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    On The Sunny Side of The Street

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    marcustristanjavier
    This document contains a transcription of Sonny Stitt's alto saxophone solo on "On the Sunny Side of the Street." It is presented as musical notation transposed for alto saxophone. The solo consists of melodic lines, rhythmic phrasing, and technical embellishments played over the changes to the standard jazz tune.

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    On The Sunny Side of The Street

    Uploaded by

    marcustristanjavier
    5 views2 pages
    This document contains a transcription of Sonny Stitt's alto saxophone solo on "On the Sunny Side of the Street." It is presented as musical notation transposed for alto saxophone. The solo consists of melodic lines, rhythmic phrasing, and technical embellishments played over the changes to the standard jazz tune.

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    On_The_Sunny_Side_Of_The_Street

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    This document contains a transcription of Sonny Stitt's alto saxophone solo on "On the Sunny Side of the Street." It is presented as musical notation transposed for alto saxophone. The solo consists of melodic lines, rhythmic phrasing, and technical embellishments played over the changes to the standard jazz tune.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    5 views2 pages

    On The Sunny Side of The Street

    Uploaded by

    marcustristanjavier
    This document contains a transcription of Sonny Stitt's alto saxophone solo on "On the Sunny Side of the Street." It is presented as musical notation transposed for alto saxophone. The solo consists of melodic lines, rhythmic phrasing, and technical embellishments played over the changes to the standard jazz tune.

    Copyright:

    © All Rights Reserved
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    of 2

    Alto Saxophone

    On the Sunny Side Of The Street


    Sonny Stitt's solo Transposed by: Marcus Tristan

           
        
          
        
    3

      
                   
         

                    
                     
     
           
    3

                            
    3


              
                       

           


             
          
            
                 
    5 5

      
             
    3

                 
     
        
    3

      
    3

                     
    3

             
    3

      
       

               
    3 3 3

                
           
    
    2

        
            

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