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OneThousandLiteraryQuestionsandAnswers 10232220
OneThousandLiteraryQuestionsandAnswers 10232220
Q U E S T IO N S A ND A N S W E R S
On e Th o u s a n d
L i ter a r y Q u e s ti o n s
a n d A n sw e r s
MA R Y E LE A N O R KR A ME R
“8 8 9 1 3
Sa m o
a
N EW YOR K
GEO RGE SU LLY A ND CO MPANY
I
P U B L S H ERS
O
C P Y R I GHT . 1 91 7 . B Y
S U LLY '
A N D K L E I NT E I C H
All r i gh ts re s erv ed
DED I CA TI O N
To G . .W D th a t b e l ov e d te a ch e r o f th e lo ng
a go wh o firs t m ad e kno w n to u s th e b e auty a n d
,
d e rl y in scri b e d
.
P RE FA C E
CH I CAGO I , LL I NOI S .
J u ne , 1 91 6 .
O N E T H O U S A N D L I T E R A RY
Q U E S T IO N S A ND A N S W E R S
P
What and where is o a pog
n k ?
Who said :
G r at d d ca ot d i
e ee s nn e :
Th y w ith th
e e d m oo
s un ran n en e w th ir light
e
F or v r bl i g tho that loo k
e e , es s n se on th m
e .
l i s h e d i n A meri ca ?
What writer r e sides i n a double cottage the
parts o f which a re known r e spe ctiv ely as
th e bungalow and the barracks
What poet s elect e d his own burial place and -
i ng library ?
What A m e rica n writ er s hom e i s cover e d ’
, ,
Lo n do n fa m ou s
,
?
riv ed ?
Who i s th e auth o r o f T h e Vi rgi n ia n
Who wa s t h e p o et o f th e blu e gras s coun
“
-
try
W ho sa i d ,H a wthor n e s Hous e o f t he ’ ‘
S ev e n Gabl es i s th e m o s t valuabl e c on
t r i bu t i on t o New E n gla n d hi s t o ry that h a s
y e t b e e n m ad e
Who w a s t h e author o f the followi n g li nes
’
T is n othigh tar alo
i n th e s s n e,
N i orcup of buddi g fl o w r
n th e n e s,
N i th r dbr a t m llo w to
’
or n e e e s s e ne ,
N i th b w that m il
or n e i ho w r
o s es n s e s,
But i th m d d cu m of thi g
n e u an s n s
Th r al way al way o m thi g i g
e e , s e n s n s .
QU E S TI O N S 3
e e s s e e e
A d t will b fou d upo
n
’
x a m i atio
e n n e n n,
Th latt r h th larg t co gr gatio
,
e e as e es n e n .
A merica
What historian established a naval academ y
at A nnapolis M aryla n d ?,
”
dren ?
Fanny K emble
Whom did Whittier term the Cadmus o f
”
the blind ?
41 . Who w rot e the Battle H ymn o f the Re
p ublic
What fa m ous historia n graduat ed from
Harvard C oll ege when but e ight een years
o f a ge ?
s t i tu t i o n is t h e m o s t wo n d e rful work e v e r
s truc k o ff at on e ti m e by th e brai n a n d p u r
po s e o f m a n ’ 7
a s s i s t u s to carry o n th e w or k o f hu m a n
”
house ?
What and wher e i s S l a b s i d e s
Who was th e author o f th e followin g lines :
Four thi g a m m u t l ar to do
n s an s e n
I f h would m a k h i r cord tru
e e s e e :
To thi k w ithout co fu io cl arl y ;
n n s n e
TO lov h i f llo w—m i c r ly ;
e s e en s n e e
T act fro m ho
o t m otiv pur l y ;
n es es e
To tru t i G od d H av
s n cur l y
an e en se e .
T o a Water fowl
N a m e th e author O f th e poe m Woodma n , ,
67 Who was
. T om S a wyer ?
68 Give th e i n cid en t that led to Francis M
. .
N atha n Hal e .
a n d fa m ou s pray e r :
L t ch rful
e abou d with i du try G iv
ee n es s to go n n s e us
blith l y our bu i all thi day ; bri g to r t
.
,
e on s n es s s n us ou r es
i g b d
n w ar y
e d co t t
s, ed u di ho or d ;
an d gra t n en an n s n e an n
us i th nd th gift O f l p
e en e s ee .
”
Who w rot e T h e Buildi n g o f th e Ship
Wh a t cu s to m gav e ri s e to th e writi n g o f
Joh n Gr een l ea f W h i ttie r s po em T el l ’
,
“
i n g th e B e e s
Who wa s Ma s t e r E z eki el Ch eev e r ?
What po et di ed at A ldworth ?
Who wrot e the most authoritative li fe o f
A braham L incoln ?
Who wa s the author o f Venetian L i fe
What three A me rican wa r corre spondents
hav e done notable work in fiction ?
QU E S T IO NS 7
”
What and where was Paradise Flat 7 ’
“
Who was the autho r o f Memoi rs o f a
B a by
What w rite r sai d o f h is firs t book Lik e ,
i t in spots
Who wrote under the signature H H .
in si x years ?
not e d
I n what w or k d oe s S ir W a lt e r Scott d e
s crib e a n O l d ti m e Chri s t m a s
- ?
A l m a n ac
What a nd w h e r e i s E l m wood ?
O c ea n fir s t su g n ?
Who w a s call ed th e po et o f th e
R ocki e s ”
?
Wh e re i s Pige on Cov e ?
”
Who w r o t e Trilby ?
R e coll ectio n s
O f what A m erica n humorist wa s it said ,
H e s a w li f e a s through a g lass
brightly
”
Who wrot e T h e Blu e B ird ?
”
Who was the author of B en Bolt ?
For what is Cloc k Hous e n ot e d ?
Who wrote Calu m et K
For what i s Ta l both a ys n ot e d ?
Who hav e immortaliz e d Cape Cod in fic
tion ?
Q U E S TI ON S II
Who was th e author O f T he G arden o f
A llah
“
Who wrote th e M oonston e
For what is Casa G uidi n otable ?
Who wrote Soldie rs o f Fortime
Who first introduced the N ew Y ork G hetto
into literature ?
Who wa s El i P erkins
Who was the H a wk eye man
Who wrot e th e beauti ful lines :
W h v r w cro a riv r at th ford
en e e e ss e e ,
I f w would pa i af ty w m u t k p
e ss n s e , e s ee
O ur y fi x d t adfa t
e es e ths ehor b y o d
s on e s e e n
if w ca t th m th flo wi g tr am
,
F or e s e on e n s e
T h h ad wi m w ith it ; if w would cro
,
e e s s SO e ss
T h ru
e i g flood f thi g h r i thi world
nn n o n s e e n s ,
O l mu t
u r s ou s t loo k do w
s nobut fi x th ir ight n, e s
O th fi m la d b y o d
n e r n e n .
mas Treasures
Who was D a vi d H a r u m ?
Who was called the Beecher o f E ng
”
la n d ?
What notable work on slaver y has bee n
translat e d into nineteen language s ?
1 2 ON E T H OU S AND L IT ERARY QUE S TI ON S
Who was th e autho r o f the followin g
L ik a bli d S pi r i th
e n nne n e s u n,
I tr ad my day ;
e s
I k o w that all th thr ad w ill
n e e s ru n
Appoi t d way ; n e s
I k o w ach day will bri g i t ta k
n e n s s
A d b i g bli d m or I
,
n , e n k n , no e as .
’
Who said Lov e i s th e o n ly bow on li fe s
,
e v en i n g s tar
immortaliz ed h e r i n a drama ?
e ach will ta k e
”
War ?
Q U ES TI O N S I3
F o r what was Te rre s T avern in P aris
'
not e d ?
What i s T o y nbe e H all ?
Who wrot e M y Little S ister
What great E nglish novelist was born in
India ?
What A m e rican poet p enn ed the followin g
,
, ,
H olland ?
th
es e a r e e n s e e e,
Both w d aft r ti m hall c a
no an e e s e se .
H ohenlinden commemorat e ?
”
,
”
Shay ?
Who was Ti to Mel ema ?
Who was ZE s op ?
Wh e r e d o we l ear n o f th e follo w i n g lit e rary
charact e rs : J a n e E yr e ; M a r i on H ol
c om be ; R h od a Ga l e ; K a ter i n a Mas l ov a ;
Ca n d i d a ?
W h o wr o t e The P riso ner o f Z enda
What A m erica n po et wrot e his fir s t v ers es
ov e r t h e s ignatur e o f Pip P epperpod
What A m e rica n n ove list liv ed i n th e fam e d
”
Vall ey o f th e M o o n S o n o m a Cali , ,
f o rn i a
Who wrot e T h e Ma n with the H oe and ,
O -
un e- n e,
B ath who a w ful ha d w hold
en e se n e
D o m i io ov r pal m d pi ;
n n e an ne
L ord G od f H o t b w ith y t
O s s, e us e ,
L t w forg t l t w forg t !
es e e , es e e
VJ ho wa s th e
‘ fi r s t authenti c P oet L aureat e
o f E n gla n d ?
What E n glish p o e t h eld the post o f P oet
Laur eat e for t e lo g est t e rm
h n ?
W h o r esid es at Stra n d Sw ed en ?
,
si x ty s ev en you n g i n th e j oy of living
-
, ,
Who said ,
M y work i s the embodim en t
o f m y dreams to bring be fore men s
,
-
’
Who said :
Chillo n ! th y p ri o n s is a hol y p lac e,
A n d th y d floor
sa an altar.
t w en ty y ear s e a r n ed one hu n dr ed a n d
fi fty thousand dollars by her pen ?
bli n d ?
Who i s te rm ed the pri n c e o f poets o f
”
Paris ?
Who s e su mm e r ho m e i n Massachusetts i s
call ed D re am Wold ? ”
”
Bunk e r H ill Battl e
- ?
Who said :
Thu to r li v th w r tch d w h i p rid
s e e e e e e as s e,
A d v h i faili g l a d to virtu id ’
n e en s n s e ne e s s e.
2 72 . Who said
My i p ai d ea r s ne
oul i ic k w ith v r y da y r p ort
,
M s s s
’
0 ywro g
e e s e
nd outrag with which arth i fi ll d
an e e s e .
What i s th e E pithalamion
Whos e m asterpi e ce is A talanta in Ca l y “
don
T h e win e o f Baco n s w ritings
’
Who said ,
I s d ry wi n e
H i s do m i n a n t trait ,
Who w rot e th e p o em b eg i n n i n g O h w h y , ,
pay to thi s p oe m ?
E n gla nd a s th e s c en e o f h i s fictio n ?
,
gra n d s o n o f R ob e rt Loui s St ev en s o n ?
way a r e p ro fi tabl e co m p an y
,
What po et wh en as k e d t h e dat e o f hi s
,
m arriage ?
2 92 Who s aid
. I fin d l etters fro m God dropp e d
,
G od s n ame ’
2 95 Who wrot e
. A uld L an g S y n e
2 96 Who wrot e a book o f observations on th e
.
li fe o f th e b ee ?
i g h art
n ag r to labor ag r to b happ y i f happi
e s e e e e e
portio — d if th day S hall b m ark d
,
n es sShall b e ou r n an e e e
for orro w tro g t
s . dur it
s n o en e .
2 4 ONE T H OU S AND L IT ER ARY Q UE S TI ON S
Of who m did Cha n n i n g s a y Giv e h i m ,
s u n s hi n e a n d a ha n dful o f n uts a nd h e ,
h a s en o ugh
Who w rot e T h e Gr eat est Thi n g in th e
”
World ?
fall en up on h e r
“
Who s aid I awok e o ne morning and
,
fou n d m y s el f fa m ou s
Who i s O ctav e Tha n et
Who w r ot e C ra n ford
What n ot e d divi n e s old a s lav e from the
p u l p it o f Ply m outh Church B rooklyn , ,
Ne w Y or k ?
What a n d wh er e was th e O ld Cor n e r
Book s tor e
Who w a s th e author o f Hugh W y nne ,
Fr Qua k e r
e e
”
?
Who said
H art li k appl
e s, e es , a r e hard a nd s our ,
T l l cru h d b y pai r i tl po w r
’
l s e n s es s es s e .
Who wrot e th e lines :
’
T is a y ough to b pl a a t
e s en e e s n
W h lif fl o w
en elik a o g ;
s on e s n
But t h m worth whil i th m wh n mi l
e an e s e an o ca s e,
W h v ry thi g go d ad wro g
en e e n es e n .
T h e w o r k o f what E n gli s h p o e t th e d a u gh ,
h ol d W or ds ?
What a n d wh e r e was th e Brai n Club
Who was th e author o f Marco B oz z a r IS
Who was call ed th e m a d p oet
Who was call ed th e po et o f c el es tial pas
sio n
Who i s S i r A n th ony A bs ol u te ?
Who was call ed th e A m erican Sibyl
“
Woods
What w rit e r liv ed at T h e H olt ”
”
What a n d wh e r e i s Ch erry Cro ft P
Who wrot e A R ill from th e T own
“
”
Pump ?
Who wrote A Spi nn e r i n the Sun
What A m erica n n ov eli s t a fter a vi s it to the ,
In tial u ity
e s s en s n ,
in doubtful m att r s lib rty
e e , in all
thi g charity
n s .
i s a collection o f books
'
scribed i n P aul R ev e re s R id e ”
?“ ’
’
smith s She S toops to Conquer
35 4 Who sa id :
. L ittl e mind s are tamed and
subdu ed by mis fortun e ; but great minds
”
rise above it ?
35 5 What poet a contemporar y o f T enn y son
.
,
35 8 Who said
. A tart temper never mellows
,
with age
35 9 What po e t S pok e o f himse l f as
. a sh y lad
”
in homespun clothes O f Quaker cut ?
Who wrot e Back L og S tudi e s
- a
What a n d wh e re was T he D en
What famous gospel h y mn writer was
bli nd ?
Who m did E merson call E lizab eth the
”
Wise ?
Co n cord
What a nd wh e re was T h e P e rch
Who was called the Y ankee Solomon
QUE S T I O N S 2 9
“
Who wa s the autho r o f Pan in Wall
”
Street ?
Who was L a d y P enel op e P enfea th er ?
Who said ,
T he way to fame i s like the
—
way to H eaven through much t r i bu l a
,
tion.
”
realist ?
30 O N E T H OU S A N D LIT ERARY QUE S TI O N S
What D utch n ovelist has writte n all hi s
works i n E nglish inst ead o f in h i s native
la nguag e ?
Th er e is n o R ul e Two
What A m e rica n w rit e r o f fictio n o wn s a
ha n d s o m e Italia n villa at L en ox Massa
,
ch u se t ts ?
What a nd wh e r e wa s T h e K n oll
Who was Boz
Who was called the Ay rshire plowman
QU E S TI O N S 3 1
in memor y o f whom ?
“
Who wrote Beside the Bonnie B rier
”
Bush ?
Who said A thing o f b eaut y is a j oy f or
,
”
ever ?
What P oe t L aur eate O f E ngland was onc e
designated b y a n e wspap er e ditor as a
littl e Ol d doctor who sometimes wrote
” ?
po etry
Who has immortalized H arpeth Valle y i n
fiction ?
What and where i s M arkla n d
Who was Fuzzy Wu zzy ?
-
o f th e solar s yste m
Who w rot e T o a Fringed G entian
What thr ee A merica n n ov elists a re famed
for their tru e d ep iction o f Ne w E ngland
li f e ?
What A m e rica n p oet was call e d a genuine
hu m ori s t by th e grac e o f G od
For what is Fish k ill n otable ?
For what is Carscalle n Villa n otable ?
What was T h e Squirr el s
Who wrot e Common S en s e in th e H ouse
hold
Who wrot e Wild A n i m als I H ave
K n ow n
What A m erican author a n d artist was
fam e d for his picture s o f I n dia n li f e ?
What E ngli s h p oet liv e d for th e la s t thi rty
y ears o f hi s li fe at P ut ney H ill n ea r ,
po e t a n d critic ?
Who said :
E dura c i th cro w i g quality
n n e s e n n ,
A d p ati c all t h p a io
n en e e f gr at h art
ss n o e e s .
ON E T H OU S A N D L IT ERARY QUE S TI O N S
What po em by what E n glish poet deals
, ,
w ith th e li f e a n d t eachi n g s o f S i d d ar th a ,
m
du b a d bli d
,
n n ?
porta nce
Who wa s call e d E n gla n d s myriad ’
m i n d ed ge iu s
n ?
s e n, e n ee e .
James I ?
Mad Jack
Who s aid
T O m e th e m ea n e s t fl o we r that blo ws ca n giv e
Thought that do oft
s en he too d p ee f or t are s .
Who s aid
All my hurt s
M y gard pad enh al A woodla d wal k
s e can e n ,
es e -
es , n s ,
Who said :
No lif e
Ca n b e pur e i n it s purpo s e a nd stro g i i t tri f
n n s s e,
And all lif e n ot b e pur r e and s tro g r th r by
n e e e .
Who w r ot e So n g s o f S ev en
What A m e rica n p o et h a s b een honored b y
t h e E n gli s h p e o p l e to th e e xt en t o f hav
i ng h i s bu s t plac e d i n W e stmi n st e r
A bbe y ?
Who o n c e said to Macaulay Well a ny , ,
Who wrot e th e li ne s :
Tak J o y ho m e e,
A d m a k a plac i th y gr at h art f
n e h e n e e or er,
A d giv h
n ti m to gro w d ch ri h h ;
e er e an e s er
Th will h co m d ft will i g t th e
,
en s e e an o s n o e
W h thou art worki g i th y furro w ; y
,
en n n s a
O r w di g i th acr d hour of dawn
,
ee n n e s e .
QU ES TI O N S 37
t r a o r d i na r y m a n
What E n glish writ e r said : A t fift y years
I comme n c e d as a n author It is a whim .
’
Who was term ed S cotia s Bard
Wh o wrote E arth has
,
“
”
no sorrow that
Heav en cannot heal ?
o f Lake Windermere ?
For what i s Lasswad e not e d ?
Who sai d o f Macaula y T h e quantit y o f
,
astonishing
Who wrote A urora L eigh
,
”
Who said I am a part o f all I have met ?
,
What A m erican p o et was the son o f an
actr e ss ?
broth e rs ?
liv es a s h e was m ea n t to l i v e
W h o wrot e D ow n A m o n g Me n
What thr ee S ist e r s all w rot e n ov els ?
Who said
We a rei m m ortal w d h r
no an e e,
O ur f ar all w hav to f ar
e Is e e e .
est y ”
?
Who said
Fa m i th fragra c
e s e n e of h roic d d
e ee s,
O f flo w r f chivalry
e s o a nd n ot o f wee ds .
M ay grac b g i v e e n that I
e ma y wal k th r ei n e .
A merican B y ron
Whom did T heodor e R oosevelt proclaim as
th e g reat e st novelist o f ou r a g e
Who said
to th i giv n
Un ee s e
A li f that b ar i mm ortal fruit
e e s ,
whistl e com es
What three n otabl e Scotch writ e rs o f th e
pr es en t day hav e writt en stori es o f
Scotch li f e ?
C olo n ial ti m es .
n es n e e e s
N ath th blu t O f ki wh r th v r di ;
.
’
e e es s es , e e e s u n ne e es
It h gold for i t oc a
as d tr a m s e ns an s e s .
Th r v r a tor m d th r
e e s
’
ne e v r a cloud s an e e s
’
ne e
A d th r v r a g ri f aw
,
’
n e e s ne e e n or oe,
A d th r v r a h art that orro w bo w d
’
n e e s ne e e In s Is e
B y th ba k wh r th gold tr a m fl w
,
e n s e e e en s e s o .
Schoolday s a n d T om B row n at Ox
ford
Fo r w hat i s Christ C hurch A l exandria , ,
Virgi ia ot ed
n n ?
,
or i m p ed e th e ir effort to obtai n it ?”
Q U E S TI O N S
'
43
w e re residents o f Concord Ma s s a ch u ,
setts.
cator ?
Who wrote Concord D a y s
Who said Fear i s an instructor O f great
,
tions
44 ONE T H OU S AND L IT ERARY QUE S TI ON S
Who wrote th e c el ebrated Fable for
Critics
What a n d wh e re i s King s Chapel ? ’
Who said :
No r m i th ne r lik po w r to S ho w
e s ee -
e e
Th e cr t f th h art d m i d ;
se e s O e e an n
To drop th plu m m t li b lo w
e e -
ne e
O ur co mm o world of j o y or w
n oe,
A mor i t
e d pair or bright r hop t
n en s e es e e o fi nd
”
Who wrot e Idylls o f King th e ?
en e e an as .
P e r s ia
Q U E S TI O N S 45
literar y m en
5 72 . Who said O f h er illustrious son :
In th word which my
es e hs w ritt i co tai ned s on as en s n
his w hol go p l
e s e :
T h world i
e full f a u mb r of thi g
s so o n e n s,
I m ur w Should all b
a s happy k i g
e e e as as n s .
whom :
G r n b th turf abov th
ee e e e ee,
F ri d O f m y b tt r day
en e e s
No k w th but to lov th
ne ne ee e ee,
N n a m d th
or but to p rai
e ee se .
