 2-band EQ that controls the
"holy grail of Fender®* tone". Not much
effect tone
tweaking is needed - Just plug in, turn up
Bright: Switches extra brightness on/off
the volume and feel the magic.

SUPERB retro tone.

The Superb Dual Clean is based on Volume: Controls the effect output and gain
Superb Dual
the famous Supro® Dual-Tone 1624T* amount
Clean
combo (CH 1). It produces the sweet 60s Tone: Controls the effect tone
(Mono I/O)
"stairway" scene replica, from bell-like Output: Controls the master output
cleans to gritty blues.

Volume: Controls the effect output and gain

This model is an amp simulator based
amount
on the sound characteristics of a vintage
Tone cut: Counterclockwise controls the
Voxy 15 TB VOX®* AC15* combo (with Top Boost),
effect tone
(Mono I/O) the little brother of the legendary VOX®
Master: Controls the effect output
AC30*, giving you the same British
Bass/Treble: 2-band EQ that controls the
Invasion sound.
effect tone

This model is an amp simulator based on

the sound characteristics of the VOX®*
Volume: Controls the output volume (post
AC30HW* combo (Normal channel). As
gain)
Voxy 30HW the UK music scene grew out of small
Tone cut: Counterclockwise controls the
Norm pubs to later cross the Pond, almost
effect tone
(Mono I/O) everyone was using the combo amp
Master: Controls the effect output
covered with a diamond grill cloth, the
Bright: Switches extra brightness on/off
legendary VOX® AC30*. This became the
British Invasion sound.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

22
FX Title Description Parameters & Ranges
This model is an amp simulator based
on the sound characteristics of the
Volume: Controls the effect output and gain
legendary Hiwatt® DR103* amp head
amount
Hiway 103 (NORMAL channel), which has proved
Presence: Controls the effect headroom
Norm itself through decades of rock history
Master: Controls the effect output
(Mono I/O) (think Gilmour, Townshend, et al.). Set it
Bass/Middle/Treble: 3-band EQ that controls
up for pure, powerful, transparent tone or
the effect tone
crank it to get some rich British overdrive
– you decide!
This is an amp simulator based on the Volume: Controls the effect output and gain
Watchman
Gibson® Scout* amp, a rare vintage amp amount
(Mono I/O)
with a smooth vintage clean sound. Output: Controls the effect output
The legendary Solid sound.
Our Jazz Clean is based on the
Volume: Controls the effect output
immaculate "JC clean" 2x12 solid-state
Jazz Clean Bright: Switches extra presence on/off
jazz-amp combo. The pure transparent
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
clean sound has ruled for more than
the effect tone
four decades and remains incontestably
reliable among pro musicians.
Meet the Emperor of Tone! Based on the Gain: Controls the gain amount (pre gain)
Emperor Matchless™ Chieftain 212 combo* (clean Presence: Controls the effect headroom
Clean sound), the Emperor features the rich Master: Controls the effect output (post gain)
(Mono I/O) harmonics and matchless sensitivity that Bass/Middle/Treble: 3-band EQ that controls
made this amp a Class A legend. the effect tone
Volume: Controls the effect output and gain
Match 30 Clean is based on the amount
Match 30 unbeatable Matchless" DC-30 combo* - Tone cut: Counterclockwise controls the
Clean one of the earliest boutique amps, which effect tone
(Mono I/O) takes the legendary UK-style Class A Master: Controls the effect output (post gain)
sound to a new level. Bass/Treble: 2-band EQ that controls the
effect tone

The Tangerine A30 Clean is based on the

famous Orange® AD30* amp head (CH
1), a 30-watt, vintage modern Class A Gain: Controls the gain amount (pre gain)
Tang A30
model with Orange®*'s famous "juicy" Master: Controls the effect output (post gain)
Clean
sound. Adjust the GAIN knob to get the Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O)
magic: glassy boutique chime with the the effect tone
gain low, and roaring British chomp with
the gain up.

The Superstar Clean is based on the Gain: Controls the gain amount (pre gain)
Superstar clean channel of the famous Mesa/ Presence: Controls the effect headroom
Clean Boogie® Lone Star®* combo, bringing Master: Controls the effect output (post gain)
(Mono I/O) you a punchy, shimmering twang with Bass/Middle/Treble: 3-band EQ that controls
love and joy. the effect tone

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

23
 FX Title Description
Glacian Clean is based on the clean
channel of the famous Bogner® Shiva*
combo (20th anniversary version). Our
Glacian Clean replica reproduces the glassy hi-fi clean
(Mono I/O) sound powered by a pair of KT88 power
tubes. This is a super wide-open sound
with immerse headroom, sensitive
moods, and great low end response.
Parameters & Ranges
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Treble: 2-band EQ that controls the
effect tone
Bright: Switches extra brightness on/off

This model is based on one of Dr. Z®*'s

most enduring designs: the famous Dr.
Z® Maz 38 Sr.* combo (clean sound). This
Dr. 38 Clean amp has the kind of clean headroom
(Mono I/O) that makes it a great pedal platform, yet
as a standalone it is incredibly versatile,
granting access to both American twang
and UK Class A chime.
This model is based on a famous Dr.
Z®* model: the simple-but-powerful Dr.
Z® Route 66* amp. Thanks to a pair of
Dr. 66
KT66 power tubes in the power amp, this
(Mono I/O)
amp can bring you an adorable creamy
thick sound with lots of dynamics and
definition.
Gain: Controls the output volume (pre gain)
Tone cut: Counterclockwise controls the
effect tone
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Volume: Controls the effect output and gain
amount
Output: Controls the master output
Bass/Treble: 2-band EQ that controls the
effect tone

The Pendragon Clean is based on the

Normal channel of the famous Grindrod®
Pendragon PG20C* combo (bright off),
a masterpiece designed by tube amp Gain: Controls the gain amount (pre gain)
Pendragon guru Steve Grindrod, ex-chief designer Volume: Controls the effect output (post
Clean of VOX®* & Marshall®*. Delivering you gain)
(Mono I/O) an authentic British tone that is warm Bass/Middle/Treble: 3-band EQ that controls
and expressive, with some simple dialing the effect tone
you'll get in touch with the legendary UK
rock'n'roll scenes. Turn up, stand back
and you're ready to rock!

The Pendragon Clean+ is based on the

Normal channel of the famous Grindrod®
Pendragon PG20C* combo (bright on),
a masterpiece designed by tube amp Gain: Controls the gain amount (pre gain)
Pendragon guru Steve Grindrod, ex-chief designer Volume: Controls the effect output (post
Clean+ of VOX®* & Marshall®*. Delivering you gain)
(Mono I/O) an authentic British tone that is warm Bass/Middle/Treble: 3-band EQ that controls
and expressive, with some simple dialing the effect tone
you'll get in touch with the legendary UK
rock'n'roll scenes. Turn up, stand back
and you're ready to rock!

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

24
 FX Title Description Parameters & Ranges
Volume: Controls the effect output and gain
The Press Wrecker is based on the
amount
legendary Trainwreck® Express* amp, a
Press Presence: Controls the effect headroom
super-rare boutique amp created by Ken
Wrecker Output: Controls the effect output
Fischer, brings you a high end Plexi-style
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
sound that reacts extremely faithful to
the effect tone
your fingers.
Bright: Switches extra brightness on/off
The Pool Wrecker is based on the Volume: Controls the effect output and gain
legendary Trainwreck® Liverpool* amp, a amount
super-rare boutique amp created by Ken Presence: Controls the effect headroom
Pool Wrecker
Fischer that reacts extremely faithful Output: Controls the effect output
(Mono I/O)
to your fingers. It creates a sound that Bass/Middle/Treble: 3-band EQ that controls
mixes Plexi-style crunch with some the effect tone
Class-A chimes. Bright: Switches extra brightness on/off
Based on the 1st channel of the famous
Bad Cat® Hot Cat 30* amp, the Hot Kitty
Hot Kitty Gain: Controls the gain amount (pre gain)
Clean is a total Class A clean machine.
Clean Presence: Controls the effect headroom
The unique tone finds itself somewhere
(Mono I/O) Master: Controls the effect output (post gain)
between British and USA territories with
rich upper harmonics.
This model is an amp simulator based
on the sound characteristics of the
Gain: Controls the gain amount (pre gain)
legendary Soldano® SLO100* amp head
Soloist 100 Presence: Controls the effect headroom
(NORMAL channel, clean sound), which
Clean Master: Controls the effect output (post gain)
set a benchmark for modern amps. The
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
reason you find the sound so familiar is
the effect tone
because you've been hearing it on gold
records since 1987.
Hotone's next-gen effect algorithms! Gain: Controls the gain amount (pre gain)
Leading a qualitative leap in both hearing Presence: Controls the effect headroom
and playing. Master: Controls the effect output (post gain)
This model is an amplifier simulator Bass/Middle/Treble: 3-band EQ that controls
Soloist 100
that uses our latest generation the effect tone
Clean HQ
modeling technology to re-model the Bright: Switches extra brightness on/off
(Mono I/O)
sound characteristics of the legendary Preamp Tube: Selects from different preamp
Soldano® SLO100* amp head (NORMAL tube types
channel, clean sound) to achieve a more Power Tube: Selects from different power
dynamic, detailed, high-quality sound. tube types
Gain: Controls the gain amount
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Here comes the THE LEGEND! The
Bass/Middle/Treble: 3-band EQ that controls
Dumbell ODS 1 is based on the legendary
Dumbell ODS the effect tone
Dumble® Overdrive Special* amp head
1 Bright: Switches extra brightness on/off
(Overdrive section off), providing THAT
(Mono I/O) Fat: Switches extra mids/gain on/off
tone created by lots of legendary jazz/
Deep: Switches extra depth on/off
blues/fusion musicians.
Voice: Selects from 2 voicings: Rock/Jazz
(cuts some high frequency comparing to
Rock)
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

25
 FX Title Description
Hotone's next-gen effect algorithms!
Leading a qualitative leap in both hearing
and playing.
Petrus Clean This model recreates the sound
HQ characteristics of the famous Mesa/
(Mono I/O) Boogie® JP-2C™* amp (CH1), John
Petrucci's signature amp head, delivering
a crystal-like clean sound with tons of
headroom.
Drive
This model is an amp simulator based
on the sound characteristics of the
legendary Fender® Bassman®* amp
Baseman
(5F6-A version, Bright channel), the
Bright
American legend with a twangy top and
(Mono I/O)
fat bottom end. Originally designed for
bass, it soon became popular among
guitar players.
The Brown King Drive is an amp simulator
based on the Fender® Brownface Vibro- Volume: Controls the effect output and gain
Brown King King®* amp (FAT switch on), one of Gary
Drive Clark Jr.'s favorite. It gives you a beautiful
(Mono I/O) shimmering clean when turned down,
and a serious touch-sensitive dirt when
cranked up.
This model is an amp simulator based on
the sound characteristics of the VOX®*
AC30HW* combo (Top Boost channel).
Voxy 30HW As the UK music scene grew out of small
TB pubs to later cross the Pond, almost
(Mono I/O) everyone was using the combo amp
covered with a diamond grill cloth, the
legendary VOX® AC-30*. This became the
British Invasion sound.
Superb Dual
Drive SUPERB retro tone.
(Mono I/O)
This model is an amp simulator based
on the sound characteristics of the
legendary Marshall® 1958* combo
Marshell
nicknamed "18 Watter" or "Mini
Blues
Bluesbreaker®*" amp, a serious blues
(Mono I/O)
engine with incredible smooth, fat sound
and great dynamics. A must-have in your
armory!
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
Parameters & Ranges
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Preamp Tube: Selects from different preamp
tube types
Power Tube: Selects from different power
tube types
Volume: Controls the effect output and gain
amount
Presence: Controls the effect headroom
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
amount
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Volume: Controls the effect output and gain
amount
Tone cut: Counterclockwise controls the
effect tone
Master: Controls the effect output (post gain)
Bass/Treble: 2-band EQ that controls the
effect tone
Char: Selects from two sound characters:
Cool (lower gain)/Hot (higher gain)
Volume 1/2: Controls the effect output and
gain amount
Tone 1/2: Controls the effect tone
Output: Controls the master output
Volume: Controls the effect output and gain
amount
Tone: Controls the effect tone
Output: Controls the effect output
26
 FX Title Description Parameters & Ranges

This Marshell 45 is an amp simulator

Volume: Controls the effect output and gain
based on the sound characteristics of the
amount
legendary Marshall® JTM 45* amp head
Marshell 45 Presence: Controls the effect headroom
(NORMAL channel). Born in 1962, it soon
(Mono I/O) Output: Controls the effect output
became popular among countless stars
Bass/Middle/Treble: 3-band EQ that controls
and quickly defined the '60s rock & blues
the effect tone
sound.

This Marshell 45+ is an amp simulator

Volume: Controls the effect output and gain
based on the sound characteristics of the
amount
legendary Marshall® JTM 45* amp head
Marshell 45+ Presence: Controls the effect headroom
(HIGH TREBLE channel). Born in 1962, it
(Mono I/O) Output: Controls the effect output
soon became popular among countless
Bass/Middle/Treble: 3-band EQ that controls
stars and quickly defined the '60s rock &
the effect tone
blues sound.
This Marshell 45 Jump is an amp
simulator based on the sound Volume 1/2: Controls the effect output and
characteristics of the legendary gain amount
Marshell 45
Marshall® JTM 45* amp head with Presence: Controls the effect headroom
Jump
"Jump" connection. Born in 1962, it soon Output: Controls the effect output
(Mono I/O)
became popular among countless stars Bass/Middle/Treble: 3-band EQ that controls
and quickly defined the '60s rock & blues the effect tone
sound.

This is an amp simulator based on the
sound characteristics of the legendary
Marshell 50 Marshall® JMP 50* amp head (NORMAL
(Mono I/O) channel). No explanation necessary —
The tone is as legendary as the music it
helped to create.
Volume: Controls the effect output and gain
amount
Presence: Controls the effect headroom
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone

This is an amp simulator based on the
sound characteristics of the legendary
Marshell 50+ Marshall® JMP 50* amp head (HIGH
(Mono I/O) TREBLE channel). No explanation
necessary — The tone is as legendary as
the music it helped to create.
Volume: Controls the effect output and gain
amount
Presence: Controls the effect headroom
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone

This is an amp simulator based on the
sound characteristics of the legendary
Marshell 50
Marshall® JMP 50* amp head with
Jump
"Jump" connection. No explanation
(Mono I/O)
necessary — The tone is as legendary as
the music it helped to create.
Volume 1/2: Controls the effect output and
gain amount
Presence: Controls the effect headroom
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

27
 FX Title Description Parameters & Ranges
Marshell SLP is an amp simulator
based on the sound characteristics of
the legendary Marshall® Super Lead Volume: Controls the effect output and gain
1959* amp head (Normal channel). No amount
Marshell SLP explanation necessary — The tone is Presence: Controls the effect headroom
(Mono I/O) as legendary as the music it helped to Output: Controls the effect output
create. Since it has an extreme output Bass/Middle/Treble: 3-band EQ that controls
(demanded by Pete Townshend!), we the effect tone
added a Output knob so you can take
control.
Marshell SLP+ is an amp simulator
based on the sound characteristics of
the legendary Marshall® Super Lead Volume: Controls the effect output and gain
1959* amp head (Bright channel). No amount
Marshell
explanation necessary — The tone is Presence: Controls the effect headroom
SLP+
as legendary as the music it helped to Output: Controls the effect output
(Mono I/O)
create. Since it has an extreme output Bass/Middle/Treble: 3-band EQ that controls
(demanded by Pete Townshend!), we the effect tone
added a Output knob so you can take
control.
Marshell SLP Jump is an amp simulator
based on the sound characteristics of
the legendary Marshall® Super Lead Volume 1/2: Controls the effect output and
1959* amp head with "Jump" connection. gain amount
Marshell SLP
No explanation necessary — The tone Presence: Controls the effect headroom
Jump
is as legendary as the music it helped to Output: Controls the effect output
(Mono I/O)
create. Since it has an extreme output Bass/Middle/Treble: 3-band EQ that controls
(demanded by Pete Townshend!), we the effect tone
added a Output knob so you can take
control.
This model is an amp simulator based
on the sound characteristics of the Gain: Controls the gain amount (pre gain)
legendary Marshall® JCM800* amp Presence: Controls the effect headroom
Marshell 800
head. Just think about the golden 1980's Master: Controls the effect output (post gain)
(Mono I/O)
– a decade of heavy metal and THAT Bass/Middle/Treble: 3-band EQ that controls
iconic, aggressive, crunchy BRITISH LEAD the effect tone
sound. Now the legend is back!
The Pendragon Drive is based on
the Boost channel of the famous
Grindrod® Pendragon PG20C* combo,
a masterpiece designed by tube amp Gain: Controls the gain amount (pre gain)
Pendragon guru Steve Grindrod, ex-chief designer Volume: Controls the effect output (post
Drive of VOX®* & Marshall®*. Delivering you gain)
(Mono I/O) an authentic British tone that is warm Bass/Middle/Treble: 3-band EQ that controls
and expressive, with some simple dialing the effect tone
you'll get in touch with the legendary UK
rock'n'roll scenes. Turn up, stand back
and you're ready to rock!
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

28
 FX Title Description Parameters & Ranges
The California Dream. Gain: Controls the gain amount
This model is based on the legendary Presence: Controls the effect headroom
Mesa/Boogie® Mark II C+™* amp head Master: Controls the effect output (post gain)
(LEAD channel). Now you have one of Bass/Middle/Treble: 3-band EQ that controls
Messe IIC+
the hottest amp tones: Tight, focused the effect tone
(Mono I/O)
rhythm riffs and the legendary "liquid Bass/Treble Shift: Switches extra bass/
lead" tone. This amp gets the aeons of treble on/off
sustain Metallica and Dream Theater bet Deep: Switches extra low end on/off
their lives on. Bright: Switches extra brightness on/off
Glacian Drive is based on the drive
channel of the famous Bogner® Shiva*
Gain: Controls the gain amount (pre gain)
combo (20th anniversary version). Our
Presence: Controls the effect headroom
Glacian Drive replica reproduces the glassy hi-fi driven
Master: Controls the effect output (post gain)
(Mono I/O) sound powered by a pair of KT88 power
Bass/Middle/Treble: 3-band EQ that controls
tubes. This is a super wide-open sound
the effect tone
with immerse headroom, sensitive
moods, and great low end response.
The Tang A30 Drive is based on the
famous Orange® AD30* amp head (CH
2), a 30-watt, vintage modern Class A Gain: Controls the gain amount (pre gain)
Tang A30
model with Orange®*'s famous "juicy" Master: Controls the effect output (post gain)
Drive
sound. Adjust the GAIN knob to get the Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O)
magic: glassy boutique chime with the the effect tone
gain low, and roaring British chomp with
the gain up.