“
Who wrot e J a n V e d d a r s Wi f e ’
Who said ,
A n i m agi n ativ e bootblack is
lord o f u n s k irt ed r eal m s ? ”
land not e d
,
?
rolling from m y ey e s
What writer s burial place in Sleepy H ol
’
-
sh ire E ngland
,
?
D ismal Swamp
What w riter s home was at Fa r ri ngf ord on
’
o e e s s es .
do ne m or e to a m eliorat e th e co n ditio n of
th e E n gli s h poor tha n all th e stat e sm en
Gr eat B ritain has ev e r s ent to Parlia
”
m en t ?
What n ot ed E n glish m a n O f letters studied
art i n R o m e a n d Pari s ?
Who wrote T h e Li f e and O pi n ions o f
“
Tristram Sha n dy
Who i s th e l eading writer O f sea stories i n
E n gla n d to day ? -
An d n e- s n e
I mmortal lif through h i m
,
e .
Of w hat two broth e rs has it b ee n sai d that
th e on e wrot e fi ctio n li k e a psychologist ,
a n d th e oth e r wrote psycholo g y like a
ov elist
n ?
Who s aid
L i f i a j t d all thi g Sho w it
e s es an n s
I thought o c w I k ow t
,
d
so n e, an no n I .
E n gla n d n oted ?
,
Who said
For truth i pr ciou d divi s e s an ne
r i ch a p arl for car al wm
,
T OO e n s e .
a ch I ev e gr e at n es s a n d so me hav e gr e at
,
n es s thrust upo n em
’
’
What po et s grave remai ne d unmarked for
thirt y y ears a n d wa s the n mark ed b y a
,
R e formation
Who wrote T h e Snow Shower -
P i c kl e ?
O f what E n glish nove list has it been said :
S he
wa s a s unsociable as a storm at
midnight
Who wrote Be fore A dam
Who said :
T is
’
h av e en alo that i giv a way
ne s en ,
’
T is n o ly G o d m y b had f
a th a k i g
e or e s n
NO p ric i
e s se ton th lavi h u m m r ;
e s s e
J un e m ay be had by th p oor t co m r
e es e .
s e n s n n e o s .
n otabl e ?
ss n
O l y a ig al ho w d a di ta t voic
,
n s n isth n an s n e n e
dark n es s
S O th
on oc a O f lif w p a
e d p ak
e n e e ss an s e on e
a oth r n e
O l y a look d a voic th dark agai
,
n an d e, en n es s n an
a il c s en e .
”
dren ?
Q U ES TI O N S 53
1 8 28
What W as th e
K elmscott Press ?
don E ngland n ot e d
, ,
?
”
i te B rotherhood .
mother in a fit o f i sanity
n ?
T h e L ady o f th e Lake
Who wrote Jude the O bscure
Who was call e d th e hu m anitarian novelist
o f E n gland
Who introduced the printing press int o -
E n gland ?
54 ONE T H OU S AND L IT ERARY QUE S TI O N S
What early E n glish p laywright was fatall y
s tabb e d i n a tav e r n brawl at D eptford ,
n ea r Lo n do n ?
Who s aid
For touchi g h art th o l y cr t k o w
n e s e n se e n n,
M y worth y fri d i to hav en f y our , s e on e o own .
C a n ne e e n .
i n sa ne m a n ?
n n e es
S o m littl good—m t i t h dr a m i g
e e o n e e n
O f gr at thi g to do by d by
e n s an .
68 6 . Who i s Mrs Ma l a p r op ?
.
table ?
i ngton A llston ?
gh a n i es ?
vania .
h
Building o f t e Ship model e d ?
‘
What A m e rica n p o et b ega n his care e r as a
lawy e r a ft e rward aba n doni n g it for
,
lit e ratur e ?
church m y d ea r co m p a n io n o f so m a n y
bl es s e d ye ars w a s buri e d
For what i s T em p l e C hurch Lo n don E ng , ,
la d n ot e d
n ,
?
p ositio n
What p o em wa s w ritte n i n co m m emoratio n
o f th e la n di n g o f th e Pilgrims at Ply
m outh Mas s a c hu s e tt s
,
?
W h o said
I am po t o f th wo m a th a m
th e e e n e s e as th e m a n ,
A nd I y it i
sa gr at to b a wo m a
s as e e n as to a be
m an,
A nd I y th r i othi g gr at r tha
sa e e s n n e e n th e m oth r e
of m en .
and publish e d ?
H ow do e s Lo n do n B ridg e en t e r into
D icke n s s roma c es
’
n ?
Who i s call e d T h e Ma n x m a n
“
J en n y K i s s e d Me
What E n gli s h m a n o f l ett e r s work ed fo r
m o n th s tryi n g to m a s t e r th e art o f china
pai n ti n g yet fail ed ?
,
t r a tors .
Q UES TI O N S 59
a huma n skull ?
Who wrot e N ostromo and to whom i s ,
it d edicat e d ?
What Hungarian boy coming to the U nited
,
a d
n a pio n e er i n modern j ournalism ?
W h o said “
T ears a re th e so ftening
sh ow e rs which caus e the s e ed o f h eave n
”
to spri n g up in the human heart
O f whom was th e followi n g tribute written :
H e had th e sou n d di s tinct c ompreh en
, ,
m en ts o f Cic e ro
Who wrot e Locksle y H all ? ”
What was Fo x H ow ?
For what i s Bas s en thwaite n otable ?
For what is Fulha m fa m ed ?
e m p ty church ?
i s co m e
. H e di e d w ith i ts dawn S hining
full u p on h i m ”
?
d a m Holla n d ?
,
cin e ?
Q U ES TI O N S 61
, ,
selection do th ey appear :
W hat I m o t pri z i wo m a s e n n
I h
s aff ctio
er t h i t ll ct !
e ns , no er n e e
Th i t ll ct i fi it ; but th aff ctio
e n e e s n e e e ns
A i fi it
re n d ca
n ot b x hau t d
e, a n nn e e s e .
7 78 Who wrote
. Lalla R ookh
7 79 Who said
.
:
we re h i s mo s t famous books ?
Who said
A fri d hould b ar h i fri d i fi miti
en s e s en
’
s n r es ,
But Brutu m ak m i gr at r tha th y
s es ne e e n e a re.
Who w rot e T h e La s t L ea f
Who wrot e Ta n gl ewood Tal es
What a n d wh er e wa s A rrow H ead
What writ e r bor n i n New Y or k has b een
, ,
call ed t h e c l a s s ic i n t e r p r et e r o f C ali
“
f o rn i a s h e roic a ge
’
n otabl e ?
o f i t as on e lo n g j our n ey wh e r e ev e r y ,
Ci rcuit R I d e r
Who wrot e L ittl e M r T hi mb l efinger and
.
Hi s Que e r Cou n tr y
Whose tombston e contain s the followin g
l i n es o f which he hims e l f was the
,
author
H r
e e li
h e es w h r h lo g d to b ;
e e e n e e
H om ailor ho m fro m th
’
e i s th e s , e e s ea ,
A n d th e hu t r ho m fro m th hill
n e e e .
”
ress ?
64 ON E T H OU S AND L IT ERARY Q UE S TI O N S
81 2 . W h o s aid
Se r I fold my ha d d wait
en e n s an ,
N car for w i d
or e tid n s , n or e , n o r s ea
I rav m or
e no gai t ti m d fat
e
’
ns e an e,
For 1 ! my w hall co m to m
0 o n s e e .
a n d what I s it ?
togeth e r ?
Who said
O ur doubt traitor
s a re s,
A d m ak
n lo th good
e us se e we o ft m ight wi n
B y f ari g to att mpt
e n e .
Ne w Y or k City ?
by that o f h i s daught e r ?
t h e sa m e y ea r ?
s o far a s k n o wn ,
o f all wh o hav e com
p o s ed i n a n ci en t or m od e r n to n gu es or
,
fl uri h d
o s e i n a n y la d or ti m e
n
”
?
wh en but s i x y e ar s O f a ge ?
W h o wa s Italy s gr eat est po et ?
’
o f Man
What A merican poet was a di rect desc end
ant O f John E liot the A postl e to the
,
Indians
What y oung woman in th e da y s o f Samuel
J ohnson sprang into fam e with h er first
n ovel ?
lived or d e s e rv ed to l ive
68 ONE T H OU S AND L IT ERARY Q UE S TI ON S
Who was th e first A me rica n novelist Of
n ot e ?
W h en a n d w h e r e w a s th e first printi ng
pr es s o f A m e rica s et up ?
i n h i s bo o k Wo n d er s o f th e I n visibl e
World
Who wrot e T h e H eath en C hi nee or , ,
W h o wa s O wen M e r edith
Who w a s E n gla n d s gr eate s t dra m ati s t pre ’
c e di ng Sha k e s p ear e ?
N a m e ten f a m ou s w rit e r s bor n i n I n dia n a .
n otabl e ?
T h e O ld A r m chair
Who w rot e th e follo w i n g li nes
L et m e a hou b y th id f th road
liv e in se e s e o e
W h r th rac of m go by
e e e e en
Th m e wh en good d t h m wh
o a re bad an e en o a re
A good bad I
,
s d an as as
I would t i t i th cor r at
.
’
no s n e s ne s se
O r hurl th cy ic b
,
’
e n s an
L t m liv i a hou
e e b y th id of th road
e n se e s e e
A d b a fri d to m
n e en an .
Q U E S TI O N S 69
—
T w enty four Hours a D ay
What A merican writer lived alon e in a hut
b y a pond at an ex pe n s e o f nine cents a
,
da y ?
For what is O rl e ans H ouse , T wickenham ,
E ngland not e d ?
,
y ear s ?
Who wa s L i e e t tl N l l T r e n t ?
cath edral ?
Who wa s D on Qu i x ote ?
Wh a t p o e t s aid o f Lo n gf ellow s E xc el ’
b e s ubdu e d e v e n i n de ath
N a m e A m e rica s gr eat e st essayist
’
.
Who w rot e T h e So n g O f th e Ba nj o
What n ot e d p er s o nage said i n prais e o f th e
w or k s o f Sha k espe ar e A ll th e E n glish
,
th e stor y founded ?
QU E S TI O N S 7 1
s to r y
.
Browning o f pros e
What has ”bee n sa id i n praise o f G oe the s
’
F au s t ?
72 ONE T H OU S AND L IT ERARY Q UE S TI ON S
What Italia n p o et wa s t er m ed th e bard o f
su ffe ri n g o f s orrow a n d o f d e spai r
, ,
i n p ro s e
Who h a s b een t e r m e d th e m ost s cholarly
a n d t h e m ost truly cla s s ical o f E n glish
”
poe ts ?
door li fe ?
Ho m e
What was the A n thology Club ?
N a m e th e f o u n d e r o f th e Co n cord School
o f Philo s ophy .
a n d th e w i f e o f a fa m ou s pro f e ssor ?
it writt en ?
I n what po em do es O liver We n dell H olme s
giv e ho nor to th e author o f A merica
Who was the bank e r poet -
QUES TI ON S 75
A merican literatur e ?
Who uttered o f hims el f the g ruesom e
prophec y I shall die as that tree
, ,
to h er bo n es a n d m arro w
Giv e th e e ight g en e ral d ivisions O f poetry ,
with a n e xa m pl e o f each .
W h o s aid :
My li f e should be uniqu e ; it
s hould be a n al m s a battl e a conquest a
, , ,
m e dici n e
What was T a r rya wh i l e
Who w rot e Ha pp y D odd
For what wa Tur k H ead Tavern ot ed
s
’
s n ?
n ot e d ?
up at Co n cord
What a n d wh er e was Ce darcro ft ?
Who wrot e th e li nes :
QUES TI O N S
For what was Cl ov e rn ook
notable ?
”
wh e r e e v e rywh e r e Christma s to n ight
, ,
-
.
T h e In fl u en ce o f
” “
tures on Preachi n g ,
E v ry wh r v ry wh r C hri t m a to ight !
e e e, e e e e, s s -
n
Chri t m a i la d f t h fi r tr
s s n n d pi
s O e ee an ne,
Chri tm a i la d of th pal m tr
s s n n d vi
s ; e ee a n ne
Ch i tm wh r o w p ak ta d ol m sn n n and
wrt
r s zs e e -
e s s s e
l i e,
Chri t ma wh r
s sfi ld li u y d bright ;
e e c orn e s e s nn an
E v ry wh r v ry wh r C hri t ma to ight
e e e, e e e e, s s -n .
79
80 ON E T H OU S AND L IT ERARY Q UE S TI ON S
Willia m E ll ery Cha nn i n g th e m i n ist e r was, ,
high es t ho n or s o f h i s cla s s H e be ca m e .
a n d w a s s oo n r e c o g n iz e d a s a l e ad e r i n
Cha n n i n g vi s it ed E urop e i n 1 8 22 a n d
mad e th e ac q uai n ta n c e o f m a n y lit erary
p eo p l e a m o n g th em Wordsworth a n d
,
fri en d s hip .
Willia m E ll e ry C ha r mi n g 2 d th e po et , , ,
wa s a n eph ew o f th e m i n i s t e r H e liv e d .
N aturalist ”
H e was t e r m e d
. th e poe t s
“ ’
”
po et .
E ngla n d H e re S h e s p en t th e fi r s t tw en ty
.
o n e ye ar s o f h e r li f e M a ggi e T u l li v er i n
.
“
T h e Mill on th e Flo s s is i n part a n , ,
published in 1 8 33 .
A N S W ER S 83
thes e treasures .
—
b y atural forest tr ees oaks beeches
n , , ,
—
and hickories h e prepar e d his s epulche r
, ,
g es t ed to h i s f ello w m em b e r s o f t h e Ju n to
-
th e outco m e o f thi s e x p e ri m en t .
”
Su nn y s id e t h e ho m e O f Washi n gton
,
, , ,
B ec ky S h a rp i s th e h e roi n e o f T hackeray s
’
“
Va n ity Fai r D or a i s th e wi f e o f
.
Lo n gf ello w s v e r s e ro ma n c e
’
T h e Song
-
,
“
”
o f H ia w atha Gl or i a Qu ayl e i s th e
.
Ol d T r a i l T ow n w a s th e s c en e o f t h e rural
dra m a d es crib e d i n Zo n a Gal e s romance ’
C hri s t ma s ”
I n thi s dra m a s uch actors
.
as M a ry Ch a va h E benez er R u l e Ta b , ,
Village s e ries .
M ary E Wall e r i s
. author o f M y R ag th e
pick e r . This is th e story o f a little
Fr ench girl whos e o n ly m oth er was th e
histori c a n d som ewhat forbidding cathe
dral o f N otr e D ome i n Paris T O e m .
da y s were soo n ov e r .
—
E n gla n d a land which h e k n ows i n ti
,
O w en Wiste r i s th e author o f T h e Vi r
ginian ”
T he stor y i s laid in western
.
86 ON E T H OU S AND L IT ERARY Q UE S TI O N S
U n it ed Stat es In th e co wboy district o f
ti m es a go ne T he . Virginian i s true to
ty p e a n d tru e to li f e .
Madi s o n C aw e i n i s t e rm ed th e poet o f th e
”
blu e gra s s cou n try
-
H e was bor n i n .
K en t u c k y at m o s p h e r e th e ripe ne s s ,
“
,
m ellow n es s a n d s w ee t n e s s o f bi rd song
,
”
a c te r i s t i c o f th e blu e gra s s cou n try as -
,
wit n e s s ed i n th e f o ll o w i n g stanzas :
W h thi g go w ro g th y oft will
en n s n , as e en ,
J u t whi tl a o g of ch r u til
s s e s n ee n
w ork y ou v pla d; ’
Y ou can th s ee e e nn e
A d do y our b t ho w v r m
n r
es , e e en s n ee
A d all w ill b right i d m y d ar
,
n th e n e en , e .
A d what v r it i y ou ll fi d
’
n e e s n
If y ou k p a o g i th h art f y ou
ee s n n e e o
T h lp w hat y ou hav i mi d
,
O e e n n
A d do y our b t ho w v r m r
,
n es , e e en s n ee
All will b right i th d my d ar
,
e n e en , e .
’
T is high tar alo
n ot i n th e s s n e,
N i cup of buddi g flo w r
or n th e n e s,
N i th r dbr a t m llo w to
’
or n e e e s s e n e,
N i th b w that m il
or ni S ho wer s
e o s es n
But i th m d d cu m f thi g
,
n e u an s o n s
Th r al way al way o m thi g i g
e e , s e n s n s .
,
88 ON E T H OU S AND L IT ERARY QUE S TI ON S
s p en t at C h e y n e R o w C h el s e a London , , ,
wh e re h e di e d Fe bruary 4 1 8 8 1 , , .
D ani el D e fo e wrot e th e li n es :
W h r v r G od r ct a hou O f pray r
e e e e e s se e ,
eth e as e es n e n .
h i s fi r s t w i f e Mary Po w e ll h e w a s most , ,
daught e r s p ea ks o f h i s ch ee r fuln es s a n d
,
d es crib es h i m a s th e s o u l o f a co nv e rsa
tio n H is s eco n d w i f e Kath e ri n e Wood
.
,
r i a ge H i s third w i f e E liza be th Mi n
.
,
h i m m or e tha n h a l f a c en tury .
Kilcol m a n w a s t h e ho m e o f E d m u n d S pen
s er S p en s e r obtai n ed a gra n t o f la n d
.
”
Fa ery Qu een and en tertained his ,
th e A lcotts .
H ol m es s lo n g w al k s p oke n o f in the
’ “
,
na m ed i n ho n or o f th e m atchl e ss H O “
ye ars It is n ow th e s it e o f Hogarth
.
d on w a s th e ho m e O f Horac e Walpol e
, .
S i n c e b ee n i m mortaliz e d i n fi ction as M i s s
P i n k er ton s A ca d emy
’
in Thack e ray s ,
’
”
Va n ity Fai r Walpol e wa s n ot ed as a
.
ma n c e en title d Th e Ca s tl e o f O tranto
,
”
.
d en t o f U pp e r Marlborough Maryla n d , ,
0 s ay y ou
! b y th dawn arl y light
ca n s ee, e
’
s e ,
W ho broad trip
se d bright tar s through th
s es an s e
p rilou fi ght e s
O
’
th erra m part w watch d w r
e galla ntl y
s e e , e e SO
tr ami g ;
s e n
it wa s b e i ng s u n g all ov e r th e la n d a n d ,
th e C a d m u s o f th e bli n d
”
Ho we , w rit ,
i n g o f h i m thu s i n a p o em en titl e d
“
T he
H e ro which h e d e di c at ed to D r Ho we
, . .
R ep u blic ”
I n D e c em b e r 1 8 61 D r a n d
.
, , .
h e r etur n e d to Harvard a n d co m p l e t e d hi s
cours e H e had ex p ect e d to fi t hi m s el f
.
as I ca n s ee th e A m erica n C o n s titutio n i s
,
th e m o s t w o n d e r ful w or k e v e r s truc k o ff
at on e ti m e by th e brai n a n d p urpos e o f
ma n
n
.
a n d it i s m or e m ag n i fi c e n t tha n t h e o n e
po et hi m s el f .
E liot s
’
M ill on the F loss L i zz i e
H ex a m , in Charl e s D ickens s O ur Mu ’
Fr ec k l es i n G en e Stratto n P ort e r s
’
ner ,
-
“
Freckl es ; R ebec ca in K at e D ouglas
”
,
Farm ”
.
“
S i r Walt e r Scott was termed the wiza rd
o f th e N orth .
Wh r e e th e blackbird S i g th lat t n s e es
Wh r ha thor bloo m th w t t
,
e e th e w n s e s ee es ,
o
n:
e e n e
U p th wat r d
,
’
e th l e an o er e ea ,
That th w y for Bill y d m
’
s e a an e .
A da m s a n d J effe r s o n said : I f we ch e r ,
i s s p o k en O f a s th e m ost e loque n t
“
ton
oratio n i n th e E nglish la n guage It was .
th eology a n d a ft e r graduatio n at H ar
, ,
k n o wn o n ly as a p o et ess T h e b e st o f her .
p i c ti n g t h e tim e H oosi e r
Ol d -
H e was .
tivals ”
City L egends
,
”
Ci t y Ballads ”
, ,
”
City F e stivals e tc , .
“
M y fri en ds fr equently complai n sai d ,
p en n e d .
popular li ne s :
Four thi g a m m u t l ar to do n s an s e n
I f h would m ak h i r cord tru
e e s e e :
T thi k w ithout co fu io cl arl y
O n n s n e
To lov h i f llo w m i c r ly ;
e s e -
en s n e e
To act fro m ho t m otiv pur ly n es es e
TO tru t i G od d H av s cur l y n an e en se e .
h e s tood on a n e m i ne n c e ov e rloo k i ng a
vall ey h e m ar k e d th e fl ight o f a s i ngl e
,
W hith r m id t falli g d w e s n e
W hil glo w th h av w ith th la t t p f day
, ,
e e e en s e s s e s o
Far through th ir ro y d pth do t thou pur u
,
, e s e s, s s e
Th y olitary w y s a ?
fro m zo to z o
H e wh o ne n e,
bou dl S k y th y c rta in
,
Gu i d jl
es gh th r ou e n es s e
fl gfi ti
In th e n s e n e,
Wi ll l ad my t p ari ght e s e s .
1 02 O N E T H OU S AND L IT ERARY Q UES TI O N S
W ood m a Spar that tr ! n, e ee
Touch t a i gl bough ! no s n e
I y outh it h lt r d m
n s e e e e,
A d I ll prot ct it w
’
n e no .
m y for fath r ha d
’ ’
T w as e e s n
That plac d it ar my cot ; e ne
Th r wood m a l t it ta d
e e, n, e s n ,
Th y hall harm it t !a xe s no
>k a:
e e e s n
A d till th y bra ch b d
,
n s n es en
O ld tr th tor m till brav !
.
ee , e s s e
A d wood m a n l av th pot ; n, e e e s
W hil I a ha d to av
,
’
e ve n s e,
Th y hall har m it t a xe s no .
—
m ou s e trap tha n h i s n e ighbor though he ,
Buc ke t ”
It was i n 1 8 1 7 that Woodworth
.
e e e s n n ne
T h w rd j p
e e sd i g po d d th m ill which tood
r ea n n an e s
ly t i ,
T h bridg
e d th roc k wh r th cataract f ll ;
e, an e e e e e
Th cot of m y fath r th dair y hou
e igh ite e -
se n
rud buck t which hu g i th w ll
, ,
A nd
’
th
e en e e e n n e e .
T h O ld oa k
e buck t th iro bou d buc k t
en e , e n ~
n e
Th mo cov r d buc k t which hu g i th w ll
,
e ss -
e e e n n e e .
”
poem S anta F il om ena was a tribut e to
, ,
o f h eali n g .
W h r r a obl d d i wrought e e e
’
n e ee s
Wh r i pok a obl thought
,
’
en e e s s en n e
O ur h art i glad urpri
,
e s n s s e,
T high r l v l ri o e e e s se .
66 . O f th e fl ag o f th e U n it e d Stat es G e orge F .
Hoar said :
I hav the glori of art d archit ctur
s een e d Of es an e e, an
riv r d m ou tai I hav
e an th n t n th J u g
. e s ee n e sun se on e n
frau d t h m oo ri ov r Mou t Bla c But t h
an e n se e n n . e
fair t vi io
es w hich th
s n ony v r r t d w th fl ag es e e es e e es e as e
o f m y cou tr y i a for ign port B autiful a fl o w r
n e n . e as e
m a s o n ry I n o ne i n sta n c e T om was i n
.
th e la s t s ta n za o f w hich b egi n s :
Thou too ail 0 S hip of S tat ! s on , e
S ail 0 U io tro g d gr at !
, ,
on , n n, s n an e
H u m a ity with all i t f ar
n s e s,
W ith all th hop of futur y ar e es e e s,
I ha gi g br athl
s n th y fat !
n e es s on e
a pe culiar cu s t o m o f t elli n g th e b ee s wh en
a n y m e m b e r o f th e hou s e h o ld di e d It .
w a s b e li ev e d that i f th e b ee s w e r e n ot told
o f th e d eath th ey wo u ld n ot s tay at ho m e
, ,
a n d h e n ce s o m e on e w a s oblig e d to go out
,
a n d t e ll th e m o f th e b e r e av e m e n t Thi s .
cu s to m i s i n t e r p r et e d i n W h i tti er s beau ’
H r
e e plac ; right ov r th hill
i s th e e e e
Ru path I took ;
n s th e
Y ou th
ca n gap i th l d w all till
s ee e n e o s
t ppi g to i th S hallo w broo k
,
A d th
n e s e n -
s nes n e .
n e s
A d t h bar bro w l gth d th cattl y ard
’
n e n s n en an e e-
A d th whit hor to i g abov th wall
, ,
n e e ns ss n e e .
Th r
e th
e b hiv ra g d i th
a re e ;
‘
ee es n e n e s un
A d do w
n by th bri k n e n
O f th broo k e h poor flo w r w d a re n er e s, ee -
o e r ru
’
Pa y d da ff od i l ro d pi k
,
ns an , se an n .
72 .
More than two hundr e d y ears ago one o f ,
at Ipswich a n d di e d i n Bosto n i n 1 70 8
, .
at th e C en t en n i a l at Philad elphia in 1 8 76 .
L o g thi E ag l har m
n as D ov
ne e s no e,
Lo g th y L w b y l w hall gro w
n as a a s ,
L o g th y G od i G od abov
n as s e,
Th y broth r v ry m b lo w e e e an e
lo g d ar L a d of all my lov
,
So n e n e,
Th y a m hall hi th y fa m S hall glo w !
,
n e s s n e, e
A l fr ed T e n n y s o n th e E n gli s h Po et Laure ,
a te di ed a t A ld worth
,
.
t a t i v e li f e o f A brah a m Li n col n Th ey .
-
.
I IO ON E T H OU S AND L IT ERARY QUE S TI O N S
Joh n K eats di e d at R o m e a n d was atten ded ,
S ev e r n the artist
,
.
a n d co m pl et e d both that a n d th e t ra n s l a
tio n o f th e O dy s s ey i n s i x y ears .
c h u s e tt s It i s th e s c en e o f H en r y Wads
.
”
Waysid e I nn Thi s was a favorit e r e .
’
tr eat o f Lo n gf ellow s who o ft en r epaired ,
”
Sir Walt e r Scott i n Mar m ion thus de
scrib e s a n old ti m e Christmas : -
On Chri tma E t h b ll w r ru g ;
s s ve e e s e e n
On Chri t m a E th m a w u g
s s ve e ss as s n
:
S w th
a e s e es e e e .
T h da m l d kirtl h ; ’
e d h se on n er e s een
Th b ll w d w ith holl y gr
’
e d
a ; as res s ee n
Forth to th wood did m rry m go e e -
en
T g ath r i th m i tl to
,
o e n e s e e .
T va al t a t
O ss rf d all , en n , se , an .
>i= a:
A N W ER S S ‘
I 1 I
E gla d w m rr y E gla d wh
n n as e n n en
O ld Chri tm a brought h i port agai
,
s s s s s n .
T w
’
Chri tm a b h d th m ighti t l
as s s r oa c
’
e es a e
T w
’
Chri t m a told th m rri t tal ;
as s s e e es e
A Chri t m a gam bol ft would ch r
s s o ee
A p oor m a h art through half th y ar
n s
’
e e e .
ones :
P lo w d p whil Sluggard l p ;
ee , e s s ee
A n d y ou hall hav cor tos ll nd k p e n se a ee .
Earl y to b d d arl y t ri e an e o s e,
M a k a m h alth y w alth y nd wi
es an e , e , a se .
F g
or a d wa nt
e an av whil y ou m y ! , s e e a
N m or i g
O la t a whol day
n n s un s s e .
( at a n acut e a n gl e to b e s ur e ) through
, the
n orth e r n w i n do w s a n d goi n g rou n d t h e
,
”
a r e th e e arli e s t thi n g s I r em e m b e r .
”
tio n i n which h e says :
,
Ki dli r to m th
n e e e plac of birth
e
That fi r t m y tott s e ri g foot t p trod ;
n s e s
Th r m y b fair
e e a e e r pots arth s on e
But all th ir glori t worth
,
e es a re no
T h virtu i th
e e n e n ativ d e so .
s oo n i n t h e battl e fi e ld s wh e r e it b eca me ,
t h e gr e at i n s p iratio n al so n g o f th e South
e rn ar m y .
a m o n g i ts m em b e rs m a n y authors artists , ,
a n d p ubli s h e r s T h e lat e D r S W e i r . . .
D r H en ry C harl es L ea th e historian ;
.
,
th e G e r m a n i n fl u enc e in A m erica ; D r .
Mc Ma s ter wh o wa s m ad e president on
,
.
,
s e en
I hop t h light e whit e s a re e .
extr em e e n d o f C a p e A n n Ma s s a ch u ,
o n c e s p en t a vacatio n o f a w ee k It c on .
y t b autiful
e e th ro as th rai bo w full f food
e se or e n o
ouri h r of m purg r of th world cr ati g a w t
, ,
n s e en , e e e n s ee
cli mat i t rcha g abl bb d fl w d i
,
d ie, an n an n e n e e e an o an n
i t b aut y at a f w furlo g givi g a hi t f that which
,
s e e n s, n n o
cha g n t d i p rf ct
es n o an s e e .
sho p po et R o s en f e ld i s a R u s s ia n J ew
.
”
e x e m p li fi e d i n h i s
”
S on gs o f Labor a ,
n e a e ee n ,
I i k d m lo t i th t rribl tu mult
, ,
s n an a s n e e e
A d void f m y oul
n o I m but a machi s a ne .
Su n s hi n e Ja n e so wo n d e rfully opti ,
Mr s Fr en c h s hu s ba n d a n d s on di e d w ith
’
.
fath e r wh o wa s ill i n h e r ho m e i n E ng
,
d en l y o f c e r ebral h em orrhag e a n d b e , ,
a w ay .Su n s hi n e J a n e h ow ev e r S hows , ,
n o hi n t o f d e p r e s s i o n or s ad n es s .
D i e d r i cli K n ic k e rb o c k e r ; Ja m es R us
”
s iah A ll e n s Wi f e
’
H el en Hu n t Jack
s on , H H .E m ily Jud s o n Fa nn y
.
,
“
I k M a rv e l ; Mary N Mur fr e e
”
el l, .
,
“
Charl es E gb ert Craddock E dgar
Wil s o n Nye B ill Nye , Sarah P Par .
t on ,
“
Fa nn y F e rn D avid R Locke .
,
s ey ,
“
Susan Coolidge H enry W .
—
village w e re playmat es o f L i ttl e A nni e
, ,
s e l h e r etur n s ho m e to fi n d A n ni e mar
,
ri e d to P h i l i p U n w illi n g to disturb h e r
.
R ob e rt B u r n s wa s th e author o f T a m
O S h a n te r
'
A c c ordi n g to h i s wi f e Ta m
.
”
,
R apha el
We hap our lv th j o y or f ar
s e se es e e
O f w hich th co m i g lif i m ad e n e s e,
A d fi ll our Futur at m o ph r ’
n e s s e e
W ith u hi w ith had s ns ne or s e .
th e ho m e o f th e n a turali s t J o h n J a m es ,
O rl ea n s Lo u i s ia n a H e wa s th e author
, .
o f T h e Bi rd s o f A m e rica ”
Quadru ,
v ol u m es .
O ld s tyl e .
”
tions .
hu m ori s t it h a s b een s ai d
, H e saw li fe ,
si ng th e s o n g 0 st ea m wa s th e pray e r
’
,
”
Hy m n .
w a s t h e r es id en c e o f A nn e Warner
Fr en ch th e A m erica n n ov eli s t at the
, ,
ti m e o f h e r d eath i n 1 91 3 , .
”
nov el T e ss o f th e D U ber v i l l es
, ,
’
.
sc en es o f ma n y o f his n ov e ls b e i n g laid
among th e fi s h er folk th e re -
.
”
Moo n s to n e .
tur e,
E li P e rki n s ”
.
e ss n s e e s ee
O ur y fix d t adfa t th hor b y o d
,
e es e s e s on e s e e n
For i f w ca t th m fl o w i g tr a m
,
e th s e on e n s e
T h h ad w i m w ith it ; if w would cro
,
e e s s so e ss
T h ru
e i g fl ood of thi g h r i thi world
nn n n s e e n s
O ur oul m u t t look do w but fix th ir S ight
,
s s s no n, e
O th fi m la d b y o d
n e r n e n .
W i ela n d wa s c on s id e r e d th e fi rst s e ri
'
w ork o f A m e ri c a n l e tt e r s
”
ou s Thi s .
n ov e l w a s writt e n by C h a r l e s B rockd en
D a v i d H a r u m wa s th e h e ro o f E d ward
N oy e s W es tcott s n ov el o f th e sa me ’
n a me H e w a s a ba n k e r a n d d eal e r i n
.
w h o p o s s e s s e d a S hr e w d n e s s hu m or a n d , ,
”
S ir La u n f a l w rot e th e following li nes :
,
Barrac k R oo m Ballad s .
Wa r ”
'
, ,
fa m o u s ballad T h e Ballad o f B ou i ll a
“
,
”
baiss e .
”
titled ,
So n gs o f t h e Si e rras .
R al p h W a l d o E m e r s on i n c o n v e r s atio n ,
f e rr e d to E dga r A lla n P oe a s th e j i n gl e
ma n .
No t w w e s ee e se
Th thi g that m or bl
,
e s e a r e th e n s ar es s
The sum of hu a happi
m n n es s
hat tak but what w giv ;
.
Not w we e e e
Not what pra y but w liv
we as e e
Th thi g that m ak for p ac
,
es e a r e t h e n s e e e,
Both aft r ti m hall c a
n ow a n d e e s e se .
t ear s w a s m ad e i n a Li n col n s hi r e la ne at
fiv e o cloc k i n t h e m or n i n g b e tw een blo s
’
s om i n g h e dg es but th e p o et s thought s ’
w e r e fa r a w ay at Cl ev e do n w h e r e t h e ,
l a m lay buri e d by th e s ea
, It was i n .
Br ak br ak br ak
e , e e
O th y cold gra y to
, ,
n 0 S ! s nes , ea
A d I would that m y to gu could utt r
n n e e
T h thought that ari
e i m s se n e .
l
><
tat l y hip go
A n d th e s e s s on
To th ir hav u d r th hille en n e e
But O for th touch of a i h d ha d e va n s
’
n ,
lo v e r o f n atur e On e o f hi s favorite .
s hort po e m s i s T h e Tr ee .
a n ot e fr o m C harl es Su mn e r a n d b ears ,
,
”
mor n i n g Not to bed Lo n gf ellow r e
. .
t h e s eal o f t e St a t e o f Ne w Y ork
h —a ,
mi n g s My Sy m p ho n y
’
e no es e e an e no
tudy hard thi k qui tl y talk g tl y act fra kl y ; to
, ,
s n e en n
li t to tar d bird
,
to bab d ag w ith op
, ,
s en s s an s, es an s es en
h art ; to b ar all ch rfull y d all brav l y a wait occa
e e ee o e
io hurry v r ; i a w ord to l t th Spiritual m
, ,
s ns , ne e n e e , u
bidd d u co ciou gro w up through th co mmo ;
,
en an n ns s, e n
thi i to b my y m pho y
s s e s n .
Now h e be lo n g s to th e ag e s ”
A t that .
ti m e f ew or n o ne compreh en d ed th e i m
,
Quak e r Po e t .
A mon g th em w e r e Gat es A j ar ”
Be ,
F ro m t h lo w l y arth
e to t h vault d S ki
e e e es ,
A n d w m ou t to i t
e u m m it rou d by rou d
n s s n n .
a: a:
We ri by th thi g that
se u d r f t;
e n s a re n e ee
B y what w hav m a t r d f good d gai ;
e e s e e o an n
B y th prid d po d d th pa io S lai
e e e se an e ss n n,
A d th va qui h d ill that w hourl y m t
n e n s e s e ee .
n sa n n n s,
P ly i g h dl d thr ad
,
n er n ee e an e
S titch — titch — titch
,
s s
I pov rt y hu g r
n e d dirt ; n e an
n s e o s
W ould that i t to m ight r ach th rich
s ne e e
Sh a g thi S o g f th S hirt !
e s n s n o e
Mo n tgo m ery s po em ’
Mak e Way for ,
“
July 9 1 38 6 A s th e A u s tria n s w e r e u n
, .
A r n old v on Wi n k el r i e d by n a m e ca me to ,
th e r es cu e C o n s ig n i n g h i s wi f e a n d
.
ru s h ed to w a r d th e A ustria n li n e and ,
T h e S w i s s we r e victoriou s th e A ustria n s ,
w er e d r iv en f r o m th e la n d a n d Switz e r ,
l a n d was fr ee .
Mak w y for L ib rt y ! h
e a e e cri de
Th w ith ar m
en r a n , xt d d s e en e wid e,
A if h i d ar t fri d to cla
s s e es en s p;
T enS p ar h w pt withi h i
e s e s e n s gra p s
thi ngs ; hati n g n othing but pain bodil y ,
to d eath .
w ritt en by Fra n ci s Fa wk e s .
The e as e e n s no
o wn I could t tay i th l d y ar y m or v if no s n e o e an e, e en
I tri d I lov d i t u ow v it
.
e d it d e s s ns an s sn s, an e en s
tor m d dark w r g ood for m I do t m i d
.
s s an nes s e e e no n
ti g of th pai dart which truck m
.
no w th e s n m e n- s e, n or a
I a ham d of th r ulta t car A d th
s e o m ti m e es n s n en , s e es ,
th r w th touch f g tl ha d d t h ki hip
.
e e as e f o en e n s an e ns o
u d r ta di g h art ! Th w r my w i i w ari
n e s n n e s es e e e ne n e n es s
All that pa t —all av th m m ory f it d th ff ct
.
is s s e e e o an e e e
f it ; th abid a part f th fi b r f my lat t lf
,
o es e e, O e e o es se
— —
.
no as . e s e s s, e .
I o l y k o w that I hav
n n ay d it ; that it i but a littl e es s e s e
bit of th whol pa f lif e a ual u it i th m e s n o e, an nn n n e su
of Ti m ; d that i it l i m y furth r adv tur
e an d p n e e en e an o
p tu i ty
or I hall go
n Fro m th ir h ight th tar
s on e e s e s s
E arth will prov it lf my fri d all ov r
. .
w ill m th
s ee e, e e se en e
agai n d I Shall m t my broth r
, an th w y ee e s on e a .
AN S W ER S I 35
—
G ene Stratton Port e r has i m mortaliz ed th e
L imb e rlo s t i n h e r book s o f fictio n i n clud ,
i ng Fr e c k l es ”
A Girl o f the Limber ,
T h e H arv e ste r
” ”
lo s t , and her n atur e ,
”
book Moth s o f th e Li mb e rlo s t
, S he .
thus describ e s it
b g i i g f th
In th e e d a gr at S wa m p r gio
nn n lay
o e en e e n
i
n orth a t r I dia a It h ad w
n e s e n what i n w n s e as in s no
Nobl d D Kalb Cou ti i t bod y All d W ll
.
e an e n es , s in en a n e s.
an d it f t south r Ada m
ee d
in orth r J ay T h
s e n s an n e n e
L i mb rlo t li at t h foot d w wh I ttl d ar
e s es e an a s, en se e ne
it x actl y d cr i b d i my book T h proc
, e as es f di e n s e es s o s
m a tli g it w told i Fr ckl to tart w ith carri d
.
“ ”
n n as n e es s e
A G irl of th L i m b rlo t d fi i h d i Moth
,
“ ”
on i n e e s , an n s e n s
o f t h L i m b rlo t
e N W it h e co m pl t l y fall p r y
s . O as so e e en e
to co mm rciali m through d va tatio of lu m b rm
e s il e s n e en , o
m en , d far m r
an that I hav b forc d to m ov m y
e s, e een e e
w orki g t rritor y
n d build a
e w cabi about v ty an ne n se en
m il esorth at th h ad o f th wa m p i Nobl Cou ty
n e e e s n e n
wh r th r m a y lak
,
m il f u brok m ar h
,
e e e e a re nd es , es o n en s , an
a far gr at r w alth f pla t d a i m al li f tha x i t d
e e e o n an n e n e s e
duri g my ti m i th outh r part
n e n e s e n .
T h e p o e m b egi n s
”
sl eep .
Alo g th P al m i t m u ic d p
,
’
n e s s s s ee
N w t ll m i f that
,
o e y i e an s,
For gift grac urpa i g thi or e, s ss n s
H giv th H i b lov d l p
”
e e s e e s ee ?
”
fu ci u s m ea n s Gr e at T each e r K un g .
H e liv e d fro m th e y e ar 5 5 1 B C to th e . .
y ear 4 78 B C a n d e v e r si nc e h a s b een
. .
,
pr e s e rv e d i n th e N i n e Boo k s which ,
”
”
c on s i s t o f th e Fiv e S acr e d T e xt s com ,
s p e a r i n a p roductio n o f Ha m l et ’
.
s chool roo m w a s a
-
spr e adi ng liv e oa k -
”
tr ee h i s s e at s o f log s
,
.
s h e m ight rai s e f u n d s to op en a fr ee
k i n d e rg a rt en f o r poor childr en .
t h e s tori e s T h e Ca s k o f A m o n tillado
,
T h e D o m ai n o f A r n h e i m
”
a nd H er e .
,
Cl e m m P oe di ed , .
”
o f 0 H enry . .
”
Bask e rvill e s .
F ail ed .
L o n don .
mad e i t th e ho m e o f Li ttl e N el l a n d h e r
Gra n d fath e r i n his n ov el O ld Curiosity ,
Sh 0 p .
words :
Th e boa t f h raldry th po m p f po w r
s o e e o e ,
A nd gav e e e er
’
e,
ait ali k t h i vitabl hour
,
Aw e e ne e
Th e p ath f glory l ad but t th grav
s o e o e e .