Fryman B is based on a famous UK-style

Gain: Controls the gain amount (pre gain)
boutique amp head (BE channel). This is
Presence: Controls the effect headroom
an incredible tone machine based on the
Master: Controls the effect output (post gain)
Fryman B classic hot British amps. But this amp
Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O) is extremely versatile: with some knob
the effect tone
tweaking, you'll be amazed by the super
Voice/Fat/C45: Adjusts overall tonal
tight low ends, sweet mids and rich
characters
harmonics.

Gain: Controls the gain amount (pre gain)

This model is based on the 2nd channel
Boger XT (the blue channel) of the famous Bogner ®
Blue V Ecstasy* head (vintage sound character),
(Mono I/O) which has been a favorite for every style
and genre of music since 1992.
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Bright: Controls the effect brightness
Plexi Mode: Switches Plexi Mode on/off; in
Plexi Mode the amp performs like a plexi-
style amp

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

29
 FX Title Description
This model is based on the 2nd channel
Boger XT (the blue channel) of the famous Bogner ®
Blue M Ecstasy* head (modern sound character),
(Mono I/O) which has been a favorite for every style
and genre of music since 1992.
This model is an amp simulator based
on the sound characteristics of the
legendary Soldano® SLO100* amp head
Soloist 100
(NORMAL channel, dirty sound), which
Crunch
set a benchmark for modern amps. The
(Mono I/O)
reason you find the sound so familiar is
because you've been hearing it on gold
records since 1987.
Hotone's next-gen effect algorithms!
Leading a qualitative leap in both hearing
and playing.
This model is an amplifier simulator
Soloist 100
that uses our latest generation
Crunch HQ
modeling technology to re-model the
(Mono I/O)
sound characteristics of the legendary
Soldano® SLO100* amp head (NORMAL
channel, dirty sound) to achieve a more
dynamic, detailed, high-quality sound.
Meet the Emperor of Tone! Based on the
Emperor Matchless™ Chieftain 212 combo* (driven
Drive sound), the Emperor features the rich
(Mono I/O) harmonics and matchless sensitivity that
made this amp a Class A legend.
This model is based on one of Dr. Z®*'s
most enduring designs: the famous Dr.
Z® Maz 38 Sr.* combo (drive sound). This
Dr. 38 Drive amp has the kind of clean headroom
(Mono I/O) that makes it a great pedal platform, yet
as a standalone it is incredibly versatile,
granting access to both American twang
and UK Class A chime.
The Superstar Drive is based on the drive
channel of the famous Mesa/Boogie®
Superstar
Lone Star®* combo, bringing you that
Drive
well-balanced, smooth American-style
(Mono I/O)
drive with a rich combination of both
vintage and modern tones.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
30
Parameters & Ranges
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Bright: Controls the effect brightness
Plexi Mode: Switches Plexi Mode on/off; in
Plexi Mode the amp performs like a plexi-
style amp
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Bright: Switches extra brightness on/off
Preamp Tube: Selects from different preamp
tube types
Power Tube: Selects from different power
tube types
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Gain: Controls the output volume (pre gain)
Tone cut: Counterclockwise controls the
effect tone
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Input: Controls the input sensitivity
Gain: Controls the gain amount
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
 FX Title Description
Based on the 2nd channel of the famous
Bad Cat® Hot Cat 30* amp, the Hot Kitty
Hot Kitty Drive is a total Class A drive machine.
Drive The unique tone finds itself somewhere
(Mono I/O) between British and USA territories with
complex mids, tight lows and rich upper
harmonics.
Here comes the THE LEGEND! The
Dumbell ODS 2 is based on the legendary
Dumbell ODS
Dumble® Overdrive Special* amp head
2
(Overdrive section on), providing THAT
(Mono I/O)
tone created by lots of legendary jazz/
blues/fusion musicians.
Hotone's next-gen effect algorithms!
Leading a qualitative leap in both hearing
and playing.
Petrus
This model recreates the sound
Crunch HQ
characteristics of the famous Mesa/
(Mono I/O)
Boogie® JP-2C™* amp (CH2), John
Petrucci's signature amp head, delivering
a tight, agressive crunch tone.
Hi Gain
This model is an amp simulator based
on the sound characteristics of the
legendary Marshall® JCM900 (model
Marshell 900
4100, CH B)* amp head. Released in
(Mono I/O)
1990, it was designed to produce more
gain, less noise and stainless Marshall®
tone.
The Tang R100 is based on the famous
Orange® Rockerverb 100™* amp head,
Tang R100
Orange®*'s first high gain amplifier. Its
(Mono I/O)
unique thick voice has become eternally
linked with hard rock/stoner rock.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
31
Parameters & Ranges
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Treble: 2-band EQ that controls the
effect tone
Edge: Controls the high and high-mid tone
character
Input: Controls the input sensitivity
Gain: Controls the gain amount
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Bright: Switches extra brightness on/off
Fat: Switches extra mids/gain on/off
Deep: Switches extra depth on/off
Voice: Selects from 2 voicings: Rock/Jazz
(cuts some high frequency comparing to
Rock)
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Pull Gain: Switches extra gain on/off
Pull Pres: Switches to change the frequency
of Presence to make the sound more
cohesive
Shred: Switches extra upper harmonic on/
off
Preamp Tube: Selects from different preamp
tube types
Power Tube: Selects from different power
tube types
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Gain: Controls the gain amount (pre gain)
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
 FX Title Description Parameters & Ranges

Gain: Controls the gain amount

The classic Boogie Lead sound...and
beyond.
Messe IV This model is based on the legendary
Lead Mesa/Boogie® Mark IV™* amp head
(Mono I/O) (LEAD channel). This massive lead tone is
one of the most beautifully voiced tones
that can always be heard in a mix.
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Fat: Switch on to get a fatter sound
Bright: Switches extra brightness on/off
Voicing: Selects from two voicings: Mid
Gain (a punchier sound with more mids
and distortion)/Harmony (a more balanced
sound)

This model is an amp simulator based

on the sound characteristics of the
Gain: Controls the gain amount (pre gain)
legendary Soldano® SLO100* amp
Soloist 100 Presence: Controls the effect headroom
head (OVERDRIVE channel), which set a
Lead Master: Controls the effect output (post gain)
benchmark for modern amps. The reason
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
you find the sound so familiar is because
the effect tone
you've been hearing it on gold records
since 1987.

Hotone's next-gen effect algorithms!

Gain: Controls the gain amount (pre gain)
Leading a qualitative leap in both hearing
Presence: Controls the effect headroom
and playing.
Master: Controls the effect output (post gain)
This model is an amplifier simulator that
Soloist 100 Bass/Middle/Treble: 3-band EQ that controls
uses our latest generation modeling
Lead HQ the effect tone
technology to re-model the sound
(Mono I/O) Preamp Tube: Selects from different preamp
characteristics of the legendary Soldano®
tube types
SLO100* amp head (OVERDRIVE channel)
Power Tube: Selects from different power
to achieve a more dynamic, detailed,
tube types
high-quality sound.
The Eddie 51 is based on a heavy rock
Gain: Controls the gain amount (pre gain)
legend: the Peavey® 5150®* (LEAD
Presence: Controls the effect headroom
Eddie 51 channel). The original is famous for its
Master: Controls the effect output (post gain)
(Mono I/O) raw tone and relentless power. Our Eddie
Bass/Middle/Treble: 3-band EQ that controls
51 gives you the "brown metal" sound
the effect tone
heard on legendary heavy metal records.

Fryman HB is based on a famous UK-

Gain: Controls the gain amount (pre gain)
style boutique amp head (HBE channel).
Presence: Controls the effect headroom
This is an incredible tone machine based
Master: Controls the effect output (post gain)
Fryman HB on the classic hot British amps. But this
Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O) amp is extremely versatile: with some
the effect tone
knob tweaking, you'll be amazed by the
Voice/Fat/C45: Adjusts overall tonal
super tight low ends, sweet mids and rich
characters
harmonics.

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

32
 FX Title Description Parameters & Ranges

Input: Controls the input sensitivity

Gain: Controls the gain amount
The Engle Saga 1 is based on the famous
Presence: Controls the effect headroom
ENGL® Savage 120 E610* amp head
Master: Controls the effect output (post gain)
(Channel 4, contour off). This replica
Engle Saga 1 Bass/Middle/Treble: 3-band EQ that controls
reproduces the iconic modern German
(Mono I/O) the effect tone
rock sound featuring fast response,
Voice: Selects overall sound character from
enhanced headroom and punchy
Rough to Smooth
dynamics.
Depth Boost: Switches extra resonance on/
off

Input: Controls the input sensitivity

Gain: Controls the gain amount
The Engle Saga 2 is based on the famous
Presence: Controls the effect headroom
ENGL® Savage 120 E610* amp head
Master: Controls the effect output (post gain)
(Channel 4, contour on). This replica
Engle Saga 2 Bass/Middle/Treble: 3-band EQ that controls
reproduces the iconic modern German
(Mono I/O) the effect tone
rock sound featuring fast response,
Voice: Selects overall sound character from
enhanced headroom and punchy
Rough to Smooth
dynamics.
Depth Boost: Switches extra resonance on/
off

The Powerengle Lead is based on the

Gain: Controls the gain amount (pre gain)
lead channel (Channel 4) of the famous
Powerengle Presence: Controls the effect headroom
ENGL® Powerball II E645/2* amp head.
Lead Master: Controls the effect output (post gain)
Truly ideal for modern rock and metal, it
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
features a tight low end, a huge amount
the effect tone
of gain, sharp clarity, and great dynamics.
The Dizzle VH B is based on the 3rd
channel of the famous Diezel® VH4* Gain: Controls the gain amount (pre gain)
amp head. Born in 1994, the VH4 set an Presence: Controls the effect headroom
Dizzle VH B
incredibly high benchmark for boutique Master: Controls the effect output (post gain)
(Mono I/O)
multi-channel amps, quickly making it a Bass/Middle/Treble: 3-band EQ that controls
stage and studio standard. the effect tone
B stands for "blue panel" version.
The Dizzle VH S is based on the 3rd
channel of the famous Diezel® VH4* Gain: Controls the gain amount (pre gain)
amp head. Born in 1994, the VH4 set an Presence: Controls the effect headroom
Dizzle VH S
incredibly high benchmark for boutique Master: Controls the effect output (post gain)
(Mono I/O)
multi-channel amps, quickly making it a Bass/Middle/Treble: 3-band EQ that controls
stage and studio standard. the effect tone
S stands for "silver panel" version.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

33
 FX Title Description Parameters & Ranges

The Rector Dual V is based on an

enduring rock' n' roll icon: the legendary
Gain: Controls the gain amount (pre gain)
Mesa/Boogie® Dual Rectifier® amp head
Presence: Controls the effect headroom
Rector Dual V (CH3, vintage). Music industry genres and
Master: Controls the effect output (post gain)
(Mono I/O) scenes have come and gone since its first
Bass/Middle/Treble: 3-band EQ that controls
release in early 1990's, but this amp's
the effect tone
monolithic heavy sound continues to be
the standard for modern heavy rock.

The Rector Dual M is based on an

enduring rock' n' roll icon: the legendary
Mesa/Boogie® Dual Rectifier® amp head
Rector Dual (CH3, modern). Music industry genres
M and scenes have come and gone since
(Mono I/O) its first release in early 1990's, but this
amp's monolithic heavy sound continues
to be the standard for modern heavy
rock.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone

The Dizzle VH+ B is based on the 4th

channel of the famous Diezel® VH4*
amp head. Born in 1994, the VH4 set an
Dizzle VH+ B
incredibly high benchmark for boutique
(Mono I/O)
multi-channel amps, quickly making it a
stage and studio standard.
B stands for "blue panel" version.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone

The Dizzle VH+ S is based on the 4th

channel of the famous Diezel® VH4* Gain: Controls the gain amount (pre gain)
amp head. Born in 1994, the VH4 set an Presence: Controls the effect headroom
Dizzle VH+ S
incredibly high benchmark for boutique Master: Controls the effect output (post gain)
(Mono I/O)
multi-channel amps, quickly making it a Bass/Middle/Treble: 3-band EQ that controls
stage and studio standard. the effect tone
S stands for "silver panel" version.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
This model is based on the 3rd channel Master: Controls the effect output (post gain)
Boger XT Red (the red channel) of the famous Bogner ® Bass/Middle/Treble: 3-band EQ that controls
V Ecstasy* head (vintage sound character), the effect tone
(Mono I/O) which has been a favorite for every style Bright: Controls the effect brightness
and genre of music since 1992. Plexi Mode: Switches Plexi Mode on/off; in
Plexi Mode the amp performs like a plexi-
style amp
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

34
 FX Title Description
This model is based on the 3rd channel
Boger XT Red (the red channel) of the famous Bogner ®
M Ecstasy* head (modern sound character),
(Mono I/O) which has been a favorite for every style
and genre of music since 1992.
Hotone's next-gen effect algorithms!
Leading a qualitative leap in both hearing
and playing.
Petrus Lead This model recreates the sound
HQ characteristics of the famous Mesa/
(Mono I/O) Boogie® JP-2C™* amp (CH3), John
Petrucci's signature amp head, delivering
a huge lead tone with clarity that suits
for every shredder.
Bass
The original rock bass sound.
The Ampage Classic is based on the
legendary Ampeg® SVT* bass amp
Ampage head. Born in 1969, the rich sounding all-
Classic tube monster basically defined the bass
(Mono I/O) sound of rock and roll from then on. We
modified the Frequency switch with a
modern Ampeg®* design for more tonal
flexibility.
The legendary Flip Top is here! Our
Ampage Flip is based on the legendary
Ampeg® B-15* bass amp head. Originally
Ampage Flip designed by Jess Oliver, the easy-to-
(Mono I/O) use amp produces incredible round,
full-figured tone for which many have
deemed it the holy grail of bass amps.
Now it's finally within reach!
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
35
Parameters & Ranges
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Bright: Controls the effect brightness
Plexi Mode: Switches Plexi Mode on/off; in
Plexi Mode the amp performs like a plexi-
style amp
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Pull Gain: Switches extra gain on/off
Pull Pres: Switches to change the frequency
of Presence to make the sound more
cohesive
Shred: Switches extra upper harmonic on/
off
Preamp Tube: Selects from different preamp
tube types
Power Tube: Selects from different power
tube types
Gain: Controls the gain amount
Master: Controls the effect output
Midrange: Selects the center frequency
of Midrange control: 220Hz/450Hz
/800Hz/1.6kHz/3kHz
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Volume: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
 FX Title Description Parameters & Ranges
The British Invasion bass sound is now
available.
Voxy Bass is an amp simulator based
on the sound characteristics of the Volume: Controls the output volume (post
Voxy Bass legendary VOX®* AC-100* amp head, the gain)
(Mono I/O) amp that McCartney was using in 1965. Bass/Treble: 2-band EQ that controls the
The operation is simple: just treble, bass, effect tone
and volume controls. Using a violin bass
with this amp will totally get you THAT
vibe.
The Tang Bass is based on the famous
Gain: Controls the effect output and gain
Orange® AD200B* bass amp head, a
amount
Tang Bass straight forward amp with huge power.
Master: Controls the effect output (post gain)
(Mono I/O) The four 6550 power tubes ensures
Bass/Middle/Treble: 3-band EQ that controls
a ground shaking tone with lots of
the effect tone
dynamics.
This model is based on the famous
Mesa/Boogie® Bass 400* bass amp
Volume: Controls the gain amount (pre gain)
Messe Bass head, one of Mesa/Boogie®'s rare bass
Master: Controls the effect output (post gain)
400 products. As one of the most classic
Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O) most classic and sought-after tube bass
the effect tone
amps in history, the amp will never let
you down.
Power Amp
Tube Type: Selects from different power
tube types:
-6L6: Commonly found in many US style
amps
-EL34: Commonly found in many UK style
amps
-EL84: Commonly found in some classic
Class-A amps
-6V6: Commonly found in some legendary
low powered US combo amps
-KT66: Commonly found in early UK Plexi-
style amps and some boutique amps
Power Amp This model is a tube power amp
-KT88: Commonly found in boutique/
(Mono I/O) simulator with various tonal controls.
modern hi gain amps and bass amps
-6550: Commonly found in bass amps
Depth: Controls the effect depth
Presence: Controls the effect headroom
Sag: Turn up to reduce power supply voltage
to create a compression feel
B+ Response: Controls the B+ voltage for a
looser (turn up)/faster (turn down) picking
response
Negative FB: Controls the negative feedback
amount; turn up to get a quieter tone
Output: Controls the effect output
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

36
 FX Title Description Parameters & Ranges
PRE AMP
Clean
The Tweed Chap is a preamp simulator
based on the sound characteristics of the
legendary Fender® Tweed Champ* amp Volume: Controls the effect output and gain
Tweed Chap
(5F1 version), an awesome little "practice amount
(Mono I/O)
amp" with huge tone. Crank it up you get Output: Controls the effect output
the sweet "boxy" sound which made it
popular in studios.
The Tweed Lux is a preamp simulator
based on the sound characteristics of the
legendary Fender® Tweed Deluxe* amp Volume: Controls the effect output and gain
Tweed Lux (5E3 version, BRIGHT channel). Featuring amount
(Mono I/O) rich, singing clean and juicy, luscious Tone: Controls the effect tone
overdrive, the mysterious DELUXE amp Output: Controls the effect output
with the TWEED cover can be found
everywhere from studios to bedrooms.
The Tweed Prince is a preamp simulator
based on one of the legendary studio
combo amps: Fender® Tweed Princeton Volume: Controls the effect output and gain
Tweed Prince Amp* (5F2-A version), another "huge amount
(Mono I/O) tone in a small box" masterpiece which Tone: Controls the effect tone
remains popular among players, builders Output: Controls the effect output
and collectors. A Tone knob makes it
more versatile.
This model is a preamp simulator based
on the sound characteristics of the
Volume: Controls the effect output and gain
legendary Fender® Bassman®* amp
Baseman amount
(5F6-A version, Normal channel), the
Norm Output: Controls the effect output
American legend with a twangy top and
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
fat bottom end. Originally designed for
the effect tone
bass, it soon became popular among
guitar players.
The Black Twin is a preamp simulator Volume: Controls the effect output and gain
based on the legendary Fender® '65 amount
Black Twin Twin Reverb®* amp. It provides a super Output: Controls the effect output
(Mono I/O) clean, crystal-like sound with scooped Bass/Middle/Treble: 3-band EQ that controls
mids, popularly known as the "Blackface the effect tone
Sound". Bright: Switches extra brightness on/off

The Black Deluxe is a preamp simulator

Volume: Controls the effect output and gain
based on the legendary Fender®
amount
Black Deluxe Blackface Deluxe Reverb®* amp (Normal
Output: Controls the effect output
(Mono I/O) CH), providing you a more scooped
Bass/Treble: 2-band EQ that controls the
"blackface" sound with chime-y highs.
effect tone
Plus, it's easier to crank up too!

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

37
 FX Title Description
The Black Deluxe+ is a preamp simulator
based on the Fender® Blackface Deluxe
Reverb®* amp (Vibrato CH – the most
Black Deluxe+
popular channel among musicians),
(Mono I/O)
providing you a more scooped "blackface"
sound with chime-y highs. Plus, it's
easier to crank up too!
The Black Prince is a preamp simulator
based on the Fender® Blackface
Black Prince Princeton®* amp (AA964 version). Push
(Mono I/O) it to the verge of breakup you'll find
the fantastic tone beloved by lots of
musicians.
The Black Super is a preamp simulator
based on the Fender® Blackface Super
Black Super Reverb®* amp (AB763 version), a huge
(Mono I/O) sounding amp delivering you the lovely
"blackface" chimes with enhanced treble
and bass.
The Black Vibra is a preamp simulator
based on the Fender® Blackface
Black Vibra Vibroverb®* amp (AA763 version), which
(Mono I/O) contributed a lot on SRV's iconic colossal
tone. Plug in a classic ST-type guitar and
you'll feel your Texas blood flooding!
Parameters & Ranges
The Black Deluxe+ is a preamp simulator
based on the Fender® Blackface Deluxe
Reverb® amp (Vibrato CH the most
popular channel among musicians), providing
you a more scooped "blackface" sound with
chime-y highs. Plus, it's easier to crank up
too!
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Bright: Switches extra brightness on/off
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
Bright: Switches extra brightness on/off

The Brown King Clean is a preamp

simulator based on the Fender®
Volume: Controls the effect output and gain
Brown King Brownface Vibro-King®* amp (FAT
amount
Clean switch off), one of Gary Clark Jr.'s favorite.
Output: Controls the effect output
(Mono I/O) It gives you a beautiful shimmering clean
Bass/Middle/Treble: 3-band EQ that controls
when turned down, and a serious touch-
the effect tone
sensitive dirt when cranked up.

The Brown Vibra is a preamp simulator

based on the Fender® Brownface
Volume: Controls the effect output and gain
Vibrolux®* Amp (6G11 version), giving
Brown Vibra amount
you a warmer, slightly dirtier Fender®*
(Mono I/O) Output: Controls the effect output
tone. It became a rock legend after Mark
Bass/Treble: 2-band EQ that controls the
Knopfler used it to record the famous
effect tone
Sultan of the Swing album.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

38
 FX Title Description Parameters & Ranges
The Brown Concert is a preamp simulator
based on the Fender® Brownface Volume: Controls the effect output and gain
Concert®* Amp (6G12 version, Vibrato amount
Brown
input), one of the crown jewels of vintage Presence: Controls the effect headroom
Concert
amps. The sound is pure, shimmering Output: Controls the effect output
(Mono I/O)
with lots of headroom. Of course you Bass/Treble: 2-band EQ that controls the
can also push it to the edge to get a mild, effect tone
brown-ish overdrive.

The Brown Super is a preamp simulator

Volume: Controls the effect output and gain
based on the Fender® Brownface Super-
amount
Brown Super Amp* (6G4 version), one of the first twin-
Output: Controls the effect output
(Mono I/O) speaker "professional" amp, delivering a
Bass/Treble: 2-band EQ that controls the
touch sensitive, sweet Brownface-era
effect tone
tone.

The Silver Twin is a preamp simulator

based on a 1970's Fender® Silverface
Twin Reverb®* amp (AC568 circuit,
Silver Twin
Vibrato input), giving you a different
(Mono I/O)
sculpting of the classic "Fender®* Tone"
– a crystal-like sound with scooped mids
and great headroom.
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone

The Silver Master is a preamp simulator

Volume: Controls the effect output and gain
based on the legendary Fender®
amount
Silverface Bandmaster®* amp (early
Silver Master Output: Controls the effect output
AB763 version), which was treated as
(Mono I/O) Bass/Treble: 2-band EQ that controls the
the "holy grail of Fender®* tone". Not
effect tone
much tweaking is needed - Just plug in,
Bright: Switches extra brightness on/off
turn up the volume and feel the magic.

SUPERB retro tone.

The Superb Dual Clean is a preamp
Volume: Controls the effect output and gain
Superb Dual simulator based on the famous Supro®
amount
Clean Dual-Tone 1624T* combo (CH 1). It
Output: Controls the master output
(Mono I/O) produces the sweet 60s "stairway"
Tone: Controls the effect tone
scene replica, from bell-like cleans to
gritty blues.

This model is a preamp simulator based

Volume: Controls the effect output and gain
on the sound characteristics of a vintage
amount
Voxy 15 TB VOX®* AC15* combo (with Top Boost),
Master: Controls the effect output
(Mono I/O) the little brother of the legendary VOX®
Bass/Treble: 2-band EQ that controls the
AC30*, giving you the same British
effect tone
Invasion sound.

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

39
 FX Title Description Parameters & Ranges
This model is a preamp simulator
based on the sound characteristics of
the VOX®* AC30HW* combo (Normal
Voxy 30HW channel). As the UK music scene grew Volume: Controls the output volume
Norm out of small pubs to later cross the Pond, Master: Controls the effect output
(Mono I/O) almost everyone was using the combo Bright: Switches extra brightness on/off
amp covered with a diamond grill cloth,
the legendary VOX® AC30*. This became
the British Invasion sound.
This model is a preamp simulator based
on the sound characteristics of the
legendary Hiwatt® DR103* amp head Volume: Controls the effect output and gain
Hiway 103 (NORMAL channel), which has proved amount
Norm itself through decades of rock history Master: Controls the effect output
(Mono I/O) (think Gilmour, Townshend, et al.). Set it Bass/Middle/Treble: 3-band EQ that controls
up for pure, powerful, transparent tone or the effect tone
crank it to get some rich British overdrive
– you decide!
This is a preamp simulator based on the Volume: Controls the effect output and gain
Watchman
Gibson® Scout* amp, a rare vintage amp amount
(Mono I/O)
with a smooth vintage clean sound. Output: Controls the effect output
The Jazz Clean is a preamp simulator
based on the immaculate "JC clean"
Volume: Controls the effect output
2x12 solid-state jazz-amp combo.
Jazz Clean Bright: Switches extra presence on/off
The pure transparent clean sound has
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
ruled for more than four decades and
the effect tone
remains incontestably reliable among pro
musicians.
Meet the Emperor of Tone! This is
a preamp simulator based on the Gain: Controls the gain amount
Emperor
Matchless™ Chieftain 212 combo* (clean Master: Controls the effect output
Clean
sound), gives you the rich harmonics and Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O)
matchless sensitivity that made this amp the effect tone
a Class A legend.
Match 30 Clean is a preamp simulator Volume: Controls the effect output and gain
Match 30 based on the unbeatable Matchless" DC- amount
Clean 30 combo* - one of the earliest boutique Master: Controls the effect output
(Mono I/O) amps, which takes the legendary UK- Bass/Treble: 2-band EQ that controls the
style Class A sound to a new level. effect tone
The Tang A30 Clean is a preamp
simulator based on the famous Orange®
AD30* amp head (CH 1), a 30-watt, Gain: Controls the gain amount
Tang A30
vintage modern Class A model with Master: Controls the effect output
Clean
Orange®*'s famous "juicy" sound. Adjust Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O)
the GAIN knob to get the magic: glassy the effect tone
boutique chime with the gain low, and
roaring British chomp with the gain up.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

40
 FX Title Description Parameters & Ranges

The Superstar Clean is a preamp Gain: Controls the gain amount

Superstar simulator based on the clean channel Presence: Controls the effect headroom
Clean of the famous Mesa/Boogie® Lone Master: Controls the effect output
(Mono I/O) Star®* combo, bringing you a punchy, Bass/Middle/Treble: 3-band EQ that controls
shimmering twang with love and joy. the effect tone

Glacian Clean is based on the clean

channel of the preamp section of
the famous Bogner ® Shiva* combo
Glacian Clean
(20th anniversary version), providing a
(Mono I/O)
super wide-open sound with immerse
headroom, sensitive moods, and great
low end response.
Gain: Controls the gain amount
Master: Controls the effect output
Bass/Treble: 2-band EQ that controls the
effect tone
Bright: Switches extra brightness on/off

This model is a preamp simulator based

on one of Dr. Z®*'s most enduring
designs: the famous Dr. Z® Maz 38 Sr.*
Gain: Controls the output volume (pre gain)
combo (clean sound). This amp has the
Dr. 38 Clean Master: Controls the effect output (post gain)
kind of clean headroom that makes it a
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
great pedal platform, yet as a standalone
the effect tone
it is incredibly versatile, granting access
to both American twang and UK Class A
chime.

This model is a preamp simulator based

on a famous Dr. Z®* model: the simple-
but-powerful Dr. Z® Route 66* amp.
Dr. 66
Thanks to a pair of KT66 power tubes in
(Mono I/O)
the power amp, this amp can bring you
an adorable creamy thick sound with lots
of dynamics and definition.
Volume: Controls the effect output and gain
amount
Output: Controls the master output
Bass/Treble: 2-band EQ that controls the
effect tone

The Pendragon Clean is a preamp

simulator based on the Normal channel
of the famous Grindrod® Pendragon
PG20C* combo (bright off), a masterpiece
Gain: Controls the gain amount (pre gain)
designed by tube amp guru Steve
Pendragon Volume: Controls the effect output (post
Grindrod, ex-chief designer of VOX®* &
Clean gain)
Marshall®*. Delivering you an authentic
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
British tone that is warm and expressive,
the effect tone
with some simple dialing you'll get in
touch with the legendary UK rock'n'roll
scenes. Turn up, stand back and you're
ready to rock!

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

41
 FX Title Description Parameters & Ranges
The Pendragon Clean+ is a preamp
simulator based on the Normal channel
of the famous Grindrod® Pendragon
PG20C* combo (bright on), a masterpiece
Gain: Controls the gain amount (pre gain)
designed by tube amp guru Steve
Pendragon Volume: Controls the effect output (post
Grindrod, ex-chief designer of VOX®* &
Clean+ gain)
Marshall®*. Delivering you an authentic
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
British tone that is warm and expressive,
the effect tone
with some simple dialing you'll get in
touch with the legendary UK rock'n'roll
scenes. Turn up, stand back and you're
ready to rock!

The Press Wrecker is a preamp simulator
based on the legendary Trainwreck®
Press
Express* amp, a super-rare boutique
Wrecker
amp created by Ken Fischer, brings you
(Mono I/O)
a high end Plexi-style sound that reacts
extremely faithful to your fingers.
Volume: Controls the effect output and gain
amount
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Bright: Switches extra brightness on/off

The Pool Wrecker is a preamp simulator

Volume: Controls the effect output and gain
based on the legendary Trainwreck®
amount
Liverpool* amp, a super-rare boutique
Pool Wrecker Output: Controls the effect output
amp created by Ken Fischer that reacts
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
extremely faithful to your fingers. It
the effect tone
creates a sound that mixes Plexi-style
Bright: Switches extra brightness on/off
crunch with some Class-A chimes.

Based on the preamp section of 1st

channel of the famous Bad Cat® Hot
Hot Kitty Cat 30* amp, the Hot Kitty Clean is a
Gain: Controls the gain amount
Clean total clean machine. The unique tone
Master: Controls the effect output
(Mono I/O) finds itself somewhere between British
and USA territories with rich upper
harmonics.

This model is a preamp simulator based

on the sound characteristics of the
legendary Soldano® SLO100* amp head Gain: Controls the gain amount
Soloist 100
(NORMAL channel, clean sound), which Master: Controls the effect output
Clean
set a benchmark for modern amps. The Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O)
reason you find the sound so familiar is the effect tone
because you've been hearing it on gold
records since 1987.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

42
 FX Title Description Parameters & Ranges
Hotone's next-gen effect algorithms!
Leading a qualitative leap in both hearing
Gain: Controls the gain amount
and playing.
Master: Controls the effect output
This model is a preamp simulator that
Soloist 100 Bass/Middle/Treble: 3-band EQ that controls
uses our latest generation modeling
Clean HQ the effect tone
technology to re-model the sound
(Mono I/O) Bright: Switches extra brightness on/off
characteristics of the legendary Soldano®
Preamp Tube: Selects from different preamp
SLO100* amp head (NORMAL channel,
tube types
clean sound) to achieve a more dynamic,
detailed, high-quality sound.
Gain: Controls the gain amount
Master: Controls the effect output
Here comes the THE LEGEND! The
Bass/Middle/Treble: 3-band EQ that controls
Dumbell ODS 1 is a preamp simulator
the effect tone
Dumbell ODS based on the legendary Dumble®
Bright: Switches extra brightness on/off
1 Overdrive Special* amp head (Overdrive
Fat: Switches extra mids/gain on/off
(Mono I/O) section off), providing THAT tone created
Deep: Switches extra depth on/off
by lots of legendary jazz/blues/fusion
Voice: Selects from 2 voicings: Rock/Jazz
musicians.
(cuts some high frequency comparing to
Rock)
Hotone's next-gen effect algorithms!
Leading a qualitative leap in both hearing Gain: Controls the gain amount
and playing. Master: Controls the effect output
Petrus Clean
This model recreates the preamp section Bass/Middle/Treble: 3-band EQ that controls
HQ
of the famous Mesa/Boogie® JP-2C™* the effect tone
(Mono I/O)
amp (CH2), John Petrucci's signature amp Preamp Tube: Selects from different preamp
head, delivering a tight, agressive crunch tube types
tone.
Drive

This model is a preamp simulator based

on the sound characteristics of the
Volume: Controls the effect output and gain
legendary Fender® Bassman®* amp
Baseman amount
(5F6-A version, Bright channel), the
Bright Output: Controls the effect output
American legend with a twangy top and
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
fat bottom end. Originally designed for
the effect tone
bass, it soon became popular among
guitar players.

The Brown King Drive is a preamp

simulator based on the Fender® Volume: Controls the effect output and gain
Brown King Brownface Vibro-King®* amp (FAT amount
Drive switch on), one of Gary Clark Jr.'s favorite. Output: Controls the effect output
(Mono I/O) It gives you a beautiful shimmering clean Bass/Middle/Treble: 3-band EQ that controls
when turned down, and a serious touch- the effect tone
sensitive dirt when cranked up.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

43
 FX Title Description Parameters & Ranges
This model is a preamp simulator based
on the sound characteristics of the Volume: Controls the effect output and gain
VOX®* AC30HW* combo (Top Boost amount
Voxy 30HW channel). As the UK music scene grew Master: Controls the effect output
TB out of small pubs to later cross the Pond, Bass/Treble: 2-band EQ that controls the
(Mono I/O) almost everyone was using the combo effect tone
amp covered with a diamond grill cloth, Char: Selects from two sound characters:
the legendary VOX® AC-30*. This became Cool (lower gain)/Hot (higher gain)
the British Invasion sound.
SUPERB retro tone.
The Superb Dual Drive is a preamp
simulator based on the famous Supro® Volume 1/2: Controls the effect output and
Superb Dual
Dual-Tone 1624T* combo (CH 1+2, means gain amount
Drive
the two preamp channels are linked Tone 1/2: Controls the effect tone
(Mono I/O)
in parallel). It produces the sweet 60s Output: Controls the master output
"stairway" scene replica, from bell-like
cleans to gritty blues.
This model is a preamp simulator
based on the sound characteristics
of the legendary Marshall® 1958* Volume: Controls the effect output and gain
Marshell
combo nicknamed "18 Watter" or "Mini amount
Blues
Bluesbreaker" amp, a serious blues Tone: Controls the effect tone
(Mono I/O)
engine with incredible smooth, fat sound Output: Controls the effect output
and great dynamics. A must-have in your
armory!
This Marshell 45 is a preamp simulator
based on the sound characteristics of the Volume: Controls the effect output and gain
legendary Marshall® JTM 45* amp head amount
Marshell 45
(NORMAL channel). Born in 1962, it soon Output: Controls the effect output
(Mono I/O)
became popular among countless stars Bass/Middle/Treble: 3-band EQ that controls
and quickly defined the '60s rock & blues the effect tone
sound.
This Marshell 45+ is a preamp simulator
based on the sound characteristics of the Volume: Controls the effect output and gain
legendary Marshall® JTM 45* amp head amount
Marshell 45+
(HIGH TREBLE channel). Born in 1962, it Output: Controls the effect output
(Mono I/O)
soon became popular among countless Bass/Middle/Treble: 3-band EQ that controls
stars and quickly defined the '60s rock & the effect tone
blues sound.
This Marshell 45 Jump is a preamp
simulator based on the sound
Volume 1/2: Controls the effect output and
characteristics of the legendary
Marshell 45 gain amount
Marshall® JTM 45* amp head with
Jump Output: Controls the effect output
"Jump" connection. Born in 1962, it soon
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
became popular among countless stars
the effect tone
and quickly defined the '60s rock & blues
sound.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