S ir Gilb e rt Park e r wrot e T h e R ight o f
”
Way .
p ear th e li n es :
G od f fath r k o w f old
o ou r e s. n n o
L ord of our far fl g battl li
,
-
un e- ne,
B ath w ho a w ful ha d w hold
en e se n e
D o m i io ov r pal m d pi ;
n n e an ne
L ord G od of H o t b w ith y t s s, e us e
L t w forg t l t w forg t !
,
es e e ,
es e e
In 1 61 6 B en Jo n so n r ec e iv e d th e ho nor o f
a p en s io n o f on e hu n dr e d m ark s fro m
Ki n g Ja m es who al s o w i s h e d to dub h i m
,
A l fr ed T en ny s on h e ld the titl e o f P oe t
Laur ea t e lo n g e r tha n a n y oth e r po e t o f
E n gla n d that is fro m 1 8 5 0 1 8 92
, ,
-
.
ho m e o f E ll en Key th e w rit e r ,
.
,
”
E l i z a be th B enn e tt .
On e .
T h e La s t D ay s o f P o m p e ii
”
.
Ja m e s McNe i l “ h i s tl e r F H op k i n so n
l
, .
A n dr ew La n g i n s p ea k i n g o f E dgar A lla n
,
P o e r e f e rr e d to h i m a s
, a gentle m a n
”
a m o n g ca n aill e .
”
h oe .
R ichard D eha n .
al m o s t bli n d .
tow n Ne w Y ork
, .
H ill s .
Ma s sachu s ett s .
d en t o f t h e U n it ed State s o f A m e rica .
Whi s tl e r s r es id en c e k n o wn as th e Whit e
’
Lo n do n E n gla n d , .
R obe rt Louis St ev en s o n wa s th e r en ow n e d
writ e r wh o s om eti m e s sign ed his work
w ith h i s i n itial s R L S , . . .
J ea n W eb s t e r was th e author o f th e c el e
b r a te d Patty s tori e s .
Lato n a wa s th e god o f th e s u n th e
, ,
b elove d god s .
27 .
,
to
Ma n ,
”
s aid :
My i pai d ea r s ne
M y oul i S ick w ith v r y day r port
,
'
s s e e s e
O f w ro g d outrag with which arth fi ll d
n an e e
.
is e .
C h a u c e r s li fe A n u m b e r o f pilg r i m s
.
,
m e e t at th e Tabard I n n i n S o uthwar k a ,
s u b u rb o f Lo n d o n T h e j o lly h o s t o f th e
.
o f t h e c o m pa n y s hall on th e i r way to ,
t e ll s th e b e st s hall hav e a S up p er at th e
c o s t o f th e r est wh en th ey r etur n H e, .
hi m s el f acco m p a n i es th e m i n th e capacit y
o f j udge a nd r ep ort e r .
E d m u n d Sp en s e r s own marriag e so n g
’
,
lyric drama .
’ ”
Baco n s writings i s dry wi n e .
a n ci en t ar m or illu m i n at e d m a n uscript s
, ,
O f Ha n s Christia n A n d e rs en it wa s s aid :
H i s do m i n a n t trait wa s a n i n s atiabl e
ambitio n to which h e owed all th e j o y s
,
a n d all th e sorrow s o f h i s li f e .
sta n za o f which i s :
O h why hould th pirit f m ortal b proud ?
s e s o e
L ik a wift fl ti g m t or a fa t fl y i g cloud
,
e s -
ee n e e s -
n ,
A fl a h f th light i g a br ak f th wav
,
s o e n n , e o e e,
R ob ert Louis St ev en so n .
isla n d o f Gu e r n s ey i s fa m ed as havi ng ,
liv e .
i n th e k i n d e rgart en o f God
”
.
Vaili m a w a s th e Sa m oan ho m e o f R ob e rt
Louis St ev en so n .
w e r e w ritt e n by th e po e t Vasili J ou k ov ,
S k i a n d t h e m u s ic by Colo n e l A l ex i s v on
,
L yo ff a n ar m y o ffi c e r i n 1 8 30
, , .
30 1 . R ob e rt Lo u i s St e v en so n wa s th e author o f
t h e f o ll o w i n g pray e r :
Wh day r tur r tur to
en th e de m ns, e n us, ou r sun a n co
fort r ed call anup w ith m or i g facus d w ith m or n n es an n
to labor a g r to b happy i f happi
,
i g h
n t ea r s
g
u — ea er e e e
hall b our portio — d if th day b m ark d for
,
n es s s e n an e e e
sorro w tro g to dur it
,
s n en e .
302 C ha r mi n g th e p o et s a id o f H e n ry D avid
.
, ,
Tho r e a u Gi v e h i m s u n s hi ne a n d a
,
“
h a n d ful o f n ut s a n d h e h a s e no ugh ,
30 3 . H en ry D r u m m o n d wa s th e author o f T h e
Gr ea t es t Thi n g i n th e World by ,
-
w hi c h h e m e a n t Lov e .
30 4 . Th om a s Ne l s o n Page Walt e r H i n es P a ge , ,
a n d H e n r y V a n D y k e w e r e a l l m en o f
30 6 . Ja m e s Wh i tc om b R il ey i s sai d to hav e m ad e
fiv e hu n dr e d dollars a word o n h i s c ele
b r a t e d p o em A n O ld Sw eeth eart o f
“
,
”
M i ne .
fall en up on h e r .
A N S W ER S 1 5 1
”
ing and fou n d m ys el f famous .
O ctave T hanet ”
.
”
ford which i s sai d to b e the best d e
,
fr ee it .
H e r e occurr e d s o m e o f th e m ost w o n d e r
ful di s cussio n s by m en o f l e tt e rs that
hav e ev e r b een chro n icl ed .
”
Hugh Wyn n e Fr ee Quak e r by s o m e , ,
”
Sw ee t wrot e :
H art li k appl
e s, e es , a re hard a nd our
s ,
,
D aw n
O H a ra
’
a n d t h e hith e rto n e w s p a p e r wo m a n w a s
”
W oo d carv e r o f Ly m pu s
-
’
.
A be M a r ti n i s th e charact e r s obri q u e t u n d e r
w hi c h Fra n k M c K i n n e y H ubbard a n ,
I n dia n ap o li s ( I n dia n a ) n ew s p a p e r m a n ,
”
Ki n H u bbard i s o ne o f ou r
“
w rit e s .
b e s t k n o w n hu m o ri s t s a nd b e s id es A be
-
, ,
Th ey fou n d i n T h e Po et s Tale
a re
’
R a m o na w a s th e heroi n e o f th e n ov e l o f
that titl e writt en by H el en Hu n t Jack
,
w a s th e fi rst w o m a n e l e ct e d to th e pr esi
d en ey o f th e N atio na l E ducational A sso
c i a t i on o f t h e U n it e d Stat e s .
, ,
Christ m a s n u mb e r o f th e m agazi ne as
h e was goi n g to di n e with his fri en d
, ,
”
M arco Bozzaris .
S i r A n th ony A bs ol u te i s a character in
Sh e rida n s co m edy T h e R ival s
’ ”
, .
”
n am e Mario n Harla n d
,
.
Pigeo n R 0 0 st i n th e Wood s
-
i s th e I n
- - -
fath e r o f T h e O p en R oad a n d b u s ,
”
Fran k R Stoc k to n . .
wa s M rs D avi s t h e h o us ek eepe r w h o s o
.
,
Ne w Y ork i s th e ho m e o f A m elia E
, .
Barr .
S un .
h i s ob s e rvatio n s a n d e xp e ri en c e s i n a
b ook en titled T h e A byss
”
.
Morris .
o n th e Hud s o n R iv e r
”
Idl e w ild New ,
Y or k wa s th e la s t ho m e o f Natha n i e l
,
Pa r k e r \Vi l l i s wh e r e h e di ed i n 1 8 6 7
/
, .
e r n e v e r m e llo w s w ith a e
p g .
H en ry Ja m e s a n ov e li s t a nd a n A m erica n
, ,
o f Charles A D a n a . .
call e d th e D en b y Jam e s F en i m or e
” “
Ma n a n d i t was to h i m that th e m a n u
,
”
was bli n d .
b e th the Wise .
”
Th e P e rch was th e ho m e o f M rs .
”
Josh Billi ng s ( H e n ry W Shaw ) was .
”
L eav es o f Gra s s by Walt Whitman ,
fir s t publi s h ed i n 1 8 5 5 a n d add e d to in
lat e r editio n s i s ac k n owl edg ed to be th e
,
T h e Fortu n es o f N ig el
”
.
ti ona l R ev i ew .
t h e l egislativ e co mm i s s i o n o f 1 8 0 1 A .
a n d on Saturdays a n d holidays .
”
gr eat est r eali s t .
”
Fool a n d T h e Gr eat e r Glory i s a
“
,
w a s th e a u t h or o f a n O d e i n Tim e o f
H e s itati on p ro n o u n ce d by critics to be
”
,
h i s b e s t w or k Moody di e d at a n earl y
.
a ge .
p la c e a n d childhood ho me o f J a m es
Whitco m b R il ey .
p oet
Mary Joh nsto n ha s be en t ermed th e his
tor i an o f the South ”
.
becaus e o f th e,
is n o R ule T wo .
styl e .
”
dis e.
, , ,
, , ,
D ickens .
Hy p erio n .
”
of E n gla n d wa s s p o k en o f by a n ews,
Mar k la n d i s th e ho m e o f A lb e rt Bige
low Pai n e T h e la n d ne ar R e ddi n g
.
, ,
Fu z z y Wu z z y wa s th e h e ro of on e o f the
-
“
B a rrac k R o om Ballads -
o f R udyard
Ki p li n g i n which T om my A tki ns voic e s
,
S ea ,
pro n ou n c ed b y critics one o f the
fi nest s ea s o n g s eve r writt en .
”
s tory ,
“
T ypee d eal s w ith his experi
,
e n c es th e r e .
”
hou s e i s t h e h u b o f th e solar s yst em .
Fi s h k i l l was t h e sc en e o f th e imprisonment
o f H a rv ey B i rch o f C ooper s Sp y a nd ’
,
”
novelist preacher -
I t i s located a little .
and critic .
A d pati
n c all th p a io f gr at h art
en e e ss n o e e s .
shir e E n gla n d
,
.
St ev en s o n wa s gr e atly i n t er e st ed i n the
wor k o f Fath e r D a m i en a n d was m ost ,
on e o f his books .
n s .
”
great Commoner .
ONE T H OU S AND L IT ERARY QUE S TI O N S
Maria Su s a nna Cu m mi n s was the author o f
T h e La m p light e r
T h e Light o f A s ia a po em b y S ir E dwin ,
o f S i d d ar th a or Gauta m a th e H i n du
, ,
Buddha .
T h e Littl e Mi n
“
H e i s th e author o f
”
i s ter .
a n i ec e o f th e p o et Matth e w A r n old , .
du m b a n d bli n d,
.
’
Shak es p ear e wa s termed E ngland s
myriad m ind ed
“
-
genius .
A natom y o f Melanchol y ”
It is the o nl y ,
As m or i g ho w th day
n n s s e .
i s to e x p os e th e fals e arts
“
T h e T a tl er ,
o f li f e to p ull o ff th e di s gui s es o f c u n
,
C harl es .
”
Mad Jac k .
Willia m Wordsworth s ai d
T o m e t h e m ea n es t fl o we r that blo ws c a n giv e
Thought that do oft
s en l i e t oo d p ee f or t r ea s .
1 74 ON E T H OU S AND L IT ERARY Q UE S TI O N S
Jo natha n Swi ft applaud ed A l ex ander P ope
for his sarca s m a n d s aid,
Wh e n you ,
m a n w e r e to go by cha n c e at th e same
ti me with Bur k e u n d e r a s h ed to shu n a
sho we r h e would say This is a n e x
, ,
t ra or d i na ry ma n .
co m m en c ed as a n author It is a whi m .
A l fr e d T en nyso n said ,
I am a part o f all
”
that I hav e met .
two brothers
E m e rson sa id L ive as on a mou n tain Let
, .
e is e e e .
o n e ti m e Pri m e Mi n i s t e r o f E n g la n d fi r s t ,
r i e t ta T e m p l e
”
.
C rui s e o f the S n a r k ”
H is wi f e Char .
,
”
which th e whi s tl e com es .
S id e t h e Bo n n i e B riar Bush S am u el R ,
”
.
i s t er ”
, a n d J a m es M B arri e who wrot e .
,
T h e Li ttl e M i n ist e r
“ ’
H
.
A N S W ER S 1 79
Cali fornia .
T ree.
Warwick .
Willia m Cowp e r di ed i n s an e .
e e s sn e s s n
O r trod th pil d l av of th W t
, ,
e e e es e es ,
M y w gr for t la d
o n ee n es n ,
e on t h e s en e s e e an s n
A d gath r f li g f arth
,
n e t ee n s no o e
H i fi ld d tr a m a m o g
,
s e s an s e s n .
I R em ember wrot e : ,
”
I r m mb r I r m mb r
e e e e e e
T h fi tr
,
dark d high
,
e r- ee s an
I u d to thi k th ir l d r to p
se n e s en e s
W r clo agai t th ky
e e se ns e s
It w a childi h ig ora c
as s n n e,
But w t i littl j o y
no
’
s e
To k o w I m furth r ff fro m h av
n
’
e o e en
Tha wh I w a bo y
n en as .
5 38 .
O f Samu el Taylor Col eridge it was said ,
T h e m o s t p o p ul a r o f a l l o f P e rcy Byssh e
Sh ell ey s lyric p o em s i s th e od e To a
’
S k ylar k ”
.
t h e occa s io n o f h i s s p ee ch at t h e u n v e il
i n g o f a s tat u e i n ho n or o f th e Italia n
patriot M azzi n i i n C en tral Park N ew
, , ,
Y or k .
y ears o f a ge .
Nor m i n e th er li k p o w r to ho w s ee -
e e s
Th cr t f t h h art d m i d ;
e se e s o e e an n
T drop th plu m m t li b lo w
o e e -
ne e
O ur co m m o w orld f j y w n o o or oe,
A m or i t d pair bright r hop to fi d
e n en s e es or e e n .
t r i bu t i on w ith tha n k s a n d w o rd it so ,
s we etly that t h e r ec i p i en t c a n ta k e i t t o
a b a n k a n d rai s e m o n ey on it ”
.
n ov e li s t w h o wrot e m a n y w e ll k n o w n
,
-
p o em s a nd s ev e ra l n ov el s o f Scotch li f e ,
w a s a l s o a p r e ach e r .
M a diso n C a we i n i n Wh en W e W e re
Y ou n g wrot e th e follo w i ng li n es :
”
en e e an as .
i s th e fi r s t p ro f e s s i on al m a n o f l e tt e rs to
b eco m e Pr es id en t o f th e U n ite d Stat es ”
.
5 70 . R ob e rt B ro wn i n g w a s th e author o f
R abbi B en E zra .
”
fi r ed by lit erary m en ”
.
hi s e s e :
1 86 ONE T H OU S AN D L IT ERARY QUES TI ON S
Cou n t L eo Tolstoy was at one tim e a boot
make r .
”
la n d s m ight at s ea
’
.
Wi f e .
C ha wto n i s n otabl e a s th e r e s id e nc e o f Ja ne
A u s t en .
on e ti m e ho m e o f G e org e M e r e dith
-
.
T h e wi fe o f H en ry Wadsworth L ongf el
low was buri ed on th e eight een th a nn i
v e rs a ry o f h e r w e ddi n g day This r e f e r s -
.
,
AN S W ER S 1 87
t e ry
. S h e wa s dr e ssed for the to m b in
her weddi n g gown h e r head w r e ath e d in
-
,
o f hi s po em I n S chool D a y s Let “
”
eyes .
C aroli n a H i s f r i en d a n d n eighbor
.
,
R a l p h Wald o E m e r s o n ca m e to th e c ell ,
”
a n d s aid H en ry why a you h e r e
r e ?
, ,
“
Thor ea u r epli ed Why a re you n ot ,
”
he r e ?
E n gl a n d .
mm e .
Tho ma s C a m p b e ll s aid
’
T i s th e u t of lif giv m my tical lor
s ns e e es e s e,
And mco i g v t ca t th ir hado w b for
n e en s s e s s e e .
. .
e ns .
Vicar o f W a k e fi eld .
A by s si n ia h i s o n ly ro m a n c e ; i n a s i n gl e
,
”
his m other .
AN S W ERS 1 91
A le x and e r P ope s ’ “
U niversal P rayer was
as follows :
T ach m t f l a oth r w
e e o ee n e
’
s oe,
T hid t h fault I
o e e s ee :
That m rcy I t oth r Sho w
e o e s ,
ing as a nov el .
L i f i a j t d all thi g ho w i t ;
e s es an n s s
I thought o c w I k o w it
,
d so n e, a n no n .
”
i t s way .
s e s an n e,
Too r i ch a p arl for car al wm e n s e .
Joh n D r yd en wrot e h i s fi n es t p o em A l ex ,
a n d e r s F ea s t o r T h e P o we r o f M usic
’
, , ,
a n O d e i n Ho n or o f St C ecilia s D ay .
’
,
”
i n a s i n gl e n ight
.
s o m e a c h i ev e gr e at n e s s a n d s o m e hav e ,
r e at n e s s th r u s t u p o n e m
’ ”
g .
E d m u n d Sp en s e r s g r av e i n W es t m i n s t e r
’
th irty y ear s wa s ev en tu a l ly m a r k e d by a
,
D ors et .
H en ry VII I .
Willi a m E ll e ry C ha r mi n g t h e m i n i s t e r wa s , ,
Fath r th y ha d e n
H ath r ar d th v rabl colu m thou
,
e e es e en e e ns ,
D id t w av thi v rda t roof Thou did t loo k
s e e s e n s
do w
.
n
U po th ak d arth d forth with ro
n e n e e an se
All th fair ra k of tr Th y i th y
, , ,
es e n s e es e n s u n,
Budd d d hook th ir gr l av i th y br z
.
,
e an s e ee n e es n ee e,
A d hot to w ard h av
,
n s s e en .
E d m u n d C lar en c e St ed m a n i n h i s Vic ,
”
tori a n Po et s s ai d : T h e sight o f a ,
s t a r or a fl o w e r or th e s tory o f a S i n gl e ,
I s e n s n n e o s n .
A N S W ERS 1 95
A d th fri d hi p
n e ld d th en arl y lov s s o an e e es
C o m back w ith a abbath ou d
e f dov e s s n , as o s
I q ui t ighborhood
n e ne s
A d th v r f that w t ld o g
.
n e e se o s ee o s n ,
It flutt r d m ur m ur till
e s an s s :
A bo y will i th W i d will
’
s s e n
’
s
A d th thought f y outh lo g lo g thought s
,
n e s o a re n , n .
A uthors .
”
s an s n e s n s
A d t h littl to y oldi r i
n e d w ith ru te s e s re s
A d h i m u k t m ould i h i ha d
,
n s s e s n s n s
Ti m w wh th littl to y dog w
.
e as w en e e as ne
A d th
n oldi r w pa i g fair
e s e as ss n
A d that w t h ti m w h our L ittl Bo y Blu
,
n as e e en e e
K i d th m d put th m th r
s se e an e e e .
o f a Way s id e I nn
Shi p that p a i th ight d p a k ach oth r i
s ss n e n an s e e e n
pa i g
,
ss n ,
O nl y a S ig al ho w d a di ta t voic
n i th s n an s n e n e
dar k ; n es s
SO on oc a of lif w pa
th e d p ak
e n e e ss an s e on e
a oth r n e
O ly a look d a vo c th dark aga i
,
d
0
n an r e, en nes s n an
a fl s en c e .
E ngla n d i n 1 8 2 8 ,
.
T wo o ft en q uot e d sta n za s a r e -
n e, e an
B id m S i gi g i t h W ild r
es e e n n n e e nes s
Oh W ild r
, w r Paradi
e n es s ow ! e e s e en
l
>< >l< l
><
e n, e en n ,
A d
n ho w d th am who m lov f G d had
s e
’
e n es e o o
bl d es s
a m l d all th r t !
,
A dh m
’
A d 1 ! B
n , 0 en e s n e e e es
” ’
I s l e c el ebrat e d i n Scott s po em
,
The ,
Lady o f the La k e .
”
C h a rl es D i c k en s wa s c a ll ed th e humani
taria n n ov elist o f E n gl a n d .
la nd .
G oeth e w a s th e author o f th e li n es
For touchi g h art th o l y cr t k o w
n e s e n se e n n,
M y worth y fri d i to hav f y our w en , s e on e o o n .
C a n ne e e n .
AN S W ERS 1 99
M y rtl e R ee d ( M rs J Sidn ey Mc Cu l l ou gh ) . .
Tru worth i i b i g t mi g
e s n e n , no s ee n ,
ard B ri n sl ey Sherida n .
p oem a n d s o n g R oc k ed i n th e Cradle ,
o f t h e D ee p ”
.
o n e o f th e gr e at es t m a s t e r s o f th e art o f
fi cti on i n E n gl a n d to day -
.
D r Willia m E ll e ry C ha n n i ng s grave i n Mt
.
’
.
A uburn C em et e ry Ca m bridge Ma s s a , ,
c h u s ett s i s m ar k e d by a m o n u m en t d e
,
-
e n s an e es ,
Though H av alo r cord ib r t r ‘
e en ne e s e ea
A d fa m
n hall v r k o w h to y e s ne e n er s r
h a rt h Sh d a drop d ar
,
H
’
er e as e as e
A b d w d th fi l d f glory
’
s e er ~
e e e e t
e o .
2 02
’
And sa s as e e n as be
m a n,
And I y th r i othi g gr at r tha
sa e e s n n e e n th e m oth r e
of m en .
R ob ert Loui s St ev en so n s ’
M y Shadow
aid to be t h e m o s t popular s hort
“
is s
”
po em exta n t .
J o h n Burroughs said : I w en t to th e L ak e
D i s tri c t o f E ngla n d to s ee w hat k i n d o f
a c ou n try it could be that w ould produc e
a Word s worth
R ob ert Bro wn i n g s Prospic e is said to
“
be th e gr eat est d eath song ever -
p e n n ed .
A d n on e e e
A d m y th r b
n a m oa i g of th bar
e e e no n n e
W h I put t to
en ou s ea .
,
en e
H esp e rus ”
.
mous po em is H oratius ”
.
”
D ee .
’
Conrad s writings .
bo y ”
.
204 O NE T H OU S AND L IT ERARY Q UE S TI ON S
A cro s s coast o f Ch est er E ngland to
th e , ,
T h e closi n g li nes a r e :
May I r ach e
That pur t h av b to oth r oul
es e en , e e s s
T h cup of tr g th i
e o m gr at ago y
s en n s e e n
E ki dl g rou ardor f d pur lov
,
n n e en e s ee e e,
cru lty
,
B g t th m il that hav
e e e s es e no e
B th
e w t pr
e s c of a good di ff u d
ee e s en e se
di ff u io v r m or i t
,
A d i
n n s n e e e n en s e
hall I j oi th choir i vi ibl
.
S o s n e n s e
Who m u ic i th g lad
se s f th w orld
s e n es s o e .
E d w i n M a rkha m h a s b een t e rm ed th e
”
Po et L a u reat e o f t h e labori n g class es .
t h e char m o f m u s ic d w e ll s n ot i n th e ton e
”
but i n th e e cho es o f our h earts .
a n d John T Mc Cu tc h eon . .
e ra y ,
M otl e y A lla n Cu nn i n gham M rs
, , .
Hawthor n e .
from a hu m a n s k ull
Jos eph Conrad wrot e N ostro m o which ,
’
c n s s n ov e l N ichola s N i ck l eby
,
”
.
Cicero .
, ,
”
days.
It wa s h e r e that T en ny s o n r e v is ed a n d
p oli s h ed h i s Mort e d A r th u r ”
a nd
’
h e r e al s o C arlyl e r e st e d a ft e r co m pleti n g
his Fr e d e ric k th e Gr eat .
Fulha m E n gl a n d w a s th e on e ti m e ho m e
, ,
-
a n d S w i nbur n e .
riv e r o f th e p o ets ”
.
d es c e n d e d .
o f R ob e rt Bur n s .
”
daw n shini n g full upo n him .
N ight Thoughts ”
.
Willia m Wordsworth sa i d H eaven lies
about u s i n our i n fa ncy .
W hat I m o t priz i wo ma s e n n
I h
s a ff ctio
er t h i t ll ct !
e ns, no er n e e
Th i t ll ct i fi it ; but th a ff ctio
e n e e s n e e e ns
A i fi it
re n d ca ot b x hau t d
n e, a n nn e e s e .
said
S uch i th patriot boa t wh r r w roam ;
s e
’
s s e e e
’
e
H is fi r t b t cou try v r i h i w
s ,
es n e e s s o n .
c ea s e d .
Stairs ”
The R ain y D a y
, and A ,
”
P salm o f Li fe .
”
T h e y w e re in n o v e ry d efi n it e s en s e a
school and the y did not agre e i n a
,
N atha n i el Hawthorne .
H e r e al s o w a s th e a s to n i s hi n g chim n ey
, ,
th e tw o fri en ds di s cu s s e d th e plots o f
“
Moby D ic k th e Whit e Whal e and ,
”
oth e r s tori es .
n a l s o f Vi ol e t a n d P e on o f t h e S n o w
y
I m age .
J G Holla n d
. . .
author
Hr e e h e es w li h r h lo g d to b ;
e e e n e e
Hom e i s th e s ailor ho m fro m th e e s ea ,
hu t r ho m fro m th hill
,
A n d th e n e e e .
H e was al s o k n ow n a s
“
th e l ear n ed
blac k s m ith fro m th e fact that much o f
,
”
c h u s e t ts H e wa s a n o t e d p eac e r e
.
at Bi r m i n gha m E ngla n d , .
op en h i s p o em Waiti n g ,
Se r I fold my ha d d wait
en e n s an
car for wi d tid
,
N or e n s, n or e, n o r s ea ;
I rav m or
e no gai t ti m d fat e
’
ns e an e,
For 1 ! my w hall co m to m
0 o n s e e .
M adame de
Sta e l wrot e her famous
nov el D elphi n e whil e banished from
, ,
meanin g Tell e r o f T al e s .
E r r ol the h e ro o f
,
L ittl e Lord Fa u ntl e
ro y ”
.
a r e suppos e d to co n v e rs e tog e th e r .
said :
O ur doubt traitor s a re s,
A d m ak
n lo th good w ft m ight wi
e us se e e o n
B y f ari g to att m pt
e n e .
n e wsboy i n Portland M ai n e , .
O r good or bad d k o w it t , an n no
Y t
e th
so u iv r i w rought
e n e se s .
Choo th th y d ti y d wait
s e, en , es n , an
t ri es
s o f or c hildr e n a pp e ari n g in m a n y
of th e l eadi ng city p ap e r s a n d in m aga f
zi nes .
Si r E d w i n H e n ry La n d s eer taught Qu ee n
Victori a a n d th e Pri n c e C o n s ort th e art
o f e tchi n g a n d for thi s achi ev e m ent was
,
k n ight ed .
b e f o u nd t h e f o ll o w i n g w ord s place d ,
th e r e by th e Italia n p eopl e i n ho n or o f ,
on e th e y lov e d : H e r e w rot e a n d di e d
E lizab eth Barr ett B row n i n g wh o i n h e r ,
sag e a n d th e s p irit o f a po et a n d m ad e ,
with h er v e r s e a gold en ri n g bi n di n g
Italy a n d E n gla n d .
at s i x y ear s o f a ge .
H en ry D ru m m o n d w a s th e author o f
”
N atural Law i n th e Spi r itual World .
e ditor .
historia n .
’
Joha n n Wol fga n g von Go eth e s first dram a
i n v ers e was d edicated to th e girl he
lov ed .
”
Indians .
AN S W ERS 2 1 9
n ov e l
,
E velina ”
.
hi s wi fe a n d d e d i cat e d it to he r m emory
, .
novelist o f note .
220 O NE T H OU S AND L IT ERARY QUE S TI ON S
Cotto n Math e r wh o wa s th e s on o f I n
,
po em e s tabli s h e d h i s re p utatio n as a po e t .
”
cil e a n ov e l i n v ers e a n d also othe r
, ,
p o em s .
w e r e n ativ e s o f I n dia n a .
”
t i v i ty.
O N E T H OU S AND LIT ERARY Q UE S TI ON S
R al eigh Tav er n William s burg Virginia , , ,
wa s th e o ne -
ti m e favorite r e sort o f
E dgar A lla n P oe .
Fra nk li n Pi e rc e wa s a cla s s m at e o f H en ry
Wad s worth Lo n gf ellow at Bowdoi n Col
l eg e Bru n swic k Mai ne
, , .
”
G eorg e Sa n d was th e p s eudo n y m o f
Bar on e s s A uror e D ud ev a n t t h e mos t ,
Schill e r .
h er s h e b e i n g e ight y e ar s h i s s en ior
, .
f o ur Hour s a D ay
A bout a m il e n orth o f th e village o f Con
cord Ma s sachu s ett s H en ry D avid Tho
, ,
dwelt alo ne f o r t wo y e ar s H e r e h e s p en t .
lived ”
.It i s said that his e x penses were
but nin e cents a day .
translation o f H o m e r fo r which b e re ,
s a c h u s ett s , H awthor ne
a re Natha n i e l ,
R al p h Wald o E m e r s o n H en ry D avid ,
fa m ily .
plac e d A n a pp ro p riat e m o n u m en t wa s
.
a n d p la c e d ov e r h i s grav e i n W e st m i n s ter
1 8 75 . T en y e ar s lat e r th e actor s o f
A m e rica p r es en t ed a P oe M em orial to
t h e M etr o p o lita n M u s e u m o f A rt i n New
Y ork C ity th e s p eech o f prese ntatio n
,
b e i n g m ad e by E dwi n Booth .
Ch a r l eS L ‘
. D odgs on has writt en d elightful
j uv il e stori es fairy tal es u n d e r the
en ,
-
,
”
nam e
“
L e w i s Carroll T h e h e roine .
,
A l i ce wa s n a m ed i n ho n or o f a fri en d
, ,
d egr a v e w ho m th e I n dia n Ou ta l i s s i a n
, ,
th e for es t s o r r ep osi n g i n s e q u e s t e r e d
n o o k s with a v o lu m e o f Shak e s pe ar e ,
a n d h e r fath e r w e r e k ill e d i n th e i n va s io n
by Bra n dt a n d h i s warrior s u n d e r th e ,
,
”
.
S h e i s th e g r a n dchild o f th e ow n e r o f
th e S ho p T h e o l d m a n obs es s ed with
.
,
th e ide a o f m a k i n g h e r rich a n d ha pp y ,
t em p t s fortu n e i n th e ga m bli n g de n s ,
p a wn s ev e rythi n g lo s e s e v e rythi n g a n d
, , ,
n e e en s ns e e,
K li g i pray r d t a ham d to p ray
n ee n n e , an no s e
Th tu m ult f t h ti m di co olat
,
e o e e s ns e
To i articulat m ur m ur di a way
n e s es
W hil th t r al ag watch d wait
,
e e e e n es an .
D on Q u i x ote
is t h e hero o f o n e o f the most
Ce rva n t e s H i s tory o f th e R e n ow n ed
’ “
D on Quixot e d e la M ancha H e is r ep .
”
r e se n t e d as a g en tl e a n d g en e rous e m
th u s i a s t who h a s brood e d ove r th e
,
th ey a re true a n d hi m s el f a k n ight ,
fe n d th e oppr ess e d a n d av en ge th e i h ,
a s h e hi m s el f i s a n id e ali s t .
p oem E xc e l s ior
,
It d epict s th e
e a r n e s t u p w a rd i m p ul s e of t e s oul
h —ah ,
”
i m pul s e n ot to b e s ubdu e d ev en i n d eath .
gr eat es t e ssayi s t .
ca n e s ru -
u e n
Ex plai i g t to
n n w al way fair
en on e as s
I m t h proph t of t h U tt rl y Ab urd
.
’
e e e e s
O f th Pat tl y I m po ibl d Vai
,
e en ss e an n
A d wh Thi g that Could t h occurr d ’
n th en e n n as e
G iv m ti m to cha g m y l g d go agai
,
e e e n e e an n .
T h e D u k e o f Marlborough s aid : A ll th e
E ngli s h hi s tory that I k n ow I l ear ned ,
A rthu r H en ry H a lla m .
p oe t .
”
Ja m es F en i m o r e Coop e r wa s th e author o f
T he S py
”
a n ov el fou n d ed on i nci
,
”
Lady or th e Tig e r one o f th e great est ,
tio n f o r th em a m o n g h i s h ear e rs .
b on dia .
y ear s o f h i s li f e i n Japa n .
Fi n l ey P et e r D u nn i s th e r en own e d M r .
D ool ey .
”
Scotla n d .
rare ph enomenon ”
H e died in 1 91 0
. .
A N S W ERS 2 31
G oethe s
’
Faust i s in two parts In th e .
pros e ”
. H e was a v e ry powerful and
aff e cting no v e list and i n some measur e ,
, ,
cal m i n d .
E n glish po e t s .
po em b egi n s :
t Aubur ! lov li t villag f th plai
S w ee n e es e o e n,
W h r h alth d pl ty h d th labori g wai
e e e an en c ee r
’
e n s n,
W h r m ili g pri g i t arli t vi it paid
e e s n s n s e es s
A d parti g u m m r l i g i g bloo m d l y d
,
’ ’ ’
n n s e s n r n s e a .
r
>
en e n en s n .
Willia m Co wp e r h a s b een t e rm e d th e
”
P oet Lau r eat e o f th e fir e s id e H e is pr e .
w rit e r h a s s po k e n o f h i m as th e laur ea t e
o f th e fi r es id e t h e gard en t h e gr een , ,
h o u s e a n d th e r a bbit coo p
,
”
T h e O l n ey -
.
la n d s ca p e wa s a ta me fl at agricultural , ,
Sa m u el Tayl o r C ol e ridg e a n d R ob e rt
South e y m a rri ed s i s t e r s B oth fa m ili e s .
r esid ed a t K es w ic k i n th e La k e C ou n try
,
a n d a dr e a m e r .
m a n o f e rratic habit s w h o i m pr e ss e d
, ,
tio n H e b eg a n ta k i n g opiu m wh en a
.
h e s u ffe r e d th e m o s t acut e m is e ry a n d ,
h i s will u n d e r w en t a co m pl et e paralysis .
human fac es ”
A ll thes e e x p eriences are
.
”
related in hi s Con fessions .
more especiall y ”
he admits when , ,
ma n s H omer
’ ”
H is kn owledge o f
.
n ow m y id ea l h a s al w ay s b ee n far b e yo n d
”
o f art agai n .
Lo n gf ellow ? ”
as k e d on e o f th em It .
“
wa s th e re p ly
”
is ,
W e ll s i r s om e o f .
, ,
w a n t to s ha k e your ha n d a n d s a y God ,
bl es s th e m a n wh o wrote A Psalm o f
”
Li fe .
H
e s an e e
For th oul i d ad that lu mb r
e s s e s e s,
A d thi g n t what th y nm s a re n o e s ee .
2 38 O N E T H OU S A N D L IT ERARY QUE S TI ON S
ro manc es i n 1 4 70 It was called Mor te .
In th e li n es
I h ld it truth with h i m wh S i g
e o n s
To cl ar harp i div r to
,
on e e n e s n es ,
That m m y ri t ppi g to
en a s e on s e n -
s n es
O f th ir d ad lv to high r thi g
e e se es e n s
w ork .
e can e e n n a n,
Bri g hop with it d for ward looki g thought
n s e ,
an -
n s .
J ea n Va lj ea n is th e h e ro o f Victor H u g o s
’
m a s t e r p i ec e H e ha d
”
L es M i s e rabl e s
, .
, .
mo n y o f co m pl e tio n o f th e Battl e Mo n u
m ent er e ct e d on th e w e st bank o f th e
,
e e n e e e e e s s
A d fi r d th
n ehot h ard rou d th world
e s e n e .
2 40 ONE T H OU S A ND L IT ERARY Q UE S TI ON S
T h e f oe lo g i c i il c l pt
n s n e n s en e s e
A lik
e th e co qu ror S il t l p ;
n e en s ee s
And Ti
m e th e rui d bridg h w pt ne e as s e
O thi gr
n sba k by thi oft tr a m
ee n n s s s e
t to da y a votiv to ;
, ,
W e se -
e s ne
That m m ory m y th ir d d r d m
e a e ee e ee
Wh lik ir our o go
,
en , e ou r s es , s ns a re ne .
S p i i t th t m ad tho
r a h ro dar e se e es e
To d i d l av th ir childr fr
, ,
e, an e e e en ee,
Bid Ti m d Natur g tl y par
e an e en s e
Th e haft w rai to th m d th
s e se e an ee .
T wo O j ibwa y chi e fs ,
i n 1 90 0 i n vit e d Lo n g ,
f ello w s fa m ily ’
to w it n es s a n I n dia n
r eproductio n o f Hiawatha on a roc k y ”
,
’
w ill n ev e r d i e a s lo n g a s your fath e r s
”
s o n g liv e s a n d that will l iv e for ever
, ,
t h ey said .
i n s i gn i fica n ce o f s uch a fl o we r l e d th e
po et to ta k e it a s a n illustratio n o f how
t h e littl e thi n g s co n tai n th e gr eat and s o ,
l ed to h i s w riti n g th e li n es :
Flo w r i th cra i d wall
e n e nn e
I pluck y ou out of th cra i
,
e n n es ,
I hold y ou h r root d all i my ha d e e, an n n
L ittl fl w —b t if I coul d u d r ta d
, ,
e o er u n e s n
W hat y ou root d all d all all a r e, an an in
I Should k o w what G od d m i
, ,
n an an s .
2 42 ON E T H OU S AND L IT ERARY QUES TI O N S
N m or
o hall th w cry v r
e s e a r- se e ,
O r th w i di g riv r b d ;
e n n e s e re
Th y ba i h
e a g r for v r
n s our n e e e ,
W h th y laur l th grav f u
en e e e es o o r
U d r th
n d e d th d w e so an e e ,
A n epic po em i s th e
long n arrativ e o f the
e xploit s o f a h e ro told i n an e x alt e d ,
Ho m e r s Iliad a n d O dy s s ey
’
.
H e had a h ea d wh i ch s ta t u .
ari es lov e d to c o p y a n d a fo o t th e d e ,
R ead B en Ki n g A l fr ed H en ry L ewis
, , ,
dramas It i s i n o n e o f th e se Clari or
.
, ,
Swe e t H om e occurs .
th e e stabl i s hm e nt o f th e N or th A mer i ca n
R ev i ew one o f th e most importa n t o f
’
,
l ead e r o f th e Un itari a n m ov em en t .
D a n i el W eb s t er s m o s t fa m ou s oratio n s
’
a r e : h i s A ddr es s a t t h e Layi n g o f th e
C o r n er s to n e o f th e Bu n k e r Hill Mo n u
-
m en t ; h i s O ratio n on A da m s a n d J e ffe r
s on ; h i s R e p ly to Hay n e i n t h e U n it e d
Stat es S en a te ; a n d th e S ev en th o f March — -
h i s s tyl e e q ually w e ll .
t i n c t i on s a n d to li v e si m ply a n d close to
th e soil . T h e a s so c iatio n r en t e d a large
far m i n R o xbury n ear Bo s to n Massa
, ,
i n t h e f a m ou s
“
B iglow Pap e r s of ,
I call it m urd r
E z f e r wa r , e
Th r y ou h it plai flat ;
,
’
e e ev n an
I do t wa t to go furd r
n
’
n no e
Tha m y T ty m t f that ;
n es en er
G od h aid plu m p ez fairl y s so an
’
lo g it i broad
,
’
It s ez n ez s ,
i n w hich h e att e m p t e d t o f o r m a n e w
co mm u n ity b ec a u s e th e s p irit o f B rook
Far m s eem e d too s o r did A t Frui tla n d s .
,
to be do n e by ha n d s i n ce it w a s w ro n g ,
to en s l a v e a n i m al s ; all i n s e ct s w e re to be
u n m ol es t e d s i n c e th ey h a d a right to
,
failur e .
’
onc e Washi n gto n s h eadquart e rs duri n g
th e R e volutio n ary War Wh en H en ry .
poem To a Child
,
“ ”
M r Longfellow , .
O ne f t r call e o e s,
T h Fath r f H i Cou tr y d w lt
e e o s n , e .
2 4 8 O NE T H OU S A ND L IT ERARY QUE S TI ON S
U p d do w th an choi g tair n es e e n s s,
H av y w ith t h w ight of car
e e e es ,
S ou d d h i m aj tic tr ad ;
n e s es e
Yes ,w ithi thi s v ry roo m n e
S t h i tho
a hour of gloo m
e n se s ,
s a ch u s ett s w a s fi r s t t en a n t e d by R alph
,
by D r E zra R i p l ey w h o m arri e d th e
.
,
guardia o f e childr e
h r n n —bor n u n d e r ,
wa s o ne Wh en h i s fath e r di ed E m er
.
,
s o n fou n d a s e co n d ho m e h e r e with D r .
o f E m e r s o n a n d h i s m oth e r i n 1 8 34 -35 ,
wh en h e w rot e h i s fi r s t volu m e In 1 8 4 2 .
,
t h e fi r s t ti m e by a lay m a n , — all i ts p r e
v i ou s occu p a n t s havi n g b een cl e rgy m e n ,
li f e o f which h i s N ot e Books a n d ”
Mo s s es fr om a n O ld Ma n s e giv e u s
d elightful gli m p s es Writi n g o f this .
th e occu p a n cy
’
o f M rs Hawthor ne s .
a s wh e n h e l e ft h e e n larg e d o n e wing
,
s —
oth e r id e w i n g e r ect e d two spacious
,
S m ith author o f ,
A merica J ames
” “
,
O n th e occa .
give i n full :
H as th r y l d f llo w got m i x d with th bo y ?
e e an o e e e s
I f th r h tak h i m t without m ak i g a oi
e e as, e ou n n se .