44
 FX Title Description Parameters & Ranges
This is a preamp simulator based on the
Volume: Controls the effect output and gain
sound characteristics of the legendary
amount
Marshell 50 Marshall® JMP 50* amp head (NORMAL
Output: Controls the effect output
(Mono I/O) channel). No explanation necessary —
Bass/Middle/Treble: 3-band EQ that controls
The tone is as legendary as the music it
the effect tone
helped to create.
This is a preamp simulator based on the
Volume: Controls the effect output and gain
sound characteristics of the legendary
amount
Marshell 50+ Marshall® JMP 50* amp head (HIGH
Output: Controls the effect output
(Mono I/O) TREBLE channel). No explanation
Bass/Middle/Treble: 3-band EQ that controls
necessary — The tone is as legendary as
the effect tone
the music it helped to create.
This is a preamp simulator based on the
Volume 1/2: Controls the effect output and
sound characteristics of the legendary
Marshell 50 gain amount
Marshall® JMP 50* amp head with
Jump Output: Controls the effect output
"Jump" connection. No explanation
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
necessary — The tone is as legendary as
the effect tone
the music it helped to create.
Marshell SLP is a preamp simulator
based on the sound characteristics of
the legendary Marshall® Super Lead
Volume: Controls the effect output and gain
1959* amp head (Normal channel). No
amount
Marshell SLP explanation necessary — The tone is
Output: Controls the effect output
(Mono I/O) as legendary as the music it helped to
Bass/Middle/Treble: 3-band EQ that controls
create. Since it has an extreme output
the effect tone
(demanded by Pete Townshend!), we
added a Output knob so you can take
control.
Marshell SLP+ is a preamp simulator
based on the sound characteristics of
the legendary Marshall® Super Lead
Volume: Controls the effect output and gain
1959* amp head (Bright channel). No
Marshell amount
explanation necessary — The tone is
SLP+ Output: Controls the effect output
as legendary as the music it helped to
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
create. Since it has an extreme output
the effect tone
(demanded by Pete Townshend!), we
added a Output knob so you can take
control.
Marshell SLP Jump is a preamp simulator
based on the sound characteristics of
the legendary Marshall® Super Lead
Volume 1/2: Controls the effect output and
1959* amp head with "Jump" connection.
Marshell SLP gain amount
No explanation necessary — The tone
Jump Output: Controls the effect output
is as legendary as the music it helped to
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
create. Since it has an extreme output
the effect tone
(demanded by Pete Townshend!), we
added a Output knob so you can take
control.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

45
 FX Title Description Parameters & Ranges
This model is a preamp simulator based
on the sound characteristics of the
Gain: Controls the gain amount
legendary Marshall® JCM800* amp
Marshell 800 Master: Controls the effect output
head. Just think about the golden 1980's
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
– a decade of heavy metal and THAT
the effect tone
iconic, aggressive, crunchy BRITISH LEAD
sound. Now the legend is back!
The Pendragon Drive is a preamp
simulator based on the Boost channel
of the famous Grindrod® Pendragon
PG20C* combo, a masterpiece designed Gain: Controls the gain amount (pre gain)
Pendragon by tube amp guru Steve Grindrod, ex- Volume: Controls the effect output (post
Drive chief designer of VOX®* & Marshall®*. gain)
(Mono I/O) Delivering you an authentic British tone Bass/Middle/Treble: 3-band EQ that controls
that is warm and expressive, with some the effect tone
simple dialing you'll get in touch with the
legendary UK rock'n'roll scenes. Turn up,
stand back and you're ready to rock!

The California Dream.

Gain: Controls the gain amount
This model is a preamp simulator based
Master: Controls the effect output
on the legendary Mesa/Boogie® Mark II
Bass/Middle/Treble: 3-band EQ that controls
C+™* amp head (LEAD channel). Now you
Messe IIC+ the effect tone
have one of the hottest amp tones: Tight,
(Mono I/O) Bass/Treble Shift: Switches extra bass/
focused rhythm riffs and the legendary
treble on/off
"liquid lead" tone. This amp gets the
Deep: Switches extra low end on/off
aeons of sustain Metallica and Dream
Bright: Switches extra brightness on/off
Theater bet their lives on.

Glacian Drive is based on the drive

channel of the preamp section of
Gain: Controls the gain amount
the famous Bogner ® Shiva* combo
Glacian Drive Master: Controls the effect output
(20th anniversary version). providing a
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
super wide-open sound with immerse
the effect tone
headroom, sensitive moods, and great
low end response.

The Tang A30 Drive is a preamp simulator

based on the famous Orange® AD30*
amp head (CH 2), a 30-watt, vintage Gain: Controls the gain amount
Tang A30
modern Class A model with Orange®*'s Master: Controls the effect output
Drive
famous "juicy" sound. Adjust the GAIN Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O)
knob to get the magic: glassy boutique the effect tone
chime with the gain low, and roaring
British chomp with the gain up.

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

46
 FX Title Description Parameters & Ranges
Fryman B is a preamp simulator based
on a famous UK-style boutique amp
Gain: Controls the gain amount
head (BE channel). This is an incredible
Master: Controls the effect output
Fryman B tone machine based on the classic hot
Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O) British amps. But this amp is extremely
the effect tone
versatile: with some knob tweaking,
Voice/Fat/C45: Adjusts overall tonal
you'll be amazed by the super tight low
characters
ends, sweet mids and rich harmonics.
Gain: Controls the gain amount
This model is a preamp simulator based Master: Controls the effect output
on the 2nd channel (the blue channel) Bass/Middle/Treble: 3-band EQ that controls
Boger XT
of the famous Bogner ® Ecstasy* head the effect tone
Blue V
(vintage sound character), which has Bright: Controls the effect brightness
(Mono I/O)
been a favorite for every style and genre Plexi Mode: Switches Plexi Mode on/off; in
of music since 1992. Plexi Mode the amp performs like a plexi-
style amp
Gain: Controls the gain amount
This model is a preamp simulator based Master: Controls the effect output
on the 2nd channel (the blue channel) Bass/Middle/Treble: 3-band EQ that controls
Boger XT
of the famous Bogner ® Ecstasy* head the effect tone
Blue M
(modern sound character), which has Bright: Controls the effect brightness
(Mono I/O)
been a favorite for every style and genre Plexi Mode: Switches Plexi Mode on/off; in
of music since 1992. Plexi Mode the amp performs like a plexi-
style amp
This model is a preamp simulator based
on the sound characteristics of the
legendary Soldano® SLO100* amp head Gain: Controls the gain amount
Soloist 100
(NORMAL channel, dirty sound), which Master: Controls the effect output
Crunch
set a benchmark for modern amps. The Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O)
reason you find the sound so familiar is the effect tone
because you've been hearing it on gold
records since 1987.
Hotone's next-gen effect algorithms!
Leading a qualitative leap in both hearing
Gain: Controls the gain amount
and playing.
Master: Controls the effect output
This model is a preamp simulator that
Soloist 100 Bass/Middle/Treble: 3-band EQ that controls
uses our latest generation modeling
Crunch HQ the effect tone
technology to re-model the sound
(Mono I/O) Bright: Switches extra brightness on/off
characteristics of the legendary Soldano®
Preamp Tube: Selects from different preamp
SLO100* amp head (NORMAL channel,
tube types
dirty sound) to achieve a more dynamic,
detailed, high-quality sound.
Meet the Emperor of Tone! This is
a preamp simulator based on the Gain: Controls the gain amount
Emperor
Matchless™ Chieftain 212 combo* (driven Master: Controls the effect output
Drive
sound), gives you the rich harmonics and Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O)
matchless sensitivity that made this amp the effect tone
a Class A legend.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

47
 FX Title Description Parameters & Ranges
This model is a preamp simulator based
on one of Dr. Z®*'s most enduring
designs: the famous Dr. Z® Maz 38 Sr.*
Gain: Controls the output volume (pre gain)
combo (drive sound). This amp has the
Dr. 38 Drive Master: Controls the effect output (post gain)
kind of clean headroom that makes it a
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
great pedal platform, yet as a standalone
the effect tone
it is incredibly versatile, granting access
to both American twang and UK Class A
chime.
The Superstar Drive is a preamp
Input: Controls the input sensitivity
simulator based on the drive channel of
Gain: Controls the gain amount
Superstar the famous Mesa/Boogie® Lone Star®*
Presence: Controls the effect headroom
Drive combo, bringing you that well-balanced,
Master: Controls the effect output
(Mono I/O) smooth American-style drive with a rich
Bass/Middle/Treble: 3-band EQ that controls
combination of both vintage and modern
the effect tone
tones.
Based on the preamp section of 2nd
Gain: Controls the gain amount
channel of the famous Bad Cat® Hot Cat
Master: Controls the effect output
Hot Kitty 30* amp, the Hot Kitty Drive is a total
Edge: Controls the high and high-mid tone
Drive drive machine. The unique tone finds
character
(Mono I/O) itself somewhere between British and
Bass/Treble: 2-band EQ that controls the
USA territories with complex mids, tight
effect tone
lows and rich upper harmonics.
Input: Controls the input sensitivity
Gain: Controls the gain amount
Here comes the THE LEGEND! The Master: Controls the effect output
Dumbell ODS 2 is a preamp simulator Bass/Middle/Treble: 3-band EQ that controls
Dumbell ODS based on the legendary Dumble® the effect tone
2 Overdrive Special* amp head (Overdrive Bright: Switches extra brightness on/off
(Mono I/O) section on), providing THAT tone created Fat: Switches extra mids/gain on/off
by lots of legendary jazz/blues/fusion Deep: Switches extra depth on/off
musicians. Voice: Selects from 2 voicings: Rock/Jazz
(cuts some high frequency comparing to
Rock)

Gain: Controls the gain amount

Hotone's next-gen effect algorithms!
Master: Controls the effect output
Leading a qualitative leap in both hearing
Bass/Middle/Treble: 3-band EQ that controls
and playing.
Petrus the effect tone
This model recreates the preamp section
Crunch HQ Pull Gain: Switches extra gain on/off
of the famous Mesa/Boogie® JP-2C™*
(Mono I/O) Shred: Switches extra upper harmonic on/
amp (CH2), John Petrucci's signature amp
off
head, delivering a tight, agressive crunch
Preamp Tube: Selects from different preamp
tone.
tube types

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

48
 FX Title Description Parameters & Ranges
Hi Gain
This model is a preamp simulator based
on the sound characteristics of the
Gain: Controls the gain amount
legendary Marshall® JCM900 (model
Marshell 900 Master: Controls the effect output
4100, CH B)* amp head. Released in
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
1990, it was designed to produce more
the effect tone
gain, less noise and stainless Marshall®
tone.
The Tang R100 is a preamp simulator
based on the famous Orange® Gain: Controls the gain amount
Tang R100 Rockerverb 100™* amp head, Orange®*'s Master: Controls the effect output
(Mono I/O) first high gain amplifier. Its unique thick Bass/Middle/Treble: 3-band EQ that controls
voice has become eternally linked with the effect tone
hard rock/stoner rock.
Gain: Controls the gain amount
The classic Boogie Lead sound...and Master: Controls the effect output
beyond. Bass/Middle/Treble: 3-band EQ that controls
This model is a preamp simulator based the effect tone
Messe IV
on the legendary Mesa/Boogie® Mark Fat: Switch on to get a fatter sound
Lead
IV™* amp head (LEAD channel). This Bright: Switches extra brightness on/off
(Mono I/O)
massive lead tone is one of the most Voicing: Selects from two voicings: Mid
beautifully voiced tones that can always Gain (a punchier sound with more mids
be heard in a mix. and distortion)/Harmony (a more balanced
sound)

This model is a preamp simulator

based on the sound characteristics of
the legendary Soldano® SLO100* amp Gain: Controls the gain amount
Soloist 100
head (OVERDRIVE channel), which set a Master: Controls the effect output
Lead
benchmark for modern amps. The reason Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O)
you find the sound so familiar is because the effect tone
you've been hearing it on gold records
since 1987.

Hotone's next-gen effect algorithms!

Leading a qualitative leap in both hearing
and playing. Gain: Controls the gain amount
This model is a preamp simulator that Master: Controls the effect output
Soloist 100
uses our latest generation modeling Bass/Middle/Treble: 3-band EQ that controls
Lead HQ
technology to re-model the sound the effect tone
(Mono I/O)
characteristics of the legendary Soldano® Preamp Tube: Selects from different preamp
SLO100* amp head (OVERDRIVE channel) tube types
to achieve a more dynamic, detailed,
high-quality sound.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

49
 FX Title Description Parameters & Ranges
The Eddie 51 is a preamp simulator based
on a heavy rock legend: the Peavey®
Gain: Controls the gain amount
5150®* (LEAD channel). The original is
Eddie 51 Master: Controls the effect output
famous for its raw tone and relentless
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
power. Our Eddie 51 gives you the "brown
the effect tone
metal" sound heard on legendary heavy
metal records.
Fryman HB is a preamp simulator based
on a famous UK-style boutique amp
Gain: Controls the gain amount
head (HBE channel). This is an incredible
Master: Controls the effect output
Fryman HB tone machine based on the classic hot
Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O) British amps. But this amp is extremely
the effect tone
versatile: with some knob tweaking,
Voice/Fat/C45: Adjusts overall tonal
you'll be amazed by the super tight low
characters
ends, sweet mids and rich harmonics.
Input: Controls the input sensitivity
The Engle Saga 1 is a preamp simulator Gain: Controls the gain amount
based on the famous ENGL® Savage Master: Controls the effect output
120 E610* amp head (Channel 4, contour Bass/Middle/Treble: 3-band EQ that controls
Engle Saga 1
off). This replica reproduces the iconic the effect tone
(Mono I/O)
modern German rock sound featuring Voice: Selects overall sound character from
fast response, enhanced headroom and Rough to Smooth
punchy dynamics. Depth Boost: Switches extra resonance on/
off
Input: Controls the input sensitivity
The Engle Saga 2 is a preamp simulator Gain: Controls the gain amount
based on the famous ENGL® Savage Master: Controls the effect output
120 E610* amp head (Channel 4, contour Bass/Middle/Treble: 3-band EQ that controls
Engle Saga 2
on). This replica reproduces the iconic the effect tone
(Mono I/O)
modern German rock sound featuring Voice: Selects overall sound character from
fast response, enhanced headroom and Rough to Smooth
punchy dynamics. Depth Boost: Switches extra resonance on/
off
The Powerengle Lead is a preamp
simulator based on the lead channel
Gain: Controls the gain amount (pre gain)
Powerengle (Channel 4) of the famous ENGL®
Master: Controls the effect output (post gain)
Lead Powerball II E645/2* amp head. Truly
Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O) ideal for modern rock and metal, it
the effect tone
features a tight low end, a huge amount
of gain, sharp clarity, and great dynamics.
The Dizzle VH B is a preamp simulator
based on the 3rd channel of the famous
Gain: Controls the gain amount
Diezel® VH4* amp head. Born in 1994,
Dizzle VH B Master: Controls the effect output
the VH4 set an incredibly high benchmark
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
for boutique multi-channel amps, quickly
the effect tone
making it a stage and studio standard.
B stands for "blue panel" version.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

50
 FX Title Description Parameters & Ranges
The Dizzle VH S is a preamp simulator
based on the 3rd channel of the famous
Gain: Controls the gain amount
Diezel® VH4* amp head. Born in 1994,
Dizzle VH S Master: Controls the effect output
the VH4 set an incredibly high benchmark
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
for boutique multi-channel amps, quickly
the effect tone
making it a stage and studio standard.
S stands for "silver panel" version.
The Rector Dual V is a preamp simulator
based on an enduring rock' n' roll icon: the
legendary Mesa/Boogie® Dual Rectifier® Gain: Controls the gain amount (pre gain)
amp head (CH3, vintage). Music industry Presence: Controls the effect headroom
Rector Dual V
genres and scenes have come and gone Master: Controls the effect output (post gain)
(Mono I/O)
since its first release in early 1990's, Bass/Middle/Treble: 3-band EQ that controls
but this amp's monolithic heavy sound the effect tone
continues to be the standard for modern
heavy rock.
The Rector Dual M is a preamp simulator
based on an enduring rock' n' roll icon: the
legendary Mesa/Boogie® Dual Rectifier® Gain: Controls the gain amount (pre gain)
Rector Dual amp head (CH3, modern). Music industry Presence: Controls the effect headroom
M genres and scenes have come and gone Master: Controls the effect output (post gain)
(Mono I/O) since its first release in early 1990's, Bass/Middle/Treble: 3-band EQ that controls
but this amp's monolithic heavy sound the effect tone
continues to be the standard for modern
heavy rock.
The Dizzle VH+ B is a preamp simulator
based on the 4th channel of the famous
Gain: Controls the gain amount (pre gain)
Diezel® VH4* amp head. Born in 1994,
Dizzle VH+ B Master: Controls the effect output (post gain)
the VH4 set an incredibly high benchmark
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
for boutique multi-channel amps, quickly
the effect tone
making it a stage and studio standard.
B stands for "blue panel" version.
The Dizzle VH+ S is a preamp simulator
based on the 4th channel of the famous
Gain: Controls the gain amount (pre gain)
Diezel® VH4* amp head. Born in 1994,
Dizzle VH+ S Master: Controls the effect output (post gain)
the VH4 set an incredibly high benchmark
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
for boutique multi-channel amps, quickly
the effect tone
making it a stage and studio standard.
S stands for "silver panel" version.
Gain: Controls the gain amount
This model is a preamp simulator based Master: Controls the effect output
on the 3rd channel (the red channel) of Bass/Middle/Treble: 3-band EQ that controls
Boger XT Red
the famous Bogner ® Ecstasy* head the effect tone
V
(vintage sound character), which has Bright: Controls the effect brightness
(Mono I/O)
been a favorite for every style and genre Plexi Mode: Switches Plexi Mode on/off; in
of music since 1992. Plexi Mode the amp performs like a plexi-
style amp
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

51
 FX Title Description Parameters & Ranges

Gain: Controls the gain amount

This model is a preamp simulator based
on the 3rd channel (the red channel) of
Boger XT Red
the famous Bogner ® Ecstasy* head
M
(modern sound character), which has
(Mono I/O)
been a favorite for every style and genre
of music since 1992.
Master: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls
the effect tone
Bright: Controls the effect brightness
Plexi Mode: Switches Plexi Mode on/off; in
Plexi Mode the amp performs like a plexi-
style amp