H a g th Al ma ac ch at d th Catalogu pit !
,
’ ’
n e n s e an e e s s e
O ld Ti m i a liar ! W r t w ty to ight !
e s e
’
e en -
n
W r t w ty ! W r t w ty ! W ho ay w
e
’
e en e
’
e en s s e a re
m or e?
H
'
e sti p y —y ou g j k p — ho w h i m th door !
s n ac a na es s e
G ra y t m pl at t w ty ? —Y ! wh i t if w
,
“ ”
e es en es e e
pl a ; e se
W h r th o w fl k fall thick t th r nothi g
e e e sn -
a es es e e s
’
n
fr z !
ca n ee e
W it o w i g I po k f
as sn Ex cu th mi tak !
n s e o ? se e s e
L ook clo —y ou will t
s e, th S ig f a fl ak ! no s ee e n o e
W wa t o m
e n w garla d sfor tho w hav
e ne n s se e e
h d s e ,
A d th
n whit ro
es e a re i plac f th d e s es n e o e re .
W v ’
i k w y ou g f llo w y m y hav b
to l é
e e a r c , e n e s. ou a e een
O f talki g ( i public ) if w w r ld
n n as e e e o
2 5 2 ON E T H OU S AND L IT ERARY QUE S TI O N S
That bo y w call D octor d fib i w call
e ,
an s e
J udg ; e
”
It
’
a at littl fi ti — f cour t all fudg
s ne e c on , o se i
’
s e .
That f llo w th S p ak r th
e
’
th
s right ; e e e -
e on e o n e
Mr May or my y ou g y ou to ight ?
,
”
h w n on e, o a re -
n
That our M mb r of Co gr y wh
.
,
”
w
’ “
s e e n es s , e sa en
w cha ff ; e
Th r th R v r d W hat h i
e e s
’
e m do t e e en
'
s s na e P- n
’
m ak w lau g h e e .
n e t ! e as rue
S th y cho
o e h i m right i ; a good j ok it w
se too ! n e as,
nes s ea n
W h h pok for our m a hood i y llabl d fi
en e s e n n s e re ,
A d th r
n a ic y ou g t r o f x c ll t p ith
e e s
’
n e n s e e e en
Fat tri d to co c al h i m b y am i g h i m S m ith
,
e e n e n n
But h hout d a o g for t h brav d th fr
e s e s n e e an e ee ,
J u t r ad
s h i m dal
e M y cou try
on f th
’
! s e , n ,
” “
o ee
”
e en as e s ,
Y w r
es , boy s — al way play i g w ith to gu
e
’
e s n n e or
W i th p n,
e
A d I n t m hav a k d S hall w v r b
so ne i -
m r
es e s e , e e e e
en
S hall w al wa y b y outhful d la ghi g d ga y
.
e s e an u n an
T i ll th la t l ar co m pa io drop m ili g a way ?
, , ,
e s ce n n s s n
s an s
tar of t W i t r th d w of i t May !
,
Th
.
e s s i s n e e e s s
A d wh w hav do w ith our lif la ti g to y
,
n en e e ne e- s n s,
D ar Fath r tak car of th y childr T h Boy !
e e , e e en, e s
2 54 ON E T H OU S A ND L IT ERARY QUE S TI ON S
r d a gr eat part o f th e glob e I n 1 8 78
e e .
P en n s ylva n ia h i s ho m e cou n ty at a
, ,
fa m o u s di nn e r t o ld h ow prou d it wa s
o f h i s g en iu s a n d s ucce s s ; h i s Ne w Y ork
lit e rary fri en d s gav e to h i m a br ea k fa s t
att en d ed by eighty p eopl e A m e rica had .
m a n y we lc om e d h i m for h e r e h e wa s a ,
al m o s t i m m edi a t el y a ft e r ta k i ng up h i s
r e s i d en ce th e r e H is r em a i n s w e r e
.
br ou ght ba c k to New Y or k wh e r e th ey ,
ta k e n to h i s h om e a t C ed a rcr o ft a n d laid ,
to r es t b es id e tho s e o f h i s b elov e d wi f e ,
een as ne ee s e e
d ll tori d tr a m forg t
.
N wood
or , n or e nor s e s e e
N W i d that blo w rou d lo l y C darcroft ;
, ,
.
or n s n ne e
AN S W ER S 2 55
Let th e ho m voic gr t h im i th far
e es ee n e
tra g la d that hold h i m ; l t th m ag
,
S n e n s e e es s es
O f lov pur u h i m
e th chartl
s a e o er
’
e es s se s
A d u m app d va t
n n of h i u k o w tar !
e s nes s es s n n n s
L ov la guag h ard b y o d th loud di cour
'
e s n e, e e n e s se
O f p ri habl fa m i v ry S ph r
e s e e, n e e e e
It lf i t rpr t ; d i t utt ra c h r
se n e e s an s e n e e e
S o m wh r i
e G od u foldi g u iv r
e e n
'
s n n n e se
S hall r ach trav l r oft i g th ur p ri
e ou r e e , s en n e s se
O f h i rapt gaz
s u fa m iliar k i ! e on n s es
R ichard Carv el ”
T he Crossi n g and
”
, ,
T he Crisis ”
M iss Joh n ston s his .
’
R oll ”
L ewi s R and
, and T he ,
Witch .
on th e pr e s en t sit e o f th e U n ited Ba n k
Buildi ng New Y ork City A mong t he
, .
le ck .
be e n su n g b y the bards o f Va ni ty Fa i r
2 56 ON E T H O U S A N D L IT ERARY Q UE S TI O NS
a nd th e S a tu r d a y P r es s . It wa s th e
n ightly hau n t o f th e bright e s t o f New
Y or k s B o h em ia n s w h o ca m e h er e to
’
eat ,
dri n k s m o k e a n d cha ff To this
, ,
.
po e t o f b ee r wh o s a n g W e a re v e ry
,
”
,
m erry at P fa ff s a nd Fitz Ja m es
’
-
O B r i en wh o wa s t e r m e d th e gypsy o f
’
,
”
l ett er s .
”
dow n thu s for et elli n g h i s o wn i n s a n ity
, .
,
.
b u t a r e s o coar s e a n d bitt e r as to b e
har m ful i n th ei r t en d en cy H is p ri ncipal .
” ”
L ett er s a nd Gulliv e r s Trav el s He
’
.
,
di ed i n s a ne H e l e ft h i s fortu n e to fou n d
.
D r J am es Gil m a n at H ighgat e a L on
.
,
2 5 8 ONE T H OU S A N D L IT ERARY QUE S TI O N S
w ith thos e o f th e hillsid e T h e s eco n d .
d u c e d m u c h o f t h e viril e a n d i m pas
s i on e d m a s ter ver s e o f T h e Sev e n
“
-
S ea s that m ar k e d h i m a s a m aj or p o et
, ,
m a n y o f t h e i n co m parabl e stori e s o f th e
“
Ju ngl e Boo k s a n d th e whol e o f that
,
”
m arriag e .
“
E b en H old en ”
Bachelle r thus de ,
pl ex n s on e so n n o e n en
H ld o S p aki g ) Aft r m a y call I fou d a plac to
en e n e n s n e
m y liki g Mo k y H ill ar Pri ti g H ou S quar
.
n on n e ne n n se e
Mo k y H ill w th y a t d f W illia m S tr t d t
.
,
n e as e e s en o ee an no
l a t fa hio abl Th r w r s o m at d cl a l y
,
th e e s s n e e e e e e ne an e n
looki g hou it f wood d brick d bro w to
.
n s es on o an an ns n e,
i habit d by m all trad m ; a f w hop a big tabl
, ,
‘
n e s es en e s s, s e,
an d t h chal t itti g e a broad fl at roof that cov r d
e s n on e e
a p ortio of t h tabl y ard T h y ard it lf w t h
,
n e s e- e se as e
u mm it o f M k H ill I t lay b t w t w bric k build
.
s on e e ee n o
i g ; d up th hill fro m th walk look d i to th
.
n s an e e on e e n e
f th e n o e s e an n e e o on
id th r w r dum p cart d l d coach i vary
,
one s e, e e e e s an o es n
in g tag o f i fi rm ity Th r w
s es l d iro hop that
n e e as an o n s
tood fl u h with th id walk fla ki g th tabl y ard A
.
,
s s e s e , n n e s e- .
la t r
n e n d a m a mm oth k y w r
an u p d d abov th e e e s s en e e e
door d ha gi g upo th S id f th h w a wood
an n n n e o as en
tair a c di g to th chal t T h latt r liad a h athi g
, e e s o
s s en n e e e e s e n
f w ath r wor clapboard It tood r ar d
.
o e e -
th n s s on e e en
f th brick buildi g co mm u icati g with th fro t roo m
.
o e n n n e n s
abov t h hop A littl tair f fi tp ac dd
,
e e s . e s o ve s e s s en e
fro m th la di g to i t d door that ov rlook d a m pl
e n n s re e e an e
y ard f roo fi g ador d with pott d p la t T h m a i
o n ne e n s e n
roo m f th chal t wh r w t m al
, .
o e d t de e e e a e ou r e s an sa an
talk d f v i g had th loo k f a hip cabi
,
’
e , o an e en n , e o s s n .
2 60 O N E T H OU S AND L IT ERARY QUE S TI ON S
Th r w r tatio ary at alo g th wall cov r d with
e e e e s n se s n e e e
l ath r cu hio
e e n Th r w r port d tarboard l
s ns e e e e an s an
tr d a big of poli h d bra that ov rhu g th
.
e ns an on e s e ss e n e
tabl A Ship clock that had a oi y d ch rful tick
e
’
s n s an ee
w all arro w pa ag l d to th roo m
.
, ,
w t i
as th se A n e n ss e e e
fro t d th latt r had la ti g id A big wi do w
.
i n n an e e s n n s es n
of littl pa i t furth r d l t i t h light of W il
.
,
i e nes , n s e en e n e
li m S t t H r I fou d ho m for m y lf — hu m bl
,
a r ee e e n a e se e
but quai t d cl a l y A t h rifty G r m a wh havi g
.
,
n an e n e n, o, n
lo g follo w d th had m arri d d thro w out h i
.
n e e s ea , e an n s
a chor for good d all w d w lt i th chal t w ith h i
n an no e n e e s
w if board r both w pap r m old
,
d tw
e an o Th e s, ne s e en e
hopk p r i fro t o c a ailor hi m lf had put th
.
s ee e n n n e s se e
plac i hip hap d l a d it to th m
, ,
e n s s e an e se e .
fa r f
’
a
And h e me
“
e , w en as n .
th e pai nt e r po et H i s b e s t k n ow n -
.
-
i ng a nd on e
, illustrati n g his poem ,
2 62 ONE T H OU S AND LI T ERARY Q UE S TI O N S
L ast R ose o f Summ er
The
Low ell s T he First S nowfall ’
.
”
a C ou n try Churchyard .
’ “
f ellow s Tal e s o f a Waysid e
”
In n .
7 . Pa s toral . W h i tti er ’
Snow bound s -
.
”
in
p .
h e n ow carri es h i s kodak .
T a r r ya w h i l e
”
was th e N ew E n gla n d
ho m e of G eorge W Cable It was h e r e . .
“ ”
that his Joh n March Souther ne r was , ,
’
at n i net ee n years o f a ge but his father s ,
a n ci en t chart e r s d eposit e d th e r e H e .
gr e atly d epr es s ed On th e v e rg e o f
.
th en took p oi s o n H e wa s n ot yet .
e ight een y e ar s o f a ge .
i n g which Ja m es F e n i m o r e C oo p e r m ad e
”
fa m ou s i n h i s n ov el T h e Spy ,
Fro m .
thi s h ot el H a rv ey B ir ch m ad e h i s e scap e
di s gui s ed i n B e tty s atti r e’
‘
dri nk I s ee th e s a n dy botto m s a n d d et e c t
how s hallo w it i s Its thi n curr en t s lid es .
H au ti g th hill th tr a m th wild
n n e s, e s e e
S wallo w d a t r lak d pi
, ,
an s e e an ne ,
To h i m gr w hu m a or divi
,
e n n e,
Fit m at for thi larg h art d child
es s e- e e
S uch ho m ag Natur r forg t
.
’
e e ne e e s,
A d y arl y
n th cov rlid
e on e e
N ath w hich h darli g li th hid
’
e er n e
W ill writ h i a m i viol t e s n e n e s .
C edarcro ft wa s t h e ho m e o f Bayard T a y
”
lor i n th e b eauti ful Val e o f Ch es t e r
,
“
,
C h es t er C ou n ty Pe n n sylvania C edar , .
the line s
A N S W ER S 2 67
” “
same brown house low and small , ,
P icture A lice sa y s :
”
,
Th d th hou
e s e, wh r I w
an born e se e e as ,
L w
o d littl
an d blac k d ol d e, a n an ,
en , n as ca n ,
All at th wi do w op wid e n s, en e,
H d
ea d hould r cl ar out id
s an s e s e s e,
A d fair y ou g fac
n all ablu h n es s
P rhap y m y hav
e s o m dayou a e s een , s e
R o cro wdi g th lf am w y
,
s es n e se -
s e a ,
O ut f a W ildi g way id bu h
o n , s e s .
Ph oebe i n O ur Homestead
, s in g s ,
Wh r at ight w lov d t m t ;
e e n e e o ee
Th r my m oth r voic w al way k i d
e e e
’
s e as s n
m il w al way w t ;
,
A d h
n er s e as s s ee
A d th r I m y fath r k
’ ’
n t
e e ve sa on e s n ee,
A d watch d h i thoughtful bro w
n e s
W ith my childi h ha d i h i rav hair
,
s n n s en
That hair i ilv r w !
,
s s e no
But that broad h arth light h that broad e
’
s o
h arth li ght !
, ,
’
e s
A d m y fath r loo k d m y moth r m il ’ ’
n e s an e s s e,
Th y m y h art t
,
e i a re ight !
n e o n -
.
2 68 ONE T H OU S A ND L IT ERARY QUES TI ON S
A ddi s o n s co n tributio n s to th e paper
’
or th e i n itial s o f C h el s ea Lo n do n Isli ng , ,
th e articl e s w e r e w ritt en .
as w e ll a s h i s s ti n gi n g s arcas m wa s ,
s w ee th e art o f R ob e r t Bur n s S h e di e d .
i n 1 7 8 6 a n d w a s buri e d i n t h e k ir k yard
of G re e n o c k To h e r m em ory B u r n s
.
A nn i e Lauri e wa s th e
h e roi n e o f th e famous
Scot c h s o n g by Willia m D ouglass o f ,
e r t Lauri e o r La w ri e
, o f Max w elto n , ,
ri ed Ja m es F e rgusso n o f Craigdarroch
i n 1 7 0 9 a n d b e c a m e th e m othe r o f A l e x
a n d e r F e rg u s s o n th e h e ro o f B u r n s s
,
’
po em , T h e Whi s tl e T h e ai r that
now acco m pani es the words of A nni e
ONE T H OU S A N D L IT ERARY QUE S TI O N S
Stoke Poges Churchyard i s th e s uppos ed
sce ne o f Thomas Gray s famous E le g y ’
marbl e .
wood ”
.Josiah G ilb e rt H olla n d called i t
”
th e que en village o f th e m e ads while ,
o f him :
E v i th p ul p it h liv d th thi g h w d aid !
en n e e e e n s e sa an s
Th gr at
e f hu m a
e atur ho i h i b autiful
n es s o n n e s ne n s e
bro w l pt ,
d with thought
s cu d light d fro m w ithi ;
or e an e n
his y e e full d blu w lu trou with a vi io f
so an e, as s s s n o
G d
o d, m d al m o t
an o p door i to th Shi i g
s ee e s an en n e n n
pr c
e s en e S profou dl y h lpful i piri g w o n e so ns n as
h i t achi g that I f liv d it fro m fort ight to
.
,
s e n , o r on e , e on n
fort ight d w t t it v ry ti m with th x p ctatio
n , an en o e e e e e e n
an d th x p ri c f r c ivi g th br ad f h av
e e e en e o e e n e e o e en on
which I w t liv d gro w u til th m a a f ll agai ;
as o e an ,
n e nn e n
an d m f all agen ohad m uch th a m f li g es e s e ee n .
e xp e ri en c e s i n this w or k w e r e a ft e rward
T he E n cou n t e r
”
.
d o or d o m t e r m s it sugge st e d th e titl e ,
fi na n ci e r a n d statesman .
I N D E!
( Thi s I d x i clud o l y th a m
n e n es n e n es o f author s a nd oth er
i
em n en t p er o ag Th nu mb r r f r
s n es . e e s e e to qu ti o es ns a nd ah
s wer s .
)
Abbott L y ma 8 8 Ar old M atth w 35 5 377 44
n. 2 n e 1
J oh Qui cy 5 1 937
, , , , , ,
Ad m a s, 4 53 4 56 5 8 3
n n , , ,
D r Tho m a 4 5 3 5 43 75
. .
93g s. 2
U pha m 935
.
e n, e e, 2 0
W illiam Tay lor O liv r Audubo J oh J a m
.
4 e n, n es , 1 1
08 Au t J a 39 5 58 9
1 s en , n e, 2 1 1
Addam J a Au ti Alfr d 379 7
, ,
6 3 4 3 6
s, n e, 1 0 2 2 s n, e 00
Addi o J o p h 4 7 5 3 666
, , , ,
s n, se ,
1 , 1 , ,
Ad e, e e, 2 2, n, n s, 2
E op
, , , ,
s 99 1
Loui J R 333 8 68
,
Ag ass i J o p hi D a k a m 8 4 s se ne
97g
, . .
, , , s
Ba k r R ay S ta ard ( D avid
,
“
e , nn
Alcott Amo Bro o , 33 G ray o 36
s ns n, 2 , , s n 2
37 5 0 8 5 5 3 5 5 8 8 78 94
1 . Ba croft G org 3 . . . . 1 . n , e e, 2
943 94 7 , Ba g J oh K dric k 753 n s, n en
L ou i a M 33 9 3 7 8 78 Barcla y Flor c L 8
,
s .
, 2 , , 2, 0 , , , en e 1
Barr Am lia E 35 343 5 8 7
.
,
en , s 68 7e . rs
Ald Pa
. . .
, 45 5 s e , , , 222 ,
2 22
Barto Clara 8 97
,
669 8 9 8 98 95 5 2 . n,
All J am L a
. .
B ck t Tho m a A 98
,
en , 3 es n e, 2 0 e e s
W a hi gt o 5 7 697 B ch r H ry W ard 1 48 3 1
, .
,
All t s 0 n, s n n, 2 , , ee e , en , ,
1 ,
83 0 68 9 8 8 94 4 98 9 2
A dr H a Chri tia 1 1 5 B la co D av i d 0 6
. . .
n e s en, ns s n, , e s 2
B lla my E d ward 5 3
, ,
98 1 78 8 3 1 .
2 . e
p ollo P h bu 63
,
B llo w D r H ry W 991
,
oe s, 2 e s, en
Ari totl 749
,
tt Ar old 8 74 8 94
.
B
.
,
s e, e nn e n
Ar old S i E dwi 4 5 1 B rg o H ri 5
, , ,
n , r n, e s n, en 0 1
G orge 95 5 B r k l y G org 633
,
e . e e e , e e,
2 75
2 76 I NDEx
J am R u ll
.
,
es s se ns, e , 1 1 2 , 1 30 , 2 0 5 ,
Billi g J o h S S haw
n s, s .
”
ee , 295 . 4 0 5 . 4 8 5 . 668 . 70 7 . 762 .
H ry W en 9 1 5 . 98 4 . 98 5
Billi g W illia m 99 Burritt E lihu 8
.
n s, 2 1 0
Bj or o B j O tj
, , ,
ns 78 n, rn s er n e , 1 Burrough J oh 5 9 347 50 1 s. n.
Black W illiam 4 8 33 22
7 8 996
1 2 1 2
. . .
Burto R ob rt 4 63
,
e, 2 1 n, e
Blak W illiam 2 43 7 4 6
,
.
e, ,
2 0, 1 Butl r E lli Park r 4
e s e 1 2
Booth E d wi 8 79
,
, ,
Borro w G org 78
,
n,
M rs Pi rc ( Fra c A
. e e n es nn e
Bo w ll J a m 4 4 6 8
s e
, e
es ,
e,
1
0
2
K m bl e Fa y K m e, nn e
bl 4 39 3 7
e 2
Brad tr t A
, ,
. .
s 54 ee n n e,
S a m u l 635
Bridg R ob rt 4 9
,
e ,
Bro t e A
es , 77 1 e , 0 ,
Butt r worth H z k iah 5 5
e e e
4 98
, ,
n
Charlott S
,
Nichol
n n e,
e ee s,
B y ro L ord G org Gordo
n, e e n,
4 4 . 1 7 5 . 2 38 . 30 8 . 4 2 1 . 4 73.