Gain: Controls the gain amount

Hotone's next-gen effect algorithms!
Master: Controls the effect output
Leading a qualitative leap in both hearing
Bass/Middle/Treble: 3-band EQ that controls
and playing.
Petrus Lead the effect tone
This model recreates the preamp section
HQ Pull Gain: Switches extra gain on/off
of the famous Mesa/Boogie® JP-2C™*
(Mono I/O) Shred: Switches extra upper harmonic on/
amp (CH3), John Petrucci's signature amp
off
head, delivering a huge lead tone with
Preamp Tube: Selects from different preamp
clarity that suits for every shredder.
tube types
Bass
The original rock bass sound.
The Ampage Classic is a preamp Gain: Controls the gain amount
simulator based on the legendary Master: Controls the effect output
Ampage Ampeg® SVT* bass amp head. Born in Midrange: Selects the center frequency
Classic 1969, the rich sounding all-tube monster of Midrange control: 220Hz/450Hz
(Mono I/O) basically defined the bass sound of /800Hz/1.6kHz/3kHz
rock and roll from then on. We modified Bass/Middle/Treble: 3-band EQ that controls
the Frequency switch with a modern the effect tone
Ampeg®* design for more tonal flexibility.
The legendary Flip Top is here! Our
Ampage Flip is a preamp simulator based
on the legendary Ampeg® B-15* bass
amp head. Originally designed by Jess Volume: Controls the effect output
Ampage Flip
Oliver, the easy-to-use amp produces Bass/Treble: 2-band EQ that controls the
(Mono I/O)
incredible round, full-figured tone for effect tone
which many have deemed it the holy
grail of bass amps. Now it's finally within
reach!
Alchemy Pre is based on the legendary
Alembic™ F-2B* rack-mount bass
Volume: Controls the effect output
preamp. It recreates the rich, magical
Alchemy Pre Bright: Switches extra brightness on/off
tube sound that made the F-2B* a
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
classic. This treatment is not just for
the effect tone
bass– it's awesome on guitars (think
Gilmour) and more!
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

52
 FX Title Description Parameters & Ranges
Voxy Bass is a preamp simulator based
on the sound characteristics of the
legendary VOX®* AC-100* amp head, the
Volume: Controls the output volume
Voxy Bass amp that McCartney was using in 1965.
Bass/Treble: 2-band EQ that controls the
(Mono I/O) The operation is simple: just treble, bass,
effect tone
and volume controls. Using a violin bass
with this amp will totally get you THAT
vibe.
The Tang R100 is a preamp simulator
Gain: Controls the gain amount
based on the famous Orange® AD200B*
Tang Bass Master: Controls the effect output
bass amp head, a straight forward amp
(Mono I/O) Bass/Middle/Treble: 3-band EQ that controls
delivering a ground shaking tone with
the effect tone
lots of dynamics.
This model is a preamp simulator based
on the famous Mesa/Boogie® Bass 400*
Volume: Controls the gain amount
Messe Bass bass amp head, one of Mesa/Boogie®'s
Master: Controls the effect output
400 rare bass products. As one of the most
Bass/Middle/Treble: 3-band EQ that controls
(Mono I/O) classic most classic and sought-after
the effect tone
tube bass amps in history, the amp will
never let you down.
Acoustic
Volume: Controls the effect output
Tone Mix: Controls the tone control balance;
set to 0 to disable tone control
Tone Depth: Controls the tone brightness
This model is an acoustic preamp based EQ Freq: Controls the EQ center frequency
on the famous AER® Colourizer 2*, EQ Q: Controls the EQ bandwidth
Acoustic Pre
which makes dull sounds come alive by EQ Gain: Controls the EQ boost/cut amount;
(Mono I/O)
enriching your acoustic sound with full set to 50 to keep neutral
dynamics and harmonics. EQ Range: Selects from two EQ ranges: f1
(90Hz to 1.6kHz)/f2 (680Hz to 11kHz)
Enhancer: Controls tone enhancement
amount; turn to minimum (off) to disable
enhancer
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

53
 FX Title Description
CAB
Guitar Cab S
Mic Type: Selects from different microphone simulations*:
-Dyn 57: Based on Shure® SM57
-Dyn 421: Based on Sennheiser® MD421
-Rib 121: Based on Royal® R121
-Rib 160: Based on Beyerdynamic® M160
-Con 87: Based on Neumann® U87
-Con 414: Based on AKG® C414
-Mix 1: Shure® SM57+Sennheiser® MD421 combo
-Mix 2: Shure® SM57+ Royal® R121 combo
-Mix 3: Sennheiser® MD421+Royal® R121 combo
-Mix 4: Multi-mic combo
Volume: Controls the output volume
Low Cut/High Cut: Cuts the low/high frequency
Position: Selects from 6 microphone positioning variations
Voxy 1x10 A This model is a cabinet simulator based on the sound characteristics of a VOX®*
(Mono I/O) 1x10" combo cabinet.
Voxy 1x10 B This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) VOX®* 1x10" combo cabinet.
Voxy GRN 1x10 This model is a cabinet simulator based on the sound characteristics of a VOX®*
(Mono I/O) 1x10" combo cabinet with a 10-inch Celestion® Greenback* speaker.
Voxy Custom 1x10 This model is a cabinet simulator based on the sound characteristics of a custom
(Mono I/O) VOX® AC4* combo cabinet.
TWD 1x10 This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Fender® Tweed* 1x10" combo cabinet.
This model is a cabinet simulator based on the sound characteristics of a custom
TWD VN 1x10
Fender® Tweed* 1x10" combo cabinet with a 10-inch Celestion® G10 Vintage*
(Mono I/O)
speaker.
Golden 1x10 This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Gibson®* 1x10" combo cabinet.
UK Custom 1x12 This model is a cabinet simulator based on the sound characteristics of a custom
(Mono I/O) Marshall®* 1x12" cabinet.
TWD 1x12 This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Fender® Tweed* 1x12" combo cabinet.
TWD Dlx 1x12 This model is a cabinet simulator based on the sound characteristics of a Fender®
(Mono I/O) Tweed Deluxe* 1x12" combo cabinet with a 12-inch Jensen® P12R* speaker.
Black 1x12 This model is a cabinet simulator based on the sound characteristics of a Fender®*
(Mono I/O) 1x12" combo cabinet with a 12-inch Celestion® Vintage 30®* speaker.
Black Dlx 1x12 A This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Fender® Deluxe Reverb* 1x12" combo cabinet.
Black Dlx 1x12 B This model is a cabinet simulator based on the sound characteristics of a Fender®
(Mono I/O) Deluxe Reverb* 1x12" combo cabinet with a Jensen® C12R* speaker.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

54
 FX Title Description
Black Dlx 1x12 C This model is a cabinet simulator based on the sound characteristics of a Fender®
(Mono I/O) Deluxe Reverb* 1x12" combo cabinet with a custom speaker.
Golden 1x12 This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Gibson®* 1x12" combo cabinet.
Boger 2x12 A This model is a cabinet simulator based on the sound characteristics of a Bogner®*
(Mono I/O) 2x12" cabinet with two 12-inch Celestion® Greenback* speakers.
Boger 2x12 B This model is a cabinet simulator based on the sound characteristics of a Bogner®*
(Mono I/O) 2x12" cabinet with two 12-inch Celestion® Vintage 30®* speakers.
Glacian 2x12 A This model is a cabinet simulator based on the sound characteristics of a Bogner®
(Mono I/O) Shiva* 2x12" cabinet.
Glacian 2x12 B This model is a cabinet simulator based on the sound characteristics of a Bogner®
(Mono I/O) Shiva* 2x12" cabinet with Celestion® Alnico Gold* speakers.
Tang 2x12 A This model is a cabinet simulator based on the sound characteristics of a custom
(Mono I/O) Orange® PPC212* 2x12" cabinet.
Tang 2x12 B This model is a cabinet simulator based on the sound characteristics of an Orange®
(Mono I/O) PPC212* 2x12" cabinet.
Messe 2x12 This model is a cabinet simulator based on the sound characteristics of a custom
(Mono I/O) Mesa/Boogie®* 2x12" cabinet.
This model is a cabinet simulator based on the sound characteristics of a Mesa/
Rector 2x12 A
Boogie® Rectifier®* 2x12" cabinet with two 12-inch Celestion® Vintage 30®*
(Mono I/O)
speakers.
This model is a cabinet simulator based on the sound characteristics of a Mesa/
Rector 2x12 B
Boogie® Rectifier®* 2x12" cabinet with two 12-inch Celestion® G12H-30®*
(Mono I/O)
speakers.
This model is a cabinet simulator based on the sound characteristics of a modified
Rector 2x12 C
Mesa/Boogie® Rectifier®* 2x12" cabinet with two 12-inch Celestion® G12M®*
(Mono I/O)
speakers.
Voxy 2x12 A This model is a cabinet simulator based on the sound characteristics of a VOX®
(Mono I/O) AC30* combo cabinet with two 12-inch Celestion® Alnico Blue* speakers.
Voxy 2x12 B This model is a cabinet simulator based on the sound characteristics of a VOX®
(Mono I/O) AC30* combo cabinet with two 12-inch Celestion® G12H-30* speakers.
Voxy Cream 2x12 This model is a cabinet simulator based on the sound characteristics of a VOX®
(Mono I/O) AC30* combo cabinet with two 12-inch Celestion® Alnico Cream* speakers.
Voxy Green 2x12 This model is a cabinet simulator based on the sound characteristics of a VOX®
(Mono I/O) AC30* combo cabinet with two 12-inch Celestion® Greenback* speakers.
Voxy Gold 2x12 This model is a cabinet simulator based on the sound characteristics of a VOX®
(Mono I/O) AC30* combo cabinet with two 12-inch Celestion® Alnico Gold* speakers.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

55
 FX Title Description
Guitar Cab L
Mic Type: Selects from different microphone simulations*:
-Dyn 57: Based on Shure® SM57
-Dyn 421: Based on Sennheiser® MD421
-Rib 121: Based on Royal® R121
-Rib 160: Based on Beyerdynamic® M160
-Con 87: Based on Neumann® U87
-Con 414: Based on AKG® C414
-Mix 1: Shure® SM57+Sennheiser® MD421 combo
-Mix 2: Shure® SM57+ Royal® R121 combo
-Mix 3: Sennheiser® MD421+Royal® R121 combo
-Mix 4: Multi-mic combo
Volume: Controls the output volume
Low Cut/High Cut: Cuts the low/high frequency
Position: Selects from 6 microphone positioning variations
Boger 4x10 A This model is a cabinet simulator based on the sound characteristics of a Bogner®*
(Mono I/O) 4x10" cabinet.
Boger 4x10 B This model is a cabinet simulator based on the sound characteristics of a modified
(Mono I/O) Bogner®* 4x10" cabinet.
Super 4x10 A This model is a cabinet simulator based on the sound characteristics of a Fender®
(Mono I/O) Super Reverb* 4x10" cabinet with four 10-inch Jensen®* speakers.
Super 4x10 B This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Fender® Super Reverb* 4x10" cabinet with Fender®* speakers.
Boger 4x12 A This model is a cabinet simulator based on the sound characteristics of a Bogner®*
(Mono I/O) 4x12" cabinet with four 12-inch Celestion® G12T-75* speakers.
Boger 4x12 B This model is a cabinet simulator based on the sound characteristics of a Bogner®*
(Mono I/O) 4x12" cabinet with four 12-inch Celestion® Vintage 30®* speakers.
Dizzle 4x12 A This model is a cabinet simulator based on the sound characteristics of a Diezel®*
(Mono I/O) 4x12" cabinet with four 12-inch Celestion® G12K-100* speakers.
Dizzle 4x12 B This model is a cabinet simulator based on the sound characteristics of a Diezel®*
(Mono I/O) 4x12" cabinet with four 12-inch Celestion® Vintage 30®* speakers.
Eddie 4x12 A This model is a cabinet simulator based on the sound characteristics of a EVH®
(Mono I/O) 5150III®* 4x12" cabinet.
Eddie 4x12 B This model is a cabinet simulator based on the sound characteristics of a modified
(Mono I/O) EVH® 5150III®* 4x12" cabinet.
Engle 4x12 A This model is a cabinet simulator based on the sound characteristics of a ENGL®*
(Mono I/O) 4x12" cabinet with four 12-inch Celestion® Vintage 30®* speakers.
Engle 4x12 B This model is a cabinet simulator based on the sound characteristics of a ENGL®*
(Mono I/O) 4x12" cabinet with four 12-inch Celestion® Greenback* speakers.
Fryman 4x12 A This model is a cabinet simulator based on the sound characteristics of a boutique
(Mono I/O) UK-style brand 4x12" cabinet with four 12-inch Celestion® Greenback* speakers.
Fryman 4x12 B This model is a cabinet simulator based on the sound characteristics of a boutique
(Mono I/O) UK-style brand 4x12" cabinet with four 12-inch Celestion® Vintage 30®* speakers.
UK Cream 4x12 This model is a cabinet simulator based on the sound characteristics of a Marshall®*
(Mono I/O) 4x12" cabinet with four 12-inch Celestion® G12H-30* speakers.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

56
 FX Title Description
UK Check 4x12 This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Marshall®* "Checkboard" 4x12" cabinet.
UK Green 4x12 This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Marshall®* 4x12" cabinet with four 12-inch Celestion® Greenback* speakers.
This model is a cabinet simulator based on the sound characteristics of a custom
UK Custom 4x12
vintage Marshall®* 4x12" cabinet with four 12-inch Electro-Voice® EVM12L*
(Mono I/O)
speakers.
UK Vintage 4x12 This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Marshall®* 4x12" cabinet with four 12-inch Marshall®* speakers.
UK Black 4x12 This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Marshall®* 4x12" cabinet with four 12-inch Celestion® Blackback* speakers.
UK 82 4x12 This model is a cabinet simulator based on the sound characteristics of a Marshall®
(Mono I/O) 1982B* 4x12" cabinet.
Tang 4x12 A This model is a cabinet simulator based on the sound characteristics of an Orange®
(Mono I/O) PPC412* 4x12" cabinet.
Tang 4x12 B This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Orange®* 4x12" cabinet.
Tang 4x12 C This model is a cabinet simulator based on the sound characteristics of a custom
(Mono I/O) vintage Orange®* 4x12" cabinet.
Messe 4x12 A This model is a cabinet simulator based on the sound characteristics of a Mesa/
(Mono I/O) Boogie®* 4x12" cabinet with "Vintage Black Shadow" speakers.
Messe 4x12 B This model is a cabinet simulator based on the sound characteristics of a Mesa/
(Mono I/O) Boogie®* 4x12" cabinet with four 12-inch Celestion® Vintage 30®* speakers.
Rector 4x12 A This model is a cabinet simulator based on the sound characteristics of a custom
(Mono I/O) Mesa/Boogie® Rectifier* 4x12" cabinet with four 12-inch Eminence®* speakers.
Rector 4x12 B This model is a cabinet simulator based on the sound characteristics of a Mesa/
(Mono I/O) Boogie® Rectifier* "Traditional" 4x12" cabinet.
Rector 4x12 C This model is a cabinet simulator based on the sound characteristics of a Mesa/
(Mono I/O) Boogie® Rectifier* "Oversized" 4x12" cabinet.
This model is a cabinet simulator based on the sound characteristics of a custom
Rector 4x12 D
Mesa/Boogie® Rectifier* 4x12" cabinet with four 12-inch Celestion® G12M-65®*
(Mono I/O)
speakers.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

57
 FX Title Description
Bass Cab
Mic Type: Selects from different microphone simulations*:
-Dyn 421: Based on Sennheiser® MD421
-Rib 160: Based on Beyerdynamic® M160
-Con 87: Based on Neumann® U87
-Mix: Multi-mic combo
Volume: Controls the output volume
EQ: Selects from 2 different EQ variations:
-I: A rounder tone
-II: A fatter, aggressive tone
Smooth: Turn on to smooth out both low/high ends
Low Cut/High Cut: Cuts the low/high frequency
Ampage 2x10 A This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Ampeg®* 2x10" cabinet.
Ampage 2x10 B This model is a cabinet simulator based on the sound characteristics of an Ampeg®
(Mono I/O) SVT-210AV* 2x10" cabinet.
Ampage 2x10 C This model is a cabinet simulator based on the sound characteristics of a modified
(Mono I/O) vintage Ampeg®* 2x10" cabinet.
Ampage 2x10 D This model is a cabinet simulator based on the sound characteristics of a Ampeg®
(Mono I/O) SVT-210AV* 2x10" cabinet with Ampeg®* speakers.
Ampage 4x10 A This model is a cabinet simulator based on the sound characteristics of a vintage
(Mono I/O) Ampeg®* 4x10" cabinet.
Ampage 4x10 B This model is a cabinet simulator based on the sound characteristics of an Ampeg®
(Mono I/O) SVT-410HLF* 4x10" cabinet.
Ampage 4x10 C This model is a cabinet simulator based on the sound characteristics of a modified
(Mono I/O) Ampeg® SVT-410HLF* 4x10" cabinet.
Ampage 4x10 D This model is a cabinet simulator based on the sound characteristics of a modified
(Mono I/O) vintage Ampeg®* 4x10" cabinet.
IR
Volume: Controls the output volume
Low Cut/High Cut: Cuts the low/high frequency
Resolution: Switches IR resolution from normal (1024 points) to high (2048 points)
Acoustic IR
Dreadnought 1 This model is an acoustic simulator based on the sound characteristics of a
(Mono I/O) Dreadnought steel-string acoustic guitar.
Dreadnought 2 This model is an acoustic simulator based on the sound characteristics of a
(Mono I/O) Dreadnought steel-string acoustic guitar.
Orchestral This model is an acoustic simulator based on the sound characteristics of a OM
(Mono I/O) type steel-string acoustic guitar.
Jumbo This model is an acoustic simulator based on the sound characteristics of a jumbo
(Mono I/O) style steel-string acoustic guitar.
Hum Bird This model is an acoustic simulator based on the sound characteristics of an iconic
(Mono I/O) "H-Bird" steel-string acoustic guitar.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