Charlott Bro t e
.
e n
Em il y 8 4 98 646 0
4 8 1 . 5 1 5 . 5 5 0 . 5 8 1 . 74 1 . 760 .
Brook Phillip
. . .
s, 8 s, 1 00 934
Bro w Alic 4 6
,
n, e, 2
Charl B k d 45
es r oc en , 1 Ca b l e G org W 0 6 462 969 e e 1
Bro w C harl Farrar Ar gé9
.
, , , ,
n e, es
l mu e 95 5 s
Caha Abraha m 4 1
n, 1
Bro w i g E lizab th Barr tt
n n , e e ,
Cai H all 7 73
n e, 1 ,
,
2
Calv rt B ruc 34
,
1 39. 1 95 . 492 . 60 4 . 60 7 . 6 1 0 . e e, 0
66 1 8 2 5 . 8 37. 964
,
R ob rt
.
M rs Bruc ( Mm Gul e e
5 70 . 60 7. 7 1 3.
. .
9 8
e .
bra d Calv rt ) 34 n s en - e 0
Ca m pb ll Tho m a 8 7 6 9
,
0
Bry a t W illiam Cull
n , 4 , 9, en ,
75 9 8 8 3
e , s, 1 , 1 ,
6 1 . 90 . 2 5 6. 368 . 4 2 5 5 5 2 .
Carl to W ill 5 8 8 32
.
.
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I NDEX
38 n e a
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R u ki J oh 38 5 5 8 5 670
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P roct r Ad laid Ann 33 R ob rt Charl 9
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8 34 a e, n e
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7 87 9 60 1 , 2 , 1
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2 1 0 33 398 6 0 22 0. 22 966
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se e , e e, 1 , e , s e e,
284 I N DEX
S outh y R ob rt 5 4 75 8 7
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9 7 1 7 6 6 e e, 1 , 1 2 , 1 2,
Sp en s er E d mu d 30 2 74 465 666 66 7 n , .
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5 5 3 60 0 68 4 8 75
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8 78 977
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2 1 2 2 2 0 1 n e, e
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Trai Arthur 66
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Troub tzko y Pri c A m él i
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S tor y J o ph 937
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S to w H arri t B ch r 3 R iv
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49 5 76 6 5 68 9 944
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2 7 5 3 5 5 4 34 7 5 6
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Tarki gto Booth 399 7 8 6
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Tay lor Bay ard 367 699 95 Bur Marti 8 0 3
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964 978 98 5 V an e, en 0
H orac 935 V r J ul
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T y o Lord A lfr d 6 75 W allac G ral L w 8 8 62
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1 0 5 3 5 5 4 8 4 93
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I ND E ! I NC L U D I NG A L L
A D D I T I O NA L
T H E QU O T A T I O NS A ND R E F E R E NC E S
F O U ND T H R O U G H O U T T H E W O R K
Ab e M arti 3 8 n, 1 g l i ff ctual 5 8 3
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A da m B d e e, 1 1 0 nn e 98 5 e,
A da m B for 64 7 e e, A i L ittl 4 6
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Adiro dack Club 94 A tholo gy Club 937
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n 0 n
A tho y A b olut S i 337
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Ado ai 4 6
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A ti S lav r y book Fir t 0
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A po troph to t h O c a
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A fri d hould b ar 78 Ari totl 749
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A lcott 3 7 A rou d t h World i E ighty
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1 n e n
Ald wi kl 634
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n e, D y 9 3
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Allah G ard of 37 en 1 Ar m chair O ld 8 6 5
A ll g ory 5 6 A rrow H ad 793
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All m y hurt 4 7 5 Arthur H ry H allam 8 91
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Arthur Ki g 9 4
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A m bitio A hburto Mar y 46
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Am rica By ro T h 5 5
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A tolat L il y Maid f 8 8
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Am rica H ood T h 366 A tro o m r Po t f P r ia 569
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Am rica S ib y l T h 338 Atla ta i Cal y do 75
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Amo g Ca aill 44 At fi fty y ar 4 8 4
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A n acr i Middl x 499e n es e Atla ti T h N w 4 36
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A d a g ai I h ard th wood Auld La g S y
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n n e e 95 n ne , 2
dov 5 67 e, A E liot 39
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A d I v y th y tr am 65 5 Aurora L i gh 49
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Avatar f V i h l nd 361
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31 9 Avo mouth 4 5
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A vo S w t S wan of 465
n, ee , B ow O range R ibbo n D i n r
of n e
Ay r hir 9 5
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s e, 1 35 2
Ay r hir plo wma 40 5
s e n, B h i l l Wh y fa mou
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Bo y O ra tor 5 6 2
Baco Writi g 2 76 Bo y H o w Club 32 3
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Bad Bo y S tor y f 8 98 o Bo y T h 95 s, e, 0
Ba k r Po t 95 Bo z 4 4
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Bar foot Bo y T h 60 2 Brac bridg H all 3 7
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Barrack Th 1 Brai Club T h 333
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Ba k rvill H ou d of th 2 1 4
s e es , n e, B ra twood P roph t of 58 5
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Ba th wait 75 5 Club 9
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Battl Cry of Fr do m 69 Br ak Br ak Br ak 74
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B at path to h i do r 63
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B d h igh w y m
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B aufort H ou 736
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B autiful to w b y th Broth r M O 4 5 9
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B auty A thi g f 40 8
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B ch r of E g la d 1 48 Bu ff Cottag 35 6
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mi o m i mpl r ic B uildi g of t h S hip 7
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B e ne s e s e se v e n e 0 1
b low 9 Burli gto H a wk y M
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Bolt 3 Bu h l f L ar i g 644
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B en 1 2 s e o e n n
B j a m i F J oh o of Boo Bu i of L tt r 8 94
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B y ro T h Am rica 5 5
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1 22 n, e e n, 1
B id t h Bo i Bri r Bu h
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Cad m u of th Bli d 4
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40 7 s e n 0
B t f a Boo k 7 6 Califor ia 794
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B tty Fla aga H ot l 974 Calum t K 34
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Bi mbi S tori 93 Ca aill G tl ma a m o g 44
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Boa t of H raldr y T h 9 Ca t rbur y Tal
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Cap Cod 36
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Boo k Fir t 8 5 Carroll L wi 8 8 0
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B l Fir t pri t d i Am rica Car call V illa 4 9
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Ca a Guidi 39
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Ca tilia D ay 5 3
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Bootblack I m ag i ativ 5 8 8
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Bo to S tat H ou 4 4 Cato 98
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C darcroft 978
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B o to T
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2 88 I N DE !
Cedric E rrol 8 1 6 Concord Days 5 58 ,
Co cord H y m T h 92 9
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C l tial Pa io Po t f 336
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Co cord Ma
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Cha m i g W illia m E ll ry 3
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Chapt r Co ff H ou
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Ch arl th G ial 4 7 es e en 2 94 I
Chart rhou S chool 666 Co f io of opiu m at r
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Cha wto 5 8 9 n, 9 8 1
Ch v r Ma t r E z ki l 7
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Ch l a Proph t of 5 8 4 Co titutio of U S 4 3
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Copp t 65
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Ch rr y C roft 343
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Ch y W alk 6 Cop H ill 999
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Chicag o Mo t Popular Po t Cour g R d Bad g of 7
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393 C ig p tt k
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C i g i H ou 94 5
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Childhood ho w th m 468 s s e a n, ra e s e,
Childr 2 8 7 en Cr y C tl 4 8
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Childr Po t 8 9 en s e 2 Cr ol L if 46
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Chillo 38 Crick t th H arth 5
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Chi a G r at Morali t of 97 Critic Mo t fa tidiou A m ri
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Chri t Church A l x a dria V
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Cry of th Childr T h 66
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5 44 e en , e, 1
Chri tm a s i t u d to b 3 5 s as se e, 2 Culprit Fay T h 763 e,
Chri tm a old ti m 95 Cu mm i gto 5 6
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s s, e, n n, 2
Chri tma to i ght
s s -
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Chri t m a Tr ur 46 D am i Fath r 4 38
,
s s ea s es , 1 en , e
Circuit R id r T h 8 7 D a m o d P y thia of Am ri
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Circulati g L ibrary Fir t 4 Po t 5 78
,
n s 1 ca n e s,
Clara Barto 8 97 D a i h S tor y T ll r 98
, ,
n, n s e e 1
Clock H ou 33 D aught r of H th 8 33
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s e, 1 e e
D avid G ray o 36
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Cl o k 98
ov er n o 0 s n, 2
Club Fra kli I D avid H aru m 47
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0 n n nn , 1 1 1
Cock r mouth 75 4 D aw O H
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3 6
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Co ff H ou Chapt r 3 D ad H ou 8 5
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Co ff H ou Will 469 D ad S lv 9 5
,
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Colo ial Ti m 5 39
n es , D a f Am rica Author
e n o e n s,
Color d E ducator 5 57
e 799
Color d Po t G r at t 5 5 6 D ar Lady D i dai
,
e e e es e 9 s n, 22
b i th G m of th O c a D ar La d of all my lov 74
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C l o u i a n e,
g
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s D ath Ki dl y 63
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C p h m Cottag D ath S o g f T y o 7 4
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a e, e n o enn s n, 1
Co m mo r th G r at 442 ne e e D ath S o g th g r at t 7 3
e n e e es 1
Co mm o S H ou D claratio of I d p d c
, , , ,
i th n en s e n e se e n n e en en e,
hold 43 ,
1 8 53
2 90 INDE !
Fath r D ami en 438
e , Gard en of Allah 1 37 ,
Fath r of pi g ra m 5 36
e e G ard T h S cr t 5 1
en , e e e 2
Fath r of thic 65 G autam a 4 5
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f x p ri m tal ci c G ial Charl T h 472
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F th e e en s en e , en es , e,
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n e
Fath r of th E g li h ov l 8 4 G t ia To a fri g d 4 5
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Fau t Go th G tl m a mo g ca aill A
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F ar 3 8 8
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F ar i all w hav to f ar 5 0 G tl m a fro m I dia a 399
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F ar i i tructor 5 5 9 G org B di h 48
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Filom a S a ta 65 G or g S a d 8 7
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Fir id Po t L aur at of th G orgia B lov d po t of 5 0 3
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9 4 1 G m
er n n n
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Fir t a mba ador f w world
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s ss o ne 1
G rtrud of Wy o m i g 8 8 3
,
5 49 e e n
F i r t i rculat i g l i brary 4 Gh tto Childr of th 948
,
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s C n 1 e en e,
Fi hkill 4 8 G h tto N w York 4
, ,
s 2 e e 1 1
Fla g tribut to th 66 G ilpi J oh 7 7
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Flo w r i th cra i d wall 93 G ird th y word 444
,
e n e nn e 1 on s
Flow r th m a t 4 74 G iv h i m u hi 3
, ,
e e e n es e s ns ne , 02
Follow i g th tar 8 G iv N t what w 5 5
, ,
n e s 1 e, o e, 1
Foot t p f t h a g l 78 4 G l m ar y 69
,
s e s o e n e s, en 1
For touchi g h art 678 G loria Quay l 7
,
n e s, e, 1
For truth i pr ciou 635 s e s, G l y T h m ar h f 35 1
nn e s es o
Four thi g a m m u t l ar G od L tt r fro m dropp d i
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‘
n s an s e n e e s e n
to do 6 tr t 9
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0 th e s ee 2 2
Fo x H w 7 5 God g iv
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Fra kli I Club 1 0 1 G od of our fath r 3
,
n n nn e s, 22
Fr ckl 46 Th m i 7 5
,
e es . G d
o es s e s, 0
Fr d rick Md 69
e e 2 God Ma qu of th 367
s, s e e,
Fr do m T h o l y 5 47
,
G old L g d 78
,
ee e n en e en 2
Fri d hip G radati m 8 4
, , ,
en s II I 1
Fri g d G tia To a 42 5 G ra dfath r Tal of a 6 5
, ,
n e en n, n e es 1
Fro b l T h m od r 5 9
,
G ra d m oth r tor y of Bu k er
, ,
’
e e e e n, 2 n e s s n
Fulha m 7 5 6
,
H ill 66 2
Full m a y a g m 5 32
,
G ra R g io Blu 30
,
n e ss e n, e, 2
Futur L if
,
n, e ne e,
Galahad S i 7 r, 20 G r at d d ca ot d i 6
e
’
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,
e,
Gard My u m m r i a 690
,
en, s e n , G r at M 8 5
e en , 2
I NDE ! 2 91
Great S o me a re b orn ,
638 H e wa s of i magi nation all com
G r at to fac 772
,
e s ne e, p a c t. 5 38
G r at t thi g i th world 30 3
e es n n e , H e wa s s o m thi g f a Quak r
e n o e
G r b th turf 5 77
,
een e e 2 97
G r nca tl 39
,
ee s e, 2 H H 86
.
G r P lac 3
.
H ia atha o g f I ndian s p
,
’
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een e, 21 n o a
p r ciatio of 930
,
G r boro N C 2 1 2
e ens , e n
H ighgat S ag f 95 7
. .
G r y loc k M o n tain 4
, ,
e u e, e o
H ighla d Mar y 98 4
,
G ri ff H ou 8
,
s e, n
H i da y i co m i g 764
,
Gyp i 78 0
s es , s s n
H i do m i a t t it 2 78
,
s n n ra
H i toria S outh 394
,
H allam Arthur H ry 8 91 en s f th n o e
H all f Fa m N Y U 38 0
,
o e, n o s ,
H a m ilto G ail 5 6
.
. .
,
n, 2 1 0
w ith th
,
as n s, n e,
H app y D odd 970 H oh li d en 87 n en , 1
H ar m L it rar y 39 H olla d 68
.
e e 2 n 1
H ol m Lo g Walk 34
,
H ari m d th Purdah T h
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’
an e e, es n
H olt T h 34
, ,
‘
24 1 e, 1
H arla d M ario 339 H o m lif of gr at author 657
,
n n, e e e s,
H arp that o c thro Tara H o w Club Boy 3 3
,
’ ’ ’
n e s e s, s 2
H all 7 3 H o ty l gac y rich
,
s, 2 ne s no e so a s,
H arp th Vall y 4 0
,
e e 1 509
H aut vill H ou 2 8 4 H ood T h Am rica 366
,
e e, se e e n,
e s e n e, 1
H a wk y M Burli gto 1 43 H oo i r Po t 93
,
e e an, n n, s e e 1
H oo i r S chool m a t r 5 7
,
e en 8 59 n ee , e an ee s 2
H op ful di po itio 669
,
H av li about
e en 776es us , e s s n,
H di d ag d S i x t y
e e v 3 e -
se en , 2 2 H o a Big lo w 767
se e
H ou d of th Ba k r ill 2 1 4
,
H e giv th H i b lov d S l p
e s e e ee n e s e v es ,
H ou Boat th S ty x 7 5 3
,
IQS se on e
H had a h ad 934 H ou hold co mm o
,
e e se i th n s en s e n e,
th lov of W i do m 99
, ,
H h
e as e e s 1 43 1
urpa d b y m 8 3 H ou of th v gabl s 2 3
,
H i
e s s s se no an , 0 se e se en e
H r h li 8 0 9 H ou f th wolf 5 46
,
e e e es , se o e
H roic d d 5 H w bitt r a thi g 775
,
e ee s, 1 2 o e n
w lif H w th oth r hal f liv
,
H e sa 6 e, 1 2 o e 5 9 e es , 1
H itatio A Od i n ti m f
es n, n e e o ,
H w to liv
o 4 hour a da y e on 2 s ,
39 I 8 74
H t r P ry
es e 1 7 nne , H ud o Ri v r 1 7
s n e ,
1
2 92 I NDEX
H ugh Wynn 31 3 e, Iva ho Ro w na i 48
n e, e n, 2
H ull H ou 3 4 s e, 2 Iv y fro m M lro A bb y 1 5 e se e
H u m a itaria Nov li t 675 I would hav a wo ma 965
,
n n e s e n,
H u m a ity Victor y for 4 6
,
n 0
H umori t a g ui 4 7 J ack M d 4 73
, ,
s en n e, 2 a
H u mori t Am rica gr t t J a m O ti 44 6
, , ,
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s , e s ea es es s,
J a Ey r
,
9 1 ne 74 6 e, 2 0 0
H ym ach m il a 4 5 9 J a I g lo w of Am rica 31
,
n, e s e e n n e e
H y m of th Nativity 8 63 J a Valj a 9 7
, ,
n e e n e n, 2
J ff r o J o ph 70
,
e e s n, se 1
J y ki d m 734
,
4 93 n 7e an, 1 1
I m th po t of th wo m a 70 8
a e e e n, Joe Gar g ry 8 8 e 2
I awok m or i g 30 8 J oh A d r o my J 7 7
,
e on e n n n n e s n, o, 0
Id al id ali t 9 J oh o B j a m i F f Boo
,
e e s 2 1 ns n, en n , o ne,
Idl wild 35 7
.
,
e 1 22
I do t do it 5 J o atha O ld ty l
,
6
’
n 2 1 n n s e, 1 1
Idy ll of th ki g 5 63 J o ph J ff r o 70
,
s e n se e e s n, 1
If w rit a b tt r boo k 63 J our y Z igzag 5 5
,
on e e e e ne s,
If th r i w ick d
, ,
e e 6 6 s e nes s , 1 J y
o 3 1 1
If w ch ri h th virtu 5 J oy for v r 4 8
,
e e s e es , 1 e e 0
I hold it truth 9 5 J oyou childr book f 38
,
2 s en , o
Iliad 9 J o y tak hom 48
, ,
0 e e, 0
Illu trator L adi g 739 J uda 96
, ,
s s, e n s, 2
I m a g i ary co v r atio 8 7 J ud th O b cur 674
,
n n e s ns , 1 e e s e,
I dia E gli h ov li t bo i
n n s n e s rn n, J ud g m t H ou 5 65 en s e,
J u gl Book 5 96
,
6 1 2 n e s,
I dia L if 4 33
n n e,
I fi t l A g l 58 3
ne
’
ec u a n e Kat ri a Ma lova 2 0 0
e n s
I v r do g ar d a boo k 99 K i ghl y 747
, ,
ne e -
e e 2 e e
R d H or K ilhau 90
, ,
Inn , 94 e s e, e 2
I r S hri T h 78 5 K l m cott Pr 663
,
nn e ne e, e s es s ,
I O ld Vir g i ia 86 7
n n K al G r
en s C m t ry 74 een e e e 0
I a po t di d 5 34 K t E gla d 8
, ,
ns ne .
‘
e e en n n 2 1
I piratio 5 7 K tucky Blu G ra r gio f
, , ,
ns n, 1 en e ss e n o
chool day 4 3
, ,
In s s, 1 2 30
I r m mb r I r m mb r 5 37
e e e e e e Ki l c om a n 30
Iro Wo m a T h 3 5
,
Ki d r g art
, ,
n n, e, 1 n 87e en , 2
I aac M 98 8
s s . r Ki g Ar thur 9 4
n 2
I hall d i that tr 956
.
,
Ki g do m of If 5 4
,
s e as ee, n 0
It co t mor to liv
s s no 5 73 e e, Ki g Chap l 5 6
n
’
s e
,
1 70 3
It ta k a oul 6 Kirko wald 76
.
,
es s ,
1 0 s , 2
2 94 I NDEX
M atilda H offma 2 46 n, My Ragp ick r 1 9 e ,
M azzi i 5 5 n 2 s n s , 1
M y u mm r i a gard 69C
,
M a l L ik th boy with th
,
e s es , e e e, s e n en,
85 M y y m pho y 8
s n ,
1 0
M moir of a baby 8 4
e s My work i th mbodi m t s e e en
M mory Pictur of 67 my dr a m
,
e es 2 33 e s, 2
M r dith O w 8 6
, ,
e e en , 0
M rit th traight road to
,
e e s s uc
c 78 3 es s , Natha n H al 68 e,
M r maid Tav r 8
e e n, 2 2 Natha i l H a wthor
n e d ne an
Micha l S trog ff 47e o 2 wif 649 e,
M iddl x acr i 4 99 Natio ali t Club 5 3
,
es e an e n, n s s,
Mill G rov Far m 4 N a t io Tru gra d ur f
,
e 1 1 ns , e n e o
N ativit y H y m of t h 8 63
, ,
Mi d L ittl 35 4
n s, e, n e,
Mi haha 7 Natural L w i piritual w
,
nne 1 a n s o
Mi tr of th Ma 78 6
,
s es s e n s e, 8 40
Mitr Tav r 4 4
e e n, 1 Na u l a h k a , T h e , 95 8
Mobil O ld 8 e, 2 N autilu Cha b r d
s m e e 5 95
Mo tic llo 5 9 g ro Bo ll
, , ,
n e 2 Ne s we o f th e 30 5
Moo to T h 38 ll Littl
, , ,
ns ne, e, 1 Ne e 46
Moo Vall of th 3 Atla ti
, ,
n, ey e, 2 0 Ne w n s T h e 4 36
Mor i g S tar of th R for ma E d Ex p ri t
, ,
n n e e New en e m en 943
tio 64 i ght Thou ght
,
n, 2 N s 765
Mo gi l S cotla d 668 Nobod y v r laid it do w
,
ss e n e e n,
Mo t b lov d of E gli h w rit r
,
N co ward oul i m i
,
s e e n s e s, o 8 s s n e, 0
5 33 N l gac y
o e rich ho so as ne
Mo t b autiful choolbo y po m
s e s e , 5 9 0
5 98 N lif
o b pur 4 76
e ca n e e,
Moth r Car y Chick 6
e e
’
s en s , 22 N o m l cti g a li t r
an se e n e
Moth r t m 395
e s o en , har m 2 39 e
M ou t i L iv a 496 No k w th but to l
,
n a n, e a s on ne ne ee
Mr D ool y 9 6
,
. e 0 th 577 ee ,
M r I aac 98 8
,
s s, Nor m a W 7 6 n s
’
oe , 1
Malaprop 686
.
M rs N or i th n ne r li k p w e s ee -
e o
Mu T h t th 5 4 5g
.
,
s e, e en 2
My cradl w a cov r d wago
,
e as e e n, N th fi l d M a s 8 64
or e s
Nor w g ia P o t 447
, ,
5 4 2 e n e
My i pai d my oul i Nor wood 98 9
,
ea r s ne s s
ick 7
,
No tro m o 74
,
s 2 2 s 2
M y lif i a lov l y tor y 1 5
,
N t m a y fri d
,
e s e s 1 o n en s,
M y littl i t r 6
,
e s s e 1 1 N t what w giv
o
’
55 e e, 1
My l d K t ck y hom 7 5
,
o en u e, 1 N t what w hav 1 73
o e e,
I NDEX 2 95
Noveli s t gr eat es t 5 1 6
, O ur D oubt Trai tor 8 8 s a re s, 1
Now h e be lo ng s to th e
ag 8 O ur F ar i all w hav t F
,
es , 1 1 e s e e o ea r,
5 02
O ak K oll 75 n , O v r th H ill to th Poorhou
1 e e e s e.
O atm al M ad O ut f 4 79
e 58 e o
O Broth r M 4 59
, ,
e Ow l
a n, d i th 8 60 en ere
0 Ca p tai M y C ptai 5 3
,
n, a n, 1
Oc Apo tro p h To th 75 Pa ff W i C llar 95 5
ea n , s e e, 1
’
s ne e
O ctav Tha t 30 9 Pai t r po t 964
,
ne n e -
e e
Od i Ti m f H itatio i W all S tr t 38 2
, ,
e n A P
e o es n, n, an n ee
Paradi
,
39 I 00
Paradi 14lat 8 3
s e,
O dy y 90sse se
O h Wh y S hould th S p irit of Pari S k tch boo k 667
, ,
e s e
Mortal b Proud ? 2 8 0 P a io Po t f c l tial 336
,
e ss n, e o e es
O j ib way I dia 93 Path b at to h i door 63
,
n ns , 0 e en s
O ld Ar m chair 8 6 5 P a t i c 435
, ,
en e ,
O ld Ch t r 3 9 Pati c hav h p rf ct work
,
es e 2 en e e er e e
O ld Cor r Boo k tor 3
, ,
ne 733 s e, 1 2
O ld C urio ity S hop 8 s Pat y S tory f 2 1 se o 2 1 0
O ld Fol k t H o m 7 5 Patty S tori
, , ,
s a 6 e, 1 es , 2 2
O ld K tucky H o m 7 5
en P abod y P w O ld 33 e, 1 e e 0
O ld Ma P ac G r
, ,
94 6
ns e, 3 e e, een , 2 1
O ld M obil 8 e, P ac H ro T h 8
2 e e e e, 1 0
O ld O ak Buck t T h 64 P g W o ffi gto
,
’
en e65 e, e n n, 1
O ld P abod y P w T h 33
,
e P f th L ad y P lo p 38 3
e e, 0 en e a er , ene e,
O ldto w Fol k 3
,
n P rod 7 s, 1 en 2 1
O ld Tra il To w 8 P o y f S o w I mag
,
“
n, 7951 e n o n e,
O Ly ric Lov 60 7 P p p p d Pip
e, e er o 2 02
H or S hay 8 9 P rch T h 37
, ,
One- se 1 e , e, 2
S w tl y S ol m Thought
,
One ee P r ia A tro o m r p t f 5 69
e n , e s s n e -
oe o
P r o al x p ri c 5 5
, , ,
S7 e s n e e en e , 0
O l y Fr do m 5 47
n ee P i m i m Apo tl f 8 8 es s s s e o 2
O piu m H abit 6 8 P i m i t S ag 73
, , ,
1 es s s e, 1
O pti m i m 8 6 P t r Ibb t o 2 4 5
,
s 2 e e e s n,
O ratio Mo t E loqu t 52 P titio to Ti m A 8 34
,
n, s en e n e,
O rchard H ou P ha to m 5 48
, ,
s e, 2 n s,
O rd r for a Pictur 1 8
e P hilo oph y Co co d S chool f e, 1 s , n r o ,
O rl a H ou 8 76
e ns se,94 1
O rl a M aid f 1 54 P id boo k w ithout p ictur
g3
e ns, o re s es ,
O ti J a m 446
,
s, es . 1
O t go H all 5 5
se Pictur f M mor y 2 67
2 es o e
O tt r y S ai t M ar y 437 Pic kw ick P ap r 5
, ,
e n e s, 2
P i g D i r O rigi f 0 2
,
O ur D d 96ee s , 1 nne ,
n o ,
1
2 96 I NDE!
P ig o C v 1 0 4
e n P ortsmo uth N H 8 2 9
o e, , .
P ig i Pig 4
,
s s s, 1 2 e s, 1
Pilgri m who wa d ri g f t Pray r Each ki dl y d d a 4 59
,
s se n e n ee e n ee ,
5 35 P re- e e e ,
P ip P p p p d 0 2e er o 2 I
P lowma Ay r hir 40 5 Pri m ro D r 6 3
,
n, s e, s e, 2
Plu mm t li 5 6 Pri c T h right 8 0 1
.
,
e n e, 2 n es s , e
Cottag Pri c T h li m 8
,
Poe e, 2 1 1 n es s , e s 02
Po m of cabi d fi ld 5 30 Pri c of Thul 4 2
,
e s n an e n es s e, 2
Po t b t looki g 760 Pri c f Po t of Pari 2 5 4
,
e es n n e o e s s,
Po t L aur at fir t 4 Pri ti g Pr Fir t Am rica
, ,
e e e, s 22 n n es s , s e n,
P o t Laur at f th fi r id
,
e 8 56
e e o e es e,
9 4 1 Pri o r o f Z da 0 1 s ne en 2
P o t Laur at of th labori g Pro m th u U bou d 5 90
,
e e e e n e e s n n
cla Proph t of Bra twood 5 8 5
,
7 5 s s es , 2 e n
Po t of C l tial Pa io 336 Proph t of Ch l a 5 8 4
,
e e es ss n, e e se
Po t f upr m i m pl Pru d I 5 42
,
e o d s e e an s e e an
g iu 7 d y m of fa m ou wri t r
,
en P
s, 2 0 s eu 0n s s e s,
P o t of th Blu G ra Cou tr y
e e 08 e ss n 1
P y chology li k a ov li t 63
,
22 s e n e s 0
Po t of th Natural M 2 8 Pu m p a rill fro m t h to w 344
, ,
e e a n, 2 e n,
Po t of th R ocki Purd h Th H ari m d th
,
e 3 e es , 1 0 a e an e,
Po t f th S i rra 67
,
’
e o e 4 e s, 1 2 1
Po t f Thi g D ivi 5 2 7
e o Put y H ill 434
n s ne , ne
Po t tat ma 7
,
-
e s es n, 1 2
Po t S w at hop 5
e eQuak r Po try 2 97
s 1 0 e in e
Po t Th Mad 335
, ,
Quak r Po t 8
,
e , e e e 1 2
Po try divi io of 966 Quak r 8 4
, ,
e s ns e s, 2
P o try mo t b autiful m od f Quarr l Al way Brought a 78 8
, ,
e s e e o e s
ayi g th i g 4 56 .
, ,
s n
Q ill t 3 n s, u co e , 22
P o try Mo t origi al boo k of
e , s n ,
374 R L S 6 2 1
Po t bach lor 388 R abbi B E z ra 5 70
. . .
,
e s, e en
Pol i h writ r 696
,
R agpick r M y 9
,
s e e 1
Po m p ii La t D ay f 42 R al igh Tav r 8 69
, , ,
o
e , s s o ,
2 e e n,
P k p g 5
on a o R am o a 3
, n 20
Poorhou O v r th hill to th R ali t Am rica gr at t 38 9
,
’
s e, e e e, e s e s e es
R b cca 4 6
, ,
58 e e
Poor R ichard Al ma ac 96 R b l R coll ctio A 1 2 5
,
’ '
s n , e e s e e ns,
P ort ia s P l a 1 8 8 R d Badg f Courag e 7
,
’
e , e e o ,
2 98 I NDEX
i rra P o t of
S e s, e th e 1 67 S qu r s Wack ford 46
ee ,
quirr l T h 4 3
,
ight a tar or a o r
,
S of s fl we , 654 S e s, e, 0
ig o
S n La thor
th e n
’
n , 960 St C cilia D ay 637
e
’
s
G il Church 6
,
’
S e e n ne 2 36 St es 1
tar Lov th M or i g nd
.
,
A tho y b olut
,
S ir n n A s e, 3 37 S e e n n a
Galahad Ev i g 5
,
S ir 72 0 en n 1 1
S tar S pa gl d Ba r 37
,
i t r My littl
,
S s e e 1 61 n e nn e ,
S e e n 96 7 s, en e
S t ppi g S to Ri
,
ki or ay
, ,
S en N w 44 7 e n 9 5 nes , s e on , 2
kull dri ki g cup S tor m at m id ight u ociabl
, ,
S n n 74 1 n as ns e
a 64 6
, ,
S l a b s i d es 5 9 as
S e n e w on 1 4 9 e es
l p g iv th b lov d S tok upo Tr t 8 95
, , ,
S ee He e H is e e e- n- en
S to H ou 5 76
, , ,
QS I ne s e,
S l p y H ollo w 68
ee 2 S tor y of A frica Far m 768 an n
S l py H ollo w C m t ry 8 78 S tor y Lady T h
, ,
ee e e e 8 3 e, 2
S li m Pri c S tor y of a Bad B y 8 98
, ,
8 n es s , 02 o
S lo w ri w orth b y pov rty S tor y of Pat y
,
s es e s 2 1 0
oppr d 97 S to y W riti g R ul
,
es s e 2 r 396 n es ,
S ark T h 5 S tra d S w d
,
n e, 20 n 6 e en , 2 2
r Y t rday 68 S trai g h t R oad But
, ,
78 3
’
S nee es e s, 1 on e ,
S o w B rri S tra wb rr y H ill
, ,
n 68 8 e es , 77e 2
S ow I mag S trogo ff Micha l
,
’
n 795 e, 47 e 2
S o w S how r T h 64 3 S uch i th Patriot Boa t 779
, ,
’
n -
e e, s e s s
S ohr b d R u tu m 377 S u gar plu m Tr
, ,
5 8
-
a an s ee , 2
S J uda ki d h i Ma t r 96 Bli d S pi r i th 34 5
,
o s s se s s e 2 Su n, n n ne n e,
S oldi r of Fortu t Co x 997
,
e s 4 ne , 1 0 Su nse
S olo m o T h Ya k S wa of Avo S w t 4 66
,
37 3 n, e n ee , n n, ee
S om bor gr at 638 S w t M rc y Nobilit y Tru
,
’
e a re n e ee e s e
S o m wh r th bird
,
Badg
,
e 3 9 e e e s, 1 e, 1 2 1
S o g of M y lf T h
n 7 se e, 1 1 S w at hop Po t
e s 5 e 1 0
S o g of th Ba jo 8 8 9
,
Sw t th d rt air 5 3
,
n e n e e n e s s on e es e 2
S o g of th S hirt
,
S w t S wa f Avo
,
n 85 e 1 ee 466 n o n,
S o g fro m Vagabo dia 90 4
,
n s n S y m pho y M y 8 0 n 1
S o g of S v
, , ,
n s 4 77 e en ,
S o g Tra c of 65 5
n n e Tabard I 4 7 nn ,
S oul It ta k a 6
, ,
es 1 0 Ta k j oy ho m 48 0
e e,
S outh r r T h
, ,
e ne
34 e, 2 T l b th y
a o 35 a s, 1
S p ctato
,
e Th 98 r, e, 2 Tal of a G a dfath r 6 5
es r n e 1
S p zia B y f 4 8 7 Tal f th M rm aid Tav n
,
e a o es o e e er
S pi r i th Bli d 5
, , ,
nne n e s u n, n ,
1 0, 282
T a m O S h a nt er , 1 1 2
’
S py T h e, 8 93
. Ta gl ood Tal
n ew es , 792
I NDEX
T a rrya wh il e, 969 T om Brown, 543
Tart T p r e m e , 35 8 a yr
T om S w e , 67
T a t l er , T h e,
47 1 T oo l ow eth y bu ld 4 70
i
Tav r T rr s 59
,
e n, e e
’
, 1 To w P um p rill from th
n 3 e,
Part y Bo to 1 76
,
T ea , s n, 344
T ach m t F l 62 9
e e o ee , Toy b H all 60
n ee 1
T ar oft i g ho w r Tra c d tali t 790
,
th en n
74E
e s re e s s e s, n s en en s s,
Tra c of S o g 6 5 5
n e n
T ll r f Tal 8 1 5 Tribulatio 38 4
,
e e o es , n,
T lli g th B
e n 71 e ees , Tribu Fo d r f N Y 8 46
n e, un e o
T mp A Tart 35 8 Tril by 3
.
e er , , 1 2
T m l Church 70 4 Tri ity Church yard 1 0 0 0
,
e e
T tpM u T h 5 4
, n
Tri tram S ha d y L if
,
en se , e, s d n e an
T rr Tav r 1 59 O pi io f 6 3
,
e e s e n, n ns o 1
Th r i a wo d rful cou tr y
,
e e s n e n , Tru G ra d ur f Natio 4 1 7
e n e o ns,
54 0 Tr U iv r ity T h 349
ue n e s e,
T h V i l t b y i t m o y to Tru Worth i i b i g 68 5
,
e o e s ss s ne, e s n e n
i pr ciou d d ivi
,
6 7
é35
I T t
ru i s e s an ne ,
f Baco wri t i g
7g
Th w
'
e ne o n s n s,
2 Turk H ad Tav r 97
’
s e e n, 1
Th m i Th Godd 7 5
e s, e es s , 0 T it l
us 8 5
a a, 1
Thi g f b aut y 40 8
n o e T w ty ix d
en -
40 s an o ne, 2
Thi That d th O th r 1 69
,
Tw Y ar at H ull H ou
3g
s, an e e en e s s e,
Thor au C ov 37 1
,
’
e s e,
Thr M i a Boat 0
ee en n , 22 T wick ha m W ick d Wa p f
en e s o
Thul A Pri c
, ,
e, f 4 2 n es s o 2 98 3
Thu t r li v th wr tch d
,
I 766
’
Ti s v Alo that i giv
ca en ne s en T y p ee. 4 2 3
away 648
th h igh tar alo
,
’
T t
i s no 1n e s s ne ,
24 U gl y Club 95 4
u t f li f 6 9 br lla T h O l y Tru 669
,
Ti th Um
’
s e s ns e o e, 1 e e n e,
Ti to M l ma 1 90 cl R mu 90 3
,
e e Un e e s,
T a Fri g d G tia cl To m Cabi 1 49
,
'
o 4 5 n e en n, 2 Un e s n,
Tob y Fillpot 1 9 1 Un iv r ity T h Tr 34 9
e s e u e,
T hav do what v r had t
, ,
o e ne e e o Un s ociabl a tor m at mi de as s
b do 1 96
e ne , ight 646
n
To mb Blo om 364 U to th i g iv li f 5 7
,
ss s, n ese s en a e, 1
T m th m a
o t fl o w r that
e e e ne s e U pp r tory f lif
e 5 73
s o e,
g r ow 4 1 4 s, U topia 4 99 ,
30 0 I ND
V aili m 8 9 a, 2
Val f Ch t r 699
e o es e
Vall y f D r a m 5 4
,
e o e s, 0
Vall y of th Moo
e 3 e n, 2 0
V tia L if 77
en e n e,
V r E l i 46
en n e s e,
Victoria Qu
,
56 een , 1
Villa Cra w ford 64
,
2
Villa g Black m ith 65
,
e s 2
Viol t b y i t m o y to 6 7
,
e s ss s n e, 1
Viol t of S w I m ag 795
e no e,
Vir g i ia I O ld 8 6 7
n n
Vir g i ia
, ,
n n, 2 1
V i h l d G r at Avatar o f
s nu a n , e
36 1
Voic of th P opl 9
e e e e, 01
W a ck f o r dqu r 46 S ee s ,
Wall t i 8 7 en s e n , 2
W lpol H u 36
a e o s e,
W ll S tr t P i 38
a ee an n, 2
Wal Pa g L t 5 64
,
’
t er e s e te
r
Fictio 78 n,
W H o a Big lo w opi io
a r, se e
’
s n n
f 94
o 2
W ar th G r at Bo r 5 8
,
e e e 1
W ar r A
, ,
ne 7 n n e, 1 0
W t it w t
,
as e 5 32 s s e e n es s ,
Wat rfow l To a 6
e 1
Way id T h 947
, ,
s e, e,
W all childr
e a re 87 en , 2
W i m m ortal 5
e a re 02
W Build O ur Futur 8
,
e e, 22
W hap our lv
e s 3 e se es , 1 1
W t S h t d a Flo wi g S
e ee an n ea ,
What i good 5 4 s 0
What i
,
80 5 s s een ,
Wh at E pic f th 2 2 7
e o e,
Wh v ry thi g go d ad
,
en e e n es e
wro g 331 n ,
S y n o ny m s
a nd A n t o ny m s
B y E D IT H B . O RD W AY
1 2 mo . Cl ot h n et,
A ge n u i n e d i c t i on a ry of wo d s inr o rd i n a ry u s e, wi h t
a ll p
t h e i m o r ta n t w o d s r of k o
li e r si m i l a r m ea n i n g . It
is r d v ol u m e ba s ed
a s ta n d a , u p on
th e s t a n d a r d a n d u p
t o d a t e a u t h ori t i e s a n d w i t h ou t i t n o d e s k i n h om e o r
-
,
offi c e i s c o m p l ete Th os e w h o kn ow m os t k n ow i ts
.
,
v a l u e b es t T h e b ook c on ta i n s th ou s a n d s o f w o r d s w i t h
.
t h e i r opp os i t es w h i c h w i l l n ot b e f ou n d i n a ny ot h e r
vo u l me .
H er e a re fi v e t h ou s a n d l ea d i ng w o r d s w i t h m a ny
m en s t .
— Th e B os ton E v e ni ng Tr a ns cr i pt .
G E O R GE S U L L Y A N D C O M P A N Y
mmm
By W L MA S ON . .
1 2 mo . C l ot h n e t,
p r pl x i g
e to p lli g acc t y llabicatio pro u ciatio
e n as s e n ,
en , s n, n n n,
or u se .
i t d d a ha dy r f r c book for th bu y m
It is n en e as n e e en e e s an
ard t th t a h r i
o d out f t h cla
e ro m ; a i d i p
e c e n an o e ss o as n n s en
th p culiarit y of all th
e e word i v r y group pr ti g th e s n e e ,
e s en n e
l bi d
a d acc t d follo w d b y a cl ar
ze an d co cien ed fi i ,
e e an n se e n
an a a s, n e n n ou e e e n
Th di ti gui hi g f atur
e f thi boo k which cau
s n s it to
n e e o s , s es
u r f th b ok h w to avoid th di fficulty d to al wa y
se o e o o e , an s
b fou d
e n .
G E O R GE S U L L Y A N D C O MP A N Y
NE W YOR K
Q u ot a t i o n s
B y E D IT H B . O RD W AY
Ne w a nd En l a r ge d t
E d i i on
1 2 mo . t
Cl o h n et,
A tr ea s u r e b oo k
-
of ge ms of t h ou gh t . The r
c ea m O f
E n gl i s h l it e r t u r e
a ,
in t e r s e p i th y e x p r e s s i on s
, , a nd c l ea r ,
st ri ki n g f a n c ie s ,
i s h e r e gi v en u nd er a f or m Of r e fe r
en c e w h ich m a ke s ea c h q u o t a t i on r ea d i l y l
a v a i a bl e . It
is an in v a lu b l e
a a s s i s ta n t to t h e w rite r or s pe a k er wh o
wi s h e s an a pt a nd n ot a b l e q u o t a t i on to drive h ome a
p oi n t . T h e b es t Of th ou gh t s on j
s u b ec t s of u ni ve s a r l
h u ma n i nte r es t a re he r e p r e s e n te d in a i
s ng e l h a nd y
v ol u m e .
PUB LI S H E RS