58
 FX Title Description
Auditorium This model is an acoustic simulator based on the sound characteristics of a GA type
(Mono I/O) steel-string acoustic guitar.
Classical This model is an acoustic simulator based on the sound characteristics of a classical
(Mono I/O) guitar.
Mandolin This model is an acoustic simulator based on the sound characteristics of a
(Mono I/O) mandolin.
Fretless Bass This model is an acoustic simulator based on the sound characteristics of a fretless
(Mono I/O) acousitc bass guitar.
Double Bass This model is an acoustic simulator based on the sound characteristics of a double
(Mono I/O) bass.
Celestion® IR
This IR is based on the sound characteristics of a 1x12 close back cabinet with one
Blue 1x12 Close
12-inch Celestion® Alnico Blue* speaker, captured by a set of carefully balanced
(Mono I/O)
studio microphones.
This IR is based on the sound characteristics of a 1x12 open back cabinet with one
Blue 1x12 Open
12-inch Celestion® Alnico Blue* speaker, captured by a set of carefully balanced
(Mono I/O)
studio microphones.
G12H-C 1x12 This IR is based on the sound characteristics of a 1x12 close back cabinet with
Close one 12-inch Celestion® G12H Creamback* speaker, captured by a set of carefully
(Mono I/O) balanced studio microphones.
G12H-C 1x12 This IR is based on the sound characteristics of a 1x12 open back cabinet with
Open one 12-inch Celestion® G12H Creamback* speaker, captured by a set of carefully
(Mono I/O) balanced studio microphones.
This IR is based on the sound characteristics of a 2x12 close back cabinet with two
Blue 2x12 Close
12-inch Celestion® Alnico Blue* speakers, captured by a set of carefully balanced
(Mono I/O)
studio microphones.
This IR is based on the sound characteristics of a 2x12 open back cabinet with two
Blue 2x12 Open
12-inch Celestion® Alnico Blue* speakers, captured by a set of carefully balanced
(Mono I/O)
studio microphones.
G12H-A 2x12 This IR is based on the sound characteristics of a 2x12 close back cabinet with two
Close 12-inch Celestion® G12H Anniversary* speakers, captured by a set of carefully
(Mono I/O) balanced studio microphones.
G12H-A 2x12 This IR is based on the sound characteristics of a 2x12 open back cabinet with two
Open 12-inch Celestion® G12H Anniversary* speakers, captured by a set of carefully
(Mono I/O) balanced studio microphones.
G12H-C 2x12 This IR is based on the sound characteristics of a 2x12 close back cabinet with
Close two 12-inch Celestion® G12H Creamback* speakers, captured by a set of carefully
(Mono I/O) balanced studio microphones.
G12H-C 2x12 This IR is based on the sound characteristics of a 2x12 open back cabinet with
Open two 12-inch Celestion® G12H Creamback* speakers, captured by a set of carefully
(Mono I/O) balanced studio microphones.
G12M-C 2x12 This IR is based on the sound characteristics of a 2x12 close back cabinet with
Close two 12-inch Celestion® G12M Creamback* speakers, captured by a set of carefully
(Mono I/O) balanced studio microphones.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

59
 FX Title Description
G12M-C 2x12 This IR is based on the sound characteristics of a 2x12 open back cabinet with
Open two 12-inch Celestion® G12M Creamback* speakers, captured by a set of carefully
(Mono I/O) balanced studio microphones.
This IR is based on the sound characteristics of a 2x12 close back cabinet with
Green 2x12
two 12-inch Celestion® G12M Greenback* speakers, captured by a set of carefully
(Mono I/O)
balanced studio microphones.
This IR is based on the sound characteristics of a 2x12 close back cabinet with two
V30 2x12
12-inch Celestion® Vintage 30®* speakers, captured by a set of carefully balanced
(Mono I/O)
studio microphones.
This IR is based on the sound characteristics of a 4x12 close back cabinet with four
G12-65 4x12
12-inch Celestion® G12-65* speakers, captured by a set of carefully balanced studio
(Mono I/O)
microphones.
This IR is based on the sound characteristics of a 4x12 close back cabinet with four
G12H-A 4x12
12-inch Celestion® G12H Anniversary* speakers, captured by a set of carefully
(Mono I/O)
balanced studio microphones.
This IR is based on the sound characteristics of a 4x12 close back cabinet with
G12H-C 4x12
four 12-inch Celestion® G12H Creamback* speakers, captured by a set of carefully
(Mono I/O)
balanced studio microphones.
This IR is based on the sound characteristics of a 4x12 close back cabinet with
G12M-C 4x12
four 12-inch Celestion® G12M Creamback* speakers, captured by a set of carefully
(Mono I/O)
balanced studio microphones.
This IR is based on the sound characteristics of a 4x12 close back cabinet with
Green 4x12
four 12-inch Celestion® G12M Greenback* speakers, captured by a set of carefully
(Mono I/O)
balanced studio microphones.
This IR is based on the sound characteristics of a 4x12 close back cabinet with four
V30 4x12
12-inch Celestion® Vintage 30®* speakers, captured by a set of carefully balanced
(Mono I/O)
studio microphones.
User IR 1~50 This is for loading your own IR file by clicking "Import IR file" button. The IR file
(Mono I/O) should be a 24-bit 44.1kHz mono WAV file.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

FX Title Description Parameters & Ranges

EQ
Band 1: 125Hz
Band 2: 400Hz
This is an equalizer made for guitar. You Band 3: 800Hz
Guitar EQ 1 can use this 5-band EQ to control your Band 4: 1.6kHz
(Stereo I/O) sound, eliminate unwanted feedback, Band 5: 4kHz
and expand your tone. Use the five bands above to control the EQ
level.
Volume: Controls the output level
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

60
 FX Title Description Parameters & Ranges
Band 1: 100Hz
Band 2: 500Hz
This is an equalizer made for guitar. You Band 3: 1kHz
Guitar EQ 2 can use this 5-band EQ to control your Band 4: 3kHz
(Stereo I/O) sound, eliminate unwanted feedback, Band 5: 6kHz
and expand your tone. Use the five bands above to control the EQ
level.
Volume: Controls the output level
Band 1: 33Hz
Band 2: 150Hz
This is an equalizer made for bass. You Band 3: 600Hz
Bass EQ 1 can use this 5-band EQ to control your Band 4: 2kHz
(Stereo I/O) sound, eliminate unwanted feedback, Band 5: 8kHz
and expand your tone. Use the five bands above to control the EQ
level.
Volume: Controls the output level
Band 1: 50Hz
Band 2: 120Hz
This is an equalizer made for bass. You Band 3: 400Hz
Bass EQ 2 can use this 5-band EQ to control your Band 4: 800Hz
(Stereo I/O) sound, eliminate unwanted feedback, Band 5: 4.5kHz
and expand your tone. Use the five bands above to control the EQ
level.
Volume: Controls the output level

Band 1: 80Hz
Our V-EQ is an equalizer based on the
Band 2: 240Hz
legendary Mesa/Boogie®* 5-band
Band 3: 750Hz
V-EQ graphic EQ module found on Mesa/
Band 4: 2.2kHz
(Stereo I/O) Boogie® Mark™* Series amps. Put this
Band 5: 6.6kHz
classic EQ right before your amp or
Use the five bands above to control the EQ
distortion and hear the magic.
level.

Band 1: 100Hz
Band 2: 200Hz
This is a 7-band equalizer based on a Band 3: 400Hz
widely used white guitar EQ pedal with Band 4: 800Hz
Graphic 7 max. ±15dB boost/cut range. You can use Band 5: 1.6kHz
(Mono I/O) this EQ to control your sound, eliminate Band 6: 3.2kHz
unwanted feedback, and expand your Band 7: 6.4kHz
tone. Use the seven bands above to control the
center frequency.
Level: Controls the output level by ±15dB

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

61
 FX Title Description Parameters & Ranges
Band 1: 50Hz
Band 2: 120Hz
This is a 7-band bass equalizer based on Band 3: 400Hz
a widely used white bass EQ pedal with Band 4: 500Hz
Graphic 7B max. ±15dB boost/cut range. You can use Band 5: 800kHz
(Mono I/O) this EQ to control your sound, eliminate Band 6: 4.5kHz
unwanted feedback, and expand your Band 7: 10kHz
tone. Use the seven bands above to control the
center frequency.
Level: Controls the output level by ±15dB
Band 1: 20Hz-2000Hz
Band 2, 3: 100Hz-10kHz
Band 4: 200Hz-20kHz
Use the four bands above to control the
This is a 4-band parametric equalizer
Para EQ 1 center frequency.
with low/high shelving filters that
(Stereo I/O) Q 1-4: Controls the Q bandwidth
suitable for any instrument.
Gain 1-4: Controls the EQ level by ±12dB
Lo/Hi Shelf: Controls the overall low/high EQ
level by ±12dB
Level: Controls the output level
Freq 1-5: Controls the filter center frequency:
-Freq 1: 20Hz-2000Hz
-Freq 2, 3, 4: 100Hz-10kHz
-Freq 5: 200Hz-20kHz
This is a 5-band parametric equalizer
Q 1-5: Controls the Q bandwidth
Para EQ 2 with selectable filter types that suitable
Gain 1-5: Controls the EQ level by ±12dB
(Stereo I/O) for any instrument.
Band 1/2/4/5 Type: Controls the band
Band 3 filter shape is fixed to Peak.
1/2/4/5 filter shape:
-Band 1/5: Lo/Hi Cut, Lo/Hi Shelf, Peak
-Band 2/4: Lo/Hi Shelf, Peak
Level: Controls the output level

Band 1: 31Hz
Band 2: 63Hz
Band 3: 125Hz
Band 4: 250Hz
Band 5: 500Hz
Band 6: 1kHz
Graphic EQ This is a 10-band equalizer suitable for
Band 7: 2kHz
(Stereo I/O) any instrument.
Band 8: 4kHz
Band 9: 8kHz
Band 10: 16kHz
Use the ten bands above to control the EQ
level by ±12dB.
Level: Controls the output level

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

62
 FX Title Description Parameters & Ranges
MOD
Chorus

Note: This effect features mono (L) in,

stereo out configuration.
Based on the legendary Arion?SCH-1
Stereo Chorus* pedal, this Aozora
chorus brings you a beautiful 80s vibe,
Aozora everything from classic chorus to killer Depth: Controls the chorus depth
Chorus rotary effects. Clapton and Landau loved Rate: Controls the chorus speed
(Mono in, this sound. Tone: Controls the effect tone
stereo out) You can use Tap Tempo function to Sync: Switches Tap Tempo sync on/off
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Note: This effect features mono (L) in,

stereo out configuration.
Based on the chorus mode of legendary
1970s ensemble chorus pedal, the Grand
Choruium provides that timeless dreamy,
Grand
warm, shimmering vintage analog chorus Depth: Controls the chorus depth
Choruium
sound that musicians dream of. Rate: Controls the chorus speed
(Mono in,
You can use Tap Tempo function to Output: Controls the effect output
stereo out)
control the effect speed by turning on Sync: Switches Tap Tempo sync on/off
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Note: This effect features mono (L) in,

stereo out configuration.
Based on the legendary 4-button stereo
Liquid C chorus pedal, this Liquid C is more of
(Mono in, a "dimension expander" than a chorus
Mode: Select from 4 different chorus modes
stereo out) effect. Offering 4 finely tuned modes,
this model adds unique spatial elements
and subtle modulations to which nothing
can compare.

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

63
 FX Title Description Parameters & Ranges

Note: This effect features mono (L) in,

stereo out configuration.
This vintage-voiced chorus model is
based on the famous ensemble chorus
unit that tuned for bass players. Like its
cousin, the Choruium B gives you a pure,
Bass Chorus Depth: Controls the vibrato depth
lush tone. Individual effect level control
(Mono in, Rate: Controls the vibrato rate
offers more flexibility for bass.
stereo out) Output: Controls the effect output
You can use Tap Tempo function to
Sync: Switches Tap Tempo sync on/off
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Note: This effect features mono (L) in,

stereo out configuration.
This model is based on the legendary
Voodoo Lab?Analog Chorus* pedal.
Offering you warm, organic sound and
lush harmonics, it has become the
standard by which all chorus pedals are Depth: Selects the chorus depth from deep
Liquid Dream
measured. Fine tune the two parameters to shallow
(Mono in,
to get your own sound, from subtle Rate: Controls the chorus speed
stereo out)
doubling to sweet rotation! Sync: Switches Tap Tempo sync on/off
You can use Tap Tempo function to
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Note: This effect features mono (L) in,

stereo out configuration.
This is a multi-dimensional chorus model
with independent depth controls for each
audio channel (center, left and right). This
Mix: Controls the wet/dry signal ratio
super lush model will give you the real 3D
3D Chorus Rate: Controls the chorus speed
experience for your ears (especially on
(Mono in, Filter: Controls the effect tone
stereo sound systems!).
stereo out) Depth L/C/R: Controls the chorus depth of
You can use Tap Tempo function to
left/right/center channels
control the effect speed by turning on
Sync: Switches Tap Tempo sync on/off
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

64
 FX Title Description Parameters & Ranges
Flanger

Note: This effect features mono (L) in,

stereo out configuration.
This model produces the classic flanging
effect originally achieved by manually,
independently varying the speed of two
tape recorders with the same program Depth: Controls the flanger depth
Flanger
material. It produces a rich, natural Rate: Controls the flanger speed
(Mono in,
flanging tone. Pre Delay: Controls the pre delay time
stereo out)
You can use Tap Tempo function to Feedback: Controls the amount of feedback
control the effect speed by turning on Sync: Switches Tap Tempo sync on/off
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Note: This effect features mono (L) in,

stereo out configuration.
This model achieves the classic flanging
effect for bass players. It produces a rich,
Depth: Controls the flanger depth
Bass Flanger natural flanging tone.
Rate: Controls the flanger speed
(Mono in, You can use Tap Tempo function to
Pre Delay: Controls the pre delay time
stereo out) control the effect speed by turning on
Feedback: Controls the amount of feedback
the Sync switch. When the Sync switch
Sync: Switches Tap Tempo sync on/off
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Note: This effect features mono (L) in,

stereo out configuration.
This model produces a flanger effect
with negative feedback, sounds like deep
Depth: Controls the flanger depth
Neg Flanger in the water, very unique flanging tone.
Rate: Controls the flanger speed
(Mono in, You can use Tap Tempo function to
Pre Delay: Controls the pre delay time
stereo out) control the effect speed by turning on
Feedback: Controls the amount of feedback
the Sync switch. When the Sync switch
Sync: Switches Tap Tempo sync on/off
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

65
 FX Title Description
Note: This effect features mono (L) in,
stereo out configuration.
This model blended a classic flanging
tone with a normal tremolo effect,
you can adjust the flanger and tremolo
Trem Flanger parameters separately to get a
(Mono in, distinctive sound.
stereo out) You can use Tap Tempo function to
control the effect speed by turning on the
Flg/Trm Sync switch. When the switch is
on, turn the Flg/Trm Rate knob to set a
proper tap divide value. The default value
is 1/4 (no division).
Vibrato
Parameters & Ranges
Flg Depth: Controls the flanger depth
Flg Rate: Controls the flanger speed
Feedback: Controls the flanger feedback
amount
Trm Depth: Controls the tremolo depth
Trm Rate: Controls the tremolo speed
Flg Sync: Switches flanger Tap Tempo sync
on/off
Trm Sync: Switches tremolo Tap Tempo sync
on/off

Note: This effect features mono (L) in,

stereo out configuration.
The Pulser is a rebirth of the super rare
all-analog vintage vibrato pedal, which
gives you a classic vibrato sound with
true analog warmth. With simple DEPTH
Pulser and RATE controls, it's easy to tweak
Depth: Controls the vibrato depth
(Mono in, your own unique texture, from slight
Rate: Controls the vibrato rate
stereo out) vibes to a full-on wobble.
Sync: Switches Tap Tempo sync on/off
You can use Tap Tempo function to
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Note: This effect features mono (L) in,

stereo out configuration.
Based on the vibrato mode of legendary
1970s ensemble chorus pedal, the Grand
Vibrato provides that timeless dreamy,
Grand Vibrato warm, shimmering vintage analog vibrato Depth: Controls the vibrato depth
(Mono in, sound that musicians dream of. Rate: Controls the vibrato rate
stereo out) You can use Tap Tempo function to Output: Controls the effect output
control the effect speed by turning on Sync: Switches Tap Tempo sync on/off
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

66
 FX Title Description Parameters & Ranges
Note: This effect features mono (L) in,
stereo out configuration.
This model is a typical vibrato effect with
a wide controllable range. Use the Depth
knob to vary the pitch, use the Rate knob
Vibrato Depth: Controls the vibrato depth
to control the modulation speed.
(Mono in, Rate: Controls the vibrato speed
You can use Tap Tempo function to
stereo out) Output: Controls the effect level
control the effect speed by turning on
Sync: Switches Tap Tempo sync on/off
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Note: This effect features mono (L) in,

stereo out configuration.
This is a special vibrato effect with
dynamic depth control, which lets you
create touch-sensitive pitch modulation.
Use the Rate knob to control the
Vibrato T Sens: Controls the effect sensitivity
modulation speed; use the Sens knob to
(Mono in, Rate: Controls the vibrato speed
fine tune the sensitivity.
stereo out) Output: Controls the effect level
You can use Tap Tempo function to
Sync: Switches Tap Tempo sync on/off
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Phaser
Note: This effect features mono (L) in,
stereo out configuration.
The 90 Phaser recreates the warm, rich
analog phase sound of the legendary
MXR?M101 Phase 90* pedal. Born in
1974, the one-knob orange phaser is an
90 Phaser
icon that has found a place on millions of Rate: Controls the phaser speed
(Mono in,
pedal boards for over four decades. Sync: Switches Tap Tempo sync on/off
stereo out)
You can use Tap Tempo function to
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

67
 FX Title Description Parameters & Ranges

Note: This effect features mono (L) in,

stereo out configuration.
This Green Phaser produces a sharp
phase effect with a wide range from very
slow to fast speed. This unique phasing
Green Phaser sound has become popular among lots of
Depth: Controls the phaser depth
(Mono in, musicians since 1977.
Rate: Controls the phaser speed
stereo out) You can use Tap Tempo function to
Sync: Switches Tap Tempo sync on/off
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Note: This effect features mono (L) in,

stereo out configuration.
The Stone Phaser is based on the
legendary and extremely rare 1970s
Electro-Harmonix?Small Stone phase
shifter* pedal. This original is one of the
Color: Selects the phaser sound character
Stone Phaser best analog phaser sounds in the history
from warm to sharp
(Mono in, of music and can be heard on countless
Rate: Controls the phaser speed
stereo out) rock recordings.
Sync: Switches Tap Tempo sync on/off
You can use Tap Tempo function to
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Note: This effect features mono (L) in,

stereo out configuration.
This model might be the craziest
phaser ever – A phaser with 3 notch
parameters! The 3 subtle Notch knobs
will bring you lots of phasing combos Depth: Controls the phaser depth
Notch Phaser from vintage, warm sounding to modern, Rate: Controls the phaser speed
(Mono in, sharp sounding. Create your own Level: Controls the effect level
stereo out) inspiration! Notch 1-3: Controls the notch bandwidth of
You can use Tap Tempo function to 3 different frequencies
control the effect speed by turning on Sync: Switches Tap Tempo sync on/off
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

68
 FX Title Description Parameters & Ranges
Note: This effect features mono (L) in,
stereo out configuration. Pan Depth: Controls the tremolo depth
This is a special phaser that combines (using mono output) or panning depth (using
tremolo/pan variations. Featuring subtle, stereo output)
bright phasing tone and smooth panning Pan Rate: Controls the tremolo speed (using
Pan Phaser tone, you get some seriously trippy mono output) or panning speed (using stereo
(Mono in, psychedelic mojo here. output)
stereo out) You can use Tap Tempo function to Phaser Depth: Controls the phaser depth
control the effect speed by turning on Phaser Rate: Controls the phaser speed
the Phs/Pan Sync switches. When the Phs Sync: Switches phaser Tap Tempo sync
switch is on, turn the Pan/Phaser Rate on/off
knob to set a proper tap divide value. The Pan Sync: Switches tremolo/pan Tap Tempo
default value is 1/4 (no division). sync on/off
Note: This effect features mono (L) in,
stereo out configuration.
This model delivers a lush rotating effect
that simulates 1960s rotary speakers.
Based on the Voodoo Lab?Micro Vibe*, it
gives you the pure, "psychedelic" vibe-y
Minivibe Depth: Controls the effect depth
taste that guitar heroes like Hendrix and
(Mono in, Rate: Controls the effect speed
Gilmour loved.
stereo out) Sync: Switches Tap Tempo sync on/off
You can use Tap Tempo function to
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

Note: This effect features mono (L) in,

stereo out configuration.
The Revolver is based on the legendary
vintage Shin-ei?Uni-Vibe? pedal. The
Uni-Vibe? was designed to simulate the
sound of a rotary speaker, but the "failed" Depth: Controls the effect depth
attempt has been embraced as one of Rate: Controls the effect speed
Revolver
the most iconic effects in rock 'n' roll Volume: Controls the effect output
(Mono in,
history. Kick it on and feel the legendary Mode: Select from 2 different vibe modes:
stereo out)
psycho sound of the Revolver! Chorus and Vibrato
You can use Tap Tempo function to Sync: Switches Tap Tempo sync on/off
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

69
 FX Title Description Parameters & Ranges
Tremolo
Note: This effect features mono (L) in,
stereo out configuration.
This model is based on the legendary
Demeter?TRM-1 Tremulator? tremolo
pedal. Featuring deep, pulsing optical
tremolo sound, it recreates the classic
Helicopter tremolo effect found on many vintage Depth: Controls the tremolo depth
(Mono in, amps but with a greater range of speed Rate: Controls the tremolo speed
stereo out) and depth. Sync: Switches Tap Tempo sync on/off
You can use Tap Tempo function to
control the effect speed by turning on
the Sync switch. When the Sync switch
is on, turn the Rate knob to set a proper
tap divide value. The default value is 1/4
(no division).
Note: This effect features mono (L) in,
stereo out configuration.
With 4 different waveforms to choose Depth: Controls the tremolo depth
from, Custom Trem will be the all-star Rate: Controls the tremolo speed
of all your tremolo pedals. The Color and Volume: Controls the effect output
Custom Trem Shape knobs ensure super wide tonal Color: Controls the tremolo tone
(Mono in, range and flavor. Shape: Selects the waveforms from sine
stereo out) You can use Tap Tempo function to wave, triangle wave, square wave and
control the effect speed by turning on sawtooth wave
the Sync switch. When the Sync switch Bias: Controls the bias/offset of different
is on, turn the Rate knob to set a proper waveforms
tap divide value. The default value is 1/4 Sync: Switches Tap Tempo sync on/off
(no division).
Rotary

Note: This effect features mono (L) in,

stereo out configuration.
This model is a rotary speaker simulator
with detailed control, bringing you the
legendary tone adapted by lots of rock
Rotary
legends.
(Mono in,
You can use Tap Tempo function to
stereo out)
control the effect speed by turning on
the Sync switch. When the Sync switch is
on, turn the Bass/Horn Speed knobs to
set a proper tap divide value. The default
value is 1/4 (no division).
Mix: Controls the wet/dry signal ratio
Bass/Horn speed: Controls the bass/horn
rotating speed
B. /H. Intensity: Controls the bass/horn
intensity
Balance: Controls the bass/horn sound
balance
Pan: Controls the effect L/R panning
Tone: Controls the effect tone
Bass/Horn Sync: Switches Tap Tempo sync
on/off

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

70
 FX Title Description Parameters & Ranges
Expanding
Note: This effect features stereo I/O
configuration. Width: Controls the stereo expansion width
Classic
This model is a stereo expander based Phase Reverse: Switches phase reversing
Stereolizer
on Precedence Effect which delays the on/off on each channel
(Stereo I/O)
right output a bit to create an expanded Level L/R: Controls the L/R channels output
stereo sound. Output: Controls the overall output
Note: This effect features stereo I/O
configuration.
This model is a stereo expander based Width: Controls the stereo expansion width
Modern
on modern methods which creates Depth: Controls the effect depth
Stereolizer
an expanded stereo sound without Low Cut/High Cut: Cuts the effect low/high
(Stereo I/O)
phasing problems. Please note we don't signal
recommend to apply this with one side of Output: Controls the overall output
a stereo output of an effect module.
Note: This effect features stereo I/O
configuration.
Stereo This is a virtual soundstage creator
Expander for expanding stereo dimensions. We Gain: Controls the gain amount
(Stereo I/O) recommend using this effect after an Width: Controls the stereo expansion width
effect with stereo outputs (e.g. stereo
delays and reverbs).
Slow Attack
Attack: Controls how fast the effect swells
the input signal
Curve: Selects the volume swell curve
Side Chain: Selects side chain key input
source; please set this parameter carefully
to match the actual input you're using, or the
This model is auto swell effect
Sweller effect may not work properlly:
that creating a violin-like tone. Two
(Mono I/O) -Input L/R: Input jacks
parameters make it simple.
-FX RTN L/R: FX Loop return jack
-Prev FX: Output signal of previous effect
slot
-USB OUT 3-8: USB output 3-8; when
reamping, set up according to the USB
output channel you're using
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

71
 FX Title Description Parameters & Ranges
DLY
This is a mono analog delay model that
captures the sound of a vintage analog
Mix: Controls the wet/dry signal ratio
delay machine: warm and natural, just
Time: Controls the delay time
like old times!
Analog Delay Feedback: Controls the amount of feedback
You can use Tap Tempo function to
M Level: Controls the effect output
control the delay time by turning on the
(Mono I/O) Sync: Switches Tap Tempo sync on/off
Sync switch. When the Sync switch is on,
Trail: Switched effect trail on/off when the
turn the Time knob to set a proper tap
effect is bypassed
divide value. The default value is 1/4 (no
division).
Note: This effect features stereo I/O
configuration. Mix: Controls the wet/dry signal ratio
This is a stereo analog delay model that Time: Controls the delay time of left channel
captures the sound of a vintage analog Feedback: Controls the amount of feedback
delay machine: warm and natural, just Time R%: Controls the delay time of right
Analog Delay
like old times! channel (time ratio of left channel)
S
You can use Tap Tempo function to Spread: Controls the effect stereo width
(Stereo I/O)
control the delay time by turning on the Level: Controls the effect output
Sync switch. When the Sync switch is on, Sync: Switches Tap Tempo sync on/off
turn the Time knob to set a proper tap Trail: Switched effect trail on/off when the
divide value. The default value is 1/4 (no effect is bypassed
division).
This is a mono analog delay model that
captures the sound of a BBD based
analog delay machine that is warm, Mix: Controls the wet/dry signal ratio
smooth, rounded due to the limitation of Time: Controls the delay time
BBD chips. Feedback: Controls the amount of feedback
BBD Delay M
You can use Tap Tempo function to Level: Controls the effect output
(Mono I/O)
control the delay time by turning on the Sync: Switches Tap Tempo sync on/off
Sync switch. When the Sync switch is on, Trail: Switched effect trail on/off when the
turn the Time knob to set a proper tap effect is bypassed
divide value. The default value is 1/4 (no
division).

Note: This effect features stereo I/O

configuration.
Mix: Controls the wet/dry signal ratio
This is a stereo analog delay model that
Time: Controls the delay time of left channel
captures the sound of a BBD based
Feedback: Controls the amount of feedback
analog delay machine that is warm,
Time R%: Controls the delay time of right
smooth, rounded due to the limitation of
BBD Delay S channel (time ratio of left channel)
BBD chips.
(Stereo I/O) Spread: Controls the effect stereo width
You can use Tap Tempo function to
Level: Controls the effect output
control the delay time by turning on the
Sync: Switches Tap Tempo sync on/off
Sync switch. When the Sync switch is on,
Trail: Switched effect trail on/off when the
turn the Time knob to set a proper tap
effect is bypassed
divide value. The default value is 1/4 (no
division).

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

72
 FX Title Description Parameters & Ranges

This model is a mono digital delay that

produces a pure clean delay sound, clear
and accurate.
Digital Delay You can use Tap Tempo function to
M control the delay time by turning on the
(Mono I/O) Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
Mix: Controls the wet/dry signal ratio
Time: Controls the delay time
Feedback: Controls the amount of feedback
Level: Controls the effect output
Sync: Switches Tap Tempo sync on/off
Trail: Switched effect trail on/off when the
effect is bypassed

Note: This effect features stereo I/O

Mix: Controls the wet/dry signal ratio
configuration.
Time: Controls the delay time of left channel
This model is a stereo digital delay that
Feedback: Controls the amount of feedback
produces a pure clean delay sound, clear
Time R%: Controls the delay time of right
Digital Delay and accurate.
channel (time ratio of left channel)
S You can use Tap Tempo function to
Spread: Controls the effect stereo width
(Stereo I/O) control the delay time by turning on the
Level: Controls the effect output
Sync switch. When the Sync switch is on,
Sync: Switches Tap Tempo sync on/off
turn the Time knob to set a proper tap
Trail: Switched effect trail on/off when the
divide value. The default value is 1/4 (no
effect is bypassed
division).

Hotone's next-gen effect algorithms!

Leading a qualitative leap in both hearing
and playing.
The Digital Delay HQ is based on the
delay sound of a popular 11-mode digital
Mix: Controls the wet/dry signal ratio
reverb/delay pedal. The latest generation
Time: Controls the delay time of left channel
Digital Delay of modeling technology provides this
Feedback: Controls the amount of feedback
HQ model with a more realistic and high-
Sync: Switches Tap Tempo sync on/off
(Mono I/O) quality sound.
Trail: Switched effect trail on/off when the
You can use Tap Tempo function to
effect is bypassed
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

73
 FX Title Description
Back in the old days, producers and
engineers created delay and echo effects
using tape machines. That sweet, space-
like echo tone is still popular today,
especially among psychedelic musicians.
This is a mono delay model that captures
the characteristics of the sound of a tape
Tape Delay M
echo machine. Just plug in and play, and
(Mono I/O)
time flows back!
You can use Tap Tempo function to
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
Note: This effect features stereo I/O
configuration.
Time: Controls the delay time of left channel
Back in the old days, producers and
Feedback: Controls the amount of feedback
engineers created delay and echo effects
using tape machines. That sweet, space-
like echo tone is still popular today,
especially among psychedelic musicians.
This is a stereo delay model that captures
Tape Delay S
the characteristics of the sound of a tape
(Stereo I/O)
echo machine. Just plug in and play, and
time flows back!
You can use Tap Tempo function to
Drive: Controls the delay distortion amount
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
Note: This effect features stereo I/O
configuration.
This model is a stereo dual delay effect
with separated left/right channel signal
processing and individual parameter
Dual Delay control on both sound channels.
(Stereo I/O) You can use Tap Tempo function to
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
74
Parameters & Ranges
Mix: Controls the wet/dry signal ratio
Time: Controls the delay time
Feedback: Controls the amount of feedback
Wow & Flutter: Controls the delay pitch/
speed variation amount caused by
malfunctioning tape/motor
Age: Selects from 3 tone variations
Scrape: Controls the tape scratch amount
Drive: Controls the delay distortion amount
Level: Controls the effect output
Sync: Switches Tap Tempo sync on/off
Trail: Switched effect trail on/off when the
effect is bypassed
Mix: Controls the wet/dry signal ratio
Time R%: Controls the delay time of right
channel (time ratio of left channel)
Spread: Controls the effect stereo width
Wow & Flutter: Controls the delay pitch/
speed variation amount caused by
malfunctioning tape/motor
Age: Selects from 3 tone variations
Scrape: Controls the tape scratch amount
Level: Controls the effect output
Sync: Switches Tap Tempo sync on/off
Trail: Switched effect trail on/off when the
effect is bypassed
Mix: Controls the wet/dry signal ratio
Time L/R: Controls the delay time on left/
right channels
FB L to L/R: Controls the left channel
feedback amount on left/right channels
FB R to L/R: Controls the right channel
feedback amount on left/right channels
Low Cut/High Cut: Controls the effect low/
high frequency cutoff
Level: Controls the effect output
L/R Sync: Switches delay time Tap Tempo
sync on/off on left/right channels
Trail: Switched effect trail on/off when the
effect is bypassed
 FX Title Description
Note: This effect features stereo I/O
configuration.
This model is a ping-pong delay
producing stereo feedback that bounces
back and forth between the left and right
Ping-Pong channels.
(Stereo I/O) You can use Tap Tempo function to
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
Parameters & Ranges
Mix: Controls the wet/dry signal ratio
Time: Controls the delay time of left channel
Feedback: Controls the amount of feedback
Time R%: Controls the delay time of right
channel (time ratio of left channel)
Spread: Controls the effect stereo width
Level: Controls the effect output
Sync: Switches Tap Tempo sync on/off
Trail: Switched effect trail on/off when the
effect is bypassed

Mix: Controls the wet/dry signal ratio

Note: This effect features stereo I/O
Time: Controls the delay time
configuration.
Feedback: Controls the amount of feedback
This delay model has a sweep filter
Sweep Rate: Controls the sweep filter speed
affecting the delay repeats, which
Sweep Depth: Controls the sweep filter
creates a unique sweeping delay sound.
depth
Sweep Delay You can use Tap Tempo function to
Level: Controls the effect output
(Stereo I/O) control the delay time/effect speed
Time Sync: Switches delay Tap Tempo sync
by turning on the Sync switch. When
on/off
the Sync switch is on, turn the Time/
Rate Sync: Switches sweep filter Tap Tempo
Sweep Rate knob to set a proper tap
sync on/off
divide value. The default value is 1/4 (no
Trail: Switched effect trail on/off when the
division).
effect is bypassed
Note: This effect features stereo I/O
Mix: Controls the wet/dry signal ratio
configuration.
Time: Controls the delay time
This delay model comes with a unique
Feedback: Controls the amount of feedback
tremolo that affects only the delay
Trem Rate: Controls the tremolo speed
repeats. This is perfect for soundscapes
Trem Depth: Controls the tremolo depth
Tremolo cool and even creepy.
Level: Controls the effect output
Delay You can use Tap Tempo function to
Rate Sync: Switches tremolo Tap Tempo
(Stereo I/O) control the delay time/effect speed
sync on/off
by turning on the Sync switch. When
Time Sync: Switches delay Tap Tempo sync
the Sync switch is on, turn the Time/
on/off
Trem Rate knob to set a proper tap
Trail: Switched effect trail on/off when the
divide value. The default value is 1/4 (no
effect is bypassed
division).
Note: This effect features stereo I/O Mix: Controls the wet/dry signal ratio
configuration. Time: Controls the delay time
This delay model comes with a bitcrusher Feedback: Controls the amount of feedback
that affects only the delay repeats, Downsampling: Controls the effect
producing lo-fi'd feedback. downsampling rate
Lo-Fi Delay
You can use Tap Tempo function to Bit Reduction: Controls the effect bit depth
(Stereo I/O)
control the delay time by turning on the reducing amount
Sync switch. When the Sync switch is on, Level: Controls the effect output
turn the Time knob to set a proper tap Sync: Switches Tap Tempo sync on/off
divide value. The default value is 1/4 (no Trail: Switched effect trail on/off when the
division). effect is bypassed
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

75
 FX Title Description Parameters & Ranges

Note: This effect features stereo I/O

Mix: Controls the delay wet/dry signal ratio
configuration.
Time: Controls the delay time
This delay model comes with ring
Feedback: Controls the amount of feedback
modulation that alters only the delay
Ring Freq: Controls the ring mod frequency
repeats, producing inharmonic feedback.
Ring Delay Ring Mix: Controls the ring mod wet/dry
You can use Tap Tempo function to
(Stereo I/O) signal ratio
control the delay time by turning on the
Level: Controls the effect output
Sync switch. When the Sync switch is on,
Sync: Switches Tap Tempo sync on/off
turn the Time knob to set a proper tap
Trail: Switched effect trail on/off when the
divide value. The default value is 1/4 (no
effect is bypassed
division).

Note: This effect features stereo I/O

configuration.
Kick it on and — !sdrawkcab seog
gnihtyrevE
This is a delay model that reverses the Mix: Controls the wet/dry signal ratio
original sound. It's like we recorded your Time: Controls the delay time
Reverse sound with a tape recorder and then Feedback: Controls the amount of feedback
Delay played it backwards. That's where this Level: Controls the effect output
(Stereo I/O) model goes. Sync: Switches Tap Tempo sync on/off
You can use Tap Tempo function to Trail: Switched effect trail on/off when the
control the delay time by turning on the effect is bypassed
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).

Note: This effect features stereo I/O

configuration.
This delay model captures the sound
Mix: Controls the wet/dry signal ratio
of a vintage 1980's rack-mount delay
Time: Controls the delay time
machine with slightly sample-reduced
Feedback: Controls the amount of feedback
feedback. Rack delay was the thing back
Vintage Rack Mod: Controls the effect modulation amount
then. Every rad rocker had one.
(Stereo I/O) Tone: Controls the effect tone
You can use Tap Tempo function to
Sync: Switches Tap Tempo sync on/off
control the delay time by turning on the
Trail: Switched effect trail on/off when the
Sync switch. When the Sync switch is on,
effect is bypassed
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

76
 FX Title Description Parameters & Ranges

Note: This effect features stereo I/O

configuration.
Mix: Controls the wet/dry signal ratio
This model is a multi-tap delay
Time: Controls the delay time
that brings you expanded sound
Feedback: Controls the amount of feedback
spaciousness.
Level: Controls the effect output
Ambience 1 1, 2 stands for different tonal variations.
Mod: Controls the effect modulation amount
(Stereo I/O) You can use Tap Tempo function to
Tone: Controls the effect tone
control the delay time by turning on the
Sync: Switches Tap Tempo sync on/off
Sync switch. When the Sync switch is on,
Trail: Switched effect trail on/off when the
turn the Time knob to set a proper tap
effect is bypassed
divide value. The default value is 1/4 (no
division).

Note: This effect features stereo I/O

configuration.
Mix: Controls the wet/dry signal ratio
This model is a multi-tap delay
Time: Controls the delay time
that brings you expanded sound
Feedback: Controls the amount of feedback
spaciousness.
Level: Controls the effect output
Ambience 2 1, 2 stands for different tonal variations.
Mod: Controls the effect modulation amount
(Stereo I/O) You can use Tap Tempo function to
Tone: Controls the effect tone
control the delay time by turning on the
Sync: Switches Tap Tempo sync on/off
Sync switch. When the Sync switch is on,
Trail: Switched effect trail on/off when the
turn the Time knob to set a proper tap
effect is bypassed
divide value. The default value is 1/4 (no
division).

Note: This effect features stereo I/O

configuration.
This model is a complex delay features
4 delay lines and a feedback matrix,
generating an ethereal, shimmering delay
effect.
Infidelay 1 1, 2 stands for different tonal variations.
(Stereo I/O) You can use Tap Tempo function to
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is: Time
1=1/4 (no division), Time 2=1/8, Time
3=1/8D, Time 4=1/4D.
Mix: Controls the wet/dry signal ratio
Output: Controls the overall output
Feedback: Controls the amount of feedback
Time 1-4: Controls the delay 1-4 time
Level 1-4: Controls the delay 1-4 output
Pan 1-4: Controls the delay 1-4 L/R panning
Mod: Controls the effect modulation amount
Tone: Controls the effect tone
Sync: Switches delay 1-4 Tap Tempo sync
on/off
Trail: Switched effect trail on/off when the
effect is bypassed

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

77
 FX Title Description Parameters & Ranges

Note: This effect features stereo I/O

configuration.
This model is a complex delay features
4 delay lines and a feedback matrix,
generating an ethereal, shimmering delay
effect.
Infidelay 2 1, 2 stands for different tonal variations.
(Stereo I/O) You can use Tap Tempo function to
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is: Time
1=1/4 (no division), Time 2=1/8, Time
3=1/8D, Time 4=1/4D.
Mix: Controls the wet/dry signal ratio
Output: Controls the overall output
Feedback: Controls the amount of feedback
Time 1-4: Controls the delay 1-4 time
Level 1-4: Controls the delay 1-4 output
Pan 1-4: Controls the delay 1-4 L/R panning
Mod: Controls the effect modulation amount
Tone: Controls the effect tone
Sync: Switches delay 1-4 Tap Tempo sync
on/off
Trail: Switched effect trail on/off when the
effect is bypassed

This model produces THAT legendary

warm, natural analog BBD delay peal
sound (the pedal with a wine red chassis
and REPEAT RATE control) which is highly Mix: Controls the wet/dry signal ratio
praised by musicians. Now the legend is Time: Controls the delay time
Sweetie back! Feedback: Controls the amount of feedback
(Mono I/O) You can use Tap Tempo function to Sync: Switches Tap Tempo sync on/off
control the delay time by turning on the Trail: Switched effect trail on/off when the
Sync switch. When the Sync switch is on, effect is bypassed
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).

Like syrup on waffles.

This model is based on the legendary
Electro-Harmonix?Deluxe Memory
Man?Solid State Echo/Analog Delay
Line* pedal (early 4-knob "Blue Face" Mix: Controls the wet/dry signal ratio
version with SAD1024 IC), the godfather Time: Controls the delay time
of analog delay. Dig in and see how one Feedback: Controls the amount of feedback
Recaller
pedal can fill in everything that's still Sync: Switches Tap Tempo sync on/off
(Mono I/O)
missing in your hit song. Trail: Switched effect trail on/off when the
You can use Tap Tempo function to effect is bypassed
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

78
 FX Title Description Parameters & Ranges

The Ekopress 80 is based on the

legendary Maxon?AD80 Analog Delay*
pedal (early MN3005 version). True to its
bloodline, it is indubitably the expressway
Mix: Controls the wet/dry signal ratio
to analog heaven. Ekopress 80 features
Time: Controls the delay time
a smooth, organic analog delay tone with
Feedback: Controls the amount of feedback
Ekopress 80 great dynamic response and slightly lo-
Sync: Switches Tap Tempo sync on/off
(Mono I/O) fi'd repeats.
Trail: Switched effect trail on/off when the
You can use Tap Tempo function to
effect is bypassed
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).

Get on the expressway to pure analog

heaven!
The Ekopress 900 is based on the
legendary Maxon?AD900 Analog Delay*
Mix: Controls the wet/dry signal ratio
pedal. The tone is pure, rich, and clear,
Time: Controls the delay time
and it faithfully reacts to your playing
Ekopress 900 Feedback: Controls the amount of feedback
style.
(Mono I/O) Sync: Switches Tap Tempo sync on/off
You can use Tap Tempo function to
Trail: Switched effect trail on/off when the
control the delay time by turning on the
effect is bypassed
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
Cruise the expressway to pure analog
heaven!
The Ekopress 999 is based on the
legendary Maxon?AD999 Analog Delay*
pedal which provides a warm, rich,
organic analog delay tone with some Mix: Controls the wet/dry signal ratio
dynamic distortion on the repeats. Crank Time: Controls the delay time
Ekopress 999 the Feedback knob to get into sweet Feedback: Controls the amount of feedback
(Mono I/O) self-oscillation, which sounds different Sync: Switches Tap Tempo sync on/off
than its brother, Ekopress 900. Trail: Switched effect trail on/off when the
You can use Tap Tempo function to effect is bypassed
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

79
 FX Title Description
Note: This effect features stereo I/O
configuration.
This model is based on the delay sound
of the legendary TC Electronic?2290
Dynamic Digital Delay + Effects Controls
Processor* rack mount effect unit,
2290 Mod which is widely used among countless
(Stereo I/O) musicians and studio producers.
You can use Tap Tempo function to
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
Note: This effect features stereo I/O
configuration.
A ducking delay reduces delay effect
level when you pluck the string hard.
This model is a ducking delay based on
the delay sound of the legendary TC
Electronic?2290 Dynamic Digital Delay
+ Effects Controls Processor* rack
2290 Ducker
mount effect unit, which is widely used
(Stereo I/O)
among countless musicians and studio
producers.
You can use Tap Tempo function to
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
Note: This effect features stereo I/O
configuration.
This is a multitap delay recreating the
sound characteristics of a multi-head
tape echo unit.
Multitap Echo
You can use Tap Tempo function to
(Stereo I/O)
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
80
Parameters & Ranges
Mix: Controls the wet/dry signal ratio
Time: Controls the delay time
Feedback: Controls the amount of feedback
Mod Rate: Controls the delay modulation
speed
Mod Depth: Controls the delay modulation
depth
Phase Reverse: Switches delay phase
reversing on/off on each channel
Low Cut/High Cut: Cuts delay low/high signal
at selected frequency points
Level: Controls the effect output
Sync: Switches Tap Tempo sync on/off
Trail: Switched effect trail on/off when the
effect is bypassed
Mix: Controls the wet/dry signal ratio
Time: Controls the delay time
Feedback: Controls the amount of feedback
Attenuate: Controls the delay signal
attenuate amount
Sens: Controls the ducking sensitivity
Release: Controls how fast the delay signal
goes back to normal
Phase Reverse: Switches delay phase
reversing on/off on each channel
Low Cut/High Cut: Cuts delay low/high signal
at selected frequency points
Level: Controls the effect output
Sync: Switches Tap Tempo sync on/off
Trail: Switched effect trail on/off when the
effect is bypassed
Mix: Controls the wet/dry signal ratio
Time: Controls the delay time
Feedback: Controls the amount of feedback
Tone: Controls the effect tone
Mode: Selects a tape head mode
Mod: Controls the effect modulation amount
Gain: Controls the effect gain amount
Level: Controls the effect output
Sync: Switches Tap Tempo sync on/off
Trail: Switched effect trail on/off when the
effect is bypassed
 FX Title Description
Note: This effect features stereo I/O
configuration.
This delay creates unique, random
glitch-y feedback like a skipping CD
player, which is great for ambient/
Glitch Delay expreimental musicians.
(Stereo I/O) You can use Tap Tempo function to
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
Note: This effect features stereo I/O
configuration.
This is a special delay effect that
combining normal feedback with pitch
shifted slices.
Icy Delay
You can use Tap Tempo function to
(Stereo I/O)
control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
Note: This effect features stereo I/O
configuration.
This is a special delay effect creates
dreamy, pitch shifted audio slices that
Bloodless spreading in L/R channels.
Delay You can use Tap Tempo function to
(Stereo I/O) control the delay time by turning on the
Sync switch. When the Sync switch is on,
turn the Time knob to set a proper tap
divide value. The default value is 1/4 (no
division).
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
81
Parameters & Ranges
Mix: Controls the wet/dry signal ratio
Time: Controls the delay time
Feedback: Controls the amount of feedback
Latch: Controls glitching length; 0=no glitch
Cut: Controls glitching speed; 0=no glitch
Sync: Switches Tap Tempo sync on/off
Trail: Switched effect trail on/off when the
effect is bypassed
Mix: Controls the wet/dry signal ratio
Time: Controls the delay time
Feedback: Controls the amount of feedback
Mod: Controls the effect modulation amount
Tone: Controls the effect tone
Pitch: Selects pitch shifting interval of the
slices
Slice: Choose audio signal slicing length
Direction: Controls audio slice playback
direction
Blend: Controls the ratio between normal/
pitch shifted feedback
Smooth: Controls the feedback attack
Level: Controls the effect output
Sync: Switches Tap Tempo sync on/off
Trail: Switched effect trail on/off when the
effect is bypassed
Mix: Controls the wet/dry signal ratio
Time: Controls the delay time
Feedback: Controls the amount of feedback
Pitch 1/2: Selects slice 1/2 pitch shifting
interval
Slice 1/2: Choose audio signal slicing length
Direction 1/2: Controls audio slice playback
direction
Crossfeed: Controls slice 1/2 (L/R) crossfeed
amount
Level: Controls the effect output
Sync: Switches Tap Tempo sync on/off
Trail: Switched effect trail on/off when the
effect is bypassed
 FX Title Description Parameters & Ranges
RVB
Mix: Controls the wet/dry signal ratio
Pre Delay: Controls the amount of time
between the dry signal and the audible
Note: This effect features stereo I/O onset of early reflections and the reverb
configuration. tail?Decay: Controls the duration of reverb
Studio
This reverb model recreates the time
(Stereo I/O)
spaciousness of a recording studio. Low Damp/Hi Damp: Dampens the effect
low/high frequency amount
Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed

Mix: Controls the wet/dry signal ratio

Pre Delay: Controls the amount of time
between the dry signal and the audible
Note: This effect features stereo I/O onset of early reflections and the reverb
configuration. tail?Decay: Controls the duration of reverb
Club
This reverb model recreates the time
(Stereo I/O)
spaciousness of a club. Low Damp/Hi Damp: Dampens the effect
low/high frequency amount
Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed

Mix: Controls the wet/dry signal ratio

Pre Delay: Controls the amount of time
between the dry signal and the audible
Note: This effect features stereo I/O onset of early reflections and the reverb
configuration. tail?Decay: Controls the duration of reverb
Concert
This reverb model recreates the time
(Stereo I/O)
spaciousness of a concert hall. Low Damp/Hi Damp: Dampens the effect
low/high frequency amount
Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed

Mix: Controls the wet/dry signal ratio

Pre Delay: Controls the amount of time
between the dry signal and the audible
Note: This effect features stereo I/O onset of early reflections and the reverb
configuration. tail?Decay: Controls the duration of reverb
Arena
This reverb model recreates the time
(Stereo I/O)
spaciousness of a live arena. Low Damp/Hi Damp: Dampens the effect
low/high frequency amount
Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

82
 FX Title Description Parameters & Ranges

Mix: Controls the wet/dry signal ratio

Pre Delay: Controls the amount of time
between the dry signal and the audible
Note: This effect features stereo I/O onset of early reflections and the reverb
configuration. tail?Decay: Controls the duration of reverb
Small Plate
This reverb model simulates a small plate time
(Stereo I/O)
reverberator. Low Damp/Hi Damp: Dampens the effect
low/high frequency amount
Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed

Mix: Controls the wet/dry signal ratio

Pre Delay: Controls the amount of time
between the dry signal and the audible
Note: This effect features stereo I/O onset of early reflections and the reverb
configuration. tail?Decay: Controls the duration of reverb
Large Plate
This reverb model simulates a large plate time
(Stereo I/O)
reverberator. Low Damp/Hi Damp: Dampens the effect
low/high frequency amount
Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed

Mix: Controls the wet/dry signal ratio

Note: This effect features stereo I/O
configuration.
Hotone's next-gen effect algorithms!
Leading a qualitative leap in both hearing
and playing.
140 Plate HQ This reverb model simulates the sound
(Stereo I/O) characteristics of the vintage EMT? 140
plate Reverberator. The latest generation
of modeling technology provides this
model with a more realistic and high-
quality sound.
Pre Delay: Controls the amount of time
between the dry signal and the audible
onset of early reflections and the reverb
tail?Decay: Controls the duration of reverb
time
Low Damp/Hi Damp: Dampens the effect
low/high frequency amount
Mod: Controls the effect modulation amount
Mode: Selects from different models:
-A/B/C/D: 4 different plate models, with
different frequency characteristics
-Transparent: The sound that the frequency
characteristics of the plate were removed
Trail: Switched effect trail on/off when the
effect is bypassed

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

83
 FX Title Description Parameters & Ranges

Mix: Controls the wet/dry signal ratio

Pre Delay: Controls the amount of time
between the dry signal and the audible
Note: This effect features stereo I/O
onset of early reflections and the reverb
configuration.
tail?Decay: Controls the duration of reverb
Combo Spring This reverb model simulates the solid
time
(Stereo I/O) state spring reverb module coming from
Low Damp/Hi Damp: Dampens the effect
a combo amp.
low/high frequency amount
Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed

Mix: Controls the wet/dry signal ratio

Pre Delay: Controls the amount of time
between the dry signal and the audible
Note: This effect features stereo I/O
onset of early reflections and the reverb
configuration.
tail?Decay: Controls the duration of reverb
Tube Spring This reverb model simulates the sound
time
(Stereo I/O) coming from a vintage tube driven spring
Low Damp/Hi Damp: Dampens the effect
reverb unit.
low/high frequency amount
Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed

Mix: Controls the wet/dry signal ratio

Pre Delay: Controls the amount of time
between the dry signal and the audible
Note: This effect features stereo I/O
onset of early reflections and the reverb
configuration.
tail?Decay: Controls the duration of reverb
Shimmer 1 This reverb model creates a lush,
time
(Stereo I/O) shimmering reverb sound.
Low Damp/Hi Damp: Dampens the effect
1,2 stands for different sound variations.
low/high frequency amount
Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed
Mix: Controls the wet/dry signal ratio
Pre Delay: Controls the amount of time
between the dry signal and the audible
Note: This effect features stereo I/O
onset of early reflections and the reverb
configuration.
tail?Decay: Controls the duration of reverb
Shimmer 2 This reverb model creates a lush,
time
(Stereo I/O) shimmering reverb sound.
Low Damp/Hi Damp: Dampens the effect
1,2 stands for different sound variations.
low/high frequency amount
Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

84
 FX Title Description Parameters & Ranges
Mix: Controls the wet/dry signal ratio
Pre Delay: Controls the amount of time
between the dry signal and the audible
Note: This effect features stereo I/O onset of early reflections and the reverb
configuration. tail?Decay: Controls the duration of reverb
Cloud
This reverb model creates a huge, thick time
(Stereo I/O)
reverb effect like curly clouds in the sky. Low Damp/Hi Damp: Dampens the effect
low/high frequency amount
Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed
Mix: Controls the wet/dry signal ratio
Pre Delay: Controls the amount of time
Note: This effect features stereo I/O between the dry signal and the audible
configuration. onset of early reflections and the reverb tail
Silver Linings Decay: Controls the duration of reverb time
(Stereo I/O) This reverb model creates a huge, lush Low Damp/Hi Damp: Dampens the effect
reverb effect like silver linings of clouds in low/high frequency amount
the sky. Mod: Controls the effect modulation amount
Trail: Switched effect trail on/off when the
effect is bypassed
FX SND
Type: Selects the output type (channel)
Send Level: Controls the output level to FX
Loop Send jack
FX Loop Send
This is for FX Loop Send jack settings. Thru Level: Controls the output level to
(Stereo I/O)
Ampero II Stage's signal chain (or to the next
effect module); set it to Mute to use as a
serial FX Loop

FX RTN
Type: Selects the output type (channel)
Return Level: Controls the FX Loop return
FX Loop jack input level
Return This is for FX Loop Return jack settings. Mix: Controls the signal ratio between the
(Stereo I/O) FX loop signal and the signal coming from
Ampero II Stage's signal chain; set it to 100
to use as a serial FX Loop
FX LOOP
Type: Selects the output type (channel)
Send Level: Controls the output level to FX
Loop Send jack
Return Level: Controls the FX Loop return
FX Loop
This is for entire FX Loop settings. jack input level
(Stereo I/O)
Mix: Controls the signal ratio between the
FX loop signal and the signal coming from
Ampero II Stage's signal chain; set it to 100
to use as a serial FX Loop
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

85
 FX Title Description Parameters & Ranges
VOL
This is a simple volume controller effect
that acts like a volume pedal.
Volume Assign the Volume parameter to your
Volume: Controls the output volume
(Stereo I/O) expression pedal, turn the expression
pedal on, and you can use it as a volume
pedal.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.

86